January 2024

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lesbianjesus-gideonnav:

big fan of the locked tomb’s version of the virgin mary. her first appearance is in a hazmat suit with a gun. her name is nineteen words. god’s nickname for her references evanescence. her niece has blue hair and pronouns and several guns. she stole god’s sperm. after she dies she fights a popular folk hero warrior from pluto. she and her newborn baby fell from space into a cult, a bit like a comet. she was planning to sacrifice the baby to open the locked tomb and start the apocalypse and kill god. she is not a virgin, and is bisexual. her skeleton is farming snow leeks to this day.

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notedchampagne:

points of contact. harrow fix your posture

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gipki:

Just realized i never posted my gideon and harrow animations :) i want alecto news NOW!

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drawerbread:

who let harrowhark “i cannot conceive of a universe without you in it” nonagesimus out of her enclosure?!🗣️

some details:

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civetside:

TLT game night

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that one artstyle challenge where u try to do the opposite of ur own

headass harrow was born

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some eyes! i think harrow would have bigger than normal pupils and gideon some small ones. yknow that one meme? yknow the one

if anything looks too off is bc i didnt use ref <3

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confusedbyinterface:

Here’s what it might look like if Harrow went to Scarlet Hollow (she is being forced to touch grass at age 17)

(Made in picrew)


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raegunblastart:

(a meme)

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yourmomsballsinmymouth:

I could talk in length about the locked tomb first person video game.

It could fits so good, a combination between combat and role playing. AND you’ll be able to listen to the inner monologue which is the most compelling part of tlt. In Gideon you could walk around until you get to Harrow and you could spy and maybe find some doors, you can choose what kind of gameplay you are going for.

In Nona at the end your HP could just go down. And the last scene with Alecto could be from a third person pov.

In Harrow you can eat biscuits with jod and make the soup. And all the parts can still be confusing.

I think that video game adaptation could really fit the style of the books

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civetside:

the doodles i doodled while i listened to the nona audio book babay! (plus my favorite pyrrha dve quotes)

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andry-di:

A black and white comics in seven pages featuring a scene from the book Harrow the Ninth by Tamsyn Muir. To be more precise from a part of the extra story As Yet Unsent. The main subjects are Coronabeth and Judith. Page 1 Panel 1: Extreme close up shot of two hands laid in some sort of sheet. Judith's hand is sligthly curled into itself, while Coronabeth' is set flat on the sheet. There is a certain amount of distance between them. Text: Do you remember...the first time we met? Panel 2: Half bust shot of Corona, Ianthe and Babs as children. Corona and Ianthe are wearing matching short sleved dresses. Babs wear plain trousers and shirt. The three of them are all looking towards the "camera" and Corona is the more in front row. Panel 3: Someone with a sea of curly hair is showing their shoulder tothe camera (it's Corona). In fron of her, in the scene you see half of Judith's face. She seems bedridden. "Yes" she says. They are both adults in this scene. Panel 4: Half bust shot of Judith as a kid, standing at attention and looking straight a head. At her side a faceless man, probably her father (it's him). They are both smart dressed with militarysh clothes. Text: You were so hard to play with!ALT
Page 2 Panel 1: This page still shows Corona and Judith as kids. Corona is running ahead, attempting to show Judith something. Judith calmly follows her. Text: I only got you to unbend by the end of the visit. Panel 2: Shot of Corona from the back, running- Text: I remember running. Panel 3: extreme close up shot of Corona's foot. She trips into a loose stone of the floor. Panel 4: Extreme close up shot of Corona's face. Her eyes are wide and the screentones give the impression of falling. Text: falling headlong, smashing flat of my face. Panel 5: Corona trips and smashes flat of her face on the floor.ALT
Page 3 Panel 1: Close up shot. Corona rubs her head where a bruise is forming, she has a pained expression. Text: You came over to help me up. So I pretended I was hurt so much worse than I was. Panel 2: Extreme close up shot of Corona's right eyes. She looks to the side towards a voice that says: "Princess!". Panel 3: Half bust shot. Judith runs over to help corona up. Panel 4: Close up shot. Corona is looking at Judith (outside the shot). She sniff. Panel 5: Shot from the side. Corona, sitting on her knees on the floor, starts wailing and crying desperately. Text: I always used to fake to Babs that I was about to die to make him cry when he was little, but he stopped really buying it, and I found myself doing it for you.ALT
Page 4 Panel 1: Close up shot. Judith's hands are holding Corona's right one. Text: I can't believe you fell for it! It was wonderful, like being in a play. Panel 2: Establishing shot. Judith is kneeling by Corona, holding her hand. "It's ok princess. I'll stay with you until it's over". In the background some columnsto make up some enviroment. Text: You were so cute,so chivalrous. I'd thought you would be boring to the core, but there you were playing the sad soldier when I pretended I was like to die.ALT
Page 5 Panel 1: Same shot of the two hands from the first page, but here Corona' is holding Judith's. Text: Do you know? Panel 2: Establishing shot. A teenager Corona is sat by a table, writing a letter. Around her, filmsy roses origami are scattered. Ianthe looks at her from the end of the table, bored. Text: Every birthday we got to have one person we'd invite and our mother and father would invite the rest. Panel 3: Corona is trying a dress by a mirror. Ianthe is also reflected in the mirror and she's rolling her eyes at Corona attics. Text: Ianthe always invited whoever Babs didn't want to see at the time Panel 4: A teen Judith, standing by a window overlooking the deep space, holding a letter. A pensive expression in her face. Text: ...and I always invited you.ALT
Page 6 Panel 1: Close shot of Corona from nose to chest. She walks by a bunch of awed bystanders. You can guess she's dressed to impress. Text: I had so much fun seeing you. You were the only person who acted like they had to get through the party for duty sake. Panel 2: Same shot of the hand from the first page, but Corona's hand holding Judith' is trembling. A tears drops into it. Text: I went over to you when everyone else would have eaten glass to talk to me. I had put a lot of effort into making them feel that way. Panel 3: Corona is standing by Judith. She's wearing a dress with a low neck line and probably lowkey flirtying with Judith. Judith wears a militarysh uniform. Text: And you weren't even grateful! You were immune.ALT
Page 7 Panel 1: Close up shot of Corona from nose to chin. She's crying. "Jody" she begs. Panel 2: Back to the present. Corona sits by a bedridden Judith, holding her hand. Judith's face is hollow. Corona, crying, says: "You can't die on me."ALT

I had to cut some part or I would have had to draw like 15 pages.

I used Silver the hedgedog as a refernce from the smashing on the floor with the face panel

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athunderstryke:

GIDEON ANIM

did this for practice since it had been bit since I animated something polished and not like a scribbled mess. anyway, Gideon alert. tlt fandom wake up