2022-08-29 22:47:22 ¶ ●

not to draw conclusions that will probably immediately be disproven when I read nona, but I’m thinking a lot about the dynamic of the old lyctors compared to the people at canaan house

imo, this series seems to discuss the way that official and oppressive systems get turned human over time- how a harmful, twisted hierarchy (that of the necromancer and cavalier, for example) inevitably strays from the horrible trap it was designed to be (epitomized by mercy and augustine, who are still trapped within it). over time, people explore that framework, interpret it in their own ways, subvert it, turn it inside out. you get twisted versions of it, like silas and colum, but you also get new and wonderful versions of it, like abigail and magnus or cam and pal.

they didn’t know what lyctorhood was designed to be! they didn’t know how sinister “one flesh, one end” actually is. all they know is that they love each other, and that love kind of redefines what a necro-cav relationship COULD be, and what it is in so many instances. and the proof of that is that of ALL the houses that showed up at canaan house, none of them but ianthe would have gone through with lyctorhood.

did that mean the cavaliers were objectively worse at being cavaliers? maybe! but I think the series is arguing that love is what redefines those horrible traditions, and in light of those new definitions, the old traditions become flimsy by comparison. mercy and augustine are trapped. that’s what being a lyctor means to them and it always will. but the story isn’t written in stone yet for harrow and gideon, or for cam and pal! it’s a tradition that has done violence to them, and they’ll carry that forever. but beside that old and twisted tradition, someone like cam kind of stands out as an even more perfect cavalier than one who would see their entire purpose as sacrifice.