October 2023

torpublishinggroup:

thechekhov:

A black and white toned, manga-style comic of one of the scenes from The Locked Tomb series, specifically the Gideon the Ninth book. 
The first panel is open, with two speech bubbles. 
"I challenge the sixth for their keys. I name the time and the time is now," someone says, raising the blade of a weapon. In the below panel, Palamedes Sextus and Camilla Hect look up, glowering, at the figure, bracketed by his legs since he is looking down on them from the table. ALT
The middle panel shows Naberius Tern, who is standing at full height, pointing his rapier down at the two he challenged. From the sides of his panel are four smaller ones - the Fourth, Second, Ninth and Eight house look on in various flavors of shock. While the Fourth and Second don't bother to hide their indignation, the Ninth and Eighth are quietly observing. 
The next panel shows Coronabeth, looking a bit stupefied. “No, you don’t,” she begins to say.
“Yes, he does,” replies Ianthe, who is mirrored in the opposite panel. “You need a facility key, don’t you? Here’s our chance. I suspect we won’t be given a better.”
Judith Deuteros begins to turn to Ianthe, looking grimly alarmed. "You have no cause."ALT
The top panel focuses on Ianthe, still lounging on the chair. “Neither did you, if we’re all being honest with ourselves," she says to Judith. "Sextus was perfectly right.”
The next two panels show Judith and Ianthe, their profiles facing each other as they argue. 
“If you want to cast me as the villain, do it,” says the captain of the Second. “I’m trying to save our lives. You’re giving in to chaos. There are rules, Third.”
“On the contrary,” Ianthe replies, “you’ve amply demonstrated that there are no rules whatsoever. There’s only the challenge … and how it’s answered.”
A small panel shows Gideon glancing over to the twins. Ianthe looks away and glances up at Coronabeth, who has been standing beside her chair, not looking at anyone else. She reaches out a hand to her sister and says, more softly: “This is for you, dear, don’t be picky. This may be the only chance we have. Don’t feel bad, sweetheart—what can you do?”
Corona continues to stare ahead, a bit blankly. A shadow falls over her face. “I can do nothing,” she replies.
Ianthe pulls her in, and they nearly tough foreheads, their hands tangled tightly. 
“Then let’s do this together. I need you," says Ianthe.
“I need you,” echoes her twin. ALT
Another small panel shows Gideon looking back to the Sixths House. Camilla tightens a bandage on her arm, which is already bloodied. "Right," she says. "Second round." Behind her, Palamedes looks panicked and angry all at once. 
Gideon grits her teeth, suppressing a growl. A series of quick panels shows her gripping her sword and sliding her off hand into the knuckle knives. She looks as though she's about to surge forward when Harrow's speech bubble cuts through the panel:
"The Ninth House will represent the Sixth House," she announces. Beside her, Gideon looks a bit startled. Naberius also starts, looking completely confused by the turn of events. Ianthe looks on, not surprised but annoyed. "The plot congeals," she says. "Since when has the Ninth been bosom with the sixth?" she asks. 
Harrow replies: "We aren't." Gideon's mouth begins to stretch into a grin. 
"Then--" continues Ianthe, but she is cut off. 
""ALT
The page is dominated by a single vertical panel, showing both Harrowhark and Gideon, with Gideon standing firmly behind her necromancer, her rapier casually balanced on her shoulder. Her grin is wide, and her eyes shine through, even from behind her shades. In front, Harrow is pulling off her hood, her eyes narrowed. "Death first to the vultures and scavengers," she says. The background has grown dark, and both of the Ninth are lit from underneath, throwing them into rather appropriate spooky shadows. ALT

Harrow’s necromantic power includes the ability to create underlighting whenever it’s necessary.

Bonus:

A very quick and messy sketch of Gideon and Harrow. Gideon is lifting Harrow up with both arms and hugging her, a big smile on her face. "Thanks for backing me up, my midnight hagette!" she says. Harrow looks like a stick insect heading to a funeral. Her legs are awkwardly kicked up a bit, but she is otherwise stock-straight, and her eyes are wide and staring into the middle distance, though she is also visibly blushing. ALT

y’all are so cool and skilled it’s WILD

scalierpepper:

An excerpt from the book Nona the Ninth by Tamsyn Muir, digitally illustrated as a series of comic pages. In this page, Camilla Hect and Palamedes Sextus stand back to back, holding hands. They each have a watch on their wrist. The background is a gradient from black to midnight blue. A speech bubble, above them, reads "I've loved you two." Five speech bubbles on either side of them say "Not well. Not even wholesomely. But I've loved you. You've been my agents...stand-ins for something I haven't had for longer than either of you can understand. Which is why I'm saying - don't do this. Please, don't do this."ALT
The background is a gradient from midnight blue to black. At the top of the page, two speech bubbles read "Understand that once you do this, you can't take it back. It's not love, what you're about to do. It's not beautiful and it's not powerful. It's a mistake." Underneath the speech bubbles, a puddle of water expands to the bottom of the page. Pre-lyctoral Pyrrha Dve and Gideon the First are reflected in the puddle, upside down, from their shoulders up. Behind them, also reflected in the puddle, is a starry sky. Over the top of the puddle, below the reflection of the characters, white text reads "we didn't even do it right...we were children - playing with the reflections of stars in a pool of water...". At the very bottom of the page, white text reads "...thinking it was space".ALT
Four panels: The background of the panels are a medium purple color. In the first, cropped to only show their hands, Palamedes (in the body of Naberius Tern), holds Pyrrha's wrist. Palamedes says "Whatever you think we're doing, we're not." The second panel is a shot of Pyrrha from the chest up. She looks tired and has subtle stubble on her chin and grazes up her arms, neck, and jaw. She says, "Whatever you think you're doing, you shouldn't". The third panel is a shot from above. On the left, Palamedes stands, wearing a white jacket with gold trim and and white pants. Pyrrha stands in the middle, wearing a white shirt and khaki cargo pants. On the right, Camilla is sitting in a wheelchair wearing grey pants and a grey jacket. She has a bandage around her midsection. They are lit from behind by a spotlight on the ground. Camilla says "Just watch us". The fourth panel is the same view as the first panel, except Pyrrha pulls her wrist out of Palamedes's grasp.ALT
Seven panels: The backgrounds of the panels vary from medium purple to dark, desaturated purple. The first panel is a view from the side, from the shoulders up, of Pyrrha and Camilla. Camilla is sitting in the wheelchair and Pyrrha is crouched to her level. They look at each other, and Pyrrha has her hand gently under Camilla's chin. The second panel is cropped to show only their eyes. Pyrrha and Camilla look at each other intently. They have bright highlights in their eyes. The third panel is the same view as panel one, and Pyrrha kisses Camilla's forehead. The fourth panel is slightly zoomed in, and Pyrrha kisses Camilla's mouth. In the fifth panel, Pyrrha and Palamedes are both standing in front of Camilla. It is cropped to be Cam's eye level, so you only see their waists. Camilla smiles subtly and says, "Could you try not to be such a chicken hawk, Pyrrha?". The sixth panel is of Pyrrha and Palamedes from the waist up. Pyrrha ruffles Pal's hair and he leans slighty forward, looking at Pyrrha to the side of him. The both have small, bittersweet smiles. In the seventh panel, Pyrrha turns to kiss Palamedes on the side of his mouth. Palamedes has his eyes closed and is smiling. He says, "You are an appalling old roué, Dve."ALT
Two panels: the first is in the top left, over the top of the second panel, which fills the entire page. The first panel is a close view of Pyrrha's face. She says "Call me if you need me". She looks sadly to the side, with her hand on her neck. The background of this panel is a saturated purple. The second panel is drawn as if you were looking out of the back of a truck. On the left of the page, in the background of the drawing, Palamedes stands next to Camilla, resting his hand on her shoulder. They are watching Pyrrha walk away. In the middle of the page, Pyrrha walks towards the truck, facing the viewer, but turning her head to look over her shoulder. She is in shadow and has a sorrowful facial expression. She says "Otherwise, see you around." On the right of the page, in the foreground of the drawing, Nona is sitting in the truck with her back to the viewer, leaning against the side of the truck. A few obscure, undetailed figures stand on either side of the main characters, not paying attention to them. All the characters are lit from behind by a spotlight on the ground.ALT

“Pyrrha crossed over to the truck, to Nona, and leant heavily into the interior; Nona could see that she was sweating, in exactly the same way she had sweated after the bottle of bleach. She mumbled ‘You knew this was happening. You knew this was happening months ago,’ and when Nona put her hand on Pyrrha’s, it was like Pyrrha hadn’t even noticed her.”

thechekhov:

A digital manga-style comic. Top reads 'growing up on the Ninth'
A silhouette of a child comes running from afar towards a tired-looking woman with a buzz cut, wearing simple Ninth House facepaint. She wipes her cheek and glances over as the child screams "AI-GEMMY-KNEE! AI-GEMMY-KNEE!" 
Gideon Nav rushes to her, grabbing her pant leg. She looks to be about seven years old, and her front tooth is prominently missing. "Ith 'appenedh!" she yells. "Zhe 'ooth fairy 'took my 'ooth!"
Aiglemene quirks an eyebrow, looking down at her. "What are you on about, child? What tooth fairy?" she demands. 
Gideon pulls something out of her pocket, presenting it up to the adult proudly. "Thee 'ook my 'ooth justh 'ike 'arrow thaid! And I go'th thome rockth in re'urn!"
Aiglamene does not bother to look amused. "...That's not a--" she begins, before cutting herself off, and looking off in another direction thoughtfully. Her gaze strays to the raised balconies of Castle Drearburgh. Hiding between two of the banisters is a barely visible skull-faced little figure robed in black.  ALT
Aiglamene regards it for a minute, and the scene fades. The panels lapse, as though a bit of time has passed. 
The next panel shows a fair of booted feet at the entry of a door. The inside is shadowed, with only the light from the inside illuminating a small figure crouched on the floor. "My lady," Aiglamene greets. Then, "Stealing milk teeth is not becoming of the scion of the ninth."
Harrowhark turns around to look at her over her shoulder. She is sitting on her knees on the floor, an array of small bones in a semicircle before her, and something else clutched tightly in one tiny fist. She looks to be about six - her hair is cropped short, and she has her cloak shrugged off her shoulders and hanging from her elbows. Her dark eyes are large as ever. "I did not steal them, Captain," she replies. "I bargained for their purchase through a metaphor. I am low on resources," she continues. "And mother says we must use all available materials wisely."
Aiglamene considers for a moment, looking a bit down. "The Reverend Mother and Reverend Father do not want you near Gideon, you know that," she says. 
Harrow looks away again. "I am working with those parameters in mind," she says calmly. 
Aiglamene says nothing, looking a bit dampened, and then heaves a tired sigh. ALT
Seemingly defeated, Aiglamene looks down at Harrow again. "What are you planning to use them for, if I may ask?" she inquires. 
Harrow looks up at her, having not relaxed her fist once. "It is... classified," she says. 

A black bar cuts between this and the next panel. It reads: "Not That Much Later."

Next thing we see is a hallway near the castle. Harrow is hiding behind an archway, her little face split into a grin of delight as she peers around it to look at her handiwork. "Stop hitting yourself, Griddle!" she jeers. "Stop hitting yourself!"
In the forefront, Gideon wrestles with a skeleton approximately her own size. It has a knee up on her stomach, and is rearing back for a punch, while Gideon kicks her feet and tries to shove it off, her face twisted up in fury. "HRRAARGH!" she hollers. "NONAGETHIMUUUTHHH!!" ALT

ah, childhood.

i think one of the notes harrow should have run across in HTN should have had 7 lines. three on the top, four on the bottom. 6 vertical and 1 horizontal.

mayasaura:

boxxed-juice:

mayasaura:

mayasaura:

mayasaura:

That sounds familiar. Hang on I have to go check something

NOW HANG ON THERE MOTHERFUCKER

Wait for real tho, wasn’t loss.jpg hidden in the cover of Harrow the Ninth? I seem to remember seeing it sketched out somewhere

it was on tor’s tumblr! https://torbooks.tumblr.com/post/728536457299525632/nine-for-the-tomb-and-all-that-was-loss/amp

oh my god

katakaluptastrophy:

John Gaius:

“I intended for the new Lyctors to become Lyctors after thinking and contemplating and genuinely understanding their sacrifice—an act of bravery, not an act of fear and desperation. Nobody was meant to lose their lives unwillingly at Canaan House.”

Also John Gaius:

So…just what did he think was going to happen?

I feel he likes to maintain the illusion, even to himself, that he is a nice and reasonable man. And of course he wasn’t making anyone do anything! He was just giving them information! What they chose to do with that information, while trapped on a planet and with him knowing that last time a combination of suicide pacts and peer pressure made everyone acquiesce eventually…well, he wouldn’t be responsible, of course…

But what if Cytherea hadn’t crashed the party? What if Ianthe had still worked it out and ascended as she did and everyone else just stared in horror and said no? What was the plan…?

blondie-drawings:

working on some silly tlt memes for my friend’s bday and I liked how this one came out 🥲

downtroddendeity:

ancientannoyance:

screenshot of tweet that says "thinking today of a tlt and hdm crossover, just vague ideas but like lyctors' daemons suddenly changing to their cav's daemons after lyctorization and harrow not having a daemon bc she's a mini res baby and gideon straight up having some fantasy creature as a daemon"ALT
Gideon is drawn leaning against a platform. She has brown skin, reddish orange hair, and her eyes are obscured by aviator sunglasses. She is smiling lopsidedly. She has on sleeveless black shirt which exposes her muscular arms, a black cloak, and black pants. her left hand is loosely holding on to her sword. on top of the platform she's leaning against stands a small growlithe, which is a pokemon. growlithe looks a little like a dog with beige on orange fur, but has black stripes in the fur like a cat. the growlithe daemon has a plume of beige fur on top of his head as well, has on a good natured smile and is wearing aviator sunglasses just like gideon.ALT
screenshot of tweet that says "harrow piloting some dead creature like an insect in a locket to pretend to be her daemon to avoid questions. harrow thinking maybe the girl locked in the tomb is her daemon, that she's finally found hers. and then gideon dies, and harrow suddenly has a daemon."ALT
screenshot of tweet that says "gideon dying and leaving harrow with her hideously bright gaudy daemon that cannot be ignored, that's proof that harrow has a soul. harrow suddenly unable to see the daemon after her lobotomy even though other people comment on it as if it's still there."ALT
On the left side is a drawing of Harrow with a locket around her neck, which is a tiny cage inside which an insect is flying around, a dead thing piloted by harrow to pretend to be her daemon. Next to Harrow is a closeup of the locket, showing the intricated work of bead and thread that make up the locked string, and the intricate cage of the locket itself. Harrow has light brown skin, a sharp face with high cheekbones and large black eyes, black hair short-cropped hair with highlights that look almost blue, and she's wearing a black cassock that looks brown in the lighting. In the background is sketchy lineart of growlithe running after lyctor harrow, while mercy, john and augustine watch bemusedly in the background. Mercy has her hands on her hips and she's saying YUCK!!! John is silent and has his hands folded but above him is the equations from the math lady meme. Augustine has his hands in his pockets and he just looks silently nonplussed.ALT
screenshot of tweet that says: "cam and pal having a crow and raven daemon respectively that can very easily be mistaken for each other if you're not really looking, and how that helps them with their body switching shenanigans in nona. their daemons just casually perching on each other's shoulders in gtn 🥺"ALT
A drawing of Palamedes and Camilla sitting side by side. Palamedes is reading a book held in his right hand, while his left hand rests loosely against his thigh. He has brown skin, unruly reddish brown hair that's tufting up everywhere and shiny glasses cover his eyes. His clothes are not coloured in, but shaded in hints of off white. Camilla is busy cleaning a knife, a look of absorption on her face. She has brown skin, sharply cut chin length hair, and dark greyish brown eyes. Her clothes are not coloured in but shaded in hints of off white. On Palamedes' left shoulder is perched a black crow, Cam's daemon, turned to the left to where Pal's daemon - a black raven - is perched on Cam's right shoulder, looking up at Cam's daemon.ALT
On the left side is a drawing of Nona throwing down a bowl of seeds to Cam and Pal's daemons - a black crow and a black raven who can easily be confused for each other- who are looking down at the seeds and then up at her confusedly, as daemons probably don't eat, on account of being more metaphor than substance. Nona is drawn mostly in cartoonish outline, but has long black hair, brown skin, a t-shirt with a hamburger on it, short pants which reveal hairy legs, and a long coat. the words next to her read "Nona a little confused but she got the spirit".

On the right side is a drawing of Paul. They've got brown skin, short brown hair reminiscent of Cam's but clipped near their ear, grey eyes and they're wearing a light grey high collar turtleneck and a grey long coat that both look a little green in the lighting. Perched on their head is Pal's black raven daemon smoking away into nonexistence, and perched on their left shoulder is Cam's black crow daemon smoking away into nonexistence, to make way for a daemon that's Paul's own.ALT

haven’t been able to stop thinking of a locked tomb + his dark materials crossover all week, so here’s some incredibly self-indulgent ramblings and sketches to exorcise the concept out of my head (gideon’s daemon is a pokemon - a growlithe - because of course gideon’s daemon would be a pokemon)

I had three reactions to this, in order:

  1. OP you have GOT to tell me about Nona, this is CRUCIAL
  2. Harrow keeps saying over and over all through the second book that she doesn’t have a daemon and everyone just ignores it because they think it’s lyctor trauma.
  3. Nobody actually knows how weird Gideon’s is. Nearly everyone on the Ninth has rats and bugs because there’s almost no other animal life, so everyone there assumes Gideon saw this orange thing in some piece of offworld media that she smuggled in and has it because she’s unruly and rebellious. Everyone from offworld assumes it’s some sort of weird dog breed from the Ninth because no one anywhere cares enough to find out otherwise. Mercymorn and Augustine care even less than anyone else in the entire universe. Which leaves only John, who, while he knows exactly how weird this is, primarily responds to it by trying to find opportunities to comment that Harrow wants to be the very best, like no one ever was.

scalierpepper:

ossifer-deactivated20250706:

superdaisypowerhour:

There are two schools of thought on the locked tomb series; there are the people who took tazmuir at her word when she said gideon had a longsword and drew it as such; then there are the people who know what a longsword is and know that the thing gideon swings is at the bare minimum a fucking claymore.

gentle reminder for those that belong to the former school of thought

It’s standard practice on the Ninth for luggage trunks to be capable of fitting one adult skeleton

jv:

lastflowerofyourhouse:

some points. some things. some ideas. none of which are connected, i’m sure.

  • “anastasia” means “resurrection” or “one who will be reborn.”
  • she is the only one of the original lyctors explicitly stated to have sired her house’s line of succession.
  • this is vitally important (important enough to have been actively preserved against all odds for 10000 years), but nobody seem to quite understand why, including the reverend family.
  • alecto says “you are the blood of anastasia,” as if this is relevant to her. she then kisses harrow and draws blood.
  • it’s only after getting verbal confirmation and (presumably) tasting her blood that she pledges her sword to harrow.
  • she says “i am sorry about samael,” as if that would mean something to harrow, as if she expects harrow to have the same grief over anastasia’s cavalier that anastasia did.
  • the ninth house is “the house of the sewn tongue,” which is a ritual for the keeping of secrets. it also sounds oddly flesh magic-ey for the ninth, which means they probably didn’t originate the practice.
  • this would imply that it’s relevant to their history somehow.
  • the ninth’s skull is jawless, which we know from the ianthe situation is the way to undo the effects of the sewn tongue.
  • when people talk portentously of the ninth, they talk about its “secrets” and its “mysteries,” always in the plural.
  • which implies that there are more secrets than just the tomb. i doubt they added the plural after the creche flu, can you imagine? the ninth has other, very old secrets.
  • harrow loved alecto from sight.
  • alecto recognized her immediately.

like i said, this is a series of random, unconnected facts. there are no conclusions whatsoever to be drawn from this.

The Locked Tomb plot is a 4D chess played along a myriad where the main characters are just the last pawns being crowned to checkmate the white king