2013-11-03 0:40:00 ¶ ●

By Clark “Plazmataz” Powell

Piano, drumset, and bass happens to be my favorite jazz ensemble and man, does this number do that trio justice. There’s a break at around 1:20 where it really cuts loose. That bit didn’t make it into the Flash, and it’s my favorite part of the song. Love hearing that big bass just tear it up.

2013-11-30 4:20:00 ¶ ●

By Clark “Plazmataz” Powell

The dark side of Reverie, and even better for it. Take those same plucked strings down an octave and it sounds methodical, not celebratory. The beat box synth and the phased effects create a weird, unsettling background, right up until the bridge. There’s a great hook there, driven by a heavy, bass synth line starting at around 1:40 or so.