By Jeremy “Solatrus” Iamurri

It’s a tale of two songs. The first half is marching-band lite, with a skittery clarinet melody backed up by one lonesome, solemn, drawn-out horn (and the inevitable ticking grandfather clock, because it’s The Felt, and they keep time). Around 3:40 it cracks open into a full-blown synth-driven overture that gives the track a different feel.