By Clark “Plazmataz” Powell
The dark side of Reverie, and even better for it. Take those same plucked strings down an octave and it sounds methodical, not celebratory. The beat box synth and the phased effects create a weird, unsettling background, right up until the bridge. There’s a great hook there, driven by a heavy, bass synth line starting at around 1:40 or so.