A mellow tune-up on Skies of Skaia by Mark Hadley. The multi-track acoustic guitar in the first half has the same vibe as the original, while the second half soars into classic-rock anthem territory.
Desolation is surprisingly uplifting, judging by the notes played by it. Sort of grand and overbearing, but still far more positive than its title suggests.
Hard to argue with a bit of folksy, nylon string acoustic. The root for this tune’s gone through many iterations: from airy, to brutal, to techno-electronic. This version’s one of my favorites.
By Charles “Crazy-8” Neudorf and Marcy “Shadolith” Nabors
A little bit of house music for Roxy, with a monster hook that kicks in around 0:40. Great energy, great melody. That intro flourish is positively Bowman-esque.
Wanders from ambient to electronic to bass-thumping. I can’t decide whether this would work best in a positive fashion (bad things happen to the kids, but even better things result) or a negative one (Doc Scratch sets up all of his meticulous plans as we watch in fly-on-the-wall fashion).
A rockin’ synthetic remix of Jackpot. Astro Kid’s got a great talent for taking quality stuff and switching up the flow and beat. It’s a little darker, a little heavier, and just as cool.
If there was ever a song written for a Saturday morning Homestuck spinoff, this is it. Really cheerful, and the production is extraordinary (great instrumentation, even better vocals).
On the other hand, if both our favorite exiles somehow wind up dead at the end of the comic, it goes from cheery to maudlin and heartbreaking. Let’s hope we never have to replay this one in memorarium.
Musically interesting, this one. There’s a lot of ground covered (Courser, Upward Movement, Dawn of Man, and Ruins jump out at me the most), and the mix is really fun (the sharp, funky brass counter-melody stands out especially). It’s a little bit like Descend in composition.
From the calm, directly into the storm. It’s a crazy combination of chiptune-synth, rock guitar, and a few more eclectic instruments like piano and trumpet. This track amps up the energy, and it doesn’t really let off from here on out.
I’m about to run out of albums to review, but that doesn’t mean that the Homestuck music scene is dead. It’s somewhere between possible and probable that one more album will be released as the comic draws to a close. In fact, some of the music team has already begun making new tracks for Homestuck Vol. 10, if indeed it does become reality.
Tensei amongst them. This track was released about a year ago. It’s not released yet in an official capacity. And it’s such a cool jam, it’s a shame it hasn’t seen more attention. Heir of Grief, the song featured in the video, is a different take on Heir Conditioning: a little more measured in pace, but with just as much driving force behind it.
Listen to the extended solo that starts around 4:15. The song’s more of an anthem than a thrash, and Tensei just crushes it.
Fiddle-driven rock insanity. The general structure’s and sound’s similar to Heir Conditioning, though it cools off just a little bit around 3:00 for a harpsichord ditty.
Although it hasn’t found a home in the comic proper, Andrew Hussie chose this track to back the video for the Homestuck Adventure Game Kickstarter.
Dave takes the reins next and runs the turntables through a couple of old favorites. The song’s built around two remixes: Beatdown first, around 0:50, and then Black later on. The instrumentation’s what stands out on this song: they’re used sparingly, but holy shit, there’s so much raw power behind the horn section.
Overall, though, my favorite moment is the pause around 2:45 that leads directly into an extended guitar solo.
All together, it makes for the perfect backing track for a memorable Flash in the comic, which takes many of its cues directly from the song. It’s my top track for the album.
It’s a little mellower than the preceding tracks (although using the term ‘mellow’ is quite the stretch). A little more wide-ranging, too, with some changeups in instrumentation and an oriental vibe. Love those deep, deep drums.