November 2013

By Andrew Huo and Ian Taylor

The intro sets the tone, with its hopping around in key and pitch. Vaguely unsettling, which I’m sure is the intended effect. That muffled, phased processing effect suggests that you’re sitting in the very back of a smoky dive while the band plays on.

By Andrew Huo and Michael Guy Bowman

Like Hauntjelly, the intro’s pretty cool, but the trumpet part is just a little too perfectly played, the timing absolutely precise.