2024-04-03 10:54:01 ¶ ●

# Episode 8 TMP Quick Thoughts

## Housekeeping and Prologue

Hello, this is Douglysium and you might not know me as that guy who wrote over 100 pages of analysis on the Eye (which can be read on Tumblr here (https://douglysium.tumblr.com/post/735599414228484097/the-relationships-between-the-dread-powers-the) or Google Docs here (The Relationships Between the Dread Powers: The Eye- Knowledge is Fear and Ignorance is Bliss)) or as that guy who wrote an article on the Extinction (which can be read on Tumblr here(https://douglysium.tumblr.com/post/717929126195003392/what-would-avatars-of-the-extinction-be-like-a) and Google Docs here(​What would Avatars of the Extinction be like?: A TMA Speculation)). Suffice to say I might be a bit of a TMA fan. Also, spoilers for TMP up until episode 8. You can read my ramblings on the last episode here (TMP Quick Thoughts 7).

However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.

These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.

Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.

These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.

## Episode 8 “Running on Empty”

This time we dive directly into a statement that NORRIS is giving which means the intro is a bit faster than usual. This statement takes the form of a paper being submitted by Terrance Stevens to Joseph Peterson. In the end Terrance is stuck with a failing grade but the teacher left a note of “see me” and in the assignment itself Terrance does try to explain the late submission and extenuating circumstances. Which seem to be acknowledged by the teacher with “Extenuating circumstances: Serious Medical Condition, Trauma, Miscellaneous.”

Terrance decided to do their assignment on “Forton’s Brutal Liminality, a case study of architecturally induced psychological stressors as a result of prolonged exposure to liminal spaces in the Brutalist mode as exhibited by Forton Service Station.” They elaborate with “This paper will present a comprehensive analysis of Forton Services as a key site of study for the intersection between Brutalism and Liminal space design with a secondary focus on the psychological stresses such sites can cause.”

Later in the statement Terrance gives us the definitions of Brutalism and Liminal that they are working with (which is extremely helpful because upon looking it up I got 3-4 common definitions for Liminal). “Brutalism, originating from the French ‘béton brut’ - raw concrete, is an architectural movement that focuses on utilitarian purpose. This often results in exposed raw materials, stark forms, repetitive geometric shapes and monolithic structures. This can often lead endusers to feel overwhelmed or oppressed. (Zumthor, P. 2006)”. “'Liminal’ spaces, derived from the Latin 'limen’, meaning 'threshold’ are transitional spaces normally inhabited for short periods. They have been shown to have marked effects upon the psychology of those exposed to them and long-term exposure has been found to illicit anxiety responses (Augé, M. 1995), (Bachelard, G. 1994) and feelings of the uncanny (Trigg, D. 2012).” In case the second definition is a bit confusing, what Terrance is referring to when they say “transitional spaces normally inhabited for short periods” are things like hallways. Places that exist almost entirely for people to pass through from one area to another.

Terrance’s report seems extremely focused on architecture and the psychological effects they can have. Within TMA Smirke’s architecture could actually interact with and influence the Entities in various ways and they were noted to have a higher likelihood of hauntings and supernatural events occurring within them being reported than other buildings do. Plus, the Entities themselves can manifest as physical places. This is seen with not just the Domains but also how people can be physically thrown into the Entities (for example, someone can physically enter The Buried or Lonely. Various people have been taken by the Entities to other unknown locations and there’s a non-zero chance that at least some of these people ended up within Entities so their fear could be fed on). Terrance also says “My hypothesis is that that Forton services, as a site of intersection between these two psychologically significant elements can be considered a site of what I have termed “Brutal Liminalism” and this is why it has a profound effect upon those exposed to it in the long term as testified by my own experiences. Specifically, it creates an effect of absence despite presence, an “architectural hunger" of a sort.”

I also have to wonder if architecture will be as important in TMP as it was in TMA and if so how? Did this universe’s Smirke somehow meet the Entities or is some of the architecture in TMP just coincidentally reacting with the Entities? Maybe it has nothing to do with Smirke and someone else has connected the dots in regards to architecture and the supernatural?

Terrance goes on to explain that areas such as Forton were originally conceived as locations one would actually stay at for prolonged periods of time but the increasing popularity of cars and similar vehicles along with the overdevelopment of the road infrastructure in the UK led to Forton becoming a place people merely pass through overtime. A liminal space if you will. Basically Forton went from being sort of like a metaphorical “room” one would actually stay in to a “hallway” that people just pass through. This also meant that more people would be traveling through Forton and “This increase in travelers, far beyond older design parameters, has led to an ephemeral flux of people transitioning through service stations at all hours, leaving only trash in their wake. Not only this, there are perceived time distortions associated with such spaces exacerbated by the deliberate absence of clocks (to encourage longer stays) and 24 hour opening times with rolling opening, closing, cleaning and restocking routines.” In case you aren’t aware, ephemeral means “lasting for a very short time.” So among other things, Terrance is saying that there is a spike of people in Forton but they are not permanent or consistent residents. It’s a bunch of people flowing in and out of it constantly.

“I propose that because these spaces are devoid of persistent humanity and consistent time perception, they have thus become dislocated from humanity’s shared mindscape and there are unique health risks to people who are over-exposed to this phenomenon. In essence, I believe the “architectural hunger” of a space that resents its own transitional nature can be dangerous and I have a unique personal insight into this phenomenon.” The term “humanity’s shared mindscape” gives me pause but I suppose the Entities could be considered a shared mindscape? They are explicitly born from and maintained by the collective fear of animals, and while this can be the fear of any animal it is noted that most of the Entities tend to lean towards feeding off of humans specifically, with the exception of The Hunt and The Flesh, because their fears tends to be more “nuanced.” So you could describe most of the Entities as mindscapes that tend to revolve around humans even if not completely. Not to mention, that despite the Entities being very metaphysical in many ways you can still physically enter them, and they do like to mold themselves out of specific fears in order to best terrify the person within them. So they are kind of like mindscapes born of fear.

It’s also interesting that Terrance says “architectural hunger.” The term hunger seems to be appearing a lot which has led to much speculation. I’m still a bit on the fence about this but even in TMA there were at least some references to hunger. How Entities and Avatars gathered fear was often portrayed using food metaphors. If an Avatar could not gather enough fear over a period of time they would “starve” and feel extremely weak if not die for example. When Jude Perry is describing how being an Avatar works to Jon she says “Feed it, fearlessly and without hesitation, or it will feed on you.” In MAG 200, when describing how the Entities came to be, we get “But fear was here and true and was itself, and it hungered. It wished to know more. It wished to feel more. It wished to be more.”, “And something else began to happen. Some minds did not simply recoil from them and feed them. Some seemed almost to call them, to court them, to hunger for them in return.”, and “And with this newfound power came greed. The hunger for more, the unformed, unfocused, but impossibly huge desire to exist. To join the minds that gave them shape and purpose, and finally drink their fill ‘til they were one and the same. They had no concept of how, or when, or even why, but they needed it. They needed it.” So the Entities have always sort of been described as “hungering” or “feeding” in my opinion even if it’s being pushed more now.

Terrance details how they took a job as a janitor at Forton Services after a divorce and it “cost me the majority of my friendships. The ensuing stress episode led me to quit my job as a deputy fiduciary services administrator. I thus applied and successfully interviewed for a low stress Janitor role despite my overqualifications. At the same time I successfully applied for the Architecture Program at Lancashire University as a mature, 51 year old student.” The fact that this seems to take place recently after a divorce and that the divorce led to the loss of many of Forton’s relationships could point to themes of The Lonely. It wouldn’t be the first time someone got dragged into The Lonely after a relationship goes sour (as seen in MAG 150 (Cul-De-Sac)).

Terrance says that they believe Forton to be “an ideal example of “Brutal Liminalism” given its status as both a popular motorway service station and a landmark of brutalist architecture.” and they specifically note the tower as being the primary reason for this place being an ideal example of brutalist architecture. The tower is noted as being closed to the public despite being listed in 2012. I wonder if this tower specifically has something going on with it. Maybe the architecture is similar to Smirke’s or there is some other type of architecture that could elicit increased supernatural reactions and / or maybe even encourage different manifestations. It wouldn’t be completely unreasonable to assume that there is potentially more than one way to build something that reacts strongly with the Entities, even if such an idea is unfounded at this point.

Terrance describes the site by saying “The site is seventeen point seven acres featuring an eastern picnic site and facilities on both sides of the M6 motorway with seating for 700 people, 101 toilets and 403 parking spaces. The top of the tower once held a fine dining restaurant with a roof-level sun terrace both of which featured unmatched panoramic views of the surrounding rural countryside on all sides.” While the tower used to be open at one point, Terrance explains “Unfortunately, the effects of Brutal Liminality soon took effect with a 1978 government review describing the site as “a soulless fairground” and the restaurant became a trucking lounge before being closed to the public in 1989. No-one has eaten there in decades. There were later failed attempts to repurpose the space but in 2017, the two pentagonal lifts in the center of

the Tower shaft were replaced leaving the higher floors derelict and inaccessible. The tower still stands overlooking the surrounding countryside, the only access via the Brutally Liminal Forton Services below, but the entrance is sealed and this is perhaps for the best.”

But while Terrance was unable to enter the tower itself they claim to have started undergoing “a psychological shift” nevertheless. They describe this supposed shift as “subtle,” so much so that they didn’t even originally notice it and assumed there to be a more rational explanation. “Put simply, there were less and less people every night. At first, I assumed it was some seasonal change I hadn’t accounted for but every day it grew more pronounced until finally, one night, I realized that I had not seen a single person.” Terrance says that this is impossible and they even went to verify their log. They would go on to check the parking lot but didn’t see a single car. Once again, this parallels a lot of the themes and manifestations of The Lonely for obvious reasons tied to being isolated both physically and emotionally. Terrance then notices something in the parking lot. Something that they describe as “…streaks of light lingering in the air. There was a nebulous haze across the entire car park, a mélange of muted colors punctuated with more vivid reds, whites and yellows but even more curiously I realized it primarily hovered above the asphalt. The Greenery and walkways were mostly clear. The effect was curiously familiar but I couldn’t quite place it. I have since been unable to determine if this effect was psychological, physiological, or atmospheric in nature but I maintain that the phenomena was accompanied by a disquieting sense of absence. Of hunger.” Once again, a reference to hunger.

While most of the statement up until this point has been pretty heavy on potentially Lonely themes, this leans a bit more Spiral-like with the kind of strange lights being seen. Terrance does also describe the lights being seen as chaotic. Despite this it’s not like all The Lonely type stuff suddenly stops. Terrance says that they managed to make out details “…in those long, waving, iridescent strips” and they “…could trace denser routes through the chaos leading through the main doors to the facilities and as I watched a memory of my ex-wife’s photography leapt unbidden to mind, my favorite shot that she’d given me on our seventh anniversary: “A study of traffic.” So what could be happening here is that an Entity is attempting to remind Terrance of their ex-wife as well as some of the pictures she had taken in an attempt to amplify certain emotions or feelings (such as loneliness). Terrance even goes on to say “That’s when I realized why this all felt so familiar. Timelapse. If I could have walked into that photo, this must be what it would have felt like. It would have been beautiful if it weren’t so unsettling.” So Terrance might have literally walked into a place modeled after a photo taken by their ex-wife. Additionally, when they were married Terrance would have had way more friends. So this memory could also call back to a time when they felt less alone this heightening there current feelings of isolation.

The haze’s connection to the asphalt is probably due to the fact that the picture Terrance’s wife had taken was “A study of traffic.” So highlighting the asphalt would help remind Terrance of the photo due to streets, sidewalks, cars and all that. However, you could also make an argument for themes relating to The Extinction if you were so inclined. In MAG 134, “Time of Revelation,” Adelard Dekker says this in regards to his theory about the Power “But now the fear is not of a rapture or a revelation. It is of catastrophic change. Mankind will warp the world so much it kills us all, and leaves only a thousand years of plastic behind. Technology will strip us of what it means to be human, and leave us something alien and cold. We will press a button that in a moment will destroy everything we have ever been. Animals are witnessing the end of their entire species within a single generation.” So you card argue that highlighting concrete as opposed to potentially more naturalistic landmarks like greenery could point to urbanization and a less natural future. Terrance does also mention in his theory that a major factor as to why the architecture has become a negative force is because overtime Forton has changed to a more liminalist space due to urbanization and an increase on the reliance of cars (which can also be tied to some fears that The Extinction might often correspond to (such as climate change and being rendered obsolete)).

However, you could still make a very solid argument for the influence of something like The Spiral as Terrance also says “In retrospect I was clearly having some kind of severe hallucinatory episode brought on by long-term exposure to the space.” So there is a potential awareness and fear that Terrance might be mistaken or their senses are wrong. Terrance feels like they should try to avoid the glowing mist and even feel the instinct to hide “ to find somewhere, anywhere that I might be free of that overwhelming miasma sloshing back and forth within the foyer threatening to wash me away with it.” (A foyer means “an entrance hall or other open area in a building used by the public, especially a hotel or theater.”) While it’s not impossible that another Entity might be manifesting as mist or fog I think it’s interesting Terrance notes the presence of glowing mist since we know that Entities such as The Lonely tend to manifest as it a lot. This is probably to heighten the sense of isolation because of the fact that fog and mist not only obscure vision but also tend to muffle sound. These qualities can make it harder to tell if there are others around you, which might make you feel alone. Fog and mist can also be associated with melancholy. It could also make it potentially ironic that Terrance’s first instinct is to hide and thus potentially further isolate himself.

However, rather ironically, there are ways fog and mist could hypothetically relate to The Spiral. Some other definitions of fog include “something that obscures and confuses a situation or someone’s thought processes” and “bewilder or puzzle (someone).” Both of which could point to the idea of fog or mist manifesting as a metaphor made literal in order to confuse someone.

Terrance also refers to the mist as a miasma. A word that can mean “a highly unpleasant or unhealthy smell or vapor” or “an oppressive or unpleasant atmosphere which surrounds or emanates from something.” I would assume that the second definition is more applicable here even if the mist could smell terrible. Terrance starts trying to get out of dodge by moving away from the main entrance and “away from the densest areas of the kaleidoscope in the hopes of finding somewhere less overwhelmingly saturated.” A strange kaleidoscope of colors could once again point to The Spiral.

Things get a bit weirder when Terrance says “And that was when I saw the woman. She was tall, young, and thin, almost to the point of malnourishment, dressed similarly to a stewardess with a tightly fitting blue waistcoat buttoned over a sensible looking grey skirt. She was beaming, holding open the door to the lift and inviting me inside. There was a small brass badge on her waistcoat, but instead of a name it simply read “You are here”.” The sight of this woman causes Terrance to hesitate and “before I could consider her strangeness a particularly high tide of color swept down the corridor toward me. I panicked, and before I realized what I was doing I had darted inside the lift and slammed the close-door button.” It quickly becomes apparent that Terrance is in the elevator with the woman as they say “Thank you!” and “She didn’t seem to notice and instead continued to smile warmly at me as she reached across and pushed the button for the penultimate floor marked “Restaurant”. A button I knew was disabled. The lift started to climb.”

I wonder if the colors Terrance was running from are a metaphorical representation of their past. Maybe if the colors caught them they would have found themselves trapped in a world modelled after their wife’s phot of the past. We also know that The Lonely has manifested as weird colors. In MAG 186 (Quiet) Martin’s Domain is mentioned as being monochrome in color. So I wonder if the vibrant colors chasing Terrance would mean everything else outside of it seems more drab and less colorful in comparison? Then again there’s still argument for The Spiral with the dizzying array of colors.

As Terrance catches his breath the woman says ““Good Evening!” She exclaimed, “It’s my pleasure to welcome you! You are here! Stay awhile!”” Terrance tries to ask her some questions but she says nothing with a wide grin on her face. Eventually the doors Terrance are leaning on open and he tumbles into the tower. To which the woman only responds with “Stay awhile!” before the doors close. Terrance had actually seen the locked tower stairway, after being shown it by Molly on their first day, and the tower shouldn’t have anything in the room Terrance is in “apart from damp and broken furniture. At least, there shouldn’t have been.” Despite this impossibility, in front of Terrance now lay “…a restaurant, spotless and bright with retro 60s décor and the sweet smell of frying pork drifting towards me from the central kitchen. Chairs and tables lined the outside wall, each of which sported a large window which would have granted an impressive view of the landscape below if they weren’t all blacked out. This didn’t seem to concern the diners however, who were perfectly content eating whilst chatting amiably with one another.” This sight actually gives Terrance a moment of relief “…for as strange as the situation was, at least there were people. I was no longer trapped in that bizarre, solitary, aurora limbo downstairs. The feeling faded though, when I heard what they were saying, or rather what they weren’t saying.”

The seemingly starving woman was strange, but I think there are some things in this restaurant that could once again point to The Lonely. As I’ve mentioned before The Lonely has manifested as people before, most notably a faceless crown in MAG 48 (Lost in the Crowd). The Lonely has also manifested as languages that sound vaguely familiar but upon closer inspection sound like gibberish. In MAG 150 (Cul-de-Sac) we get “My hand drifted down and brushed the plastic remote control. Almost on instinct, I picked it up and turned the TV on. A cooking show. A woman I almost recognized fussing over a turkey. She was talking, or at least it sounded like she was, the cadence and the sounds were so much like English that it took me almost a full minute to realize that she wasn’t actually saying words.” I assume this is meant to emphasize a feeling of isolation and disconnect. The idea that you cannot understand others and others cannot understand you. Even if you aren’t alone physically you are alone in your experiences and people cannot relate to you while you have trouble relating to them.

I think it’s also interesting that Terrance feels a moment of relief upon seeing other people. This may seem weird for something like The Lonely to do but in reality it wouldn’t be any different than say The End extending someone’s life. Entities such as The Lonely aren’t the embodiment of loneliness but a manifestation of the FEAR of it. Sometimes the Entities seem prone to give someone some sort of “protection” or “benefit” either temporarily or permanently that might seem to run counter to what the Powers crave at first but in reality it’s the Entity trying to harvest as much fear as possible by trying to give someone something and then threaten to (or actually) take it away. The End’s behavior in TMA makes a lot more sense when you remember that it isn’t literally death but the fear of it, and the longer certain people are alive the more they can fear losing their life. What I’m trying to get across is that just because Terrance feels a moment of relief that doesn’t mean that the feeling of loneliness isn’t a massive factor or aspect here. When Terrance describes their relief they even say “bizarre, solitary, aurora limbo downstairs.” Emphazing that one of the most concerning aspects of what was happening downstairs was the “solitary” part of it. Of course, it might be too early to say that’s exactly what’s going on here so let’s keep looking through the statement.

“Looking around, the restaurant was near capacity with only one free table but when I tried to listen to any one conversation it was just… noise. A muffled murmur that sounded like speech but held no information. Their mouths were moving but all I could make out was a meaningless garble, just the impression of speech, nothing more.” Once again, more Lonely-esque gibberish. You could also argue The Spiral with how Terrance thinks he can understand what they are saying but upon listening he can’t or The Stranger in how he doesn’t know what they are saying or who they are. However, I would point out that it has become clear that this fake speech has seemingly caused a distancing effect with Terrance that’s making it harder for him to relate and connect to them as people. He even goes on to say “Similarly, as I looked closer at the diners themselves, I noticed oddly repeating elements to them. Three women were wearing the same blood-red heels. Two men, the same blue coats and worse, there were even recurring features iterating on different faces: the same green eyes on two women, identical moustaches on three men. These were as much an impression of people as the sound was an impression of speech. And they were all so horribly thin.” In essence, these aren’t people Terrance can talk to or connect with. You could also point to some themes of The Stranger since it is an Entity that loves to manifest as fake people or odd seemingly nonsensical and uncanny behaviors.

The chef is also equally as weird and they are described as having “the same smile on his face below a fourth version of a bushy moustache and an identical “You are here” name tag on his chest. He gestured from his place behind the counter to the only open table:“Good Evening!” He cried, “You are here! We hope you stay awhile!”” So basically everyone here looks like a bunch of npc characters that had had the same handful of physical traits copied and pasted over and over. Terrance is taken aback by the chef’s reaction and catches himself as he instinctively steps back towards the table. They note that as this happens “…everybody in the room seemed to lean ever so slightly forward in anticipation.” Terrance also feels a breeze which in turn causes them to realize that the windows are not in fact blacked out but that “They weren’t even windows. They were gaping square holes and beyond them was nothing at all. Any one of the diners could reach out if they had a mind to and plunge their hand outwards into the dark, foreboding and utterly featureless void. There was nothing. Nothing above, nothing below, nothing at all. Nothing, save the tower and the restaurant.” Terrance says “My whole body recoiled from that awful absence, and I retreated backwards towards the lift. That was when the gentle murmur of nonspeech abruptly ceased to be replaced with a complete and utter silence.”

You could easily point to the void as resembling The Dark (and that’s a fair comparison) but you could also relate it to The Lonely. The idea of a black lifeless void in which you sit utterly alone sounds similar to how some would describe the cold empty vacuum of space. The Lukas family was involved in the creation of the Daedalus space station and messed around with fears relating to The Lonely and space by torturing some poor sap in TMA. In MAG 57 (Personal Space) we get two lines that I think could relate to this theme. “But still the fact remained that where the Earth should have been, there was empty, dark space. I must have watched for hours waiting to see the sun. We were definitely still moving, and from what I could tell we still seemed to be moving in some sort of orbit, but without a planet below I have no idea why we kept the same pattern. Regardless, the sun should have been visible sooner or later.” and “Each time I painstakingly entered it with as much precision as I still had within me, and each time the password field read out what I had apparently typed in:“No one is coming” and the door remained closed. And that was it. I was trapped alone in a tiny room floating in space deserted empty space.”

Everyone in the room continues to smile and the chef once again says “Stay awhile.” but it is clear to Terrance that this is no longer a request. The diners create an echoing effect by repeating the chef’s words over and over like a chorus. Okay, this is where things veer away from standard Lonely, Spiral, or Stranger manifestations as the people in the restaurant begin to grab Terrance and then “a man with that same moustache leant down towards my leg, opened his mouth, and bit into me. Pain shot through my body, but my thrashing was in vain as one of the women buried her teeth in my shoulder, and I could feel hot blood flowing down my back as whilst at the same time the chef took off one of my fingers, the bone barely slowing his chiseled jaw.” Sam screams from the pain “…but the sound withered draining out the windows into nothing.” I think it’s interesting to note this vacuum like effect. The Lonely is often connected to silence (since if there’s no one nearby things are more likely to be quiet. Think of an abandon city or town and how quiet that would be). Also, connecting to the space metaphor is the idea “no one can hear you scream.” Well, in this case it’s more the idea that no one is coming to help Terrance. He is completely on his own with no allies.

Thanks to a rush of adrenaline Terrance manages to fight his way out of the crowd of brittle and emaciated bodies and “The lift had disappeared as if it had never been. And beyond the windows was of course nothing. “You are here”, I thought bitterly. and so when faced with the prospect of being eaten alive, or leaping out one of those windows into pure oblivion, it was no choice at all. I jumped.”

So obviously, potentially some themes of The Flesh in relation to the fear of being eaten or consumed might have come out of left field and made whatever is going on here a bit more confusing and vague. However, there are still some themes of The Lonely here. It’s important to remember that The Lonely isn’t just the fear of being physically alone but also mentally alone. It’s possible to be surrounded by tons of people everyday but still feel alone due to disconnect or the idea that no one would care if you’re gone. In this way you could interpret the other peoples’ odd behavior as an attempt to alienate Terrance. The description of the restaurant also paints it as extremely superficial and shallow. The people can’t really be connected with and there’s nothing outside of the windows. The people Terrance finds comfort in for a brief moment quickly turn to consume him, seeing him not as a person that can be related to but as something to be used up. In a way, Terrance is sort of objectified. Which is an idea that both The Flesh and The Lonely could overlap in. The idea of being but a resource to be harvested like meat and something no one cares about because people only see someone as an object.

However, like always, you can very easily argue some other Entities (something that I can’t spend too much time on because this article is already long enough as it is and I would be repeating myself). You could argue The Spiral with the confusing imagery and appeal to madness or faulty senses, The Stranger loves to manifest as people acting odd and uncanny (such as Breekon and Hope’s as well as the Anatomy Students’ odd behavior). Potentially, the entire scene is just meant to be uncanny and the people unknown strangers speaking and unknown language that Terrance cannot relate to. Of coursem The Flesh loves using the imagery of people being consumed. You could also point to themes of The Slaughter with how people are attacking Terrance and the violence involved.

The plunge out the window is of course what leads to Terrance’s injuries and acts as an explanation for why they submitted their assignment late and they write off the experience as “stress-induced psychotic episode” which could once again point to The Spiral in terms of theming. Terrance once again mentions “hungry architecture” when they say “This experience is proof of the intense mental pressure that such Brutal Liminalism can have upon a person who is overexposed to such “hungry architecture”.”

I wonder if Terrance is on to something with the architecture. While there is a precedent for architecture being connected to the supernatural in TMA I have to wonder if Terrance is simply mistaken about the source because they don’t have the full picture. I mean Terrance wouldn’t know that the TMA universe exists and that’s where the Entities might come from. Even the average person in TMA wouldn’t necessarily correctly identify the architecture as having any sort of impact on the supernatural. The whole thing with the tower could be a manifestation tied specifically to Terrance’s perception or specific encounter. But there is always the chance Terrance is on to something, and there is a precedent for some of what they say. It could be that the tower’s architecture might have something to do with what’s happening (even if it’s not in the way Terrance thinks). However, Entities do manifest as places people walk into all the time even without specific architecture coaxing them, so it’s hard for me to say.

We cut to the CCTV in the breakroom and see Gwen and Alice interacting. Gwen expresses annoyance that Alice didn’t refill the kettle but Alice claims that there’s still a bit of water in the kettle even though Gwen says “There’s not even a third of a cup in there!” However, Gwen makes an extremely interesting comment here when she says “It’s bad enough that you deliberately try to find talkers and leave them running just to mess with me-” I don’t think Alice is evil, annoying, or as mean as some fans think she is but this would paint Gwen and Alice’s relationship as even more antagonistic. It’s also interesting that Alice is constantly telling Sam to ignore the statements (presumably because of the mental toll they can have on people) and then proceeds to leave them running for Gwen. It could be that Alice expects Gwen to ignore them but I wonder if the statements are actually getting to her. In MAG 102 (Nesting Instinct) Jon seems concerned when Martin mentions that he’s been reading multiple statements. When Jon asks him about it Martin says “B-B… Yeah. I mean, i-it wasn’t fun, but… I mean, if it, if it helps then I –” so there is a precedent for statements similar to the ones in the OIAR having a negative psychological effect on various people.

Also, something that I continue to rant about is how The Eye isn’t just the fear of being watched but also of watching. Of seeing too much. The Eye is noted in MAG 200 to have been born from the fear of one’s eyes “showing them too much” and we see other allusions to this like Jonah’s ability to shove information into the heads of other people like Melanie and Martin (forcing them to know things they don’t want to). I’m not saying Alice is a secret Eye Avatar just because this idea happens to parallel someone hearing something they don’t want to but rather that Alice might have a personality The Eye might like more than one would think at first blush. Also, the OIAR or the computers could be tied to The Eye but I’m not sure if it would mean the workers are in the same way that the Archivist and the assistants in the Archives in The Magnus Institute were tied to The Beholding. Teddy was seemingly able to leave this job while Jon, Tim, etc. couldn’t just leave theirs without a heavy price. There is no mention of Tim going blind or losing a finger or anything either.

So at the moment it does sort of seem like anyone can just leave the OIAR if they want to but maybe there’s a cost or condition we are not aware of. It might also depend on your status in the organization. Lower ranked people might be able to leave freely but people like Lena may be unable to. In TMA we know only the people working in the Archives were bound by the contract and presumably everyone working in all the other parts of the Institute could leave or quite whenever they wanted to (causing others to often see the Archives as weird).

Gwen and Alice also have a brief discussion about Gwen’s new position.

GWEN

“External Liaison”.

ALICE

“And of course, we both know what that means. Right? “

GWEN

“I assume I’m going to be managing a bunch of contractors.”

ALICE

“(Interested despite herself) Contractors for what?”

GWEN

“I’ll be receiving a more comprehensive overview “shortly”.”

It is interesting that the transcripts clarify Alice is “Interested despite herself” which might point to her being more curious or nosy about certain things than she lets on. The mention of contractors is interesting. I wonder if potentially certain groups aligned with various Entities have some sort of deal with the government. That still doesn’t narrow it down that much since it wouldn’t automatically explain why the government would be involved. Maybe they view certain monsters and Avatars as being like weapons in their back pocket or maybe they are just trying to appease them to curb the number of victims / collateral damage? The police force in TMA did make use of Hunters so maybe something similar could be going on with other Entities in this universe. I could totally see a shady government official attempting to use the power of The Eye to set up a spy network or something. However, the Entities still don’t seem like common knowledge in this universe, so even if that was true I doubt the government is just sending entire armies of Slaughter enhanced soldiers running around or something. These are still spitballs though and I’m not completely sold on the government trying to use the Fears as some sort of weapon or resource. I just think that somehow parts of the government are involved.

We get news from Alice that Colin has been put on mental health leave (probably due to the fight between him and Sam over Sam’s phone, which led to the phone’s untimely destruction). When told this news Gwen says “always said he was unbalanced.” but Alice is more suspicious of this news and says “You say a lot of things, mostly crap. I dunno… Feels like something’s going on here” (which isn’t completely unfounded since we know Alice has had this job for a while now). Alice says Sam and Celia went out together and makes a sex joke that Gwen seems disgusted by.

We cut to Sam’s phone and bare witness to Sam and Celia interacting with Gerry (Gerard) and Gertrude. These aren’t THE Gerard and Gertrude from TMA (they are both dead anyway) but instead parallel versions. So this is a coffee shop AU (not literally a coffee shop since they mention being in an apartment) of Gerard and Gertrude (good for them). They seem more well adjusted and happier and Gerry still paints in this universe. Although, it seems he has a lot more paintings. It could be that he just didn’t have as much time to paint in TMA or we just never saw the rest of the paintings TMA Gerard made. Gerry gives Sam and Celia a painting called “Camden Epiphany” as a gift. An epiphany can refer to a moment of sudden revelation or insight but it can also mean “a manifestation of a divine or supernatural being.” So I wonder if the painting foreshadows something. In MAG 4 (Page Turner) one of TMA Gerard’s paintings are described as “an eye. Very detailed, and at first I almost would have said almost photorealistic, but the more I looked at it, the more I saw the patterns and symmetries that formed into a single image, until I was so focused on them that I started to have difficulty seeing the eye itself. Written below it were three lines, in fine green calligraphy: “Grant us the sight that we may not know. Grant us the scent that we may not catch. Grant us the sound that we may not call.”” Something that seems to relate to The Eye. Gerry later mentions he was a part of the Institute’s “gifted kids programs” at some point and I wonder if this is because the kids in question were really smart or had other traits the Institute was interested in. It’s also possible that the answer is as simple as “all the kids had encounters with the supernatural previously.”

Gertrude seems as suspicious as ever and acts as Gerry’s grandma. I don’t know if she is his adopted grandma or biological one. If she’s his biological grandma this could recontextualize the relationship between their TMA counterparts depending on how 1-to-1 you think some of these relationships are (but I’m not sure I buy that she’s biologically related in this way to Gerard in TMA since that would mean either Mary or Eric are her secret child or something). Gertrude being an adoptive grandma or something is still possible since there’s no guarantee that Mary Keay was any nicer of a person in this universe (whether or not she was obsessed with the Entities). It could also be that Mary and Eric just died in some other manner due to some divergence in the timeline when compared to TMA.

The fact that Gertude is here also vastly decreases the chances that Gertrude is not the one who burned down the Institute in this universe. Whether she did or didn’t, a lot of things went differently otherwise she would probably be blind from breaking out of the Institute’s contract (and I feel like someone would have noted if she was blind). Not to mention all the timeline stuff going on right now, since the Institute burned down way earlier in this universe. Sam asks Gerry about the Magnus Institute and it seems to immediately change the atmosphere in the room.

SAM

“(cont.) I was on one of their gifted kids programs and -um- I got hold of a list of a few of the other kids and thought it might be nice if we could get in contact, swap stories and that.”

GERRY

“Yeah I barely remember any of it.”

Beat. GERTRUDE disapproves.

SAM

“Oh, so you were a candidate?”

GERRY

“Oh yeah but I was pretty young. I remember filling in a bunch of forms and questionnaires then some old men asking me questions about what books I liked to read, who did I look up to, that kind of thing. Then I left.”

SAM

“(Disappointed) That’s all?”

GERRY

“Yea, afraid so. Other than just sitting around with a bunch of other kids in a room that smelled like old books.”

There’s not much to go on here but it does vaguely point to why Sam might be trying to look into the Institute. He may have had some sort of supernatural encounter at this “gifted kids programs.” All the stuff about forms, questions, and old books could point to The Eye and prodding questions as well as information or even leitners but there isn’t a whole lot to go off of.

I admit, it is a bit funny seeing Gerry so much less depressed but Gertrude is as suspicious and snarky as ever. Sam thanks Celia for coming with him even though they’ve only known each other for a few weeks which makes me wonder if Celia has any ulterior motives Especially, if she recognized Jon’s voice from last episode, she might somehow be familiar with Gerard and Gertrude but that still doesn’t make a lot of sense to me at the moment. It could also just be that she tagged along because she’s also interested in The Magnus Institute.

Celia then asks for a sort of favor- “I’m trying to look into… Weird physics stuff: time travel, other dimensions, teleportation, all that good stuff. Freddy doesn’t really do searches, so could you keep an eye out and let me know if any come up in your cases?” If you read my last Quick Thoughts or even just listened to the last TMP episode you may have noticed that there’s actually a lot that could point to Celia having traveled from TMA using the gap in reality. If you want to hear more thoughts on that you can read the first part of the previous Quick Thoughts.

Celia mentions she is doing a favor for Georgie and her podcast. In TMA Georgie Barker ran a podcast called “What The Ghost?” Sam says he did some research on Celia which would imply that this favor is for this universe’s Georgie but I wonder if Celia is somehow trying to maintain contact with or travel back to the TMA universe. I also wonder if someone like Georgie even tried to send her after the Entities. In MAG 200 we get-

## BASIRA

“Yeah okay, you’ve made your point. [sigh] Would just be nice to know for sure.”

## GEORGIE

“All we can do is hope.”

Which could point to an interest in where the Entities have gone. Last article I mentioned that Celia could potentially be worshiping the Entities now, but I failed to consider that maybe she does still worship or look up to Georgie and / or Melanie and was either tasked with some mission or took it upon herself. This could also explain why she knows so much since someone like Georgie, Melanie or Basira could’ve just filled her in at some point after TMA or maybe someone tried to explain to Celia what was happening in the tunnels. This also could’ve been a mere accident or something else entirely. Maybe something even weirder is happening, like the Entities have jumped from more than one universe since we saw them in TMA so this Celia isn’t from the TMA universe (but that’s potentially a stretch with no information to go one).

Although, Celia’s comment about “Weird physics stuff: time travel, other dimensions, teleportation…” does potentially point to some of my original assertions that the Entities may not have immediately appeared in this universe within the same year / date they left the TMA universe because time can get a bit wibbly wobbly with interdimensional travel in the TMA multiverse. Not to mention that The Change also fucked with time, which could’ve thrown things off even more. Of course Sam saying “Uh, sounds a bit sci-fi compared to our usuals. What’s this for? You’re not doing research for that podcast you were on, are you?” seems like a jab at TMA and how the multiverse exists in relation to supernatural horrors of the podcast itself.

## Conclusion

Overall, this episode is very weird. Even weirder than I remember when you start trying to sift for details and clues. The statement is weird and Celia is weird but I’m curious to see what happens next. What / who caused the Institute to burn down if not Gertrude and what does that mean for this universe? Also, what is the OIAR actually supposed to do? Are they merely reviewing supernatural encounters similar to the Institute or are they supposed to take a more active role?