However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 7 “Give and Take”
Like always we cut to a computer spying on some characters (something something Entities, person, or monster watching). In this case it is Alice giving Celia a tutorial on how to work the computers… and in less than 5 minutes into her second appearance Celia has already become one of the most suspicious characters in the entire series so far when she says “Yeah. I mean, it’s an old system, but it could have been worse. It’s not like we’re wrestling with tape recorders and manila folders. ” which implies that she might not only be familiar with these kinds of things but that she is also referencing The Magnus Institute. Since we know that the Institute in TMA used both tape recorders and paper documents to record and archive statements. Sure this could be a coincidence but this is just such an absurdly oddly specific and otherwise random thing for Celia to say and she phrases it in a manner that would imply this is an experience she has had directly.
The way Celia continues to talk yet further hammers in that she’s sort of expecting or used to this. She even questions Alice’s half baked explanation of why the computer’s talk in this interaction-
ALICE
“Not really. Colin, he’s the weird IT guy, he reckons some of the system runs through the sound card so it just spits them out randomly.”
CELIA
“You’re sure?”
ALICE
“Well, no. But it kinda makes sense.”
This not only implies that Celia understands that there could be another explanation for what’s happening with the computers but it also shows that Alice may not believe these statements are as fake as she lets on, or at the very least she thinks Colin’s explanation doesn’t any sense, but I suppose believing in some weird technobabble from the IT guy probably makes more sense then believing people are turning into trees born from guilt or violins being satiated by sacrifices of blood and / or violence.
Celia then asks if Alice and company have ever bothered checking to see if the statements they get have anything in common and eventually mentions this while asking if it is possible to look up specific files “Oh I don’t know. Every case about being buried alive or meat or… whatever. ” An oddly specific thing to ask and the patterns Celia asks about as an example would be patterns that are very familiar to viewers of TMA. Specifically, if you were to look through statements revolving around being buried alive or meat you would find that they usually have to do with The Buried and The Flesh.
Alice does mention there’s a search bar that doesn’t work and so Celia would have to go through them manually. I wonder if this is intentionally done so that anyone who’s really adamant about finding a particular file would need to look through a bunch of statements or something (The Eye’s whole “seeing too much” and all that’s pointed out by MAG 200 and some other parts of TMA). The last time statements like this were disorganized it was because Gertrude purposefully disrupted the Archives to throw Jonah off but I don’t know if such a thing would be possible here. Maybe one or more IT managers have been purposefully messing around with the system’s code (which could explain Colin’s frustration with said code). But I’m not sure if that really makes any sense even if Colin does say the code in the system makes no sense. It’s possible that the code doesn’t make sense because it literally just shouldn’t work but it’s also possible that Klaus or someone else purposefully made the coding obtuse for some unknown reason. It could also be a mixture of both, maybe most of the code doesn’t and shouldn’t work but specific parts of it do allowing for extremely specific things to be manipulated or changed.
Before we get into the statement we need to address the elephant in the room. Something that I missed when originally listening to this episode and something pointed out by others is that Celia is actually a name we have heard before in TMA. A character by the name of Celia is actually one of the survivors living in the tunnels with Melanie and Georgia as part of a cult worshipping them. However, that actually isn’t even the first time we’ve seen her since we know she actually changed her name and used to go by Lynne Hammond and she appears in MAG 100 (I Guess You Had to Be There) rambling about ghosts and fire, as well as MAGs 190 (Scavengers), 191 (What We Lose) and 194 (Parting) as part of Georgie and Melanie’s cult. I don’t recall Celia ever getting a new last name in TMA and the Celia in TMP goes by Ripley but they are both voiced by the same voice actress (according to the wiki anyway).
Okay, so this Celia character must be the same person right? Well… there’s a big question we have to ask ourselves and that’s how the fuck Celia could’ve gotten here and I think there are a 3 broad answers that are the most likely.
The first, most basic, answer is considering that we later see parallel versions of some other characters it’s possible this Celia is merely a parallel version of the one from the TMA universe and that potentially she is worshipping the Entities or something as a parallel to how she worshipped Melanie and Georgie. However, this explanation has a hole since even if you were 100% adamant that Smirke’s 14 still exist in this universe the tapes and manilla folder stuff are oddly specific. It’s possible that she somehow interacted with this universe’s Magnus Institute (I have no idea how old she is) and that the tapes could still exist somewhere as they were probably pulled to this universe along with the Entities.
The second answer is that Celia got dragged here with the Entities but I find that possibility to not make a lot of sense. Annabelle hypothesizes that when the Change is undone the Entities will be sucked into a new universe. Theoretically, this would mean any monsters would get dragged along with them, as monsters are literally part of the Entities, and what happens to Avatars is a bit up in the air to a degree. If the Avatar’s body can still function biologically (that is to say they don’t have their skull caved in like Annabelle and their body wouldn’t just stop functioning the second the Entities leave) they might just be left behind. If the Avatar is actively being kept alive by one or more Entities (and isn’t just having their aging slowed down or halted) then one of two things could happen: they would just die or end up dragged along with the Entities. Annabelle also mentions that it might also depend on how close you are to the Entity and how much of you is made up of said Entity. Presumably normal people would be left behind. While Annabelle is mostly just speculating and could be wrong, her point is somewhat backed up based on what we hear about Simon. Since Melanie says in MAG 200 “I mean, I just don’t think people would exactly be understanding. You remember what happened when they found Simon Fairchild?” and “And he’s not just some powerless left-behind avatar, you know? We’re talking about ‘The Archivist’.”
Which to me would imply that Anabelle was at least mostly right with the biggest question being if Annabelle died or was dragged into the universe. It is possible Annabelle was just wrong and that the people dragged to the new universe were random or maybe certain domains dragged people with them. This second explanation also has some holes since Celia later mentions that CHESTER’s voice sounds familiar and Sam gets an email from someone named “John.” IF Jon and Martin somehow did get dragged to this universe or connected to it that would punch a hole in this theory since while Jon became literally part of The Eye (via becoming its pupil) Martin didn’t seem to be any sort of Avatar or Monster. It’s possible Martin got dragged along with Jon because he was in the same area as Jon, because he is closer to The Eye and / or Lonely than we thought or something else entirely but idk for sure but I feel like there’s also a 3rd possible answer.
This third answer being that Celia followed the Entities through the gap in reality sometime after the Change had been undone. As I pointed out in the last Quick Thoughts there’s actually no confirmation that the hole would automatically close once the Entities were pulled through it and I don’t think there’s any reason to assume that it would just seal itself. In addition to this we know the Entities (such as The Web) could actually reach through the gap to a certain extent. This is seen in MAG 114 (Cracked Foundation) when Anya Villette is seemingly pulled through the gap. Anya notes “Thinking now I know that there wasn’t any light down there, but… that horrid gap was clear as day, darker than just the simple lack of light that surrounded it. And then I was at the edge looking down, and those eight spindly arms reaching up to pull me in. I couldn’t have screamed even if I wanted to.” and when she wakes up she notes that the date is off. The date was originally April 23rd but somehow it had become April 8th after what is presumably The Web pulled her though.
This third answer proposes that Celia had a similar experience and an Entity pulled / beckoned her through or that she even purposefully followed them through somehow. This could explain why she is aware of the tapes and folders the Institute had and she even comes across a tape in one of the tunnels during the Change after meeting Jon but this also doesn’t really answer how she found out about Entities like The Buried and Flesh. Not everyone dragged to each Domain seems automatically aware of the Entities or which Entity their Domain belongs to but it’s possible that some of the remaining characters from TMA simply filled her in on the truth after the fact or that Georgie and Melanie tried to explain what was happening before even if she didn’t initially believe them. It’s also possible that Celia was just dragged to some weird Domain where the 14 Entities and knowledge of their categories was somehow implemented into their fear.
Maybe after Melanie and Georgie’s cult members were dragged back to their Domains from the tunnels Celia lost faith in them and began worshipping the Entities as some sort of gods? She wouldn’t be the first person to do so since The Cult of the Lightless Flame, The Church of the Divine Host, and Peter Lukas all refer to their respective Entity as a god and seem to believe them to be such. Not that I can completely blame them for that conclusion. But it’s also possible that she simply realized the truth of the Entities somehow or came to some other conclusion. Maybe she is in fact here to help Jon or somebody else for some reason? If the gap is still open maybe she is just banking on being able to travel back and forth somehow? Although, that might be a little much even for TMA and multiversal travel in TMA doesn’t feel that easy or controlled.
Let’s move on to the statement though. Immediately, the statement hits us with a familiar name: “Hilltop Centre branch of Oxford Peoples” which points to a possible connection to Hilltop Road in TMA. I didn’t actually plan for this to happen right after I mentioned the possibility of the gap in reality. I wonder if what the computers show is truly random or if there is some sort of logic to them? We know that Jonah mentioned he would try to make sure Jon found specific statements to guide him on the right path and it is odd that the OIAR computers randomly showed Gwen Lena’s secret and showed Alice that Sam was trying to access classified documents. It could just be a random information leak but maybe someone or something is trying to pull the strings and trying to guide them somewhere with a trail of breadcrumbs. Either way CHESTER continues to give the statement.
It details messages from Dianne Margolis complaining about a company’s neglect in addition to describing a strange event that unfolded At the Hilltop Centre branch of Oxford People’s. The first odd thing to happen is that upon being promoted to the manager position due to the death of the previous manager Dianne had a period of probation and, according to her, upon completing it “It soon became apparent that though Mr. C Clayton was my line manager,
neither he nor the Human Resources Department would provide any managerial oversight or support and any requests for assistance sourcing a replacement volunteer for my former role would go unanswered.” and she takes matters into her own hands by printing out and posting A4 flyers around Hilltop Centre. On November 13th, 2015 an applicant walks in and Dianne notes “The young man’s interview was not exceptional as he had no experience in charity work, no driving license nor any demonstrable experience in retail. He claimed, however, to know the Hilltop Centre better than anyone and as he was the only applicant in the role I elected to give him a try.”
I might as well spoil some of my assumptions right now and say that I believe this statement reeks of parallels with The Stranger. We’ll get into more specific examples later but I think it’s interesting that the man is seemingly unremarkable and lacks a driving license. While the man could have easily had other forms of identification a driving license is also a pretty notable form of identification. It could simply be that this man doesn’t know how to drive but it’s kind of weird that Dianne didn’t immediately say this man’s name. Almost like she didn’t know it… almost like this man is a total stranger. Someone she doesn’t know (and The Stranger feeds off the fear of the unknown and uncanny).
Dianna says “He even personally donated a rather large false plant in a somewhat disconcerting ceramic pot modelled on a shouting human face.” which I admit could be rather vague but I think it could be an Entity like The Stranger trying to feed off of the fear of the uncanny. Not only could that explain the weird human head but The Stranger in TMA had a precedent for handing out weird and seemingly random items. Sometimes it was stuff like Breekon and Hope passing around the artifacts of other Entities and at other times it was students passing out apples with teeth in them.
This man eventually says he has a friend who also wanted to volunteer and while Dianne was extremely suspicious of this offer “given that the site still needed at least 5 more staff members and Mr. C. Clayton was no longer replying to my messages, I had little choice but to interview them.”
The first person we hear about is a young woman who had a name Dianne can no longer remember. Which I actually think is an interesting note since The Stranger especially has a precedent for causing memory loss (even if we have seen it occur with other Entities). When Jon and co disrupt the Unknowing they all lose their memory for a time and can’t even recall who they are or what they are doing. In MAG 165 (Revolutions) we see Not-Sasha watch over a Domain that takes the form of a merry-go-round with people fighting over faces. People with no faces must fight over the faces of others to rip them off and regain some sense of identity and when they lose their face it is said “And soon enough they will forget they ever even had one, rest assured; it’s best to step the dance and keep your face secured as much as you are able. Just. Keep. Running.”
In case there is any debate about what The Stranger embodies in MAG 200 it is stated “And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger” and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” while in MAG 111 (Family Business) Jon says “The Stranger is the unknown. The uncanny.” and Gerard doesn’t correct him. Theoretically the fear of the unknown would probably often include the fear of forgetting something as you would know longer know it. The idea that there’s something you once knew but now you don’t and so it is unknown. This obviously would overlap with The Spiral a lot with the fear of your senses being wrong but that’s a whole thing for another time and plenty of Entities overlap with stuff all the time. All I’m saying is that there’s a strong precedent for The Stranger making people forget stuff or making things hard to remember.
This mysterious woman apparently laughed a lot with the man and Dianne mentions she gave them a warning “but they insisted “it’s all for a good cause” and there were no customers at the time.” One thing The Stranger also has in spades is odd seemingly random behaviors, such as Breekon and / or Hope eating a butterfly and having other weird mannerisms in TMA. I assume the idea here is that you don’t know why they are doing it or it’s just supposed to seem uncanny. This second volunteer also gives her own gift “…in the form of a large Bearskin rug. I attempted to contact Mr C Clayton to enquire about our policy regarding real fur items, especially ones of such size, but was informed that he was on a “personal development sabbatical” and thus unreachable. I elected to store this in the back room, especially given the sharpness of its teeth.” It goes without saying that in TMA there was a strong connection between The Stranger taxidermy, skins, skinning things, etc.. Especially ones that look uncanny or strange.
Three days after the probation of the second volunteer the mysterious lady says she has more friends who want to volunteer. Dianne says “As I was still technically understaffed I agreed to meet with them. I normally would not have accepted so many new starters at once but with the Christmas period approaching and still no reply from Mr. C Clayton I feel I made a managerial decision that was clearly within my jurisdiction.”
The next two volunteers “made donations of a large chandelier of dark glass and an oversized gramophone with a collection of records of what I believe to be religious plainsong. I was surprised that young adults would donate such exotic items and explained it was not necessary but they insisted claiming it was “all for a good cause”.” I assume that at this point Dianne has no idea why they keep saying “all for a good cause” or what they mean by it. Which could feed into the fear of the unknown or uncanny.
I think it’s interesting that Dianne doesn’t know where Clayton is but we get a possible explanation “Mr. C Clayton had not yet returned from his sabbatical which I had by then learned was with full pay in the Seychelles. I’m sure he had a lovely time.”
On the 30th of November Dianne gets 4 more volunteers “It seemed that my instructions had been misconstrued and all of them had already been offered a position. I explained that this was contrary to the Oxford People’s Trust’s normal hiring policies but I elected to nonetheless offer them a probation in order to fully fill the volunteer roster for the Christmas period.” We also get more odd gifts “All four of them started the same day and despite me being very clear that it was not necessary they had also brought personal donations in the form of A crudely-carved rocking horse, a grandfather clock that leaked some sort of dark oil, A heavily vandalized set of the Encyclopedia Britannica and an extensive collection of abstract canvas artworks respectively.” Dianne notes that she is quickly losing control of the situation as they don’t remove the “gifts” despite Dianne’s orders. Then on December 1st she “arrived to find that the new hires had already opened the shop. To be clear I had not provided any keys and remain unsure how they obtained a set. I intended to pursue the matter immediately but was initially unable to locate them behind all the additional donations they appeared to have accepted.”
These new donations apparently weren’t fit for sale and Dianne recalls “…two large, soiled Crinoline dresses, a Chaise Longue with cushions filled with some sort of coarse sand, a taxidermied vulture, a rusty antique printing press and a collection of old medical equipment that had seemingly been recently used. There were many, many additional items but I was unable to take a full inventory as the shop floor was overfull.” Once again we get a reference to taxidermy and the medical equipment could be a reference to something like the medical students from MAG 34 (Anatomy Class). Dianne manages to find the original volunteer and she tells him that social gatherings are not allowed in the center during work hours to which the man responds by saying they were all volunteers and when she tells them to leave the premises they just laugh and keep bringing in new items. So it’s clear that there’s a lot of people in this center at this point.
Dianne decides to try to call for some intervention from the head office and “began to push my way through to the landline but as I did so I saw yet more people entering the shop with donations: some sort of leather kite, an oddly curved brass telescope, a wheelbarrow full of shifting fossils, an armload of swords, lengths of rope… and they were all laughing and calling out to one another “it’s all for a good cause!”” The shifting fossils makes me wonder if some of these objects are in fact artifacts (artifacts that shift or move around in such a way are often connected to Entities like The Spiral and could potentially allude to some others. Maybe The Extinction or something if you want to go full tinfoil hat theorist). It wouldn’t be the first time The Stranger has messed around with the artifacts of various Entities since Breekon and Hope were all about giving people strange unknown supernatural objects to feed off of their fear.
People continue to pour into the center and “As more and more people arrived, pressing into the shop, the central shelving was toppled and items were being damaged underfoot. A tin bathtub filled with moldy food, a stack of old dental retainers, a brace of half-butchered pheasants, jars of what appeared to be pickled hands;” and Dianne soon finds herself trapped in the center by the sheer amount of people. She loses sight of the exits and “The pressure grew unbearable and I was pinned on all sides, my shoulders crushed against an ancient diving suit filled with sawdust, with my neck wrenched under a broken picnic hamper whilst bloodstained china was ground beneath my feet. There wasn’t even enough space to fall now. ” “I tried to scream but could only manage a wheeze as I began to blackout. My limbs were contorted and gouged by unseen edges, my mouth filling with the copper taste of imperial coins pouring down on me from a jar above.” Gunshots start going off but all the volunteers keep laughing even as Dianne “could feel the deadened thud of impacts” and “ could see spatters of gore through what gaps there were in the items all around me.” There was thud after thud and eventually the laughter starts becoming drowned out by flames.
The pressure on Dianne suddenly lessens and she crawls her way through the crowd and all kinds of detritus out of the center. Once out she tries to get back to her feet only “to be shoved to the ground by a heavyset man in black clothing, who demanded I identify myself while pressing a gun against the back of my head.” As expected of any normal person in this situation Dianne freaks the fuck out and starts crying from fear (she also has a broken rib) but luckily the man seems satisfied with this response and “he threw me roughly over his shoulder and walked away from the Hilltop Centre as the charity shop blazed behind us. I swear I could still hear them laughing over the thudding of machine guns and the roar of unchecked fire…” Before I talk about this man Dianne says “It has been made very clear to me that I am not to identify the security firm that took this action, so I shall not do so here. Nor am I aware of which individual or organisation hired them, except in as far as I know for a fact they were not working for the Oxford People’s Trust” and to write the fire off as an accident with no further investigation. Dianne says she can provide contact info if need be but advises against it.
So what is the deal with this man? Based on what Dianne was told I think it’s safe to assume that the man actually did start the fire and that the reason he spared Dianne is because her breakdown confirmed that she wasn’t one of the “volunteers.” Is this man some sort of Hunter like Daisy or Trevor? Maybe he’s more like Dekker and isn’t directly aligned with a particular Entity? He could even be a part of the Starkwall private military contractors involved in the “The San Pedro Square Massacre” mentioned in episode 4. It is unclear at the moment but I’m at least leaning towards that idea that for whatever reason this man went out of its way to kill the volunteers.
While one may at first assume that the gun fire was coming from objects the “volunteers” had brought into the store going off it actually sounds like the gun fire was being aimed at the center as it burned down. If that is the case then this man probably isn’t operating alone. I wonder how much various parts of the government in TMP know about the supernatural and if this man is affiliated with them or the government has things in place meant to try to keep the Entities in check somehow.
I’ve made it pretty clear that if I had to assign this statement an Entity based on what we’ve seen in TMA I would point to The Stranger. You could also make a solid argument for The Buried and themes of being trapped and crushed both literally and metaphorically. Dianne feels like she has no other option and becomes trapped by the strange crowd. You could also make an argument for The Lonely because while Dianne isn’t alone physically she clearly seems to have been abandoned by Clayton and her higher ups and left to deal with this mess alone. Additionally, The Lonely manifests as a faceless crowd in MAG 48 (Lost in the Crowd) so it’s not like it can’t manifest as people or at least something resembling people. Maybe their odd behavior was meant to alienate Dianne and make her feel even more alone?
The statement ends and surprisingly Celia seems shaken by the voice despite how otherwise familiar and confident she seemed about the statements. Maybe the voice sounds familiar to Celia…? Okay, time to address the second big elephant in the room. CHESTER sounds like Jon from TMA and shares the same voice actor and if we assume that Celia is the same Celia from TMA that would explain the reaction as she has met Jon and would thus recognize the voice. I mean, she even states herself that she does recognize the voices and asks Alice if she knows who the voice actor is. I’m going to be honest, part of the reason I didn’t bring up the voices or any theories around them is because I admit I kind of just wrote them off. Since there was no conclusive say up until this episode I assumed that it was simply Johnny reusing voice actors but I realize now that was a wild presumption for me to make. Especially since while it is true that one of the voices sounds like Martin the other one sounds unfamiliar to me which is an odd choice.
It is possible that during the shift from universes Jon and Martin somehow got melded with The Eye or metaphysically trapped somewhere or some other wacky shit. If Jon and Martin somehow are connected to the computers that could explain why the computers have odd quirks like giving away random information and notifications. It could be someone trying to help or nudge things in a certain direction but this is still all very uncertain and up in the air. In my previous essays I mentioned that I think Sam shares certain traits with characters like Jon and from this standpoint I wonder if Jon notices the parallels somehow and is actually trying to stop Sam from making some of the same mistakes he felt he did.
We cut to another scene and the transcripts clarify that we are listening in through Sam’s phone as he asks Colin a question, and this is where we get the big reveal. Sam asks Colin “Uh anyway yeah, I was wondering if you knew who “John” was?” and explains “I got a weird email from “John” with a random name and an address and it looks like it’s from an internal email so… ” Of course, Colin has no idea who this is and confirms that no one named John works at the OIAR. Colin then gives an ominous warning by saying “Listen mate. If you’re going to get
this worked up over a weird email you’re going to freak when you see the real stuff.” Sam questions this and Colin only says “Oh you’ll see” and Sam asks Colin if that’s why he taped over his webcam.
Colin eventually notices Sam’s phone and freaks out since he has a sign that says “No external electronics”. Colin seems to take Sam’s phone and says “It’s already recorded too” and there is a scuffle that the transcripts confirm ends with Sam’s phone breaking.
Before we move on to the next part let’s go over this. Obviously, the name John rings familiar to TMA fans as the name of the protagonist from TMA. Right now I think the two biggest possibilities are that Jon is in this universe and somehow tied to CHESTER or the computer, or that this is Jon’s parallel counterpart from this universe sending an email while trying to look into The Magnus Institute or something. The second possibility seems a bit more dubious and obtuse I admit (especially since Sam notes that the email had an internal address. Something that can easily explained by the computer itself sending the email). Once again we see Colin’s paranoia about being watched which lines up with what we saw in the TMA’s Institute and the feeling of constantly being watched noted by characters like Jon. Colin also proves to be right in his paranoia since someone / something (besides the audience) is listening through Sam’s phone. I have to wonder what “real stuff” Colin is talking about. Maybe a direct encounter with the Entities, monsters, Avatars or some sort of creepy artifact storage? He could be talking about the statements ramping up in horror or something but that seems odd even if not impossible, and the way he talks seems to imply to me at least the possibility of interactions that are more direct than receiving strange messages.
Start Here If You Came From the Reddit
We do get something Colin could possibly be referring to when we cut to Gwen and Lena via a landline. I think it’s interesting that the transcripts clarify “LENA puts the phone down and the line disconnects but we can still hear. ” which points to more supernatural surveillance. Maybe The Eye, maybe something else who knows.” Gwen reveals she knows Lena’s secret with the video the computer showed her (and she made copies of the video) but it’s made apparent that Lena didn’t actually kill Klaus. But rather, faked Klaus’ death. Gwen even says “Because I suspect the only thing worse than being convicted for attempted murder is being punished by the people who paid for it. ” and “According to my source, they believe this man to be quite dead.”
This could be a subversion on TMA. In TMA a creepy boss (Jonah / Elias) kills a man (Jurgen) after he comes out of hiding in addition to killing Gertrude. But while our first assumption here would usually be that Lena (a creepy boss) killed a man who came out of hiding (Klaus) it appears that this is actually reversed and she saved him. It’s possible that Lena might be trying to do the right thing or believes what she is doing is a necessary good as opposed to a plot designed to trap the world in an eternal hellish fearscape. Lena remarks on Gwen’s source by saying “Source. Singular. Interesting.” I wonder how Gwen knows who Lena’s bosses are. Is her source one of the computers? Her last name is Bouchard which could point to something supernatural going on but she also doesn’t seem to know exactly who Lena’s bosses are and I can’t just assume that she also has weird abilities like Elias / Jonah. She might have just found and questioned Klaus with that in mind. She could also just be Elias’ daughter. We don’t know if Jonah got to Elias in this universe (he probably didn’t) and we don’t know how old Elias was so is it possible Elias could’ve had a daughter had Jonah not body hopped to him? Although, Gwen could just be a relative or a character with no immediate or obvious counterpart to TMA.
Lena says “You have ambition, Gwen, I will grant you that, but not a lot of imagination. You are blackmailing me personally, correct? For what? I am not a wealthy woman, certainly not compared to your own family. What is it that you want?” and Gwen replies “I want “in”. ” Lena says “It’s simply a bit unexpected. Perhaps you have more stomach for this work than I gave you credit for. And I have been needing someone to step up to the real work for quite some time now. “ and after being prompted elaborates “(Pulling out paperwork) If you want answers and authority, you’ll have your chance to earn them. I am appointing you as the new “Externals Liaison.””
Obviously, I have a lot of questions about Gwen’s motivations. I don’t know why she seems so cagey on top of feeling that she deserves to be boss of the OIAR. Without context I have no idea why she would care so much since she seems to be good on money based on Lena’s comment about her family. Maybe she was simply cut off from her family but that still raises a lot of questions on why Gwen feels so strongly about this in particular. Not just being promoted but mastering an obtuse categorization system for various creepy stories while working odd and long hours in a basement with like 4 other people. I have no idea what “in” means yet. Also, both Celia and Sam note the interview for this OIAR job as strange and Alice mentions Lena goes through a lot of effort to weed people out. So I wonder what Gwen said / encountered that convinced Lena to hire her in the first place?
According to google, a liaison’s job is to “facilitate communication and collaboration between departments, teams, or organizations.” and this random pdf I found (https://www.embs.org/wp-content/uploads/2022/02/Liaison-establishment_Erin_9_Feb2022.pdf) says “A Standards Committee External Liaison is an information conduit that enables sharing of information from a Standards Committee/Subgroup to an organization external to IEEE” This does potentially shed some light on whatever Gwen was doing with Mr. Bonzo but I’m going to bite my tongue since I’m trying to handle these in order as they appear as much as possible so my thoughts don’t end up jumbled and ideally someone could read most of these essays as they listen to each episode.
People who have read my other stuff probably know that The Eye doesn’t just have a big emphasis on watching but information in general. In MAG 200 it is described as being born from the fear of “seeing too much” and Jonah has the ability to shove information into the heads of people like Melanie and Martin. Additionally, people like Jon can force people to give statements and by extension force them to remember or revisit the past. The Eye isn’t just about someone seeing too much of you but also the possibility that you might see too much of something else and regret it. This could connect to Gwen’s new position as Externals Liaison if I maintain my argument that the OIAR is somehow connected to The Eye because of the statements the computers read and constant surveillance.
In essence in a similar manner to how the job of the Archivist is to be an “archive” by acting as a living chronicle of fear through watching and comprehending various horrors the Externals Liaisons job might be to transmit information or see other horrifying things they are interacting with. Lena does also mention “I have been needing someone to step up to the real work for quite some time now.” so I wonder if the goal is to promote the people working at the OIAR if they manage to reach a certain qualification or metric.
If one is to argue that the OIAR is somehow connected to one or more Entities this wouldn’t be the first time multiple factions tied to different Entities could be connected (since Gwen’s new job seems to require acting like some sort of messenger or middleman). In TMA the Lukas and Fairchilds worked together. The Daedalus space station’s involved a collaboration between the Fairchilds, the Lukas family and the Church of the Divine Host. I wonder if the OIAR is directly involved with every Entity (and maybe different branches deal with or connect with different Entites) or if one if it’s tasks is to somehow work with or manage other factions? Is the government somehow trying to keep the supernatural manifestations in check by making deals when possible and trying to fight the rest? I don’t know and most of this is just tinfoil hat wearing spitballing.
I also have to wonder who Lena’s bosses even are. Is she working with or for the Starkwall private military contractors? Is the government trying to sweep something under the rug? I can’t say.
Conclusion
Spoilers for some future episodes:
Are there multiple factions aligned to different Entities working together even more than before. Maybe the government made some sort of agreement or offering with them. In TMA we know the police often turned a blind eye to Section 31 when possible as long as they dealt with all the supernatural stuff? Is her job to witness what the other factions are doing like some weird take on the Archivist?
Idk for sure but if you take a step back and look at it this is definitely one of the more eventful episodes (or at least the one setting up the most threads and questions at the moment).
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 8 “Running on Empty”
This time we dive directly into a statement that NORRIS is giving which means the intro is a bit faster than usual. This statement takes the form of a paper being submitted by Terrance Stevens to Joseph Peterson. In the end Terrance is stuck with a failing grade but the teacher left a note of “see me” and in the assignment itself Terrance does try to explain the late submission and extenuating circumstances. Which seem to be acknowledged by the teacher with “Extenuating circumstances: Serious Medical Condition, Trauma, Miscellaneous.”
Terrance decided to do their assignment on “Forton’s Brutal Liminality, a case study of architecturally induced psychological stressors as a result of prolonged exposure to liminal spaces in the Brutalist mode as exhibited by Forton Service Station.” They elaborate with “This paper will present a comprehensive analysis of Forton Services as a key site of study for the intersection between Brutalism and Liminal space design with a secondary focus on the psychological stresses such sites can cause.”
Later in the statement Terrance gives us the definitions of Brutalism and Liminal that they are working with (which is extremely helpful because upon looking it up I got 3-4 common definitions for Liminal). “Brutalism, originating from the French ‘béton brut’ - raw concrete, is an architectural movement that focuses on utilitarian purpose. This often results in exposed raw materials, stark forms, repetitive geometric shapes and monolithic structures. This can often lead endusers to feel overwhelmed or oppressed. (Zumthor, P. 2006)”. “'Liminal’ spaces, derived from the Latin 'limen’, meaning 'threshold’ are transitional spaces normally inhabited for short periods. They have been shown to have marked effects upon the psychology of those exposed to them and long-term exposure has been found to illicit anxiety responses (Augé, M. 1995), (Bachelard, G. 1994) and feelings of the uncanny (Trigg, D. 2012).” In case the second definition is a bit confusing, what Terrance is referring to when they say “transitional spaces normally inhabited for short periods” are things like hallways. Places that exist almost entirely for people to pass through from one area to another.
Terrance’s report seems extremely focused on architecture and the psychological effects they can have. Within TMA Smirke’s architecture could actually interact with and influence the Entities in various ways and they were noted to have a higher likelihood of hauntings and supernatural events occurring within them being reported than other buildings do. Plus, the Entities themselves can manifest as physical places. This is seen with not just the Domains but also how people can be physically thrown into the Entities (for example, someone can physically enter The Buried or Lonely. Various people have been taken by the Entities to other unknown locations and there’s a non-zero chance that at least some of these people ended up within Entities so their fear could be fed on). Terrance also says “My hypothesis is that that Forton services, as a site of intersection between these two psychologically significant elements can be considered a site of what I have termed “Brutal Liminalism” and this is why it has a profound effect upon those exposed to it in the long term as testified by my own experiences. Specifically, it creates an effect of absence despite presence, an “architectural hunger" of a sort.”
I also have to wonder if architecture will be as important in TMP as it was in TMA and if so how? Did this universe’s Smirke somehow meet the Entities or is some of the architecture in TMP just coincidentally reacting with the Entities? Maybe it has nothing to do with Smirke and someone else has connected the dots in regards to architecture and the supernatural?
Terrance goes on to explain that areas such as Forton were originally conceived as locations one would actually stay at for prolonged periods of time but the increasing popularity of cars and similar vehicles along with the overdevelopment of the road infrastructure in the UK led to Forton becoming a place people merely pass through overtime. A liminal space if you will. Basically Forton went from being sort of like a metaphorical “room” one would actually stay in to a “hallway” that people just pass through. This also meant that more people would be traveling through Forton and “This increase in travelers, far beyond older design parameters, has led to an ephemeral flux of people transitioning through service stations at all hours, leaving only trash in their wake. Not only this, there are perceived time distortions associated with such spaces exacerbated by the deliberate absence of clocks (to encourage longer stays) and 24 hour opening times with rolling opening, closing, cleaning and restocking routines.” In case you aren’t aware, ephemeral means “lasting for a very short time.” So among other things, Terrance is saying that there is a spike of people in Forton but they are not permanent or consistent residents. It’s a bunch of people flowing in and out of it constantly.
“I propose that because these spaces are devoid of persistent humanity and consistent time perception, they have thus become dislocated from humanity’s shared mindscape and there are unique health risks to people who are over-exposed to this phenomenon. In essence, I believe the “architectural hunger” of a space that resents its own transitional nature can be dangerous and I have a unique personal insight into this phenomenon.” The term “humanity’s shared mindscape” gives me pause but I suppose the Entities could be considered a shared mindscape? They are explicitly born from and maintained by the collective fear of animals, and while this can be the fear of any animal it is noted that most of the Entities tend to lean towards feeding off of humans specifically, with the exception of The Hunt and The Flesh, because their fears tends to be more “nuanced.” So you could describe most of the Entities as mindscapes that tend to revolve around humans even if not completely. Not to mention, that despite the Entities being very metaphysical in many ways you can still physically enter them, and they do like to mold themselves out of specific fears in order to best terrify the person within them. So they are kind of like mindscapes born of fear.
It’s also interesting that Terrance says “architectural hunger.” The term hunger seems to be appearing a lot which has led to much speculation. I’m still a bit on the fence about this but even in TMA there were at least some references to hunger. How Entities and Avatars gathered fear was often portrayed using food metaphors. If an Avatar could not gather enough fear over a period of time they would “starve” and feel extremely weak if not die for example. When Jude Perry is describing how being an Avatar works to Jon she says “Feed it, fearlessly and without hesitation, or it will feed on you.” In MAG 200, when describing how the Entities came to be, we get “But fear was here and true and was itself, and it hungered. It wished to know more. It wished to feel more. It wished to be more.”, “And something else began to happen. Some minds did not simply recoil from them and feed them. Some seemed almost to call them, to court them, to hunger for them in return.”, and “And with this newfound power came greed. The hunger for more, the unformed, unfocused, but impossibly huge desire to exist. To join the minds that gave them shape and purpose, and finally drink their fill ‘til they were one and the same. They had no concept of how, or when, or even why, but they needed it. They needed it.” So the Entities have always sort of been described as “hungering” or “feeding” in my opinion even if it’s being pushed more now.
Terrance details how they took a job as a janitor at Forton Services after a divorce and it “cost me the majority of my friendships. The ensuing stress episode led me to quit my job as a deputy fiduciary services administrator. I thus applied and successfully interviewed for a low stress Janitor role despite my overqualifications. At the same time I successfully applied for the Architecture Program at Lancashire University as a mature, 51 year old student.” The fact that this seems to take place recently after a divorce and that the divorce led to the loss of many of Forton’s relationships could point to themes of The Lonely. It wouldn’t be the first time someone got dragged into The Lonely after a relationship goes sour (as seen in MAG 150 (Cul-De-Sac)).
Terrance says that they believe Forton to be “an ideal example of “Brutal Liminalism” given its status as both a popular motorway service station and a landmark of brutalist architecture.” and they specifically note the tower as being the primary reason for this place being an ideal example of brutalist architecture. The tower is noted as being closed to the public despite being listed in 2012. I wonder if this tower specifically has something going on with it. Maybe the architecture is similar to Smirke’s or there is some other type of architecture that could elicit increased supernatural reactions and / or maybe even encourage different manifestations. It wouldn’t be completely unreasonable to assume that there is potentially more than one way to build something that reacts strongly with the Entities, even if such an idea is unfounded at this point.
Terrance describes the site by saying “The site is seventeen point seven acres featuring an eastern picnic site and facilities on both sides of the M6 motorway with seating for 700 people, 101 toilets and 403 parking spaces. The top of the tower once held a fine dining restaurant with a roof-level sun terrace both of which featured unmatched panoramic views of the surrounding rural countryside on all sides.” While the tower used to be open at one point, Terrance explains “Unfortunately, the effects of Brutal Liminality soon took effect with a 1978 government review describing the site as “a soulless fairground” and the restaurant became a trucking lounge before being closed to the public in 1989. No-one has eaten there in decades. There were later failed attempts to repurpose the space but in 2017, the two pentagonal lifts in the center of
the Tower shaft were replaced leaving the higher floors derelict and inaccessible. The tower still stands overlooking the surrounding countryside, the only access via the Brutally Liminal Forton Services below, but the entrance is sealed and this is perhaps for the best.”
But while Terrance was unable to enter the tower itself they claim to have started undergoing “a psychological shift” nevertheless. They describe this supposed shift as “subtle,” so much so that they didn’t even originally notice it and assumed there to be a more rational explanation. “Put simply, there were less and less people every night. At first, I assumed it was some seasonal change I hadn’t accounted for but every day it grew more pronounced until finally, one night, I realized that I had not seen a single person.” Terrance says that this is impossible and they even went to verify their log. They would go on to check the parking lot but didn’t see a single car. Once again, this parallels a lot of the themes and manifestations of The Lonely for obvious reasons tied to being isolated both physically and emotionally. Terrance then notices something in the parking lot. Something that they describe as “…streaks of light lingering in the air. There was a nebulous haze across the entire car park, a mélange of muted colors punctuated with more vivid reds, whites and yellows but even more curiously I realized it primarily hovered above the asphalt. The Greenery and walkways were mostly clear. The effect was curiously familiar but I couldn’t quite place it. I have since been unable to determine if this effect was psychological, physiological, or atmospheric in nature but I maintain that the phenomena was accompanied by a disquieting sense of absence. Of hunger.” Once again, a reference to hunger.
While most of the statement up until this point has been pretty heavy on potentially Lonely themes, this leans a bit more Spiral-like with the kind of strange lights being seen. Terrance does also describe the lights being seen as chaotic. Despite this it’s not like all The Lonely type stuff suddenly stops. Terrance says that they managed to make out details “…in those long, waving, iridescent strips” and they “…could trace denser routes through the chaos leading through the main doors to the facilities and as I watched a memory of my ex-wife’s photography leapt unbidden to mind, my favorite shot that she’d given me on our seventh anniversary: “A study of traffic.” So what could be happening here is that an Entity is attempting to remind Terrance of their ex-wife as well as some of the pictures she had taken in an attempt to amplify certain emotions or feelings (such as loneliness). Terrance even goes on to say “That’s when I realized why this all felt so familiar. Timelapse. If I could have walked into that photo, this must be what it would have felt like. It would have been beautiful if it weren’t so unsettling.” So Terrance might have literally walked into a place modeled after a photo taken by their ex-wife. Additionally, when they were married Terrance would have had way more friends. So this memory could also call back to a time when they felt less alone this heightening there current feelings of isolation.
The haze’s connection to the asphalt is probably due to the fact that the picture Terrance’s wife had taken was “A study of traffic.” So highlighting the asphalt would help remind Terrance of the photo due to streets, sidewalks, cars and all that. However, you could also make an argument for themes relating to The Extinction if you were so inclined. In MAG 134, “Time of Revelation,” Adelard Dekker says this in regards to his theory about the Power “But now the fear is not of a rapture or a revelation. It is of catastrophic change. Mankind will warp the world so much it kills us all, and leaves only a thousand years of plastic behind. Technology will strip us of what it means to be human, and leave us something alien and cold. We will press a button that in a moment will destroy everything we have ever been. Animals are witnessing the end of their entire species within a single generation.” So you card argue that highlighting concrete as opposed to potentially more naturalistic landmarks like greenery could point to urbanization and a less natural future. Terrance does also mention in his theory that a major factor as to why the architecture has become a negative force is because overtime Forton has changed to a more liminalist space due to urbanization and an increase on the reliance of cars (which can also be tied to some fears that The Extinction might often correspond to (such as climate change and being rendered obsolete)).
However, you could still make a very solid argument for the influence of something like The Spiral as Terrance also says “In retrospect I was clearly having some kind of severe hallucinatory episode brought on by long-term exposure to the space.” So there is a potential awareness and fear that Terrance might be mistaken or their senses are wrong. Terrance feels like they should try to avoid the glowing mist and even feel the instinct to hide “ to find somewhere, anywhere that I might be free of that overwhelming miasma sloshing back and forth within the foyer threatening to wash me away with it.” (A foyer means “an entrance hall or other open area in a building used by the public, especially a hotel or theater.”) While it’s not impossible that another Entity might be manifesting as mist or fog I think it’s interesting Terrance notes the presence of glowing mist since we know that Entities such as The Lonely tend to manifest as it a lot. This is probably to heighten the sense of isolation because of the fact that fog and mist not only obscure vision but also tend to muffle sound. These qualities can make it harder to tell if there are others around you, which might make you feel alone. Fog and mist can also be associated with melancholy. It could also make it potentially ironic that Terrance’s first instinct is to hide and thus potentially further isolate himself.
However, rather ironically, there are ways fog and mist could hypothetically relate to The Spiral. Some other definitions of fog include “something that obscures and confuses a situation or someone’s thought processes” and “bewilder or puzzle (someone).” Both of which could point to the idea of fog or mist manifesting as a metaphor made literal in order to confuse someone.
Terrance also refers to the mist as a miasma. A word that can mean “a highly unpleasant or unhealthy smell or vapor” or “an oppressive or unpleasant atmosphere which surrounds or emanates from something.” I would assume that the second definition is more applicable here even if the mist could smell terrible. Terrance starts trying to get out of dodge by moving away from the main entrance and “away from the densest areas of the kaleidoscope in the hopes of finding somewhere less overwhelmingly saturated.” A strange kaleidoscope of colors could once again point to The Spiral.
Things get a bit weirder when Terrance says “And that was when I saw the woman. She was tall, young, and thin, almost to the point of malnourishment, dressed similarly to a stewardess with a tightly fitting blue waistcoat buttoned over a sensible looking grey skirt. She was beaming, holding open the door to the lift and inviting me inside. There was a small brass badge on her waistcoat, but instead of a name it simply read “You are here”.” The sight of this woman causes Terrance to hesitate and “before I could consider her strangeness a particularly high tide of color swept down the corridor toward me. I panicked, and before I realized what I was doing I had darted inside the lift and slammed the close-door button.” It quickly becomes apparent that Terrance is in the elevator with the woman as they say “Thank you!” and “She didn’t seem to notice and instead continued to smile warmly at me as she reached across and pushed the button for the penultimate floor marked “Restaurant”. A button I knew was disabled. The lift started to climb.”
I wonder if the colors Terrance was running from are a metaphorical representation of their past. Maybe if the colors caught them they would have found themselves trapped in a world modelled after their wife’s phot of the past. We also know that The Lonely has manifested as weird colors. In MAG 186 (Quiet) Martin’s Domain is mentioned as being monochrome in color. So I wonder if the vibrant colors chasing Terrance would mean everything else outside of it seems more drab and less colorful in comparison? Then again there’s still argument for The Spiral with the dizzying array of colors.
As Terrance catches his breath the woman says ““Good Evening!” She exclaimed, “It’s my pleasure to welcome you! You are here! Stay awhile!”” Terrance tries to ask her some questions but she says nothing with a wide grin on her face. Eventually the doors Terrance are leaning on open and he tumbles into the tower. To which the woman only responds with “Stay awhile!” before the doors close. Terrance had actually seen the locked tower stairway, after being shown it by Molly on their first day, and the tower shouldn’t have anything in the room Terrance is in “apart from damp and broken furniture. At least, there shouldn’t have been.” Despite this impossibility, in front of Terrance now lay “…a restaurant, spotless and bright with retro 60s décor and the sweet smell of frying pork drifting towards me from the central kitchen. Chairs and tables lined the outside wall, each of which sported a large window which would have granted an impressive view of the landscape below if they weren’t all blacked out. This didn’t seem to concern the diners however, who were perfectly content eating whilst chatting amiably with one another.” This sight actually gives Terrance a moment of relief “…for as strange as the situation was, at least there were people. I was no longer trapped in that bizarre, solitary, aurora limbo downstairs. The feeling faded though, when I heard what they were saying, or rather what they weren’t saying.”
The seemingly starving woman was strange, but I think there are some things in this restaurant that could once again point to The Lonely. As I’ve mentioned before The Lonely has manifested as people before, most notably a faceless crown in MAG 48 (Lost in the Crowd). The Lonely has also manifested as languages that sound vaguely familiar but upon closer inspection sound like gibberish. In MAG 150 (Cul-de-Sac) we get “My hand drifted down and brushed the plastic remote control. Almost on instinct, I picked it up and turned the TV on. A cooking show. A woman I almost recognized fussing over a turkey. She was talking, or at least it sounded like she was, the cadence and the sounds were so much like English that it took me almost a full minute to realize that she wasn’t actually saying words.” I assume this is meant to emphasize a feeling of isolation and disconnect. The idea that you cannot understand others and others cannot understand you. Even if you aren’t alone physically you are alone in your experiences and people cannot relate to you while you have trouble relating to them.
I think it’s also interesting that Terrance feels a moment of relief upon seeing other people. This may seem weird for something like The Lonely to do but in reality it wouldn’t be any different than say The End extending someone’s life. Entities such as The Lonely aren’t the embodiment of loneliness but a manifestation of the FEAR of it. Sometimes the Entities seem prone to give someone some sort of “protection” or “benefit” either temporarily or permanently that might seem to run counter to what the Powers crave at first but in reality it’s the Entity trying to harvest as much fear as possible by trying to give someone something and then threaten to (or actually) take it away. The End’s behavior in TMA makes a lot more sense when you remember that it isn’t literally death but the fear of it, and the longer certain people are alive the more they can fear losing their life. What I’m trying to get across is that just because Terrance feels a moment of relief that doesn’t mean that the feeling of loneliness isn’t a massive factor or aspect here. When Terrance describes their relief they even say “bizarre, solitary, aurora limbo downstairs.” Emphazing that one of the most concerning aspects of what was happening downstairs was the “solitary” part of it. Of course, it might be too early to say that’s exactly what’s going on here so let’s keep looking through the statement.
“Looking around, the restaurant was near capacity with only one free table but when I tried to listen to any one conversation it was just… noise. A muffled murmur that sounded like speech but held no information. Their mouths were moving but all I could make out was a meaningless garble, just the impression of speech, nothing more.” Once again, more Lonely-esque gibberish. You could also argue The Spiral with how Terrance thinks he can understand what they are saying but upon listening he can’t or The Stranger in how he doesn’t know what they are saying or who they are. However, I would point out that it has become clear that this fake speech has seemingly caused a distancing effect with Terrance that’s making it harder for him to relate and connect to them as people. He even goes on to say “Similarly, as I looked closer at the diners themselves, I noticed oddly repeating elements to them. Three women were wearing the same blood-red heels. Two men, the same blue coats and worse, there were even recurring features iterating on different faces: the same green eyes on two women, identical moustaches on three men. These were as much an impression of people as the sound was an impression of speech. And they were all so horribly thin.” In essence, these aren’t people Terrance can talk to or connect with. You could also point to some themes of The Stranger since it is an Entity that loves to manifest as fake people or odd seemingly nonsensical and uncanny behaviors.
The chef is also equally as weird and they are described as having “the same smile on his face below a fourth version of a bushy moustache and an identical “You are here” name tag on his chest. He gestured from his place behind the counter to the only open table:“Good Evening!” He cried, “You are here! We hope you stay awhile!”” So basically everyone here looks like a bunch of npc characters that had had the same handful of physical traits copied and pasted over and over. Terrance is taken aback by the chef’s reaction and catches himself as he instinctively steps back towards the table. They note that as this happens “…everybody in the room seemed to lean ever so slightly forward in anticipation.” Terrance also feels a breeze which in turn causes them to realize that the windows are not in fact blacked out but that “They weren’t even windows. They were gaping square holes and beyond them was nothing at all. Any one of the diners could reach out if they had a mind to and plunge their hand outwards into the dark, foreboding and utterly featureless void. There was nothing. Nothing above, nothing below, nothing at all. Nothing, save the tower and the restaurant.” Terrance says “My whole body recoiled from that awful absence, and I retreated backwards towards the lift. That was when the gentle murmur of nonspeech abruptly ceased to be replaced with a complete and utter silence.”
You could easily point to the void as resembling The Dark (and that’s a fair comparison) but you could also relate it to The Lonely. The idea of a black lifeless void in which you sit utterly alone sounds similar to how some would describe the cold empty vacuum of space. The Lukas family was involved in the creation of the Daedalus space station and messed around with fears relating to The Lonely and space by torturing some poor sap in TMA. In MAG 57 (Personal Space) we get two lines that I think could relate to this theme. “But still the fact remained that where the Earth should have been, there was empty, dark space. I must have watched for hours waiting to see the sun. We were definitely still moving, and from what I could tell we still seemed to be moving in some sort of orbit, but without a planet below I have no idea why we kept the same pattern. Regardless, the sun should have been visible sooner or later.” and “Each time I painstakingly entered it with as much precision as I still had within me, and each time the password field read out what I had apparently typed in:“No one is coming” and the door remained closed. And that was it. I was trapped alone in a tiny room floating in space deserted empty space.”
Everyone in the room continues to smile and the chef once again says “Stay awhile.” but it is clear to Terrance that this is no longer a request. The diners create an echoing effect by repeating the chef’s words over and over like a chorus. Okay, this is where things veer away from standard Lonely, Spiral, or Stranger manifestations as the people in the restaurant begin to grab Terrance and then “a man with that same moustache leant down towards my leg, opened his mouth, and bit into me. Pain shot through my body, but my thrashing was in vain as one of the women buried her teeth in my shoulder, and I could feel hot blood flowing down my back as whilst at the same time the chef took off one of my fingers, the bone barely slowing his chiseled jaw.” Sam screams from the pain “…but the sound withered draining out the windows into nothing.” I think it’s interesting to note this vacuum like effect. The Lonely is often connected to silence (since if there’s no one nearby things are more likely to be quiet. Think of an abandon city or town and how quiet that would be). Also, connecting to the space metaphor is the idea “no one can hear you scream.” Well, in this case it’s more the idea that no one is coming to help Terrance. He is completely on his own with no allies.
Thanks to a rush of adrenaline Terrance manages to fight his way out of the crowd of brittle and emaciated bodies and “The lift had disappeared as if it had never been. And beyond the windows was of course nothing. “You are here”, I thought bitterly. and so when faced with the prospect of being eaten alive, or leaping out one of those windows into pure oblivion, it was no choice at all. I jumped.”
So obviously, potentially some themes of The Flesh in relation to the fear of being eaten or consumed might have come out of left field and made whatever is going on here a bit more confusing and vague. However, there are still some themes of The Lonely here. It’s important to remember that The Lonely isn’t just the fear of being physically alone but also mentally alone. It’s possible to be surrounded by tons of people everyday but still feel alone due to disconnect or the idea that no one would care if you’re gone. In this way you could interpret the other peoples’ odd behavior as an attempt to alienate Terrance. The description of the restaurant also paints it as extremely superficial and shallow. The people can’t really be connected with and there’s nothing outside of the windows. The people Terrance finds comfort in for a brief moment quickly turn to consume him, seeing him not as a person that can be related to but as something to be used up. In a way, Terrance is sort of objectified. Which is an idea that both The Flesh and The Lonely could overlap in. The idea of being but a resource to be harvested like meat and something no one cares about because people only see someone as an object.
However, like always, you can very easily argue some other Entities (something that I can’t spend too much time on because this article is already long enough as it is and I would be repeating myself). You could argue The Spiral with the confusing imagery and appeal to madness or faulty senses, The Stranger loves to manifest as people acting odd and uncanny (such as Breekon and Hope’s as well as the Anatomy Students’ odd behavior). Potentially, the entire scene is just meant to be uncanny and the people unknown strangers speaking and unknown language that Terrance cannot relate to. Of coursem The Flesh loves using the imagery of people being consumed. You could also point to themes of The Slaughter with how people are attacking Terrance and the violence involved.
The plunge out the window is of course what leads to Terrance’s injuries and acts as an explanation for why they submitted their assignment late and they write off the experience as “stress-induced psychotic episode” which could once again point to The Spiral in terms of theming. Terrance once again mentions “hungry architecture” when they say “This experience is proof of the intense mental pressure that such Brutal Liminalism can have upon a person who is overexposed to such “hungry architecture”.”
I wonder if Terrance is on to something with the architecture. While there is a precedent for architecture being connected to the supernatural in TMA I have to wonder if Terrance is simply mistaken about the source because they don’t have the full picture. I mean Terrance wouldn’t know that the TMA universe exists and that’s where the Entities might come from. Even the average person in TMA wouldn’t necessarily correctly identify the architecture as having any sort of impact on the supernatural. The whole thing with the tower could be a manifestation tied specifically to Terrance’s perception or specific encounter. But there is always the chance Terrance is on to something, and there is a precedent for some of what they say. It could be that the tower’s architecture might have something to do with what’s happening (even if it’s not in the way Terrance thinks). However, Entities do manifest as places people walk into all the time even without specific architecture coaxing them, so it’s hard for me to say.
We cut to the CCTV in the breakroom and see Gwen and Alice interacting. Gwen expresses annoyance that Alice didn’t refill the kettle but Alice claims that there’s still a bit of water in the kettle even though Gwen says “There’s not even a third of a cup in there!” However, Gwen makes an extremely interesting comment here when she says “It’s bad enough that you deliberately try to find talkers and leave them running just to mess with me-” I don’t think Alice is evil, annoying, or as mean as some fans think she is but this would paint Gwen and Alice’s relationship as even more antagonistic. It’s also interesting that Alice is constantly telling Sam to ignore the statements (presumably because of the mental toll they can have on people) and then proceeds to leave them running for Gwen. It could be that Alice expects Gwen to ignore them but I wonder if the statements are actually getting to her. In MAG 102 (Nesting Instinct) Jon seems concerned when Martin mentions that he’s been reading multiple statements. When Jon asks him about it Martin says “B-B… Yeah. I mean, i-it wasn’t fun, but… I mean, if it, if it helps then I –” so there is a precedent for statements similar to the ones in the OIAR having a negative psychological effect on various people.
Also, something that I continue to rant about is how The Eye isn’t just the fear of being watched but also of watching. Of seeing too much. The Eye is noted in MAG 200 to have been born from the fear of one’s eyes “showing them too much” and we see other allusions to this like Jonah’s ability to shove information into the heads of other people like Melanie and Martin (forcing them to know things they don’t want to). I’m not saying Alice is a secret Eye Avatar just because this idea happens to parallel someone hearing something they don’t want to but rather that Alice might have a personality The Eye might like more than one would think at first blush. Also, the OIAR or the computers could be tied to The Eye but I’m not sure if it would mean the workers are in the same way that the Archivist and the assistants in the Archives in The Magnus Institute were tied to The Beholding. Teddy was seemingly able to leave this job while Jon, Tim, etc. couldn’t just leave theirs without a heavy price. There is no mention of Tim going blind or losing a finger or anything either.
So at the moment it does sort of seem like anyone can just leave the OIAR if they want to but maybe there’s a cost or condition we are not aware of. It might also depend on your status in the organization. Lower ranked people might be able to leave freely but people like Lena may be unable to. In TMA we know only the people working in the Archives were bound by the contract and presumably everyone working in all the other parts of the Institute could leave or quite whenever they wanted to (causing others to often see the Archives as weird).
Gwen and Alice also have a brief discussion about Gwen’s new position.
GWEN
“External Liaison”.
ALICE
“And of course, we both know what that means. Right? “
GWEN
“I assume I’m going to be managing a bunch of contractors.”
ALICE
“(Interested despite herself) Contractors for what?”
GWEN
“I’ll be receiving a more comprehensive overview “shortly”.”
It is interesting that the transcripts clarify Alice is “Interested despite herself” which might point to her being more curious or nosy about certain things than she lets on. The mention of contractors is interesting. I wonder if potentially certain groups aligned with various Entities have some sort of deal with the government. That still doesn’t narrow it down that much since it wouldn’t automatically explain why the government would be involved. Maybe they view certain monsters and Avatars as being like weapons in their back pocket or maybe they are just trying to appease them to curb the number of victims / collateral damage? The police force in TMA did make use of Hunters so maybe something similar could be going on with other Entities in this universe. I could totally see a shady government official attempting to use the power of The Eye to set up a spy network or something. However, the Entities still don’t seem like common knowledge in this universe, so even if that was true I doubt the government is just sending entire armies of Slaughter enhanced soldiers running around or something. These are still spitballs though and I’m not completely sold on the government trying to use the Fears as some sort of weapon or resource. I just think that somehow parts of the government are involved.
We get news from Alice that Colin has been put on mental health leave (probably due to the fight between him and Sam over Sam’s phone, which led to the phone’s untimely destruction). When told this news Gwen says “always said he was unbalanced.” but Alice is more suspicious of this news and says “You say a lot of things, mostly crap. I dunno… Feels like something’s going on here” (which isn’t completely unfounded since we know Alice has had this job for a while now). Alice says Sam and Celia went out together and makes a sex joke that Gwen seems disgusted by.
We cut to Sam’s phone and bare witness to Sam and Celia interacting with Gerry (Gerard) and Gertrude. These aren’t THE Gerard and Gertrude from TMA (they are both dead anyway) but instead parallel versions. So this is a coffee shop AU (not literally a coffee shop since they mention being in an apartment) of Gerard and Gertrude (good for them). They seem more well adjusted and happier and Gerry still paints in this universe. Although, it seems he has a lot more paintings. It could be that he just didn’t have as much time to paint in TMA or we just never saw the rest of the paintings TMA Gerard made. Gerry gives Sam and Celia a painting called “Camden Epiphany” as a gift. An epiphany can refer to a moment of sudden revelation or insight but it can also mean “a manifestation of a divine or supernatural being.” So I wonder if the painting foreshadows something. In MAG 4 (Page Turner) one of TMA Gerard’s paintings are described as “an eye. Very detailed, and at first I almost would have said almost photorealistic, but the more I looked at it, the more I saw the patterns and symmetries that formed into a single image, until I was so focused on them that I started to have difficulty seeing the eye itself. Written below it were three lines, in fine green calligraphy: “Grant us the sight that we may not know. Grant us the scent that we may not catch. Grant us the sound that we may not call.”” Something that seems to relate to The Eye. Gerry later mentions he was a part of the Institute’s “gifted kids programs” at some point and I wonder if this is because the kids in question were really smart or had other traits the Institute was interested in. It’s also possible that the answer is as simple as “all the kids had encounters with the supernatural previously.”
Gertrude seems as suspicious as ever and acts as Gerry’s grandma. I don’t know if she is his adopted grandma or biological one. If she’s his biological grandma this could recontextualize the relationship between their TMA counterparts depending on how 1-to-1 you think some of these relationships are (but I’m not sure I buy that she’s biologically related in this way to Gerard in TMA since that would mean either Mary or Eric are her secret child or something). Gertrude being an adoptive grandma or something is still possible since there’s no guarantee that Mary Keay was any nicer of a person in this universe (whether or not she was obsessed with the Entities). It could also be that Mary and Eric just died in some other manner due to some divergence in the timeline when compared to TMA.
The fact that Gertude is here also vastly decreases the chances that Gertrude is not the one who burned down the Institute in this universe. Whether she did or didn’t, a lot of things went differently otherwise she would probably be blind from breaking out of the Institute’s contract (and I feel like someone would have noted if she was blind). Not to mention all the timeline stuff going on right now, since the Institute burned down way earlier in this universe. Sam asks Gerry about the Magnus Institute and it seems to immediately change the atmosphere in the room.
SAM
“(cont.) I was on one of their gifted kids programs and -um- I got hold of a list of a few of the other kids and thought it might be nice if we could get in contact, swap stories and that.”
GERRY
“Yeah I barely remember any of it.”
Beat. GERTRUDE disapproves.
SAM
“Oh, so you were a candidate?”
GERRY
“Oh yeah but I was pretty young. I remember filling in a bunch of forms and questionnaires then some old men asking me questions about what books I liked to read, who did I look up to, that kind of thing. Then I left.”
SAM
“(Disappointed) That’s all?”
GERRY
“Yea, afraid so. Other than just sitting around with a bunch of other kids in a room that smelled like old books.”
There’s not much to go on here but it does vaguely point to why Sam might be trying to look into the Institute. He may have had some sort of supernatural encounter at this “gifted kids programs.” All the stuff about forms, questions, and old books could point to The Eye and prodding questions as well as information or even leitners but there isn’t a whole lot to go off of.
I admit, it is a bit funny seeing Gerry so much less depressed but Gertrude is as suspicious and snarky as ever. Sam thanks Celia for coming with him even though they’ve only known each other for a few weeks which makes me wonder if Celia has any ulterior motives Especially, if she recognized Jon’s voice from last episode, she might somehow be familiar with Gerard and Gertrude but that still doesn’t make a lot of sense to me at the moment. It could also just be that she tagged along because she’s also interested in The Magnus Institute.
Celia then asks for a sort of favor- “I’m trying to look into… Weird physics stuff: time travel, other dimensions, teleportation, all that good stuff. Freddy doesn’t really do searches, so could you keep an eye out and let me know if any come up in your cases?” If you read my last Quick Thoughts or even just listened to the last TMP episode you may have noticed that there’s actually a lot that could point to Celia having traveled from TMA using the gap in reality. If you want to hear more thoughts on that you can read the first part of the previous Quick Thoughts.
Celia mentions she is doing a favor for Georgie and her podcast. In TMA Georgie Barker ran a podcast called “What The Ghost?” Sam says he did some research on Celia which would imply that this favor is for this universe’s Georgie but I wonder if Celia is somehow trying to maintain contact with or travel back to the TMA universe. I also wonder if someone like Georgie even tried to send her after the Entities. In MAG 200 we get-
BASIRA
“Yeah okay, you’ve made your point. [sigh] Would just be nice to know for sure.”
GEORGIE
“All we can do is hope.”
Which could point to an interest in where the Entities have gone. Last article I mentioned that Celia could potentially be worshiping the Entities now, but I failed to consider that maybe she does still worship or look up to Georgie and / or Melanie and was either tasked with some mission or took it upon herself. This could also explain why she knows so much since someone like Georgie, Melanie or Basira could’ve just filled her in at some point after TMA or maybe someone tried to explain to Celia what was happening in the tunnels. This also could’ve been a mere accident or something else entirely. Maybe something even weirder is happening, like the Entities have jumped from more than one universe since we saw them in TMA so this Celia isn’t from the TMA universe (but that’s potentially a stretch with no information to go one).
Although, Celia’s comment about “Weird physics stuff: time travel, other dimensions, teleportation…” does potentially point to some of my original assertions that the Entities may not have immediately appeared in this universe within the same year / date they left the TMA universe because time can get a bit wibbly wobbly with interdimensional travel in the TMA multiverse. Not to mention that The Change also fucked with time, which could’ve thrown things off even more. Of course Sam saying “Uh, sounds a bit sci-fi compared to our usuals. What’s this for? You’re not doing research for that podcast you were on, are you?” seems like a jab at TMA and how the multiverse exists in relation to supernatural horrors of the podcast itself.
Conclusion
Overall, this episode is very weird. Even weirder than I remember when you start trying to sift for details and clues. The statement is weird and Celia is weird but I’m curious to see what happens next. What / who caused the Institute to burn down if not Gertrude and what does that mean for this universe? Also, what is the OIAR actually supposed to do? Are they merely reviewing supernatural encounters similar to the Institute or are they supposed to take a more active role?
TMA Fun Fact: “The average person eats 3 spiders a year” factoid is actually just a statistical error. The average person eats 0 spiders per year. Annabelle Cane, who lives in a basement & force feeds people over 10,000 spiders each day, is an outlier and should not have been counted.
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 9 “Rolling With It”
As has become the custom at this point, we join whatever / whoever is witnessing the events of TMP through some sort of a device (one of the OIAR computers in this case). Sam is organizing a large stack of papers as Celia enters the room and sits at her computer. Sam seems incredibly focused on filling out these papers, so much so that Sam didn’t even seem to notice or acknowledge Celia’s presence until she directly addresses him.
Celia asks him what he’s doing and Sam explains “Just filling in some more onboarding paperwork. You know what it’s like.” Celia is puzzled since she hasn’t gotten anything similar since day 1 and Sam explains “It’s my own fault. I checked a box for a Response department one-to-one.” So whatever is going on with the papers right now has to do with the papers Sam started filling out in episode 5. However, this situation doesn’t sit completely right with me. First off, in that episode it sounded like Sam never actually finished the original 1-to-1 form since Alice stopped him. This could easily be because curiosity got the better of Sam and he just decided to fill it out later but Sam specifically says that this is all happening because he “checked a box for a Response department one-to-one.” A single box. I could just be taking this too literally and Sam just filled out the form when Alice wasn’t around and is saying one of the boxes he checked is causing this to happen but Celia mentions “Yeah… Alice mentioned something about that. Also, that there hasn’t been a Response department for years now?”
So this appears to be caused by the same paperwork Alice was present for. This means either Sam is lying about something or there might be something strange afoot. If we assume that this is due to the paperwork in episode 5 then did Sam submit something incomplete? I don’t remember anything in that episode implying Sam went back and submitted that paper somewhere even if it’s possible. Is it possible someone or something somehow seemed to know when Sam filled out the form. Something like The Eye (which we know is prone to do random stuff like this) or some similar Entity?
Sam and Celia continue to talk about how pointless this entire thing seems and Sam justifies continuing to fill these forms out anyway by saying “Well, I refuse to give it the satisfaction of giving up.” This justification sounds similar to Colin not wanting to give any of the OIAR computers satisfaction.
Sam and Celia go over some of the weird questions on the one-to-one.
SAM
“Exactly. And honestly, it’s kind of compelling by this point. Like its deliberately weird and pointless y’know?”
CELIA
“How so?”
SAM
“Look. (He pulls some paperwork across. CELIA pulls in closer)”
CELIA
“(reading) Please list your earliest four negative memories associated with school or an equivalent childhood educational institution, then rate each from zero to seven with zero being neutral and seven being traumatic. (laughing) I’m sorry what?”
SAM
“It gets better.”
CELIA
“(digging through pages) Please list every dead creature you have seen in the last three months… how many blood transfusions have you had within the last ten years… “Why?” Why what?”
SAM
“(smiling) Just “Why””
CELIA
“Well, that’s… something “
SAM
“Isn’t it? And even better, I know noone will ever read it.”
I’ve been arguing that, along with the idea that Smirke’s 14 categories are probably still applicable or around to some degree, the OIAR is probably somehow connected to the Eye (or at the very least has a lot of parallels to it). There’s the computers, statements, and voices of Jon and Martin obviously but you also have stuff like this. For one, while strange contracts or paperwork could easily connect to The Web or something similar, The Eye is no stranger to them either. The most obvious example of this in TMA is the contract those working in the Magnus Institute’s Archives had to sign. One which supernaturally bound them to Jonah / the Institute. Additionally, Sam’s paperwork having odd and strangely prying questions is quite in line with The Eye and the idea of something snooping or trying to know too much about you (like sensitive information).
Celia refers to the paperwork and Reference department as an “automated bureaucratic system.” This could be automated by some sort of technology very easily but it could be automated by someone or something like an Entity or monster acting behind the scenes. If it turns out Sam actually didn’t submit the Request department’s form and somehow something was just randomly notified that he checked a box that would fit in line with The Eye and the propensity it and its followers have to knowing stuff they shouldn’t or some form of “clairvoyance.” Since The Eye is also the fear of secrets being revealed or made known Sam’s line of “I know noone will ever read it.” becomes a lot more ominous. I also wonder if these papers are purposefully being used as some sort of breadcrumbs or bait. Sam says that he’s doing this for fun but he could be skeptical about the existence of the Response department.
I end up beating this dead horse every video and I’m not 100% sure it applies here because Sam says he’s filling out these papers for fun and absurdity, however what I’m saying will come back up very soon anyway. As I’ve mentioned previously The Eye doesn’t just seem to be the fear of being watched but knowledge in general. Not just in the sense that someone might get knowledge about you that you don’t want them to know (such as where you live / are) but also that you yourself might know or see something you don’t want to. In MAG 200 The Eye is stated to have been born from the fear of one’s eyes showing them too much and this would thematically explain Jonah’s ability to shove information into the heads of people like Martin and Melanie (he’s forcing them to confront information they don’t want to). Additionally, similar to how The Hunt often cultivates personalities or desires relating to pursuit, and the Slaughter for anger, The Eye seems to do something similar for curiosity. That is to say, it loves to use the promise of answers or tempting one’s curiosity in order to drag them into its clutches as either victims or followers.
Jon originally went to the Institute looking for answers about his encounter with The Web and Sam is here looking for answers about The Magnus Institute. Both Jonah and The Eye love to leave breadcrumbs and information that promote curiosity and a desire for answers. At one point in TMA Gertrude even describes The Eye as also being the idea of seeking knowledge even if in doing so you might get hurt somehow. I want to make it clear that when I point out the curiosity of Sam or his colleagues at the OIAR I am not saying it is unjustified or even unusual. I also don’t think everyone is a secret Eye Avatar or something. I’m trying to say that there are certain traits The Eye seems to like. People who are curious are more likely to “see too much” or watch others depending on their personality. Wanting to lash out in anger or self defense isn’t unusual or unprecedented behavior in certain situations but it’s still something that an Entity like The Slaughter likes to prey on no matter how justified it might be. This makes me wonder if, similar to how Jonah left trails of statements to guide Jon in the right direction and files to stoke the “nosy” parts of Rosie’s personality in TMA, that someone or something is purposefully trying to guide Sam in a certain direction for various reasons. There’s the potential paperwork sure but we get this interaction.
CELIA
“Well, I’m glad you’re in a good mood, ‘cause I’ve got some bad news. I can’t find anything more on the Magnus Institute and honestly, at this point I am out of ideas.”
SAM
“That’s all right. I really appreciate you humoring my little crusade but maybe Alice is right. Maybe I should pack it in.”
CELIA
“I’m sorry.”
SAM
“Life’s too short right?”
CELIA
“(standing) Isn’t it just. Fancy horrible coffee?”
SAM
“Nah I’m good. Besides these bad boys won’t fill themselves in.”
CELIA
“(smirking) Don’t have too much fun while I’m gone.”
And then, I shit you not, the next statement CHESTER spits out starts with a ping to grab Sam’s attention before a “Magnus Institute – Manchester. Private and confidential.” The fucking second Sam gives up the computer just decides to give hima new lead. Alright, I can say with relative confidence that it’s pretty safe to assume that these statements aren’t completely random (at least not all of them). I don’t know who / what is picking them and when or for what reasons but if these statements are random some of the times they’ve popped up have been a hell of a fucking coincidence I’ll tell you what.
The statement also has this at its beginning
Magnus Institute – Manchester.
Private and confidential.
Viability as subject – none
Viability as agent – low
Viability as catalyst – Medium.
Recommend referral to Catalytics for Enrichment applicability assessment.
Last episode I wondered what was up with the TMP Magnus Institute’s “gifted kids programs” and wondered if they were looking for people with supernatural abilities or those who had some kind of interaction with leitners or artifacts. I don’t think the person in this statement is a kid but the mention of a subject, agent, and catalyst is interesting. I previously also wondered if perhaps the government was using the Entities as some sort of secret weapon or back pocket type stuff. Y’know Eye aligned spy networks or Slaughter enhanced soldiers, stuff like that.
I’m not really sure if this is the case or any of the stuff I’m mentioning is actually connected, and the Institute and government may be unrelated in this universe, but the mention of viability relating to “subject”, “agent”, and “catalyst” is curious and I don’t think terms like this were really used by the Institute in TMA. The most common and notable phrases were things like “Avatar”, “Monster”, “Marked”, “Victim”, etc.. I wonder what these newer phrases mean. Is it “subject” as in test subject? “Agent” like someone who is meant to investigate a Power or someone who is using the abilities of the Entities for some reason? “Catalyst?” A Catalyst for what? A catalyst for a ritual, a catalyst that an Entity is attracted to, a catalyst for abilities? I wonder if these terms are meant to refer to people or artifacts? Maybe I should actually comb through the statement before making long winded guesses though.
This statement revolves around a pair of dice and they are immediately presented as dangerous since the statement giver says “Yeah, I see you not touching them. Smart. But gloves aren’t going to be any protection if your hand slips and they go clattering across the table. I’d put them in that box real careful, because let me tell you, those babies are due for some serious bad luck.” They also mention “So yeah, I tell you all about them, how I got them, all that crap and you just… You take them away, right? You accept them? Good. I think. I’m pretty sure that’s how it works. It’s how it worked for me, at least. Put them in whatever vault you like, bury them, drop them in the ocean, for all I care. All that matters is that they’re yours now.” This all seems similar to TMA’s Institute. The person recounting this tale is doing so in a form that sounds like a statement and the Institute in TMA is also noted as having an artifact storage. Sasha mentions that she worked there for a bit as a lab rat before moving to the Archives and noted some of the strange supernatural objects there.
The statement giver then proceeds to explain how they came across the dice. Their nerdy friend Gary roped them into playing a session of Advanced DnD (Dungeons and Dragons) before they drifted apart after they finished going to their school. But then last year someone named Carl breaks up with the narrator and moves to Doncaster, which means that they haven’t seen each other very much. Despite the fact that they weren’t “engaged or anything” the narrator says that the break up still hurts. That’s when the Gary guy from earlier suddenly calls the narrator asking them to join his playgroup. They end up going to Gary’s apartment and note that while the place looks nice Gary is “looking kind of haggard. He’s wearing this obviously expensive long-sleeved turtleneck but he’s got bags under his eyes, his trousers are torn and he’s walking with a limp. ” Given what we later learn about the dice, most likely the torn trousers and limp came from a bad event caused by a bad roll. The exhaustion might be due to the seemingly addictive nature of the dice in question.
The speaker asks Gary if he’s okay and Gary “mumbles something about a mugging so I leave it alone but I do notice that a bunch of the bulbs have blown and there’s a huge leak over his massive sound system. I don’t say anything though. I mean, it’s not like my tiny rented studio was any better. That said, I do notice a slight stain on his wall that I think might be blood.” Most likely these are the results of accidents caused by Gary messing around with the dice.
The narrator feels extremely awkward because of the scene and and the game Gary tries to teach them is “an entirely different kind of awkward ‘cause I have no idea what he’s on about. Then he says to me that he assumes I don’t have any dice of my own and I tell him no– I’ll have to use his. That puts a smile on his face. I know why now of course.” This is the point where Gary passes on the dice to the speaker. “I was expecting him to give me a bunch of those cheap little plastic dice with all the different points, but instead he reaches into his pocket and pulls out a pair of normal ones. Six sides, off white, little black dots, you know what dice look like. I mean, you’re looking at them right now. I ask him if we need, you know, weird dice and he shakes his head, saying this game just uses “two dee six”. He holds them out for me to take them, so I do. God, they felt heavy.” A “d6” refers to a six sided dice. Considering how awkward the game is to the narrator and that it doesn’t seem to be like DnD, it’s very likely that this is a game Gary made up or went out of his way to pick so he would have an excuse to give this statement’s protagonist the two dice. Typically, most aspects of DnD require not only more than 2 people (with 4 to 5 usually being considered ideal) but rolling d20s (a twenty sided die). The narrator asking about “weird dice” could be them referring to d20s. There are certain things in DnD (such as specific spells) that involve rolling a d6 but in my limited experience those tend to be specific situations and I think Gary wants to guarantee that a d6 will have to be used.
The narrator notes “It’s been a while since I played the tables but I’ve played with enough bones to know they were too heavy… And there was something else too. From that point on I own those dice. And I know it.” Immediately after this moment Gary says he has a phone call from someone else in the playgroup saying they couldn’t make it so the game session was canceled. There’s no mention that Gary asks for the dice back or even explicitly offers it to the speaker. It just seems like the narrator just “knew” or it was implied somehow. “Do I really need to give you the whole lowdown on the next bit? I mean, you said you’re specifically looking for, what was it, “supernaturally active items” right? I feel like when I tell you I’m giving you a pair of cursed dice you can probably put the pieces together.”
The narrator then begins to roll the dice and starts to notice certain patterns in how they work. “…they make stuff happen. I roll high, good things happen: job offers, free coffees from hot baristas, tax refund; I roll low, bad things happen: Broken tech, lost money, bad moods all around. And when I roll really low… Well, you’ve seen the scars.” So I guess that explains the sorry state of Garry and his apartment. I think it’s interesting that the narrator notes “free coffees from hot baristas” considering that they mentioned feeling hurt from a break up. We learn even more when we are told later in the statement “After a while, though, I did notice that… it’s not actually random. You get a few high rolls, your next one’s is probably going to be low. And if you’ve gotten all the bad luck out, you’ve got good things coming. I know, I know, that’s meant to be ’superstition, but I’m telling you, I kept track and I’ve got enough maths in me to be sure of the odds. They’re not random, it all balances out eventually. So that’s when I get to thinking, what if the person rolling doesn’t matter just as long as the rolls balance out overall… Well, you see where I’m going with this.”
“The thing is though I still don’t really know if they ever made me roll them. I mean, I did. A lot. And I knew that the risks probably outweighed the rewards but I don’t think I ever felt them like “calling” to me or anything y’know? It always felt like my choice. Even if it was a shitty choice. Besides, I’ve never gotten anything good in my life except by blind chance, so why should this be any different?” This remark raises the question on if the dice themselves make you more compelled to roll them or if it just so happens that the dice are somehow attracted to people with a predisposition or propensity for gambling or gambling addictions. However, the narrator also mentions “The weirdest thing, nobody ever said no. Some stranger approaches you slides a pair of dice over to you and tells you to roll them, you say no, right? But they always did. Sure, they’d give me weird looks, tell me to get lost, treat me like the creep I absolutely was, but they still rolled them. And sure, I know better than most everyone loves rolling dice but it does make me wonder how much control I ever really had… ” This could be something like The Web at play or maybe it’s another Entity considering it’s connection to addiction and fears relating to the idea of something else controlling you or a lack of free will.
“I did spread good luck as well as bad. After all, even when you stacked the odds, plenty of people got high numbers and then a letter arrives right there and then with welcome news. I hated them for it though. Those stupid damn grins as they robbed me of my good luck. But when they rolled low, when you could see the misfortune dropping over them like a shadow, or better yet when they rolled real low and you could be certain that the next throw would be a good one. There was a dark joy to that, I’ll admit.” So it doesn’t seem like rolling just any low number absolutely 100% guarantees the next number will be high but it does significantly raise the chances and vice versa for when you roll a high number. While there is, according to the person giving the statement, a pattern of some sort, said pattern still has some luck involved. They even say “And my system worked. It wasn’t perfect, I’d still get a few dud rolls here and there: a broken down car, a missed payment, once I even went through a plate glass window, but for the most part I’d really turned stuff around for myself, offloading all the crap to someone else for a change. Clearly something that idiot Gary had never even thought to try.” Whether or not you actually want to believe this person or want to assume that they were just justifying their continued gambling is up to you.
I question if their assessment about Gary never trying to offload the bad luck onto other people is correct. Like they said, their system was imperfect, so is what they saw just the result of the bad rolls? They did just say that they flew through a glass plate window at some point, but then again the narrator sounds like they are in a better state than Gary at this moment.
Over time the effects of the die seem to shift as the narrator says “And then it started to change and the luck was… different. Not in whether it was good or bad, but how it was good or bad. At first, it had all been pretty normal stuff, sometimes even predictable but gradually it started becoming more… I don’t know, abstract? Like it used to be getting an extra hashbrown or whatever and then it became just being in a good mood and then finally you couldn’t even pin down what had happened you just knew something had. And as my luck kept getting better and better I started to feel less and less… connected to the world. Like I was a lucky ghost, or something, walking with normal but not really one of them anymore. I was just this figure stepping into their lives long enough to gift them fortune or, more often, misery before moving on.” The fact that they call themselves “this figure stepping into their lives long enough to gift them fortune or, more often, misery before moving on” is actually interesting because it sounds suspiciously like the gentleman in Episode 4 and his spiel about luck. I don’t think this narrator and the gentleman are the same person (because the timeline wouldn’t add up) but the gentleman did say “"Luck assumes a myriad of forms, “ he proclaimed, his practiced manner warm and inviting, “and today it takes the form of a simple traveler offering you his wares. You mentioned playing the violin, I believe?”” It is also noted that the gentleman in question had a pair of gambling dice among their wares. I wonder if these dice are the same pair.
Weirdly tying into this, the narrator gets like REALLY into character. They “started to enjoy that more than the luck. I was rolling for myself less and less, focusing more on being some mysterious stranger. I even began dressing for the part: I got hold of this long dark coat, a wide-brimmed hat, grew a proper goatee, the works.” This is kind of hilarious because the narrator was bashing roleplaying earlier, but also intriguing because I wonder if the personality we saw from the gentleman in Episode 4 was being brought about or influenced by something. He isn’t noted as having a goatee though and it at least sounded like he didn’t look like a guy larping as a super villain. It might have something to do with the influence of the time period or their personalities, or it could just be unrelated. I would be a little surprised if it was specifically only the dice that were causing both these characters to act this way. Maybe it has to do with the “subject / agent / catalyst” scores the Institute was giving out to artifacts earlier in this statement.
The narrator continues to larp and screw people over (with the occasional blessing of good luck) until they “see Gary, sat in a coffee shop just down the road from the fancy uptown flat I was living in (thank you double-six). And he looks normal. Not happy, exactly, but certainly not the miserable shell he’d been when I saw him last. And a vicious little idea comes to me. So, I walk up to him and say hello.” So, the narrator does just that and describes Gary’s face as “Guilt at first sure but then it slides into confusion when he sees the outfit. He starts to stammer out some halfbaked apology when I hold up my hand to stop him. I put on “the voice” and tell my old friend thank you so much for the gift and that I want to pay him back. He knows what’s coming then even before I take them out and place them on the table between us.” It’s clear that Gary doesn’t want to roll the dice but grimly does so anyway. Snake eyes. Both the dice land on a 1 and it is the first time the narrator has seen this bad of a roll occur. “Never in all the thousands of times I’d seen them rolled, clattering across someone’s future. Maybe they’d been saving themselves for a special occasion, an honor for an unworthy keeper. Or maybe Gary was just really, really unlucky. Either way, there’s this moment of silence as we both stare at the table and the dice stare back.”
As soon as that occurs a truck barrels through the wall of the coffee shop and kills Gary in a quite gruesome fashion. “Apparently the driver was asleep at the wheel. The building is wrecked but somehow nobody else was hurt except for Gary. Just unlucky, I guess.” The narrator staggers away from the scene before the police and ambulance arrive before throwing up. The sight of Gary’s death had been too much so they decided they could no longer keep them. “And that brings us about up to date. They’re yours now, and I never want to see them again. Don’t get me wrong, it’s a blow but I’m just not the right guy to carry them. Besides I’ve seen how they treat people who give them away. It’s a damn shame, though. Well, maybe just once more. For old time’s sake. [Transcription ends due to interruption. Statement giver declared dead by paramedics at scene.]” So it seems like the dice react negatively if you try to get rid of them.
So like always, if I was to try to fit these within the framework of Smirke’s 14 (plus the Extinction). The two Entities that seem the most likely to me at first blush are The Desolation and The Web.
There actually seems to be quite a lot of confusion about The Desolation and what it is, so let’s try to define it first. What The Desolation actually tends to relate to is the fear of loss, usually (but not always) via the destruction or damaging of something. This seems to be very broad and can range anywhere from losing a loved one (which causes The Desolation to overlap with The End a lot since death is a very scary way to lose someone), to the idea of losing something like a home or precious object.
I’ve seen a lot of people argue that The Desolation is “fire” in a similar manner to how The Dark is well… the fear of darkness but I would argue this is a bit of a misconception. The reason why The Desolation likes to manifest as fire is because of the association with pain and destruction. Fire can burn down entire neighborhoods and can continue to spread and consume the things you love, taking them away from you in the process. In fact, it’s not really the fire itself that matters to The Desolation but rather the pain, and destruction. This is why in TMA one of the groups following it is known as the Cult of the Lightless Flame. As said in MAG 89 (Twice as Bright) we get this interaction between Jon and Jude Perry-
JUDE
Oh please, your god is nothing! The Eye, Beholding, Ceaseless Watcher, whatever you call it, that’s all it does, it watches and knows, sitting bulbous and comfortable in the ignorance of infinite knowledge.
I serve a reckoning, a surging tide of destruction and pain.
ARCHIVIST
The Lightless Flame.
JUDE
The Desolation. Blackened Earth. The destructive, agonising heat of burning flesh and land scoured of life. The light, the comfort of fire stripped from it, leaving nothing but the terror of its approach.
The word “desolation” itself is defined as “a state of complete emptiness or destruction.”
So the Desolation isn’t trying to connect itself to fire in its entirety (since that would include light, comfort, warmth, cooking, etc.) but fire specifically in relation to destruction. It’s not guiding you anywhere or shielding you from the night, only burning your house and all you hold dear. It’s also notable that no members of the Cult of the Lightless Flame seem to have the ability to produce fire with their own power. Their bodies are kind of like hot wax and they need an external source to make fire (such as a lighter). The reason for this is because The Desolation mostly just wants them to burn and destroy things. While The Desolation overlaps with The Slaughter a lot, due to violence being a common way to lose someone or something (think violent murders and robberies), The Desolation is ultimately the fear of things like loss and destruction while The Slaughter is the fear of violence. If someone is stealing or smashing your fine glass china collection that is usually The Desolation. If someone is stabbing or shooting you directly that tends to be The Slaughter.
Of course, how does this really prove my point? Well, keeping with the themes of loss there is actually a precedent for The Desolation manifesting as just supernatural bad luck causing you to lose things. In MAG 37 (Burnt Offering) Jason North accidentally disturbs a ritual site that had been set up by The Cult of the Lightless Flame and proceeds to slowly lose the things he cares about 1 by 1 until he kills himself out of fear of losing his son (which seems to work). The point of this specific ritual was not to bring The Desolation into the world but to target Gertrude and potentially undo whatever weird binding thing she did to Agnes. In Jason’s statement we get “I just need to know if you can save my son. I’ve asked and asked and your people only ever tell me to write my statement. Put it down on paper for investigation. Is that going to help? No. Of course it isn’t. Even if you had the power to do something, would you? Or would you rather watch my son burn so you can take notes. I’ve been drinking. You can probably tell from the stains. Well, I don’t plan to apologise for ruining your precious paper, and I don’t plan to stop. Only way to keep the fear from settling in. If I’m scared I’m going to lose Ethan like I lost everything else, then I’ll curl into a ball and never get up. I won’t be able to do anything to stop it. I won’t let my son burn, even if you cowards don’t have the guts to step up and do something.” and “Because from that moment on, everything I love and value has burned or been destroyed. My car overheated on the way back to the Forestry Commission, and I barely got out before the engine caught fire. My house was a smouldering heap of blackened rubble before the end of the week. Electrical failure. I don’t want to talk about what happened to Lucy. I don’t want to think about her face at the end. Now there’s only one thing I have left that I value. That I love. And I cannot lose him. I can’t lose Ethan. I shouldn’t be in this mess. It’s absurd. I didn’t do anything wrong. I just dropped a bottle. That’s all! I don’t deserve this. I don’t.”
So there is a precedent for The Desolation manifesting as bad luck, accidents, disaster, etc. but how does this explain the good luck that the two dice seem to provide. Well, as I’ve mentioned in my previous Quick Thoughts the Entities aren’t objective embodiments of concepts but the fear of those things. The End isn’t a psychopomp or the embodiment of death but rather the fear of death. So while The End keeping people alive might seem counterintuitive, what it is doing is feeding on the fear people have of dying rather than the act of dying in and of itself. The longer someone is alive the more they can fear dying. Sometimes the Entities seem to like giving people “boons” or “protection” so that the people in question can fear losing it until / if it is taken away. Even The Hunt does technically allow you to fight back against things hunting you if you embrace it. Which isn’t that much different than The End protecting a victim from death as long as they act a certain way.
So, I would argue that what we could be seeing is The Desolation giving people stuff so they can fear losing it all the more. If the dice only ever gave bad luck there would be a lot less incentive to actually roll them and if you ended up losing everything you might end up with nothing to lose anyway. Fluctuating between good and bad luck allows The Desolation to profit off the idea of loss and destruction as much as possible.
Additionally, no matter how the dice are used an Entity like The Desolation still benefits from it. If you pull a Gary and only roll the dice for yourself you will lose things and destruction / damage will ensue which can generate fear. It got so bad that Gary was desperate to give the dice away and he seemed terrified the next time he saw them. If you try to game the system, like our narrator, The Desolation still wins. For one, the narrator’s system isn’t perfect so you can still fear losing things from bad rolls and whenever someone rolls well the narrator viewed them as stealing their good luck (i.e. fearing the loss of their good luck). Secondly, even if it was perfect, the only way to benefit from good luck like that is to pawn the bad luck off on someone else. In such a case you are probably generating a trail of fear as you make other people suffer the worst of the dice’s effects. The Desolation may not be feeding on your fear if you do this but now it’s just feeding on the fears of others while it rewards you for feeding it (which isn’t much different to how Entities treat things like Avatars). Of course, trying to get rid of the dice seems to create even more fear since you will probably just die the second you roll them after intending to give them away.
Luckily, the possibility of The Web doesn’t need as much explanation. While The Web is sometimes assumed to just be the fear of people manipulating you, it seems to be more like the fear of being controlled by something else in general. This is most apparent in The Web’s connection to addictions and manifestations connected to that. It’s the idea that you are no longer in control and are now being controlled by something else (the addiction itself). So you could argue The Web here due to the connection to addiction via the form of a gambling addiction.
You could also argue The End because trying to give away the dice seems to kill the person trying to do so. Additionally, The End has manifested as game pieces before in MAG 29 (Cheating Death) in the form of “a chess knight, a domino and a pair of dice, each scrimshawed out of old bone.” I don’t think the dice mentioned in MAG 29 are the same ones we are seeing in this TMP statement since they aren’t made of bone and they have vastly different effects and purposes. I would say that some of the other Entities kill people a lot for the sake of fear, especially ones like The Desolation, so it’s a bit tough since you can’t always just point to every instance of a character dying and say “IT’S THE END” in the same way not every statement taking place at night is related to The Dark. I would probably be much more inclined to argue The Web or Desolation here instead of The End.
Considering that the narrator dies at the end of the statement, I’m inclined to believe that the viabilities relating to subject, agent, and catalyst probably refer to the dice themselves. But this doesn’t really make what these attributes are referring to any clearer.
Subject has a lot of definitions and can mean “a person or thing that is being discussed, described, or dealt with”, “likely or prone to be affected by (a particular condition or occurrence, typically an unwelcome or unpleasant one)”, “dependent or conditional upon”, “conditionally upon,” and “cause or force to undergo (a particular experience of form of treatment)” So in this case the subject in question might not be in reference to a test subject but something that can be controlled or influenced by people or some other factor. This factor could simply be the kind of person using them, but it could also refer to something like Smirkean-esque architecture effects. In TMA certain architecture could actually influence how specific artifacts behaved and some would even become more or less stable. This is most notable with leitners and in MAG 80 (Librarian) Leitner says “An unexpurgated copy of Ruskin’s The Seven Lamps of Architecture, published in 1845. Of course, Ruskin didn’t even begin writing the book until 1846, and the text of this one varies markedly from the version that was distributed. It gives an acute sense of the walls pressing in around you, and if consumed recklessly, will physically entomb the reader. Over the years, I have found that it interacts with Smirke’s architecture, and those tunnels specifically, in a more predictable way. By carefully reading specific passages in certain locations, I am able to exercise… a degree of control over the substance of the tunnels.” Like I mentioned last time, I don’t know if Smirke’s architecture specifically is present in TMP in the same way it was in TMA, and it could be some other environment, architectural, or landmark related effect. So the low subject score could be due to the fact that the dice don’t really react to any outside factors. Rolling them a certain way or in certain areas doesn’t make you more or less likely to get lucky rolls for example.
An agent can actually mean a lot of things and can also refer to “a person or thing that takes an active role or produces a specified effect.” So maybe agent in this case refers to how consistent or predictable the dice are in their effect and what the effect actually is. Easier to control or predict artifacts might have higher scores in relation to viability as an agent.
Catalyst is a word that can mean “a person or thing that precipitates an event.” The problem here is that what this could be referring to is even more vague. Is it referring to the ability for the dice to cause specific events like bad / good luck or is it meant to act as a catalyst for say a ritual, monster, or ceremony? If you were to assume catalyst just means the artifact is causing some sort of event then it could just refer to the severity or how big events related to the dice are. The narrator notes that sometimes the luck takes the form of small things and other times really big things in one’s life, which could explain why the catalyst score averages out to a medium. In essence the dice might have really high highs and really low lows which evens out at a medium score.
These measurements would also imply that the Institute might have experimented on people, which is something we know the TMA Institute actually did too. In MAG 39 (Infestation) Sasha says “Did I ever tell you I first joined the Institute as a practical researcher? I had to analyse and investigate all the stuff in here. Take notes after sleeping in the rusted chair, write in the memory book, all that sort of thing. I transferred after three months. Would’ve quit, but couldn’t afford to back then.” and Jon says “Of course, I believe. Of course I do. Have you ever taken a look at the stuff we have in Artefact Storage? That’s enough to convince anyone. But, but even before that… Why do you think I started working here? It’s not exactly glamorous. I have… I’ve always believed in the supernatural. Within reason. I mean. I still think most of the statements down here aren’t real. Of the hundreds I’ve recorded, we’ve had maybe… thirty, forty that are… that go on tape. Now, those, I believe, at least for the most part.” I also wouldn’t put it past the Institute to sacrifice people in the name of accruing knowledge. Not only does this fit into some of the themes of The Eye but it also has a precedent in TMA with the Institute and other people like Leitner in his library having sacrificed people to better understand artifacts. Sacrificing people to study artifacts isn’t a new topic in TMA.
We cut to Gwen and Lena in the manager’s office via landline, and Gwen gets her first task as an Externals Liaison- “You are to visit a man by the name of “Nigel Dickerson” and hand him this envelope which contains a name and address. Take note of anything he says or does in response, especially his stress levels and emotional state, as well of those of any companions.” The fact that Gwen is supposed to take notes like this reminds me of The Eye and the whole idea of “drinking in” the fear of others via being the witness to their suffering. It could also be the idea of “seeing too much” or something more akin to a statement. Now that I think about it, Gwen is delivering a name and address? Doxxing people or sending information is very Eye and it could point to Lena trying to scare Nigel on purpose but there’s no telling if this is what it’s about. It could be that the name and address represent a meeting place or something similar. Maybe even a target?
Gwen expresses confusion and says “Nigel Dickerson. As in the Nigel Dickerson? From tv?” to which Lena seems unfamiliar. “You must know him. He was huge in the 90s. Saturdays on Six? Mr Bonzo? The Prank Tank?”
We then get this interaction
GWEN
“And why not just email him?”
LENA
“Because I have found over the years that anything less than the personal touch in these situations often leads to… misunderstandings. Besides, I thought it might be informative for our new Externals Liaison. “
GWEN
“Is all this… theatricality really necessary?”
LENA
“I can assure you it is. Consider it an audition if you like. And try”
In TMA, Jon seemed to gain more power and strength when he took live statements from people as opposed to recorded ones, so we know that while The Eye does deal in records a lot it seems to love its statements and observations of fear fresh when possible. The “theatricality” might be necessary if the point is to scare someone but I’m not 100% sure. Either way, Gwen is probably in for more than she bargained for.
We cut to Teddy and Alice at the pub via Alice’s phone. It seems like Teddy’s new job hasn’t worked out since “They actually started plans to downsize the day before my interview and it turned out their hiring department didn’t get the memo.” Alice says Teddy didn’t deserve that and Teddy responds with “Yeah well, since when does anyone get what they deserve eh?” which is interesting considering the last statement. I don’t think it was Teddy that gave the statement, but the whole idea about the dice giving good luck and bad luck but still having some sort of “balance” is an interesting parallel to Teddy’s sentiment. Especially, since the narrator tried to keep all the good rolls for themselves while sticking everyone else with the bad rolls.
Teddy still seems like he doesn’t want to go back to the OIAR as he says “You hear me asking for a job? I only just got out, I’m staying well-shot of that creepshow.” The transcripts also clarify that Alice is relieved that Teddy isn’t asking for his old job back. Alice goes on to say “It’s all right. You met Sam obviously and then we had Celia join on top of that so we’re all staffed up for a change which is… nice.” implying that it’s not super common for the OIAR to be fully staffed. Alice saying “(unconvincingly) Ok, first, I was being super ironic, and second it is “nice”. We’re more or less on top of the case-load and Sam and Celia get along great.” would imply that part of the reason she and Gwen often seem behind on work to an extent is due to the OIAR being understaffed.
Sam arrives just as Teddy leaves for another interview and Sam does make small talk with Alice; it becomes clear that he’s here to ask Alice to investigate the ruins of the Institute with him. Sam asks Alice to join him instead of Celia because while she did come to investigate Gerry and Gertrude he doesn’t feel like he’s close enough to her to be asking her to investigate shady ruins. Sam also mentions “Listen, I know that you said I shouldn’t pay too much attention to the cases and that, but I genuinely think there might have been something really weird going on at the Magnus Institute and then there was this new case that came up and-” which makes me suspect again that not all the statements the computers spit out are randomly chosen. I also wonder if Alice had a similar experience with oddly specific statements or if she just finds them horrific to listen to (which is fair if that’s the case).
Conclusion
I’m curious about what the Institute was measuring for in this universe. Is the “Magnus Protocol” the government working directly with the Institute at some point to make something or was it something made in response to something that happened to or within the Institute? For example, maybe an Institute test / experiment got out of control and led to the Institute’s destruction? That doesn’t seem super likely at the moment but it’s an idea.
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 10 “Saturday Night”
This starts off with a TV interview hosted by Geraldine Hardy featuring Nigel Dickerson about ““Mr. Bonzo’s On His Way” which topped charts for over 11 weeks.” Well, actually 12 weeks according to Nigel. To which Geraldine adds “12 weeks, smashing the record for TV tie-in music and launching a merchandise empire.” So Mr. Bonzo’s On His Way is a pretty big deal and I can see why Gwen might have been surprised Lena didn’t seem to know anything about Nigel or his work in the last episode.
It’s implied that Nigel hasn’t been on TV recently when we get
NIGEL
“It’s an absolute pleasure to be here Geraldine. Nice to be on TV again.”
GERALDINE
“It has been a while, hasn’t it?”
NIGEL
“I’ve kept busy.”
We are also told that Mr. Bonzo first debuted 25 years ago. Nigel says, with what the transcripts call “odd energy”, “I mean, it started as a joke…” Long story short, Channel Six (which is apparently a part of the BBC’s(British Broadcasting Corporation)) took a gamble and offered Nigel a spot as the host of their Saturday night variety show. Still, ““Nigel Dickerson presents Saturdays on Six” or “Nigel’s SOS” as they started calling it, really took off. I mean, at the end of the day it was still the same sort of variety show that BBC and ITV were running on Saturday primetime: skits, music, interviews, some on-location features. What marked us out though was that we didn’t take ourselves nearly as seriously as them. The whole conceit was that the set was built like an enormous comedy dungeon, and I’d been imprisoned by “Mr. Six.””
Mr. Six was a character that acted as the “fictional head of Channel Six” and the joke around the character was that Nigel would have to do a “good show” in order to be released from the fictional dungeon within the show. One of the show’s beats was that Mr. Six would call Nigel and angrily explain that “he’d gotten a complaint from some busybody writing in with a name like Mrs. Sourpucker or Mr. Smallprick” and then Nigel would be told an outlandish rule he needed to follow to much comedic effect. “I’d be told I had to do the whole show without… I don’t know, using the words “up next” or standing on one leg or something and people loved it. They really loved it.”
Then Geraldine asks about Mr. Bonzo, which implies that this topic is what at least Geraldine seems to be most interested in. It could even be what this interview is supposed to be about. “Yes. Mr. Bonzo. Of course. Well, one of our big things was pranks. We had a whole section called “You Got Berried!” where we’d invite on some serious public figure and make them look a bit silly, like, uh, get a famous footballer to do a bunch of kick-ups but we’d weighted the ball, and at the end I’d come out, say “You Got Berried!” (Not to be confused with The Buried) and give them this big golden raspberry trophy. It was all in fun, of course. No guests were hurt.” So then Rich, Nigel’s producer, came up with the idea of “inviting a famous person on, someone really serious, and we tell them we’re going to have them do a segment with a popular children’s entertainer. Now, obviously these folks won’t have any idea about what kids are actually watching, so we could come up with the most horrendous thing, claim kids loved it and see how long it took for the guest to realize that they were the joke. That they’d been “berried”.” So Nigel designs a character that is “this awful clown character – this big bulbous, splotchy suit, running around, screaming his own name and generally being a nightmare.”
Geraldine asks Nigel who came up with this character’s name and Nigel replies “You know, I honestly don’t remember. I know it wasn’t me or Rich, but at some point someone said it and the name just stuck. I don’t really know what else to say about it. His name is Mr. Bonzo.” This is the part where I do what I always do and try to frame the statements or encounters through the lens of Smirke’s 14 (plus The Extinction) to note if there’s any parallels or evidence that these are / aren’t the same Entities from TMA. The fact that Nigel doesn’t remember who came up with the character’s name is most likely just a throwaway line and who actually came up with the name doesn’t really matter. But I’m here to give you my thoughts even if they are a bit of a stretch.
As I’ve mentioned in a previous article The Stranger seems to be the Entity tied the most to forgetting things and memory loss. “In MAG 165 (Revolutions) we see Not-Sasha watch over a Domain that takes the form of a merry-go-round with people fighting over faces. People with no faces must fight over the faces of others to rip them off and regain some sense of identity. When they lose their face it is said “And soon enough they will forget they ever even had one, rest assured; it’s best to step the dance and keep your face secured as much as you are able. Just. Keep. Running.” In case there is any debate about what The Stranger embodies in MAG 200 it is stated “And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger” and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” while in MAG 111 (Family Business) Jon says “The Stranger is the unknown. The uncanny.” and Gerard doesn’t correct him. Theoretically the fear of the unknown would probably often include the fear of forgetting something as you would no longer know it. The idea that there’s something you once knew but now you don’t, and so it is unknown. This obviously would overlap with The Spiral a lot with the fear of your senses being wrong but that’s a whole thing for another time, and plenty of Entities overlap with stuff all the time. All I’m saying is that there’s a strong precedent for The Stranger making people forget stuff or making things hard to remember.”
However, that alone isn’t very good evidence but Mr. Bonzo is described as being a clown. Which The Stranger has a precedent for manifesting as, probably due to both the idea of the uncanny valley being achieved with a costume or makeup and the idea of a traveling circus full of strangers you don’t know from out of town. Not to mention that Mr. Bonzo is described as a suit, which could very easily connect to an Entity like The Stranger. Firstly, The Stranger tends to have a big emphasis on wearing things like skins and suits. I think the idea behind this is usually that wearing costumes or disguises can actually obscure who is wearing them and thus their true identity is unknown. There’s also the fact that costumes themselves can easily fall into the uncanny valley. Ever since Five Nights at Freddy’s became popular there’s been an uptick in horror media focusing on how creepy and uncanny things like animatronic suits can be. Not that Mr. Bonzo is an animatronic but it is a suit. Also, as others much more well versed in British culture than me have pointed out, Mr. Bonzo is most likely inspired by Mr. Blobby (a real life fictional character). And yeah I could see how such a costume could be uncanny to some or quickly become creepy if you change around some features.
The wiki also says this about Mr. Blobby: “Mr Blobby first appeared in 1992 in the ‘Gotcha’ segment of the second series of Noel’s House Party, in which celebrities were caught out in a Candid Camera style prank. Mr Blobby was presented to the celebrities as if he were a real and established children’s television character, in order to record a feature about the guests’ professions - in reality, the setup was completely fictitious, and the character of Mr Blobby portrayed by Noel Edmonds focused on acting childishly and unprofessionally, to irritate the celebrities taking part.” This all sounds way too similar to Mr. Bonzo and the role he played on Mr. Bonzo’s On His Way as a character that pranked or messed with celebrities.
(There’s also a more distorted creepypasta style picture of Mr. Bonzo (that I imagine the suit we see later looks like), but you can check the link for that).
“I remember the first show we used him. We’d invited Gotard Rimbaeu – the chef. He was very big at the time. Lots of TV appearances, a cooking column in The Times. But I think he was looking to soften his public image after the Mirror ran a story on him, I don’t quite remember…” Once again, Nigel is having trouble recalling something even if Geraldine reminds him. I fully acknowledge I’ve gone full tinfoil and it’s probable that Nigel just genuinely forgot or is a normal human with an imperfect memory.
“…after that he agreed to do a segment on our show teaching children how to cook. He’s
obviously never seen the show and was completely oblivious to kids’ culture. He was absolutely perfect.” It’s interesting that they are preying on the fact that this chef is oblivious to kids’ culture. Which is another way to say that they were taking advantage of the fact that Gotard didn’t know something (which can be very Stranger-esque).
“When Mr Bonzo emerged out of the pantry, the effect was… incredible. Rimbeau’s face went white and he looked like he was about to scream. I’ll be honest, I’d seen the suit already, but I hadn’t seen it moving, and it was even freaking me out a bit. Rimbeau tried to keep it together, as far as he knew all the kids did love Mr. Bonzo, but when that big rubbery clown started knocking over pans and smashing eggs all over the studio kitchen, “the snooty chef” actually tried to hide behind a shelving unit. And finally, when Mr Bonzo went in for a cuddle, Rimbeau genuinely attacked him with a frying pan. He actually broke the arm of the guy wearing him, which I took as my cue to enter with the Golden Berry. This was on live TV don’t forget.” Surprise is something that a lot of Entities like to use but you could argue it potentially relating to The Stranger here in the sense that Gotard didn’t know any of the stuff regarding Mr. Bonzo was going to happen when he joined the show, nor was he familiar with the character. Also Gotard Rimbeau sounds like a Gordan Ramsey reference. Especially with a title like “BRITAIN’S SNOOTIEST CHEF.”
While someone having his arm broken sounds like a disaster it apparently worked out for Nigel and his crew, since the audience ended up loving it and asking for Mr. Bonzo to return. Of course, “…there was a different man in the suit, of course. There were a few of them over the years. It was very physically demanding and that wasn’t the only injury we had with it. It actually became a sort of ritual: the newest member of the production crew wore Mr. Bonzo until someone else joined.” I mentioned last episode how The Desolation can relate to the fear of things like bad luck. So you could maybe argue some parallels with Entities such as The Desolation depending on how people wearing the suit got hurt, but my money is still currently on The Stranger.
Nigel explains, that the joke couldn’t last forever and the bit started losing its punch as more people became aware of Mr. Bonzo and his skits on Nigel’s show. “The problem with a surprise prank is that doing it on Saturday night primetime means pretty soon everyone knows about it, and the guests knew it was coming. A couple even requested it. So the prank part of it sort of died, and he just became an SOS mascot. One of my many tormentors in the dungeon. By the end we’d even retired Mr. Six, and it was all Bonzo.” Once again, a focus on surprise and I think it’s interesting that Bonzo loses his punch the more people know about and understand him. Bonzo is a character that thrived specifically on the guests not knowing who he was and did. So a potential relationship with the unknown again. “The kids certainly liked him. It turned out they really did think he was hilarious. Well, the ones who didn’t wet themselves, anyway.” So Mr. Bonzo could have been creating fear that fed the Entities unintentionally.
I wonder about Geraldine since at this point they seem to laugh at the suffering or fear of people. When Nigel brings up how people wearing Bonzo’s costume often got hurt Geraldine says “Or until they got hit by a pan!” and laughs while Nigel doesn’t. When Nigel mentions kids wetting themselves Geraldine laughs, but you could argue this is just Geraldine reacting to the joke. If Geraldine was an Avatar, monster, or somehow connected to an Entity this behavior would make sense if she is trying to purposefully scare Nigel, or maybe she just has a different sense of humor. Honestly, Geraldine radiates returning character energy to me.
Nigel explains that things were looking up for the Bonzo brand despite this dividing line amongst the reception of kids. “Soon it was Bonzomania: merch sales were through the roof; “underserving number one hit single” actually did become a number one hit single and we even started construction on a small Bonzoland theme park at one point. It was… It was a good time.” And then people stopped liking Bonzo after a serial killer named Terrance Menki was caught wearing a Mr. Bonzo costume after murdering 11 people. Nigel says “You know it was only the last one, right? The one where he was caught? The police said there were eleven bodies in total and his wardrobe was full of all sorts of homemade costumes. Who knows what he wore for the rest? But no, because he was caught dressed as Mr. Bonzo, that’s all people remember, the, uh, the-” “Bonzo Butcher” apparently.
Obviously, Nigel has some strong feelings about this “The Bonzo Butcher! Ridiculous tabloid garbage. It didn’t even look like him! He got the colors backwards! But they still splashed the image all over the front page. Complete overreaction.” Terrance messing up Bonzo’s colors could just be a coincidence but it could relate to The Stranger and the idea of the uncanny. The idea that a character or person who would otherwise be familiar is off in some way. So we get an uncanny Bonzo that doesn’t look quite right.
When Geraldine asks “An overreaction?” Nigel replies with “No, I mean, uh, it was inappropriate. To show to the public I mean.” One could argue that this parallels The Eye thematically with the fear relating to the idea of something being made public or known. Not to mention that Nigel is in front of a live audience right now and is in the middle of an interview. Interviews are something The Eye loves and has a precedent for, the most obvious example of this are the various live statements people like Jon and Gertrude took in TMA as Archivists. After news of the “Bonzo Butcher” went public “Bonzoland halted construction shortly afterwards and the suits decided it was best to “temporarily” halt production on SOS.” and Nigel got death threats even though he felt he had nothing to do with the situation. Public perception of Mr. Bonzo took a turn for the worse but Bonzo did get “some fans. In the, uh, edgier parts of the internet. As a “meme”.”
Geraldine asks about the Bonzo merchandise still available on Nigel’s own website and if its presence makes him uneasy. “About what? The fact that a few sales might be from people trying to be edgy? A man’s got to make a living, Geraldine, and it’s not like I can tell if someone’s buying a t-shirt ironically. Besides, people think of Nigel Dickerson and Mr. Bonzo is never far behind so it’s not like its changing my reputation. In a lot of ways I’m more his prisoner now than I ever was on my show.” Then the interview takes a sharp turn when
GERALDINE
“And how do you respond to the more recent rumours?”
NIGEL
“(on guard) Excuse me? “
GERALDINE
“The witness statements from three murders over the last five years”
NIGEL
“(speaking over her) I told your producer this wasn’t going to be discussed.”
GERALDINE
“-that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?’
NIGEL
“(Getting up) This interview is over. Don’t contact us again.”
GERALDINE
“Us? “
NIGEL
“(losing it) It was a joke alright!? Mr. Bonzo was meant to be funny, make people laugh! Is that so wrong? Why am I still trapped dealing with all this- this- Why won’t he let me go?! Why”
First off, considering that Gwen encounters Bonzo in Nigel’s house later, when Nigel says “us” he is probably referring to both himself and Mr. Bonzo. One could also argue that this part of the interview parallels The Eye due to Nigel reacting very negatively to prying questions and he refuses to be interviewed again. However, I think that at least Mr. Bonzo is somehow connected to The Stranger. The comment Geraldine makes about the rumors by saying “The witness statements from three murders over the last five years” and “-that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?” implies that more murders have since occurred after the first 11. I don’t think it’s unreasonable to assume that these three murders might be related to whatever we see Bonzo doing later after Gwen gives him the letter. Is Bonzo going off to kill more people, and why is the OIAR involved?
We cut to OIAR via one of the computers to find out that Celia is filling out the forms for this statement. Colin enters the room and makes it clear that he doesn’t want to interrupt Celia’s Job to which she respons “It’s fine, just stuck the kettle on. You want a cup?” Implying that Colin’s mental health leave might have ended. Colin asks where everyone is, as he seems to be looking for Alice, and Celia explains “Gwen’s on “assignment”, whatever that means. Alice and Sam are, uh, following up something from a case.” Unbeknownst to Celia, Gwen’s assignment is delivering a letter to Nigel, and Sam and Alice went to go investigate the ruins of the Magnus Institute. It’s a bit funny that Celia describes what Sam and Alice are doing as “following up something from a case” because that kind of phrase was used to describe what the assistant and other members of the Institute in TMA often did when investigating statements or checking their validity.
Colin talks about his experience with some therapists he talked to on his mental leave.
COLIN
“(distracted) Right. Shame. Wanted Alice’s thoughts on something. You know anything about computers?”
CELIA
“Not really. Weren’t you on leave?’
COLIN
“For my brain, yeah. Didn’t work. Talked to three therapists. None of them even knew what a logic gate is. What the hell use is that going to be?“
A logic gate is “a device that performs a Boolean function, a logical operation performed on one or more binary inputs that produces a single binary output,” which would imply that Colin was asking his therapists about the computers. Colin also says “None. I was just sat their twiddling my thumbs. Best thing for me is figuring this out.”. Colin asks Celia once again if no one is present and then-
COLIN
“Great. That’ll make things easier. He sits at a desk and starts booting it up.”
COLIN
“(cont.) Maybe don’t tell them I’ve been on their terminals. They’ll only get the wrong idea.”
CELIA
“Uh, sure.”
Colin starts typing on the PC a little breathless.
CELIA
“Cool. Well, I think that was the kettle, so I’ll probably leave you to it.”
COLIN
“Yeah. Oh, and, uh, Celia?”
CELIA
“Mm?”
COLIN
“If Lena asks, I wasn’t here.”
He starts to pull open the active computer, muttering to himself while Celia walks off to the breakroom.
Okay… so maybe Colin’s mental health leave isn’t actually over, and he just wanted to sneak back in to see what was going on with the computers. Once again, I must beat the dead horse of saying that there may be Eye related themes present at the OIAR or the facility. The Eye doesn’t just relate to the fear of being watched but also the fear of knowledge in general, which includes the fear of “seeing too much”, horrible truths, etc.. In MAG 200 The Eye is stated to have been born from the fear of seeing too much, and it also thematically relates to Jonah’s ability to force information into the heads of people like Martin and Melanie. Gertrude at one point even mentions The Eye as relating to the desire to know and understand even if in doing so you get hurt.
I’m not saying Colin is unjustified or unreasonable in his paranoia. But what I am saying is that an Entity like The Eye might purposefully be trying to insight and prey on this behavior (and the OIAR has a lot of parallels with The Eye). Gertude’s comment about hurting yourself in a desire to obtain knowledge could relate to Colin’s increasing levels of stress and degrading mental health as he attempts to unravel the secrets of the computer. Additionally, Colin’s desire to understand what’s happening does technically mirror a character like Rosie, but specifically his desire to understand an outdated system of technology is very similar to an Eye related statement from TMA in MAG 148 (Extended Surveillance) involving a “Security Camera Instruction Manual.” Upon reading the Leitner the victim ends up metaphysically fusing with the camera system the manual is tied to, but that’s not the important part. The important part is what led to Samson Stiller reading the manual in the first place. Specifically, a desire to understand and fix the camera system. In that MAG we get “I remember the smell of dust when Dave went and cracked open the filing cabinet in the back room, before waving his arms in the direction of the drawer and shrugging. I mean, I’d have just left it, obviously, but I think Samson was taking the whole knowing how the system works thing as like – a point of pride? Something he could salvage from the whole situation. Just a way of getting some control over his life, you know?”
Alice has been at the job pretty long, and presumably the longest out of her coworkers with the possible exception of her boss Lena (that’s still up in the air). So I wonder what Colin thinks Alice might know or add. I also wonder if Colin warns Celia not to tell Lena because he just doesn’t want to be caught by his boss at the office during his mental health leave or because he is suspicious of Lena specifically.
We cut to Sam and Alice exploring the ruins of the Institute. The ruins are clearly rotting and decaying and Alice seems to think this situation is dangerous as implied by this later interaction.
ALICE
“(cont.) Careful…”
SAM
“(turning) Oh thank goodness you said that otherwise I would’ve jumped up and down the dangerous”
The floor breaks.
Before all the floor stuff however, Sam rummages through a filing cabinet and manages to find a key.
Alice actually shows herself to be a lot more aware and insightful than I think some fans give her credit for. She correctly identifies that Sam doesn’t actually know what he’s looking for, which he eventually admits outright, and she does try to console him. Although, you could argue it was pretty obvious Sam didn’t know what he was looking for. The fact that Sam doesn’t know what he’s looking for really makes me wonder what caused him to become so interested in the Institute. Why did the Institute test him for their gifted kids program?
I also forgot to mention something very important. When we cut to Sam and Alice the for the second time, even though we were using Sam’s phone the first cut in, the transcripts say this “ EXT. THE MAGNUS INSTITUTE RUINS – NIGHT, THUNDERSTORM (TAPE RECORDER).” So we are hearing what’s happening via a Tape Recorder, just like TMA. It also shows that whatever is listening isn’t just limited to things connected to the internet or anything, but seemingly any form of technology with a microphone. Are the tapes from this Institute or was it one of the tapes that would have been dragged along with the Entities from TMA into this new universe? Also, is it The Web that has been listening this entire time again or is something / someone else also using the tapes? We know that, while rare, artifacts can be tied to one or more Powers (such as the Key of Solomon) so are the tapes still aligned with The Web while something else is using them or is The Web just stepping up its game and using all microphones now because it doesn’t need the tapes specifically for its new plan(s)?
In this scene it’s also clear that Alice really worries about Sam’s safety and you could even argue that she’s mothering him a bit.
ALICE
“(picking something up) Who do you reckon Archie was?”
SAM
“Huh?”
ALICE
“I found one of those old timey name block things.”
SAM
“Uh… Archipelago?’
ALICE
“I’m sorry what?”
SAM
“What?”
ALICE
“You’re just going to skip straight to “Archipelago”? Not, I don’t know, architect? Archive?”
The name Archie doesn’t ring familiar to me but the words “architect” and “archive” do. Specifically in relation to, of course, Smirke’s architecture and the Institute’s Archives. In fact in TMA the tunnels under the Institute are Smirkean architecture. Sam also picks up a book that immediately disintegrates in his hand which makes me wonder if there were leitners in the TMP Institute at some point, and if such artifacts will play a role similar to the one they played in TMA.
ALICE
“Nice chair. I could look real ominous swiveling in that thing.”
SAM
“I wouldn’t risk it. Not unless you want woodworms up your butt.”
ALICE
“Ew. That explains the pattern on the floor.“
SAM
“Oh yeah… What is that?”
ALICE
“Worm tracks. Or y’know symbols of ancient otherworldly power. One or the other.”
The comment about the worms seems like a cheeky nod to Jane Prentiss’ attack on the Institute’s in TMA. At the moment I think this is just a reference for the audience as opposed to something alluding to the idea that a similar attack also occurred here. Some floor breaks under Sam and the key he tried to use to open a door falls down into the resulting hole. Alice expresses worry as she manages to catch Sam and says “What was that? Because it sounded a lot like, “I’m sorry Alice you were right. We should head back now before I get myself killed falling into a soggy pit. Gosh you’re sexy, here’s a twenty for your trouble.”” Once again, I would like to point to Gertrude’s whole “The Eye is the desire to search for knowledge even if you get hurt in doing so” thing. I think it’s clear Sam is at least kind of desperate for answers since he acknowledges that he doesn’t even really know what he’s looking for. I’m not saying Sam is secretly an Eye Avatar or anything but, like with Colin, I wonder if something like The Eye or someone similar to Jonah is purposefully trying to stoke Sam’s curiosity or take advantage of it.
As far as the Institute’s gifted kids program goes Sam also says this “No, you’re right. I don’t know what I’m looking for. I have… I have memories of weird stuff I saw here, but no context. I want to know what was happening, why they chose us… why they didn’t choose me. Maybe find the bit where everything started to go wrong. But… it’s too late. And now… I’m the only one left who cares.” Which makes me wonder even more about the program. Why were these kids selected? Was it their personalities, their experiences, some supernatural factor? Were they looking for potential Avatars or something? Wa the TMP Institute working with the government?
“The voices finally disappear, lost to the distance and the rain. There is a long silence as the tape keeps running. The water is gently disturbed below. Then there is a thud on the hidden wooden trapdoor and the rattle of a padlock. There is the distinct sound of a key being dragged across wood then being blindly fumbled in a lock which finally clicks. The trap door opens, the lock falling away and [ERROR] emerges and takes a shuddering breath.. Click.” So something or someone might have just escaped the ruins. Who or what it could be I don’t know. This Institute could have its own set of tunnels like the one in TMA but the Institute in TMA was located in London instead of Manchester after being moved so I can’t really say if this Institute would have a similar system. Was someone / something purposefully trying to get Sam to release whatever / whoever this is from the Institute? Does the being itself somehow have some way of influencing things from a distance?
I actually skipped over a portion of this episode because I felt like it flowed better but let’s rewind to check up on Gwen via a tv apparently. Gwen rings the door and as Nigel unlocks it: “He unbolts the door. There’s a lot of them. Then he opens the heavy wooden doors to find GWEN stood in the porch.”
Nigel is surprised to find someone at this time of night and Gwen explains that she was sent by the OIAR (Office of Incident Assessment and Response). The name of the OIAR is something I haven’t really thought about but the fact that it has “Response” probably means it’s supposed to take a more active role in dealing with the supernatural than the Institute. In TMA the job of the Institute technically wasn’t to perform investigations or help people but just to note supernatural occurrences and verify / research them. The Institute itself isn’t actually supposed to really do anything to help. The Institute’s motto is literally “Audio. Opperior. Vigilo.“ which means” I listen. I wait. I watch.” and in MAG 28 (Skintight) Jon says to Melanie “We are not ‘paranormal investigators’. We are researchers. Scholars.” They aren’t supposed to solve mysteries, stop monsters, etc. for the sake of closure or helping others. They are just supposed to note what happens and use it for their own research(even if characters like Jon and Gertrude obviously don’t abide by that).
Anyway, Nigel seems to realize what’s happening when Gwen mentions the OIAR and tries to give Nigel the envelope. But there’s a twist, Nigel says “It’s not for me.” and invites Gwen inside. Nigel apologizes before “There is a wet, lumbering step on the staircase. Something is dragging itself down the stairs to meet them.” That “something” is none other than Mr. Bonzo (who can only say his own name, or maybe just chooses to say his own name). Gwen obviously doesn’t die in this encounter but I wonder if Nigel was apologizing because he knew seeing Bonzo can be scary or in case Bonzo decided to kill / hurt Gwen.
Nigel also says “Try not to stare. He doesn’t like it when people stare.” Which could relate to The Stranger. While all the Entities are connected, overlap, and need each other for a ritual bringing them into the world to work, with even seemingly opposing Entities bleeding into each other or having overlapping fears, The Stranger can often have an antagonistic relationship with The Eye and forms of being known. The Stranger tends to thrive off the fear of being unknown so staring at something aligned with The Stranger might make it react negatively. In MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” In MAG 165 (Revolutions) Not-Sasha says this in regards to The Eye’s Post-Change world “Do you know how it feels? To be – anonymous? And yet known! To have all the sweetest dread I can create tainted by the relentless gaze of that damned Eye. I’ve suffered enough.” So if my theory that Bonzo is tied to something like The Stranger is correct that would explain a potentially negative reaction to being looked at for too long since aspects of The Stranger often don’t like it when people try to figure out what they are.
Nigel introduces Gwen and Bonzo by saying “Mr Bonzo meet… I didn’t actually get your name. Probably for the best.” Which makes me wonder why it’s a good thing he didn’t get her name. Is one of the factors that determine who Bonzo attacks are whether it and / or Nigel knows their name or something? The transcripts go on to say-
NIGEL
“(urgently) I said don’t stare!”
Gwen does not reply. It is clear she is trying not to hyperventilate.
So Gwen is definitely in shock. Mr. Bonzo begins to become agitated and Nigel says “The name, the address – tell him where to go.” Nigel begins to panic and after telling Gwen to give Bonzo the envelope again “Gwen holds out the envelope and Mr Bonzo snatches it into his
mouth, audibly chewing it. His teeth are not soft.” and then “Mr. Bonzo excitedly lumbers away, violently throwing open the door and lumbering off into the night.” Nigel notes that this situation almost went very badly and says “Tell the people who sent you “you’re welcome. Again.””
Okay, so what is Mr, Bonzo? I know that sometimes Entities like The Stranger just do weird uncanny stuff but I wonder if the “suit” actually is Mr. Bonzo’s body or if there is something wearing the suit? Or is Mr. Bonzo literally a living suit that is wearing some poor sap and Bonzo needs to find a new wearer / host periodically to wear him or shove inside of him? That could explain why the murders Geraldine mentioned are 3 murders that occured over the course of 5 years. It’s possible that these murders were just the ones that were caught but I wonder if Bonzo is collecting body parts for the inside of his suit or something. Part of the reason I’m thinking about this is because it’s funny that Bonzo eats the letter in order to read it. Maybe Bonzo is just trying to be scary but you have to remember that he is a suit. So by consuming the letter who / whatever is wearing it might be able to then see the letter. Then again presumably Bonzo would have had eye holes in the original costume so this might just be Bonzo or The Stranger being weird again.
Nigel acts like whatever is being done is a favor for the OIAR. Did the government stick Nigel with Mr. Bonzo in an attempt to appease it as much as possible while also offering the occasional sacrifice to calm Mr. Bonzo or is whatever’s on the letter some sort of enemy or threat? Maybe, Mr. Bonzo is being sent to go deal with more problematic or harder to control Monsters / Avatars / threats? I don’t know much other than the fact that it’s probably a favor for the OIAR. Meaning that someone wants this to happen. I don’t know if it’s Lena or her mysterious higher ups. This all also sounds like it might be related to the three Bonzo murders Geraldine mentioned. Is Bonzo being used as a weapon or is he just a threat that the government doesn’t know how to kill? Maybe killing Bonzo would somehow release something worse?
The interaction between Gwen, Nigel and Bonzo in regards to her job leads me to suspect that the OIAR is working with various supernatural factions. I don’t know if they are doing so out of convenience or some other reason but it looks like Gwen’s job involves sending messages and contracts to various supernatural beings at least. I wonder if all the letters are being sent to Mr. Bonzo, a variety of monsters, or just a pool of “agents” connected to the supernatural. Gwen’s new job was stated to have something to do with contracts so did Nigel or even Bonzo himself sign some sort of contract? If we assume the OIAR is connected to some Entity like The Eye we know such beings have a precedent for magically binding contracts (like the one Jonah used). So is something similar happening here but on a larger scale?
It’s kind of funny that when Nigel tells Gwen to leave he says “Now get out of his house.” It’s pretty obvious that The Stranger has a connection to the loss of identity or being unable to identify either yourself or other people. So I wonder if this is supposed to be some weird metaphor for an artist having their identity overtaken by that of their creations? Like people not really knowing who Nigel is outside of “the guy who made Mr. Bonzo.” Nigel even said “Besides, people think of Nigel Dickerson and Mr. Bonzo is never far behind so it’s not like its changing my reputation. In a lot of ways I’m more his prisoner now than I ever was on my show.” Nigel views Bonzo as a core part of his identity which could mirror how sometimes artists stake to much of their value or identity on their own art and creations. The interview we just saw seemed to revolve entirely around Bonzo and it seems to be Nigel’s most famous creation. Bonzo has become the main character and quite literally taken on a life of its own while Nigel is stuck in the side-car as he sits in Bonzo’s shadow.
Conclusion
I’m only becoming more and more curious about the OIAR. Also, what was the thing escaping the Institute’s ruins. Is it somehow related to the gifted program kids?
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 11 “Marked”
And we are back, baby. I’ve actually started writing this literally the second after I finished listening to the episode. I was originally planning to wait until the weekend to write this but I’ve become so excited I can’t help myself, and Rusty Quill has been on top of posting the transcripts when the episodes comes out.
As always, the episode is being told to us through some sort of device. In this case we cut to Celia via her phone. The transcripts make it clear what’s happening “A busy motorway nearby. CELIA is asleep on grass. She starts to make slightly distressed noises as she stirs. A lorry roars past nearby and she awakes with a start.” She obviously seems frustrated upon realizing something has happened again but she realizes something as she begins to pat herself down looking for her phone or some other (most likely communication) device.
CELIA
“(to herself) Yes! Ok, phone in the pocket works. She starts tapping the screen.”
CELIA
“(to herself) If it had signal. She sighs in helpless frustration.”
CELIA
“Shit.” She stretches and starts trudging off towards the motorway.
CELIA
“Hold on, Jack, I’m on my way.”
Celia probably comes from or has some relation to the TMA universe but what this entire situation has to do with it, if anything, is beyond me. I don’t know who Jack is and Celia implies that this entire situation has happened before. It is once again confirmed however that whatever is listening through all the electronic devices in TMP doesn’t need said devices to have wi-fi or internet connection to be able to do so. Which was further emphasized by the fact that it was capable of listening through a tape recorder last episode.
Now that I think about it, did Celia need the phone for communication or some other thing. It’s possible that she was trying to access something like a GPS or online map to figure out where she was or where to go but it’s unclear. I can’t say if Celia implying this has happened before means she has woken up at this exact spot or random areas in general. Considering her questions to Sam about multiversal and time travel I wonder if she attempted some sort of experiment which led to her appearing in this location. Is Celia trying to get somewhere in particular? Maybe she’s trying to get back to the TMA universe or maybe she’s trying to get somewhere new?
We cut to the OIAR offices via one of the computers. I consider the interaction we witness in this scene to be another enlightening one about some of the possible dynamics at play in the OIAR workplace. Alice clearly cares strongly about Sam and they like to tease each other a lot. Sam seems a bit down about finding no clues about the Magnus Institute and Alice tries to cheer Sam up. The two talk about where Celia and Gwen are but neither knows where they are. It makes sense that they would wonder since Gwen seems like a stickler for rules and it seems weird that about half the people working in this office have disappeared with no notice. Gwen brought Sam and Celia coffee while also mentioning “I’ve got a mocha for Celia and I was really looking forward to pretending I “accidentally” forgot to order Gwen anything.” Once again, highlighting how antagonistic their relationship is and how Alice can go beyond just simple teasing and towards just being outright hostile or mean toward Gwen.
Alice seems extremely nervous and mentions “ just… I dunno. When I left the coffee shop, it felt like someone was following me.” Sam jokes “Sounds like maybe you were more bothered by that “soggy ruin” than you admit.” but Alice asks him not to joke about it, which shows that she’s extremely rattled. This level of fear from being watched sort of parallels the Institute in TMA with how Jon was scared from a feeling of being watched in the Institute. In MAG 39 (Infestation) Jon says “Because I’m scared, Martin!. Because when I record these statements it feels… it feels like I’m being watched.” However, it’s clear that what Alice is probably feeling is related to whatever escaped from the Institute in the last episode. I wonder if that being is somehow connected to The Eye. It is an Entity connected to both the fear of being watched and even followed or stalked. Not to mention the creature came from the Institute, a faction that was at least aligned with The Eye in TMA.
However, there’s an argument that this could just as easily be something related to The Spiral, Stranger, Hunt, or some other Entity entirely. The Institute had dealings with all kinds of Entities, not just The Eye. The most obvious example of this is their Artifact Storage, which collected objects connected to various Entities. So it’s possible this is some other Entity’s Monster or Avatar that was being sealed and / or researched. Considering all the alchemical undertones I even have to wonder if it’s some sort of artificial creation like some kind of homunculus.
Sam offers to walk with Alice home, to which she appreciates, and they get to work categorizing their statements. We follow the statement that Sam is listening to as exposited by CHESTER.
This statement comes from emails being sent from Gordon J to Alison Leshi regarding “Padstow civil cemetery exhumations.” In case you don’t know, an exhumation is “the action of digging up something buried, especially a corpse.” Gordon starts off by explaining to Alison that everything is going as planned, despite the sudden cold snap, due to proper planning. He also says “We also did some load testing of the ground near the cliff edge, and it looks like there’s only a few graves where the erosion means we won’t be able to use the Bobcat, and that’s few enough that my boys can do that by hand.” The first few days of this project have gone smoothly and David, their medical examiner, seems happy with their precautions.
Gordon mentions “with all the precautions we’re taking, and while we’ve certainly had our fair share of lookie-loos, there’s not been any sign of the protestors you were so concerned about stirring up. I guess it helps that no-one’s been buried here for over a hundred years, so it’s not like we’re pulling up granddad. The sailors sleeping here haven’t seen mourners since Queen Vic.” I think Gordon raising the possibility that there could be protestors is interesting. I wonder if it’s simply the fact that people might be upset at the destruction of these graves or if there’s some other reason? For example, someone might see it as an important historical site or maybe they view this project as harming the environment in some way? If you want a more supernatural reason, it could be that someone is afraid that disturbing the site could anger someone / something?
Gordon gets more personal and talks about how this job means a lot to them. They say “I know we can’t have been the cheapest company to put in a bid, but as local lads we’ve been coming to this graveyard all our lives (even if just to sneak some booze as stupid teenagers), and now that the cliff’s finally giving up the ghost (if you’ll pardon the pun), it feels right for us to be the ones taking it apart.” I looked up the phrase “giving up the ghost” and it seems like it can refer to “to stop trying to do something because you know that you will not succeed.”
Gordon says they’ll get back to Alison when the job is done but they send an email earlier than expected due to some unforeseen circumstances, and apparently David told Gordon to update Alison on the circumstances despite the fact that Gordon thinks it shouldn’t throw off their current schedule. They encountered some human remains that seem like they are in quite good condition. “…for context, the containers they’re buried in are of really varied quality. I’d say just under half were buried in decent coffins that are still in good enough shape to remove and transport unopened. For others though, the wood has rotted to the point where it’s pretty much impossible to keep the boxes together and some were just wrapped in oil cloth. This means we’re seeing, touching and moving a lot of human remains directly. Don’t worry, this isn’t about a health and safety thing – we have all the right gear and David’s making sure we follow procedure. It’s just that one of the graves had a body in that was too well-preserved for the age it should have been. Or at least, most of the skin was in extremely good condition. The back was completely covered in this complicated tattoo of a ship sailing across an open sea towards an open horizon. It was really impressive.” Take note of the tattoo since this isn’t the first time we’ve encountered a complex and very visually impressive tattoo in TMP and it’s going to come up again in this very episode.
David says that they need a second opinion and some tests since if the bodies have been buried more recently than 1908 it would mean that the cemetery is technically a crime scene for legal reasons. Gordon also mentions that the graves have been getting to him with “I’ll be honest though, I’m glad of the break. Taking up all these graves is starting to get to me a bit. I almost feel sorry for doing it. The waves are so close and getting closer. If I were a sailor buried here, I’d take some comfort in that. As you can see I’m getting morbid. Short break will do us all some good I think. Will update you when I hear word.” These feelings seem like they could relate to either The Vast, The Buried, or The End with the themes of coffins and being buried in a grave potentially tying into The Buried or End but the vast ocean possibly connecting to The Vast. But let’s keep going.
David starts acting weird and Gordon asks Alison to give David a nudge for the sake of the project. “He’s still working on that body we found and he’s stopped responding to my emails. I got him on the phone, but to be honest he doesn’t sound like he’s in any real rush to complete the job and while he’s worrying about salt water and tattoos, we’re out here sat on our hands and I’m paying the lads by the day. It’s almost enough to make you dream of sailing away for real. Like that poor fella’s tattoo. Saying that, I had another look at the photos David attached and I’m starting to think I might have been wrong about it. When I first looked, I thought it was hopeful, a crew sailing towards the sunrise. But looking again, the sun is lower than I thought, and there’s a shape in the water behind the ship. I think they’re being chased by something. Creepy eh?” So Gordon’s dream of sailing away could potentially point to The Lonely, especially given that the Entity also has a connection to the ocean and ships with Peter Lukas and the Tundra, but the whole being chased could relate to The Hunt. While Entities do chase things all the time I could see the fear of sharks or some large sea creature attempting to chase you as potentially relating to The Hunt. However, it could also potentially relate to The Vast with the idea of something massive lurking in the water, like a kraken or whale. There’s also an argument for something like The Dark with something emerging in the night as the sun sets. Well, assuming that the sun in the tattoo is setting and not rising.
And here’s where the tattoo thing comes up again. Gordon says “Oh, and speaking of tattoos, you remember you wanted an update on local sentiment about the move? Well, I don’t know if this counts as resistance – hell, I don’t even know if they’re local – but there’s someone started poking around the site asking questions. Big snake tattoo up their arm and a bunch of other ink. Wouldn’t give their name, but claims to be a big deal “online”. Don’t really know what that means, but they’ve been asking questions about the body.” The person with the “big snake tattoo” up their arm has a description that almost perfectly matches Ink5 from episode 2 (Making Adjustments). When Daria describes Ink5oul (Pronounced Inksoul) she notes that they had “an absolutely gorgeous floral serpent design running up their arm and into their neck that was so vivid it looked ready to slither off their skin and onto the chair.” It’s clear that Ink5 probably has an interest in tattoos, like the one Gordon saw on the body. This person also mentions that they are a big deal online, which would be true if this is Ink5 since we know that Ink5 is a famous tattoo artist online and even does streams. This could even explain why the person in question didn’t give their name since if it was Ink5 we are only aware of their online username. Gordon even mentions that Ink5 said “…the tattoo is an “Oscar Jarrett”, and that’s a big deal to some folks in that community – something to with Sutherland Macdonald whoever that is. Dunno if that’s quite what you were worried about but thought you’d want to know.”
`I did some light research and Oscar Jarrett doesn’t seem like a style or type of tattoo. Which points to the idea that Oscar is a person. Considering all the tattoos we are saying Oscar might be comparable to Smirke in some ways. In the sense that in the same way there was special Smirkean architecture there could be special Jarettian tattoos if that makes any sense. Tattoos that are designed to have supernatural effects of some kind. It’s also possible that Oscar simply learned and taught some kind of supernatural technique, kind of like the techniques that The Boneturner’s Tale could grant someone in TMA or how Martin sort of ended up learning how to “disappear” by following Peter Lukas’ attempt to connect him to The Lonely. Oscar Jarrett and Ink5 are definitely people to look out for in the future. Sutherland Macdonald surprisingly did yield actual search results. He is apparently “a prominent English tattoo artist in the late 19th century and early 20th century, and the first tattooist in Britain with an identifiable premises open to the public.” This makes Sutherland notable for the same reason someone like Smirke might have been in TMA. A historical figure who somehow learned and / or spread knowledge about the Entities. Again, it’s possible that there are Macdonald style tattoos in the same way there is Smirke style architecture. It could also be that the Oscar Ink5 is referring to is in fact the body with the tattoo that Gordon found and Gordon just doesn’t know what they are referring to. It could also be that there are multiple tattoo artists or Oscar is some student or follower of Sutherland in the same way people like Jonah, Maxwell Rayner, and Mordechai Lukas all had a connection to Smirke via being students or associates. In some characters even explicitly got the idea of possible rituals from Smirke and his research, despite the fact that most weren’t concerned with Smirke’s ideals of balancing the Powers.
Gordon considers calling the police on Ink5 due to how much the tattoo artist seems to be creeping Gordon and their team out but Gordon decides not to as to avoid potential backlash from the public. Gordon’s next email involves him giving condolences in regards to David, which implies that the reason he was taking so long with the reports was due to an untimely death at some point. I wonder if David’s death was related to something he came across on the bodies? It could be that there was some artifact or one of the bodies was actually alive? It could also be that if something is indeed up with the tattoos then the tattoos themselves may have had some sort of effect on David? Did Ink5 kill David? Was David the person Mr. Bonzo was sent to target in order to create some sort of opening for Ink5?
Gordon apologizes for the perceived unprofessionalism and says “My thoughts and opinions on maritime matters will no longer be included in my emails. In addition, I should be most grateful if you could see fit to provide myself with appropriate authorisations to contact the medical examiner’s offices to follow up with the cadaver that has been causing such consternation.” Based on Gordon’s next email it seems like Alison thought Gordon was making fun of them or acting condescending since Gordie states “Look, I was not “making fun of you” but I’m not sure what you want. I’m emailing an employer about my work and am getting accused of my emails being “unprofessional”. That’s the best I can manage. I haven’t been sleeping much recently. Weird dreams. Shapes in the water and that. And before you say that it’s “unprofessional” to tell you that I’m just giving an explanation, That’s all. I need you to contact the examiner again, he’s dragging his feet. Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” Considering the possible change in behavior I wonder if Alison encountered something that made them scared and afraid of people not taking them seriously. I wouldn’t be surprised if Alison and / or David get their own statements in the future.
Gordon also mentions a lack of sleep due to “Weird dreams. Shapes in the water and that.” and also mentions “Besides, I want to see the body again. I dug him up, he’s my responsibility. I just need to see it. I need to know what’s in the water.” This desire to know and see something actually parallels an Entity like The Eye. The Eye, as I end up saying in every article, isn’t merely the fear of being watched but also being the watcher or seeing something you don’t want to. In MAG 200 The Eye is mentioned as having been born from the fear of one’s eyes showing them too much, and Gertrude mentions that The Eye is connected to a desire to know and understand even if in trying to do so you get hurt in the process. These themes also explain why Jonah can force information into the heads of people like Melanie and Martin. It’s the idea of knowing too much or being forced to witness things. Due to this The Eye also has a connection to, and tendency for cultivating, curiosity. Jonah mentions doing so to Jon with certain statements and we know he purposefully left files and information out to stoke Rosie’s more “nosy” personality traits. The Institute itself also sort of acts like bait for The Eye by attracting people looking for answers or closure via the information in its Archives or statements. Jon can also force people to give statements and thus make them relive and recount terrible events so that he can listen to them.
I’m bringing this up now because while I don’t think that what Gordon is going through is connected to The Eye the themes I am talking about will come up later anyway. Entities like The Eye also like to try to prey on the curiosity of people. I’m not saying Gordon is unjustified in being curious (even if I do find some of the behavior obviously strange) but that certain Entities have a precedent for preying on certain emotions or behaviors (like the desire to chase for The Hunt or anger for The Slaughter. No matter how justified that behavior may or may not be doesn’t always matter). You could also potentially relate some other parts of the statement to themes of The Eye. Most notably, the fear that protestors or other people might be observing the dig site, and the fear of being judged by the public. You could even point to Gordon sharing “too much” info to Alison with all the weird thoughts he’s having. Well, Alison seems to not like it, I’m not trying to say Gordon is crossing any sort of technical line or is even unjustified.
Gordon’s next email is titled “Examiner’s office break in” and Gordon insists that it was not him who broke into the examiner’s office and that Ink5 did it. “I saw them hanging around the office when I was waiting. Waiting so long just to see it, just to know what’s in the water. And they took it. They think they’re smart, but I saw them I know where they’re staying and if they think they deserve it they’re wrong. It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray. It’s waiting in the water.” Once again a desire to know what’s in the water and the fact that Gordon is defensive of the idea that they might have broken into the office shows that Gordon is afraid what they said earlier about wanting to obtain the bodies might paint them as a suspect. The statement ends with
To: Alison Leshi (G.Leshi@cornwallcouncil.gov.uk)
From: Gordon J (hello@padstowgroundworks.co.uk)
Date: January 20th 2020.
Subject: Re: Re: Examiner’s office
break-in
There was a problem delivering your
message to “hello@padstowgroundworks.co.uk”
This email address is no longer in
service.
This statement is a little interesting because it feels like a lot of the stuff is more passive or in the background. For example, while Gordon is perturbed, Ink5 doesn’t attack or tattoo them directly. Gordon’s thoughts and feelings about the water could connect to various Entities. Most notably, all the water stuff could connect to the Vast, Buried, or Lonely. All 3 of these Entities have a notable connection to either water or the ocean. The Vast via the fear of large things with the immensity of the ocean as well as the things the could be in it, The Buried with the feeling of drowning or being trapped / crushed underwater, and The Lonely via boating and how isolated being alone on the open ocean can make you. Gordon’s desire to sail away could relate to The Lonely or The Vast while his comment about wanting to be Buried in the graveyard could be connected to well… The Buried. Not to mention his desire to put the supposed corpse back where it belongs, in the grave, could also relate to The Buried.
If I had to pick the most likely Entities here I would argue The Buried and Vast. If I had to chose between the two I would have to say the Buried. The Vast does have an emphasis on the depp ocean, and Simon Fairchild even attempted to perform a ritual using a submarine and the deep ocean, but Gordon’s desire to bury the bodies seems at least somewhat similar to Hezekiah Wakely in MAG 152 (A Gravedigger’s Entity) and his desire to make sure that people stay in their graves. In the statement Hezekiah mentions “To my mind there are far worse fates. But he has in his head an idea to begin fitting the graves I dig with these new “safety bells” that he has heard of, so that any as might be alive below ground might signal us above for rescue. I dread the idea. If it had been me in that coffin, destined for the peace below ground, I can think of little that I would hate more than the jarring, clanging of a bell pulling me from my rest.” and he also mentions weird dreams with “I had a dream, then. I dreamt a rain had come. A terrible bitter rain that chilled my bones and turned the soil around me dark and sodden. The walls grew damp and slippery, their firm shape lost as they began to slip and crumble. And then all at once they collapsed, the grave filling in a moment with a wave of mud and wet dirt. In a single terrible moment of utter terror, it was atop and around me, covering my face and filling my lungs with its awful choking sod.”
While the emphasis on the deep could easily relate to The Vast, one of The Buried’s nicknames is actually “Forever Deep Below.” So someone referring The Buried as “The Deep” or something similar would not be without precedent, especially given its connection to drowning, being trapped underwater, and deep water in general. Gordon also says “It belongs to the deep. I’m going to go get it and I’m going to find it and if they try and stop me I swear the ocean will claim us all. I can taste the salt and spray.” which could imply that in a way they believe the ocean will bury everything. You could easily relate some of this to The Vast with the idea that the ocean has existed longer and will outlast the erosion of the land.
One part I actually really liked in TMA, despite how little it came up overall, is all the different names people would use to refer to the same Entity(s). So I wonder if, assuming the existing Entities are around in some capacity, Entities like The Buried will be referred to with different names in the Protocol universe. It wouldn’t surprise me if people started referring to an Entity like The Buried as “The Deep” for example due to the idea of being trapped deep underground or in the ocean.
Like always, there are some overlapping themes that seem similar to other Entities. The tattoo possibly depicting sailors getting chased could relate to The Hunt, I already mentioned some possibilities with The Eye, and the emphasis on graves, and dead bodies could parallel The End.
Ink5’s appearance in this statement is forcing me to consider some things. I maintain that the statement in episode 2 screams “This is The Flesh”, or at least something similar to that Entity, and I believed Ink5 to be connected to The Flesh. But I remember someone also raising the idea that the effects of Ink5 tattoos could vary, which I considered a very likely possibility since Ink5 doesn’t start tattooing until they are inspired by Daria mentioning that they are an artist. Implying that Ink5 was working off of inspiration and what they make and potentially even the effects of the tattoos could vary from person to person. If this is true that could mean Ink5 is more like Smirke and isn’t directly connected to (or loyal to) a single Entity, or Ink5 could be connected to multiple Entities somehow. Maybe the specific tattoo they gave Daria was connected to The Flesh in the same way Smirke’s architecture was connected to the Entities in a way Smirke himself wasn’t always. It’s still very possible that Ink5 somehow is connected to The Flesh but is also capable of interacting with aspects of other Entities somehow.
We cut back to the OIAR office and Sam also notices the topic of tattoos having come up again and asks Alice if there is a way to cross reference cases.
ALICE
“And? You already know the page to check the scores.”
SAM
“Yeah… but I just thought it might be worth noting somewhere that they might be linked. There’s this tattooist, and I think they might be”
ALICE
“What have I told you about thinking?”
SAM
“Don’t?”
ALICE
“That’s right.” Alice sighs.
ALICE
“(cont.) I don’t think there’s any way to mark cases as connected. They all come in standalone, that’s just how it works.”
Once again Alice’s whole “don’t think about it” vibe. I would argue the whole idea of “ignorance is bliss” and how knowing too much can hurt or scare you often relates to The Eye. I would argue that the OIAR or the computers are probably connected to The Eye, given all the statements and other stuff I mentioned previously, but I’m not saying Alice or Sam are secret Eye Avatars or something. What I’m trying to say is that The Eye likes to prey on certain behaviors, such as curiosity or a desire for answers, and Alice and Sam might have these traits. We know, for example, that Jon and Tim both ended up at the Institute because they were looking for answers about an encounter they had previously.
Alice sighing and then proceeding to honestly indulge Sam’s question is interesting and I think is another implication that Alice is probably more curious than she lets on. Realistically, she has probably been burned from having a similar mindset to Sam or seeing someone else asking too many questions but she consistently ends up indulging Sam’s curiosity or giving honest answers anyway, instead of simply shutting it down and moving on. There have also been times where Alice is noted as listening to something in the transcripts “despite herself.” Implying that sometimes she can’t help herself or her curiosity gets the better of her.
All the cases being sent in standalone sort of parallels the Institute in TMA and how disorganized the Archives were when Jon was using them (due to Gertrude). Even in TMA the statements would sometimes have recurring characters but they weren’t organized by topic or people involved in the case. The most we tend to get about the organization system of the statements is that it’s usually just sorted by date (which could be confusing if two statements have the same date) and sometimes follow-ups on cases were performed for more info and context. So obtuse organization systems that make it harder to connect various details or events aren’t unusual for TMA.
I also once again have to wonder if Sam is being shown certain events on purpose in order to stoke his curiosity or to get him to do certain things. I find the idea that literally every statement is random to be dubious but that doesn’t mean literally every statement is handpicked. Which makes me wonder, once again, what Sam and co’s jobs are meant to accomplish. Are they just supposed to be “an archive of fear” and witness terrible events or someone someone / something doing anything with the information or statements they are given or categorize?
Gwen enters the room and she seems to be in pretty bad shape since Alice says “Christ on a peddlebike, what happened to you?” and Gwen says “(setting up at her desk) Tube was delayed. Points failure.” Gwen also mentions that she had trouble sleeping, but Alice doesn’t seem to waste any time making fun of Gwen despite Gwen’s sorry state. Alice doesn’t seem to spare Gwen any of the concern she has shown characters like Sam and Colin. Sam tries to get Alice to ease up on Gwen but Alice doesn’t seem to let off the ribbing. Gwen eventually notices the third coffee Alice had gotten for Celia but mistakenly assumes that the third cup of coffee was for her.
GWEN
“(cont’d) (surprised) Hang on, did you get me a coffee?”
ALICE
“Uhh…
SAM
“Yeah. You like mocha?”
GWEN
“Yes. She takes the coffee carefully.’
GWEN
“Thank you, Alice.’
ALICE
“I… Sure. Whatever. Don’t get used to it. A slightly awkward silence.’
This interaction makes me wonder about some of the aspects of their relationship. Celia bursts into the room and Gwen grills her for being late (despite the irony of Gwen herself running late).
CELIA
“Sorry, sorry! I know, I know – there was an emergency at home I had to I’m sorry I’m late!”
GWEN
“Do you have any idea what the time is?”
ALICE
“I’m sorry, are you joking right now?”
GWEN
“I have responsibilities now, Alice. I need more of an explanation than just a “home emergency”.”
ALICE
“You arrived literally one minute ago!”
GWEN
“And I gave a full explanation for my lateness. Which, I might add, I didn’t actually need to do for a subordinate.’
CELIA
“It’s fine really’
ALICE
“No, it’s not. You don’t owe her anything! In fact, you should take her coffee as reparation.’
CELIA
“One of my radiators sprung a leak and flooded the lounge.’
GWEN
“I see. Well that’s understandable but don’t let’s make a habit of it shall we?”
CELIA
“Of course.’
GWEN
“See, that wasn’t so painful, was it Alice?’
Alice takes a breath for a devastating putdown.
SAM
“Let it go.”
ALICE
exhales and sips her coffee instead.
GWEN
“Luckily, I don’t think Lena’s noticed, so you should be ok. She’s not as laid back as I am.”
Alice chokes a little.
CELIA
“Good to know.”
GWEN
“Great, well if that’s everything you all really should get to work otherwise you’ll never get out of here. Don’t let me keep you.”
ALICE
“(muttered) I’d like to see you try…”
GWEN
“(already departing) I’ll be in Lena’s office if you need me. She walks off.”
CELIA
“You ok, Alice? It honestly doesn’t bother me.”
ALICE
“I can’t believe she drank your mocha!”
So it kind of seems like Gwen is immediately letting her new promotion go to her head a bit and has already taken the role of a stern boss. However, based on Gwen’s reaction when talking with Lena later and how shaken she is from Mr. Bonzo, it’s very likely that this is Gwen’s way of coping or trying to deal with stress and fear (not that it’s at all healthy). Gwen’s behavior seems to rub Alice the wrong way, especially since it easily comes off as hypocritical since Gwen was also running late. The only difference being that Gwen is now Celia’s superior. This whole situation makes me wonder if any particular person is specifically at fault for Gwen and Alice’s sour relationship. Sure, Alice does come off as extremely mean to Gwen but I wonder if Gwen did something in particular, tried to strong arm Alice, or something else.
Gwen does appreciate the hypothetical gesture of Alice buying her coffee and it’s weird that despite all their bickering Gwen seems to immediately assume that the fact the coffee is for her and from Alice is a likely possibility. I wonder if Gwen has a different view of their relationship or just doesn’t care? In a previous episode Gwen mentions that Alice left “talkers” on to mess with her but I wonder if Alice simply left the statements running so she wouldn’t have to listen to the voices talking and Gwen merely assumed it had to do with her. This could point to the possibility that Gwen has a bad habit of assuming things are about her sometimes or even being a bit self-centered but I’m not sure. It is still possible Alice did in fact leave talkers to mess with her. I wonder if they had a more amicable relationship in the past? I also if Gwen does genuinely think of herself as being more lenient or forgiving than Lena and, by extension, sees herself as tossing Celia a bone.
Gwen leaves the others to their work and goes to talk with Lena. Gwen is clearly upset by her encounter with Mr. Bonzo. Gwen insists that the thing she saw couldn’t have been Mr. Bonzo because Bonzo is just a character played by a guy in a suit. Not to mention that the Mr. Bonzo at Nigel’s house apparently had skin, and appeared both sagging and sweaty. Lena assures Gwen that this was in fact Mr. Bonzo by saying “…He is one of our Externals” and “I’ll grant you that Mr. Bonzo is one of our more… obviously grotesque Externals but I assure he is a valued asset.” This implies that not all the Externals the OIAR works with are as monstrous as Mr. Bonzo. Which could mean that the organization works with various Avatars and Monsters, or at least some of the Monsters they do work with are more humanoid (similar to how the Distortion took on the appearance and personalities of people like Michael and Helen).
GWEN
I thought he was going to kill me!
LENA
“But he didn’t, which means you’ve passed the first part of your probation. Congratulations. Did you scream?”
GWEN
“What? No!”
LENA
“You should. It really helps one cope with the more affronting aspects of the job. And they usually like it.”
GWEN
“What was in that envelope I gave him?”
LENA
“A name and an address.”
GWEN
“But for who?”
LENA
“I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.”
GWEN
“I don’t understand.”
LENA
“Yes, you do.”
GWEN
“But… why?”
LENA
““Why” comes later. For now, it’s best you try to process the “what”. I’ll let you know when I have another liaison assignment for you.”
GWEN
“(defeated) I… Ok.”
Gwen opens the door.
LENA
“Oh, and Gwen?”
GWEN
“Yes?”
LENA
“Get some sleep. You look dreadful. Gwen closes the door.”
So here, Lena outright admits that Gwen could’ve died. Last episode I wondered if Nigel apologized to Gwen in case Gwen ended up hurt or killed. Lena’s comment about screaming confirms once again that the Entities are probably still feeding off of fear. We know from TMA that while a lack of fear can keep you safe, displaying fear only for it to wane overtime can cause the Entities followers or monsters to get bored or unsatisfied and just attack you directly if they know that doing so will make you scared.
The fact that Lena says that Gwen should know who’s address and name was in the letter given to Bonzo makes me wonder. It’s possible Lena knows that Gwen simply checked the letter out of curiosity or came across some statement with clues. It’s also possible that at least some of the statements the OIAR gets are somehow related to the organization’s Externals. Lena even says “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Which could imply that at least some of the statements Gwen and her coworkers (I mean subordinates) sift through could have to do with the OIAR’s externals. Maybe it’s the OIAR’s way of following up on their agents or checking the results of their assignments? Or maybe it’s how the OIAR decides where and when to send their Externals? It could also just be The Eye feeding off of the fear present in statements again (something we know it’s prone to do). It could be that the Externals do their job and The Eye or some other Entity squeezes some extra fear out of what they do by archiving things related to the job. Is the OIAR working with others to try to start another mass ritual, or is it trying to stop possible rituals? Maybe their goal has something to do with some of the alchemical symbols present in TMP (such as the logo)?
Lena comes off as extremely cold in this interaction and it’s clear that Lena’s earlier assessment of Gwen might be right, Gwen is not at all prepared for this and doesn’t exactly know what she’s getting into. But this also makes me wonder what happened to the previous Externals Liaison. Did they die? Did they get promoted / demoted? Are there other Liaisons Gwen hasn’t met yet? If there aren’t who was communicating with things like Mr. Bonzo before Gwen took the position? Was Lena just delivering the letters herself? As always, there’s a lot of questions.
Conclusion
There’s a lot of stuff up in the air but currently whatever is going on with the Externals has grabbed my curiosity the most. Mostly in regards to what they could be doing and why. Is Ink5 an External? Was Mr. Bonzo sent to take care of David to make an opening for Ink5 or was Mr. Bonzo sent somewhere else that will show up in a later statement? Most of the stuff I say are possibilities I’m raising but my current guesses about what’s going on are 1. Smirke’s 14 is still around in some capacity (The Extinction could be too, but there’s no evidence one way or the other for that Entity being around) and these Entities are probably the same ones from TMA (if not they are extraordinarily similar) 2. Celia is probably from the TMA universe or at least has some connection to it 3. The OIAR is probably connected to an Entity like The Eye 4. For whatever reason the OIAR (and potentially other parts of the government) are working with various factions tied to the Entities. Whether they are using these monsters and people to fight more dangerous threats or for some other reason I cannot say. Maybe they are trying to set up a new ritual where all the Entities hold equal power? Or maybe they are actually trying to stop future rituals / threats? Who knows.
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
Okay, I’m going back to TMP episode 1 for a second because I’m fucking kicking myself here. In the quick thoughts about that episode (Episode 1 TMP Quick Thoughts) I pointed out that the first statement kind of screams of The Stranger and not only has themes of someone being replaced and the idea of wearing skin but more specifically the monster in question seems extremely similar to the Anglerfish in TMA (a monster that also stole skin).
But let’s look at the response in that TMP episode. When Harriet asks “Arthur” if it’s really him he says “Some of him.” Now, when Jon asks Sarah Baldwin if she is still herself in MAG 096 (Return to Sender) we get this.
ARCHIVIST
Are you the same Sarah Baldwin that disappeared in Edinburgh in August 2006?
SARAH
Some of her. Skin. A few memories. Not on the inside.
So when Jon asks Sarah, a victim of the Anglerfish, who she is, what she says is SOME of her, SOME OF HER. This isn’t even my fucking maddest point because the first episode of TMP might actually parallel the first episode of TMA. The first statement we ever get in TMP shares a lot of similarities with the Anglefish and do you guys fucking know what the first episode of TMA is??? MAG 001 (Anglerfish)… FUCKING ANGLERFISH (sorry for the strong language I’m just getting a bit excited).
Something I’ve also pointed out is that sometimes the Entities have thematic roles in the story. The Stranger is the fear of the unknown so when our characters are learning about these new Entities they don’t yet understand they are being thrust into the unknown, so it makes sense that the first statements thematically connect with that via the Entity.
Gwen, you do not have main character syndrome. Run. Leave.
You are going to die.
Another parallel- Colin goes to therapy like Melanie, and (just like with Melanie) the therapy sessions are a safe space that we as the audience cannot follow the characters into. However, Colin and Melanie diverge in the sense that Colin just keeps asking his therapists about computers and refuses any other kinds of help. While Melanie’s therapy helped her grapple with some of her fear, I think Johnny is trying to point out how therapy isn’t a magic fix all. That is to say, in order for therapy to work the person needs to actually want to be helped and by extension forcing someone without the right mindset or desires to go to therapy might not actually be all that helpful. Something that leads to drastically different outcomes for Melanie and Colin due to their personalities and desires.
Gwen, you do not have main character syndrome. Run. Leave.
You are going to die.
Another parallel- Colin goes to therapy like Melanie, and (just like with melody) the therapy sessions are a safe space that we as the audience cannot follow the characters into. However, Colin and Melanie diverge in the sense that Colin just keeps asking his therapists about computers and refuses any other kinds of help. While Melanie’s therapy helped her grapple with some of her fear, I think Johnny is trying to point out how therapy isn’t a magic fix all. That is to say, in order for therapy to work the person needs to actually want to be helped and by extension forcing someone without the right mindset or desires to go to therapy might not actually be all that helpful. Something that leads to drastically different outcomes for Melanie and Colin due to their personalities and desires.
Damn. The parallels are just going to kill me.
Some other parallels
“Gwen, you do not have main character syndrome. Run. Leave.” You are correct considering what happened to the real Elias Bouchard (he had his body quite painfully stolen from him).
Lena does imply that Gwen could’ve died in this interaction-
GWEN
“I thought he was going to kill me!”
LENA
“But he didn’t, which means you’ve passed the first part of your probation. Congratulations. Did you scream?”
Here we can see a couple similarities to Jon. A boss that seems to appreciate a worker that seems like they won’t die in addition to being someone that can witness the fear and horrors of the supernatural to internalize / comprehend them.
The second statement of Episode 1 of TMAGP seems extremely similar to the first statement of TMA in regards to the presence of something resembling the Anglerfish. Not only does it steal someone’s skin to impersonate them after an encounter in the night but when asked when Harriet asks “Arthur” if it’s really him he says “Some of him”, and when Jon asks Sarah Baldwin if she is still herself in MAG 096 (Return to Sender) we get this.
ARCHIVIST
“Are you the same Sarah Baldwin that disappeared in Edinburgh in August 2006?”
SARAH
“Some of her. Skin. A few memories. Not on the inside.”
Lena and Elias / Jonah are both bosses that supposedly murdered people that came out of hiding. Elias / Jonah murdered Leitner after he came out of hiding from the tunnels, but in Lena’s case it’s sort of reversed. Klaus says he can disappear again before Lena supposedly kills him but it is revealed that she actually helped fake his death and thus helped put him into hiding.
In the most recent episode (11) Ink5 mentions “Sutherland Macdonald” when talking about the tattoo Gordon and his crew uncovered. Sutherland is an actual historical figure famous for his tattoo work, which is quite similar to how Robert Smirke is a real historical figure and architect.
The cases Sam and co review are quite similar to the statements of TMA, and even seem to cause mental stress on certain people (Martin seems worn down from listening to statements, which Jon notices in TMA and Alice recommends trying to tune the talking cases)
Like in TMA, we the audience are perceiving the story through some sort of recording device(s).
Sometimes Sam gets cases that are conviently related to whatever he is looking into which resembles how Jonah left breadcrumbs for Jon via various statements and how Archivists in general could randomly “know” things. This also mirrors how Jonah left out files for “Nosie” Rosie to pique her curiosity.
In Episode 10 it looks like something was once again sealed / trapped under the Institute. Leitner trapped Not-Sasha in the tunnels under the Institute in TMA.
In episode 6 Celia quips “Four weirdos in a basement reading scary stories. Dream job.” This sounds like how one might describe the job of Jon and co in the basement. 4 weirdos (Jon, Sasha, Martin, and Tim) going over spooky stories in a basement or some other weird room (a basement or underground warehouse of sorts is not unlikely considering the access the characters seem to have to the tunnels under the Institute).
Gerard gives Celia and Sam a painting called “Camden Epiphany”. In MAG 004 a painting Gerry made of an eye is described as saying “Grant us the sight that we may not know. Grant us the scent that we may not catch. Grant us the sound that we may not call.” An epiphany is defined as “a moment of sudden revelation or insight” so one could argue the painting in MAG 004 is indeed related to some sort of epiphany or asking for one, and both paintings are potentially related to insight.
In Episode 10 we get this interaction
ALICE
“Ew. That explains the pattern on the floor.“
SAM
“Oh yeah… What is that?”
ALICE
“Worm tracks. Or y’know symbols of ancient otherworldly power. One or the other.”
Which is probably meant to be a cheeky nod to whatever the fuck the worms were doing in the Institute’s tunnels. Time even mentions “I didn’t stay long, ‘cause it had a lot of worms in, and they weren’t acting like the others. They were sort of… wrapping around each other, like they were trying to form a… thing, like a structure or something. A ring.” Entities, such as the Corruption could indeed be accurately described as an “ancient otherworldly power.” This is because the Entities exist outside of the physical universe and because they were sent to the Protocol universe from TMA.
There’s probably more but that’s most of the obvious ones I have. I definitely don’t think all the characters are 1-to-1, but this definitely feels like a JoJo’s Bizarre Adventure: Steel Ball Run type situation where there are certain thematic parallels or takes on each of the characters along with some nods or cheeky references.
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 12 “Getting Off”
I think this episode is definitely one of the more straightforward Protocol episodes we have gotten so far, so hopefully this Quick Thoughts won’t br too long (but knowing me I probably just jinxed it).
We take in the scene through a CCTV in the breakroom of the OIAR at night. The transcripts clarify that Celia is very tired and searching through the cupboards for something and it is quickly made apparent that she is looking for tea and, since the break room has run out, Sam gives Celia a teabag from a secret stash that he apparently has. Sam then asks Celia out on a date and while she is busy at the moment she does show that she is willing to go out with Sam on “Saturday, 6? under the clock at Leicester Square. That work? We’ll go for dinner- well, breakfast- you know what I mean.” Once again, we see that the OIAR jobs appear to be very exhausting and have odd work hours. I also wonder what Celia’s end goal is. Does she genuinely like Sam or does she see him as means to an end. Is Celia here to help Sam and co or is she here to harm them?
As Celia leaves, Alice walks in and proceeds to make fun of Sam for clearly being extremely nervous as he asked out Celia. Alice says “(normal again) You know it’s rude to have absolutely no game? Christ, all these years and you still ask people out like a baby foal learning to tapdance.” A reference to the fact that she and Sam dated at some point, and how Sam probably acted very similarly when trying to ask her out. Sam does point out “Look it worked didn’t it?” which seems like it could be a sort of double meaning. Sam’s nervous approach got Celia to agree to a date but also Alice presumably agreed to go out with him in the past too.
Sam apologizes to Alice for dragging her to the ruins of the Institute only to fund nothing… well nothing Sam and Alice know about since something escaped the Institute. Sam says he’s done with Magnus stuff and Alice responds with “So you’re telling me that if I had a case full of emails with the title “Magnus Institute re: Samama Khalid – Massive Conspiracy” you wouldn’t be tempted?” to which Sam says no before asking “You don’t, though. Do you? That was just, like, a joke. Right?” Alice then says “Come on, for now let’s just focus on getting you as jaded and apathetic as possible.” Considering that Alice does appear to be pretty jaded about listening to the cases and piecing them together this could be related to her point about ignoring the talkers and not getting caught up in thinking too much about what’s happening.
NORRIS starts expositing the next case
“Claim Review: EL-56920
Policy Holder: Soho Jack’s Ltd.
Policy Number: 548651-656
Policy Type: Employers’ Liability
Site Address: Soho Jack’s, 9 Carlisle St, London W1D 3BK
Affected Employee: Ms. Jordan Bennett
Date of Incident: 9 March 2024
Incident Location: On site.
Documentation: Crime Report – Submitted
Medical Practitioner Report – Submitted
Incident Book Entry – Submitted First Aider’s Report – Submitted
Supervisor’s incident Report - Submitted
HSE communications - Submitted
Health-And-Safety policies - Submitted
Employment Contract - Submitted
Claim Valuation: £1,560,000 Assessment
Conclusion: Claim Denied Reason: Fraudulent claim (see incident description and police report)”
This, along with some information Jordan mentions later, means Jordan is suing Soho Jack’s Ltd. They go on to say that their lawyer has advised them to cooperate with Soho Jack’s insurance claim as a show of good faith, even if they’re planning on “suing your asses to kingdom-come.” They start recounting an event that occurred on the company’s property and apologize for their terrible handwriting (which we later learn is probably because Mr. Bonzo bit off one of their hands).
They go over how they started working at Jack’s in the spring of 2021 after they had finished Flair Academy. After struggling to find a job they managed to get an interview and then job at the aforementioned Jack’s. The club seems to have a good reputation as Jordan refers to it as “the Soho Gentleman’s club.” The company’s building “…has dances on the bottom two floors with VIP suites for hire above with a dedicated bouncer keeping them separate. Really, it’s just a quieter box with a private bar, some comfy chairs and the option of private dancers.” Despite this being “THE” Soho Gentleman’s club Jordan says “It’s always booked up with swank dickheads trying to show off, but Stags are the worst: they’re cheap, they’re loud, they drink too much, tip too little and only ever hire one dance for the groom. Plus there’s always some “nice guy” that won’t shut up about exploitation without even bothering to stop staring.”
Jordan begins to explain how the party the specific party that led to them wanting to sue Jack’s. They state that this specific party’s lot was not the worst and were “Just a bunch of heavyset, middle-aged lads with names like Ozzer, or Rozzer or whatever. ” and notes that “The groom was fine, acted embarrassed even though he was obviously keen and they were easily pleased. ”
“They started giving the groom gifts. Same old tat as always, cufflinks, poo gags, all the standard stuff. Then the groom spotted the last one on the table, this cheap yellow and purple kids lunch box. It looked old and shoddy and no one admitted to bringing it but the groom just squealed with glee and carefully opened it before pulling out a bunch old souvenir merch. Pencils, postcards, keyrings, all sorts of crap, all the same yellow and purple and last of all a cracked CD case. When they saw it the whole bunch gave this big laughing cheer.” I have talked about how I think Mr. Bonzo is probably tied to The Stranger if we view him through the lens of Smirke’s 14. I will retread some of those reasons later but right now I want to point out that no one admitted to bringing the Bonzo CD. It could simply be that it’s a prank and someone happened to grab an artifact or something tied to Bonzo, and maybe someone from the OIAR even planted it there, but it could also be connected to the idea of The Stranger and the fear of the unknown because it could be that no one actually knows who got that CD.
We also know that The Stranger is no… stranger to dropping off or delivering strange artifacts in order to feed on the fear of people interacting with unknown /mysterious objects. Breekon and Hope’s delivery service are a good example of this (strangers that show up and drop off never before seen or uncanny objects and artifacts).
“I could see which way the wind was turning and sure enough the bestman came over and asked if he could play it. The cover had this awful comic sans title: “Mr. Bonzo’s On His Way” and I wasn’t exactly thrilled by this.” Jordan explains that “Mr. Bonzo was way before my time and from what I had seen online he had always looked pretty messed up. But hey, it was their night, if they wanted to spend it on some cringy nostalgia trip, who was I to say no?” Which could mean that Jordan doesn’t know a lot about Mr. Bonzo, and lack of familiarity with something is one of the things that we know entities like The Stranger love to prey on.
“This kind of thing happened often enough that we kept a battered old CD Player in the back that we could patch into the room’s speakers, just in case. So, I ducked back there, put it on, turned the volume down as low as I could get away with, and prayed it wasn’t too obnoxious. Immediately the cheering children’s voices blared out the speakers accompanied by bouncy tubas loud enough to drown out the rest of the club’s music. It was awful but I could hear the lads stamping the floor in rhythm and as the kids started singing the men were singing along: “Mr. Bonzo’s on his way, he wants to stay, he wants to play! Mr. Bonzo’s on his way, he wants to stay, he wants to play!” If you want to listen to the song Jordan is referring to it is actually available on Youtube: Mr Bonzo (from ‘The Magnus Protocol’). Maybe you can put yourself in the shoes of an annoyed Jordan or ecstatic old man at the club.
Jordan clearly finds the song annoying and after waiting a minute, in order to avoid being a “total killjoy,” they decide to turn off the song before “ Derek came down from the office to “have a word.” I assume Jordan meant Derek would complain about the music. However, when Jordan turns the CD player off it “…just grew louder, rattling the glassware in the bar: “Mr. Bonzo’s on his way, he wants to stay, he wants to play!” I even yanked the cables from the speakers, but it just kept getting louder.” Obviously, something supernatural is going on but Jordan reasonably assumes that the player just broke and begins to reach for their walkie talkie in order to call for some tech support. However, as they do so they are interrupted by a massive crash coming from another part of the room followed by a cheer. Jordan gets ready to reprimand the party goers for whatever mess they might have made but instead sees Mr. Bonzo. “It was hunched in the doorway, a bulbous figure with a purple hat that cast crazed shadows in all directions thanks to the club’s lighting effects. Then it doffed its hat and pushed itself into the room, foam catching on the doorframe with a squeak that set my teeth on edge. Its massive bulbous google-eyes seemed to roam all over the room before settling on the groom and it was almost as if the huge toothy grin grew wider when it saw him.” We know that Gwen delivered a name and address to Bonzo and in the previous episode Lena even tells Gwen “I’m sure you’ve already worked that out. But just in case you haven’t, keep an eye on the case loads over the next few days. It should become abundantly clear.” Implying that this could be the case Lena was alluding to or that the groom (or someone else in the room) is Bonzo’s target (but it’s almost definitely the groom).
Everyone in the room assumes the appearance of Bonzo is some sort of gift or prank and “The rugby boys were tripping over themselves to get in and hug it, laughing and pushing the groom to the front and so I figured at that point it was a prank. Again, none of them took credit for it and there was a moment of genuine hesitation, until one of them yelled out “It’s ya lapdance, Baz!” and they all fell about laughing.” Jordan is furious that a coworker named Joey presumably let Bonzo in and the idea that Joey might have bailed on Jordan again by “ducking out for a smoke.” But as Jordan moves forward they notice something- “I began to stride over, readying for the inevitable complaints then hesitated as I saw something far more unnerving than the ugly costume that was capering with the groom in the middle of the group. There was a pair of heavy boots on their side, poking just inside the still open doorway. Joey’s boots, and they weren’t moving. Just then the google eyes looked turned to me, and a puffy finger raised cheekily to its mouth.” So Joey was killed by Bonzo and all the while “the men had all started chanting “Bonzo! Bonzo! Bonzo”, stamping their feet and banging the tables in a circle around the pair in the center…” and the music kept getting louder. So loud that it began to sound distorted from the strain the song was putting on the speakers.
Out of all the Entities the Slaughter seems to have a pretty strong connection to music but The Stranger also has a strong precedent for music. For example, The Calliope in TMA is an artifact tied to The Stranger. In MAG 024 (Strange Music) it is mentioned that the instrument has “Be still, for there is strange music” carved into the cover of the keyboard. While The Slaughter’s connection to music is probably due to an association between rhythm and war (think the marching of an army or the phrase “drums of war”) as well as the fear of “violent” music, The Stranger’s connection to music seems to come from the idea of either strange unknown sounds or a song / sound that sounds really uncanny. It is noted by Jordan that Mr. Bonzo’s song grows louder and more distorted overtime which would mean that the song is becoming more and more incomprehensible as it would slowly change into a song with lyrics you couldn’t understand or identify as easily. It could also be that the song sounds uncanny in the sense that it is familiar in some ways but something is off about it.
Jordan tries to call for help on his walkie talkie but can only hear Mr. Bonzo’s theme blaring out of its tiny speaker. Jordan tries to warn everyone and get out but no one can hear him over the music. Bonzo takes the groom and begins to “dance” with him by spinning around faster and faster until Bonzo decides to rip his arms off and even as this act of gorey brutality took place the other party goers present continued to laugh and laugh until Jordan’s scream caused them to realize this wasn’t some sort of prank. Almost everyone begins to yell in terror but some yelled in rage and proceeded to attack Bonzo: “A few of the bigger guys picked up chairs or bottles and began to beat and slash at the thing. It didn’t seem to notice, its bulbous, bloodshot, eyes staying fixed on the groom’s body as it raised it overhead.” Bonzo then proceeds to continue pulverizing the body by smashing it against the ground over and over.
“For a split second, all was still but the music just pounded on, barely recognizable now over the distortion from the smoking speakers as those voices, no longer childlike, still chanted the words “He’s here to stay… He wants to play…”” “Then Mr. Bonzo turned towards us with its head bowed almost reverentially and everybody went silent. Slowly, awfully slowly, it raised its head, titling it coquettishly to one side. Then the seams across its face split revealing its gaping maw filled with even larger, sharper teeth.” Jordan admits that they don’t remember much about what happened after that but “I dream about it most nights. In the dream it digs through all those men to get to me, grabbing fistfuls of them and throwing them to smash against the wall. The strobe fires as its hands plunge into the pile of us and each flash shows a little less flesh between me and it, between me and all those teeth… finally everyone else is gone. I raise my arm to protect myself and it gently but inexorably lifts it into its mouth, smiles and bites… None of us was left whole but I was the luckiest. All I lost was a hand, it wasn’t even my dominant one.” The biting was set up previously in episode 10 when the transcripts mention “Gwen holds out the envelope and Mr Bonzo snatches it into his mouth, audibly chewing it. His teeth are not soft.”
Jordan says that they “told the investigators everything I know, doctors too. I don’t know why nobody outside the room heard or saw anything, why the cameras weren’t working, why it let me live. But I do know why there weren’t any bodies. All I actually want is my hand back so I can tend bar but that isn’t going to happen is it? So I’ll have to settle for the next best thing and sue you for everything I can get, because I don’t know what happened that night but it was in your venue and no one came to help. Not Derek, not another doorman, no one. So yeah, you’d better have one hell of a settlement waiting for me, or I’ll see you in court.”
While you could make an argument for themes of Entities like The Desolation, Flesh, Hunt, etc. I’m still going to primarily argue for Bonzo being tied to The Stranger or a similar Entity due to what we see in his previous appearances. For the sake of clarity, if there is any debate about what The Stranger embodies in MAG 200 it is stated “And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger” and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” while in MAG 111 (Family Business) Jon says “The Stranger is the unknown. The uncanny.” and Gerard doesn’t correct him.
However, a lot of Mr. Bonzo’s behaviours in previous episodes resembles The Stranger (and The Stranger has violently attacked or killed people in the past). Mr. Bonzo is also described as being a clown. Something we know The Stranger has a precedent for manifesting as, probably due to both the idea of the uncanny valley being achieved with a costume or makeup and the idea of a traveling circus full of strangers you don’t know from out of town in addition to a clown costume acting as a disguise that can obscure whoever is wearing it. Not to mention that Mr. Bonzo is described as a suit, which could very easily connect to an Entity like The Stranger. Firstly, The Stranger tends to have a big emphasis on wearing things like skins and suits. Additionally, Gwen mentions in episode 11 “That… abomination wasn’t a costume. That was skin. It was sagging, it was sweaty!” and we know The Stranger has a tendency for wearing skin, skinning things (such as with taxidermy), etc. as a form of disguise, in order to hide itself, or to metaphorically rob something of their identity.
This also applies to costumes in general since usually wearing costumes or disguises can actually obscure who is wearing them and thus their true identity is unknown. There’s also the fact that costumes themselves can easily fall into the uncanny valley. Ever since Five Nights at Freddy’s became popular there’s been an uptick in horror media focusing on how creepy and uncanny things like animatronic suits can be. Not that Mr. Bonzo is an animatronic but it is a suit. Also, Bonzo apparently has hard teeth and having solid teeth on a suit could look uncanny.
The surprise gift and sudden appearance of Bonzo that others assume is some sort of surprise or prank could also tie into The Stranger and the idea of something mysteriously appearing or not being expected. Bonzo was originally made to prank celebrities. As Nigel explains in episode 10 that his produce ““inviting a famous person on, someone really serious, and we tell them we’re going to have them do a segment with a popular children’s entertainer. Now, obviously these folks won’t have any idea about what kids are actually watching, so we could come up with the most horrendous thing, claim kids loved it and see how long it took for the guest to realize that they were the joke. That they’d been “berried”” and “The problem with a surprise prank is that doing it on Saturday night primetime means pretty soon everyone knows about it, and the guests knew it was coming. A couple even requested it. So the prank part of it sort of died, and he just became an SOS mascot. One of my many tormentors in the dungeon. By the end we’d even retired Mr. Six, and it was all Bonzo.” Once again, a focus on surprise and I think it’s interesting that Bonzo loses his punch the more people know about and understand him. Bonzo is a character that thrived specifically on the guests not knowing who he was and did. So a potential relationship with the unknown again.”
In episode 10 Nigel says to Gwen ““Try not to stare. He doesn’t like it when people stare.” Which could relate to The Stranger. While all the Entities are connected, overlap, and need each other for a ritual bringing them into the world to work, with even seemingly opposing Entities bleeding into each other or having overlapping fears, The Stranger can often have an antagonistic relationship with The Eye and forms of being known. The Stranger tends to thrive off the fear of being unknown so staring at something aligned with The Stranger might make it react negatively. In MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” In MAG 165 (Revolutions) Not-Sasha says this in regards to The Eye’s Post-Change world “Do you know how it feels? To be – anonymous? And yet known! To have all the sweetest dread I can create tainted by the relentless gaze of that damned Eye. I’ve suffered enough.” So if my theory that Bonzo is tied to something like The Stranger is correct, that could explain a potentially negative reaction to being looked at for too long since aspects of The Stranger often don’t like it when people try to figure out what they are. This could ring extra true if it does turn out that the OIAR is somehow connected to The Eye.
Bonzo’s eating and biting could potentially be linked to The Stranger’s tendency for odd uncanny behavior, like that time Breekon / Hope ate a butterfly. The fact that this monster looks like Bonzo could also be related to the idea of the uncanny, since he would resemble Bonzo but behave and look a bit off. Also, it seems hard to tell if Bonzo is a costume or a monster resembling a costume which makes it harder to know what he is for sure, and The Stranger loves playing up mystery (think how we never know which character is Breekon and which character is Hope from Breekon and Hope in TMA, and Jon describes one of them as “one half of Breekon and Hope”). Also, Bonzo can only say his name which means you never really know what he’s saying or talking about.
Bonzo killing everyone in the room but leaving someone alive is not a completely unheard of idea. The Entities in general often seem to leave witnesses if in doing so more fear is generated and we see creatures like the Not-Them kill and replace people while ensuring that at least one person remembers what the original persona actually looked like even if no one else does. The reason for this is because if the Not-Them’s disguise was perfect and changed every bit of memory and evidence then there wouldn’t be anyone to be afraid of the idea that someone they know has been replaced by a stranger.
Jordan mentions “I don’t know why nobody outside the room heard or saw anything, why the cameras weren’t working, why it let me live. But I do know why there weren’t any bodies.” which emphasizes his confusion about what’s happening. While confusion is often tied to The Spiral, in this case it stems from a bunch of unknown factors and variables, like why there were no other witnesses and why the cameras weren’t working.” As far as there being no witnesses and the cameras failing to work, the Entities are known for usually being on the downlow and not common knowledge but Entities like The Stranger tend to thrive off the fear of mystery and have a precedent for things like mysterious disappearances or hiding people / things. The Calliope I mentioned earlier mysteriously disappeared from the Institute’s archives at some point in TMA and in MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” Jonah specifically mentions that The Stranger has a connection to “the hidden” among other things. In MAG 102 (Nesting Instinct) Jonah even says that The Stranger essentially hid Jon from him when saying “I was doing everything in my power to locate you. Everyone was working on finding the ritual site.” and “[Irritated] I am sorry, John, that my powers have not yet reached the level of omniscience.” Jordan does say that they know why there weren’t any bodies which implies that Mr. Bonzo probably ate them.
Jordan having trouble remembering exactly what happened actually does have a precedent with The Stranger since the Entity does have connections to memory loss or a loss of identity. In MAG 165 (Revolutions) we see Not-Sasha watch over a Domain that takes the form of a merry-go-round with people fighting over faces. People with no faces must fight over the faces of others to rip them off and regain some sense of identity. When they lose their face it is said “And soon enough they will forget they ever even had one, rest assured; it’s best to step the dance and keep your face secured as much as you are able. Just. Keep. Running.” Jon and co also face memory loss when they interrupt The Stranger’ ritual in TMA and forget who they are and what they are doing for a period of time.
Some other Entities this statement parallels are that of The Slaughter (with sudden brutal and gory violence), The Flesh (via bodily disfigurement by way of losing a hand, Bonzo being described as releasing “some vile mixture of putrid water, rotten foam and rancid meat.” when cut at some point, and Bonzo biting into people), The End (a lot of people brutally die), The Corruption (from the aforementioned vile mixture pouring out of Bonzo), and even The Eye (with the strange and horrifying dreams Jordan is forced to relive over and over resembling how people who give Jon live statements are forced to relive said moments in the form of nightmares over and over). Like always, I have to at least touch on the fact that The Eye doesn’t seem to just be the fear of being watched but also being a witness to something you don’t want to see. Jon can force people to recount and relive terrible moments, Jonah can force information into the heads of people like Melanie and Martin, and in MAG 200 The Eye is stated to have been born from the fear of one’s own eyes showing them too much.
All this being said, I still think the OIAR is somehow connected to The Eye. There’s the cases being like statements but also the fact that they supply sensitive information (such as names and locations) to things like Mr. Bonzo. People like Jonah could almost always know one’s location thanks to their Eye powers and The Eye is connected to the fear of someone / something knowing too much about you (such as knowing where and who you are). I wonder why Bonzo was sent to kill this particular groom when he was just partying? Did the groom know something or overstep some line or was the groom just some sort of offering to appease Mr. Bonzo? How was this person’s name and address obtained? Was it just mundane tracking or something closer to Jonah’s clairvoyance? Nigel acted like he was doing the OIAR a favor so right now it seems like this was a target decided by the OIAR and not necessarily Nigel. Unless you want to argue that the “favor” is aiding in keeping Bonzo pacified, under wraps, or something potentially more mutually beneficial. I wonder if Jordan’s dreams are somehow connected to being directly involved in a case or facing an External of the OIAR? It could also simply be that Jordan is traumatized.
We cut to Gwen and the transcripts say she “is sat at her desk, stunned by what she has just heard.” and she only says “Jesus Christ…” I wonder if this is because the case is unusually brutal or gorey when compared to most others or if she realized there’s a connection between the letter she delivered and what happens in this case. Considering what Lena said it’s very possible that some of the cases the OIAR gets are connected to the activity of their own Externals (such as Mr. Bonzo).
ALICE CONT.
“Gwen? Hello?”
GWEN
“(dazed) What?”
Getting sucked into a statement like this and statements having a negative impact on one’s mental state are both things we have seen in TMA. Jon had a hard time stopping once he started a statement and at one point Jon expresses worry that Martin was listening to a bunch of statements for Peter Lukas and his plan in regards to The Extinction. Although, it could be that Gwen is merely shocked.
Gwen explains that she met one of the Externals but Alice seems to think Gwen is just referring to some annoying assholes as opposed to any supernatural monsters that takes the form of beloved childhood characters.
Gwen seems to finally wonder the question that I’ve been wondering for a while now:
GWEN
“What do you think we’re actually doing, here at the O.I.A.R.?”
ALICE
“Apart from mortgaging our mental health for a wage packet?”
GWEN
“We’ve both been here long enough to know this place. We’re not doing good. We’re not just sifting random data. There’s something wrong here.”
ALICE
“What are you getting at?”
GWEN
“You never wonder what the point is? Who benefits from all this awfulness?”
ALICE
“I don’t wonder. I know.”
GWEN
(sitting up) “What? Really?”
ALICE
“(portentous) Oh yeah. I’ve known for a while. What we’re doing here, it’s all part of a grand plan to satisfy one of the most unspeakable evils known to mankind… “
Gwen’s on the edge of her seat.
ALICE
“(almost a whisper) …the UK government.”
In TMA the point of the Institute sifting through statements and stuff was twofold. Firstly, to feed The Eye but also to set up the lynchpin for The Eye’s ritual with the position of the Archivist. I wonder if something similar is going on here but I can’t say since while you could argue that being an Externals Liaison is like the Archivist and shares the role as being a “living chronicle of fear” (especially since Lena remarked that Gwen should show fear via screaming because Externals tend to like that) Gwen had to blackmail her way into that position. I have no idea who was the Externals Liaison before her or if there are other Liaisons, if there even was one(s) before / with Gwen at all. Also, unlike the Institute, the OIAR is explicitly connected to the government and is meant to respond to things (not just watch). So it’s very likely that the OIAR has a role that is different from just “The Mass Ritual / Institute 2.0.” They could still be gathering fear related to the statements and being observed like the Institute in TMA though. However, even the Institute still wanted the Archival staff to do a good job following up statements and stuff. Jon tries to reorganize the Archives after Gertrude purposefully left them disorganized and Tim corrects Jon about some errors he made when reading some statements. The OIAR doesn’t really seem to care how well or poorly their workers categorize the cases and I don’t know if anyone checks.
Alice’s joke about the greatest evil known to mankind being the UK government feels like foreshadowing considering that the OIAR, and by extension all the Externals like Bonzo, are connected to the government.
Alice’s comment “Apart from mortgaging our mental health for a wage packet?” references how stressful this job seems to be.
Conclusion
Yeah, idk. This was a very simple episode overall and it mostly just seemed like it was following up Lena’s point about paying attention to the caseload.
Okay, hold on, before I end this I figured I should actually try to look at the voices in the computer system a bit more closely, since quite frankly, like with the alchemy symbols, I’ve admittedly been neglecting them and not focusing on them as much as I should have. This is because I actually couldn’t tell if there was any kind of correlation between the voices and the kinds of cases they read but a video by Maddie’s Maxis called “This Channel’s First Video - The Magnus Protocol Analysis and Theories” (which you can view here This Channel’s First Video - The Magnus Protocol Analysis and Theories) hypothesizes that there is actually a correlation. As we all know two of the computer voices sound like Martin and Jon and Maddie argues that the kinds of statements the voices read correspond to something that had to do with the character. For example, in theory NORRIS (Martin’s voice) tends to have statements relating to self-loathing and loneliness. I don’t know what they are feeding Maddie but Maddie is potentially cooking here. So I decided to glance over at some of the statements and see if there are any patterns.
I’m going to start with the theme that seems the most concrete in my opinion. The cases that NORRIS (Martin’s voice) reads seem to often be tied to themes of isolation, losing loved ones, or feeling abandoned. I should make it clear that while I know Martin in TMA is connected to The Lonely I am not saying all the cases NORRIS reads are connected to The Lonely. The mere presence of feeling alone or isolated doesn’t automatically make a statement Lonely related in the same way someone dying, getting attacked, or something taking place at night or in darkness automatically means End, Slaughter, or Dark respectively. Also, it’s important to remember that every Entity, even seemingly opposing ones, have overlap, shared fears, commonalities, etc..
But let’s look at the cases to see if this pattern is really there. The case NORRIS covers in episode 1 involves the Anglerfish, or something resembling it, killing and replacing their romantic partner. Harriet even says “And that voice I have loved for twenty years answered: “Some of him.”” So loss of a loved one.
In episode 3 NORRIS covers a case in which Dr. Samuel seems to feel immense guilt and sorrow about the death of Maddie. Once again, the loss of a close loved one.
In episode 8 NORRIS goes over a report Terrance submits about the effects of brutal liminalism. While no one dies or is replaced in the actual events of the case, Terrance does mention “originally took my role as a night janitor at Forton following a protracted divorce which cost me the majority of my friendships.” So while their partner isn’t dead they did lose a loved one, and if you read my thoughts on that episode you know that I actually think the case has a lot of similarities with The Lonely. The fog, the vaguely familiar but impossible to understand gibberish, people with repeating features, being isolated in a dark void, etc.. Even if you disagree that it’s The Lonely there is still a connection to themes of losing someone close and being alone.
If there was an episode to disprove this theory it would probably be episode 12 since it’s just Bonzo murdering a room full of people. Jordan does say “I don’t know why nobody outside the room heard or saw anything” and earlier in the case they mention that they believed their coworker by the name of Joey the doorman might have ditched him again but this definitely feels a bit more like a stretch. Jordan does seem to blame the establishment for what happened and this is because from the perspective of Jordan no one came to help despite how obvious and loud the commotion was. Which could maybe tie into the idea of being abandoned or left alone but this is definitely pushin it and it’s clear that our understanding of what kinds of cases each voice reads might expand as the series goes on.
Maddie argues that CHESTER (Jonathon’s voice) seems to usually cover cases related directly to the Magnus Institute. Which is generally true, CHESTER covers the cases of RedCanary spelunking in the Institute’s ruins in episode 1, and the gambling dice being submitted to the Institute in episode 9 for example. But CHESTER also covers the case about Tom wanting to watch Voyeur in episode 5, the case regarding Hilltop Center in episode 7, Gordon’s encounter with the tattoos and Ink5 during construction in episode 11. It’s very possible that these are just related to the Institute in ways we don’t understand yet, for example some of the characters that appear could be members of the Institute or something, but in my opinion this definitely throws a wrench into some things.
CHESTER seems to have a stronger case for a theme of curiosity and a desire to know in general as opposed to just the Magnus Institute. RedCanary investigates the archives out of curiosity, Tom really wants to see the Voyeur movie for their blog, the narrator explains that they experimented with the gambling dice to figure out how they worked, and Gordon keeps talking about how they “just need to see it. I need to know what’s in the water.” As I’ve mentioned previously, The Eye also has a major emphasis on a desire to know and understand something even if it comes at the cost of yourself and / or other people. Hilltop Center still seems like a bit of an outlier here but while Dianne isn’t spelunking through ruins or anything she does mention that she was looking for people to help her work at the center. Which, while a bit of a stretch, could fit with a theme of curiosity or desire to know in the case of Chester. Or at least the idea of something being searched for as a theme at least.
If you wanted to argue that CHESTER actually related to things being looked for you could say that the case about the gambling dice revolves around the narrator giving the Institute artifacts, and they even say “So yeah, I tell you all about them, how I got them, all that crap and you just… You take them away, right? You accept them? Good. I think. I’m pretty sure that’s how it works. It’s how it worked for me, at least. Put them in whatever vault you like, bury them, drop them in the ocean, for all I care. All that matters is that they’re yours now.” So you could say that the Institute was looking for artifacts. You could also argue that the narrator was looking for people to roll the dice, looking for good luck, or started making their way towards Gary when they found him.
AUGUSTUS has a voice I am not familiar with (and we will get to the popular theory in a moment). I can only recall AUGUSTUS voicing one case, I might be forgetting one or something, so I don’t have a lot to go on. AUGUSTUS could be covering really old statements, as Sam notes the one in episode 4 is from the 18th century, or statements revolving around others climbing their way to their top and doing whatever it takes to do so. It’s kind of unclear until I can see some more AUGUSTUS statements.
There’s also some obvious character associations with this theory. Martin, someone connected to The Lonely, has statements reflecting some kind of isolation or abandonment, Jon, the Archivist with a strong tie to The Eye and someone who was strung along while trying to solve Jonah’s plan and learn the truth about the Entities, has statements involving extreme curiosity or people looking for things, and Jonah, someone who is really old and ruthless (so ruthless that they made the world a fear hellscape in an attempt to avoid death), has had a statement taking place in the 18th century involving someone giving a blood sacrifice to play violin super well.
There’s a popular theory going around that the three voices in the computers are actually Jonathon, Martin, and Jonah, and this definitely seems like one of the more credible theories floating around the community to a degree. AUGUSTUS’ unfamiliar voice could be the voice of Jonah’s original body. Jon, Martin, and Jonah were all in the panopticon when the Change ended which could be the event that got them tied to the computers. It could also have to do with being the pupil of the Eye somehow. Jonah and Jon were both the Eye’s pupil at some point and Jon got his position by killing Jonah to take his spot. It’s possible something weird happened like Martin was about to become the Eye’s pupil after removing Jon from the position, giving them this common link, but I can’t say for sure.
Maddie also points out another big thing to remember in the video. I have mentioned that Annabelle seems generally right about what happens to the Entities’ various Monsters and Avatars after the Entities get pulled into the next universe. Monsters, like potentially the Anglerfish, presumably get sucked into the new universe since they are part of the Entities. Other people may or may not get sucked into the universe depending on how attached they were to the Entity. It’s also possible that they will always just be left behind. However, Annabelle also mentions that it’s possible the Entities will take the aspects of a person that are connected to or are a part of the Entity. So, it’s possible that the parts of Jon, Martin, and Jonah in the computer are not them in their entirety but merely specific aspects of their personality or being. It could literally just be their voices taken by one or more Entities for all we know.
We also know that some Entities, like The End, seem capable of making copies or “memories” of people after / when they die. In MAG 154 (Bloody Mary) Eric states “I know that I’m not really Eric; I’m just a memory someone wrote down. It hurts, most of the time. I don’t like it.” So one could argue that the voices in the computers are not the fully sentient original versions of Jon, Martin, and Jonah but “memories” or copies created by one or more Entities. This could also explain why the third voice might be Jonah even though Jonah potentially died before the Entities jumped universes. This voice could simply be The Eye’s metaphorical recollection of Jonah or Jonah wasn’t completely dead when the Entities switched universes. This also means that the voices in the computers could be more malicious than we first assume if there’s a chance they are in actuality not Jon, Martin, and Jonah or are in truth aspects of The Eye or bits of their personalities trying to achieve a specific goal.
As I’ve mentioned previously, the cases the voices read out don’t seem to be completely random. The second Sam is about to give up his search for the Magnus Institute CHESTER spits out a case that is perfect for reigniting his curiosity with the addition of a new clue, and when Celia takes the job the first case she gets is about Hilltop Center (which could relate to Celia’s questions about multiversal and time travel). I still can’t say if the CHESTER or any other of the computers are trying to help Sam or use him for more nefarious purposes.
I’m not super confident about this being the patterns the computers follow at the moment because frankly there isn’t a lot of cases to go off of, and I need to see more AUGUSTUS. It’s also possible that the cases are more variable or context dependant. What the voices read could depend on the person at the computer, for example: it’s possible CHESTER reads a bunch of cases connected to the Institute because that’s what Sam was most interested in. There are also some cases we don’t have enough context behind yet, for example the mysterious figure in the Hilltop Road case could be connected to something like the Institute in some way, or that some of the voices focus on certain Externals Liaisons, people, etc..
I feel like not enough people talk about The Corruption’s themes of self-loathing in regards to love. The idea that you are so disgusted by yourself you think the only thing that could love you is the crawling worms, slimy bacteria, scuttling insects, and blooming mold. You feel like an insect worth less than dirt and truly the soil and bugs you feel like must be the only things that can love you. Rot is the only thing that does not discriminate its love, as it embraces all equally.
However, Protocol offers a very unique opportunity and experience for me because I didn’t actually get into TMA until after it was over and I binged all of it. So this is my first time experiencing something even remotely similar to what the original TMA fans probably experienced when waiting for each episode week by week and slowly having to put everything together with the limited information they had. So I decided to throw my hat into the ring since this might be my only chance to do something similar. However, I’m working on some longer form TMA content so I can’t spend as much time on these articles giving a bunch of super detailed thoughts. I will try to keep these short and that inevitably might mean some could have questions about why I think or predict certain things and in those cases I would probably recommend you read at least some of the two articles I mentioned above to get a better idea of where I’m coming from. This also means I won’t be giving you a play-by-play of every single thing that happens in the episode so I encourage you to listen to or read them yourselves and feel free to comment if you feel something is important.
These reviews are probably going to end up focusing mostly on the Entities and their manifestations as they are what I have thought about the most and spent the most time interpreting and there’s been a lot of… interesting theories floating around about how the Entities are manifesting that I want to go over.
Finally, I’m just going to say it right now, spoiler warning for all of The Magnus Archives. I know that Jon and co said one could start with Protocol and be fine, and while that’s probably true, media like this tends to be made in conversation with or take into consideration what came before it in the irl chronology in order to connect them. While I’m sure you could skip The Magnus Archives, I don’t really see the point of skipping over it when we are already getting characters from TMA showing up in TMP in Protocol. So to me it’s pretty clear that if we want to understand the full picture of TMP and all the things it is trying to say then we can’t just try to pretend TMA doesn’t exist or scrub it away. Just because you could understand what’s happening without the context in broad strokes doesn’t mean you’re getting all the nuances.
These articles are meant to be quick and short so sorry if there’s typos and if I don’t address every possible question or possibility. I don’t want to repeat myself too much in this series outside of the prologue so be sure to skim some of my other articles.
Episode 13 “Futures”
We start the episode by overhearing the date between Sam and Celia that had been planned previously via Sam’s phone. They talk about how weird it is to have a night job and Celia reveals that she knows a lot about Sam’s personality thanks to Alice, and Celia continuously makes Sam blush (which is apparently not very hard). When asked by Sam if Celia explicitly asked Alice about hims Celia says “Just doing my due diligence.” After Celia goes over Sam’s personality traits Sam asks “So who do I talk to to get a complete list of your flaws?” to which Celia responds “No-one. I’m mysterious.” This response is probably because Celia is most likely from the TMA universe given some evidence in the previous episodes (so it’s very likely that there’s not a lot of information on her to find) but I also wonder if this is some sort of foreshadowing or allusion to something. Is all the stuff Celia reveals to Sam in this episode simply a lie to get Sam to talk? Whether or not Celia genuinely cares about Sam or is being any level of honest is still very up in the air.
Sam says “Hmmm. Well jokes aside we should probably just get all of our baggage out on the table now. It’s risky enough dating at work without adding bombshell revelations to the mix.” Celia reveals that she has a 1 year old baby named Jack. A name that was actually dropped in episode 11 “Marked” when Celia said “Hold on, Jack, I’m on my way.” after mysteriously waking up near a motorway. So there is evidence to suggest that Jack actually does exist in at least some form, since there’s no real reason for Celia to mention Jack while talking to herself. Well, unless she’s aware that something / someone was listening to her at the time anyway. Celia says that she has no idea who Jack’s dad is and “…I had a couple of wild years after I moved here. It was a really weird time for me, but somehow I got lucky enough to come out of it all with him.” I wonder if Celia’s move refers to hopping universes somehow or literally just moving. If Celia does actually turn out to be from the TMA universe I wonder how long she’s been in the Protocol one. I’ve already made the point previously that time can get a little wibbly-wobbly with multiversal travel in TMA based on what we have seen. So exactly when Celia ended up in this universe would be up in the air and I don’t know whether or not she would have shown up in perfect tandem with the Entities (especially since she could have simply tried to follow them through the gap sometime after they left the TMA universe). I wonder if Jack was somehow kidnapped or being used to blackmail Celia?
Sam unloads some of his own baggage and reveals, at least partially, why he is so interested in the Institute. Sam has not told his parents that he has bailed on his previous job. As a kid Sam was tested and was dubbed “gifted” so his mom and dad started enrolling him “in every “enrichment” program they could find.” However, when they tried to enroll Sam into the Magnus Institute, the organization apparently didn’t want him despite Sam’s status as a gifted kid. Sam notes that they were the first organization to not want him and it seems to be the point where his luck took a turn for the worse. “Didn’t get into Oxford, so I went to Nottingham. I graduated but I missed a first by one mark. Then I went to work at a legal firm. I was there for years, hoping they’d eventually sponsor me for a law degree.”
Eventually Sam had a breakdown due to stress which led to an “incident” at work. He freaked out during a presentation and “After that they “encouraged” me to move on and I did. Six unemployed months later and I took a job at the O.I.A.R.” Sam also explains that he and Alice hooked up at Celia’s behest: “Yeah. Uh Full disclosure, we dated at Uni and stayed in contact after. I did my best to help her through her parents’deaths but after that we pretty much dropped out of touch. According to her she dropped me a line about the job after “the most pathetic vague-post she had ever seen”.” “Now she’s a friend. An insufferable, obnoxious know-it-all friend but yeah, just a friend.”
Celia asks one final question, a question we have all been waiting for, “The cases, at work. Do you think they’re real?” Sam says “I… don’t know. I hope not. You?” and Celia says “I’m pretty sure they’re real.” to which Sam asks for some wine. Celia once again seems to be certain of a suspicious amount of accurate information.
I wonder if Sam is telling Celia the full story since it seems like Sam’s background is missing a potentially more supernatural element. I remember one of the teasers of Protocol implying that Sam had a supernatural encounter, and having a breakdown while giving a public presentation sounds like something that could be right up the alley of an Entity like The Eye in relation to being watched and judged. So does the fear of living up to the expectations of other people as a gifted student. In TMA Jon played dumb before eventually admitting that he believed most of the statements he heard were real but was afraid of actively admitting it out of fear of whatever was listening. So I wonder if Sam, and even Alice, also suspect that the cases are real but are in some sort of denial or trying to play dumb. Considering that Colin told Sam in episode 7 “Listen mate. If you’re going to get this worked up over a weird email you’re going to freak when you see the real stuff.” and he correctly identifies that electronic devices are being used to monitor people, I wouldn’t be surprised if Colin does believe or suspect something supernatural is occuring.
We cut to Gwen confronting Lena about Bonzo and Gwen asks if the events of the previous case happened because of the information she gave Bonzo. Lena says “Yes. Whatever horrible case you read, it happened.” This response is pretty interesting because it is basically Lena confirming that every case actually happened (which shouldn’t be a surprise for the audience). Lena doesn’t specify “the Bonzo case happened” she just says “Whatever horrible case you read, it happened.” As if, no matter what case Gwen read, they all would have been equally true or valid. There’s little to no chance of a case being false / fabricated or Gwen being mistaken.
Gwen asks if she is responsible for the Bonzo case and Lena says “To a degree.” Gwen starts demanding answers and Lena tells her to sit before we get some very tasty exposition. “The world is full of opposing forces, some benevolent, most not. In order for the wheels to keep on turning, all these forces need to be monitored and balanced. That is where we come in.” To me, this points to the idea that if the Fears are still around then they probably are still broken up by at least some people into various categories and factions. The idea that the Entities can be “balanced” off each other is almost identical to the philosophy of Smirke from TMA. Someone who believed that it was possible to achieve a state of harmonious balance with the Entities, only to later realize that this was an incorrect assessment with the emergence of a new Power.
Some might argue that Lena is implying that some Entities revolving around more benevolent emotions exist but I’m not 100% sure that’s true. If it was, I’m not sure why Lena would say “We are… managing the “bad guys”…” and nake a point of saying most of the “opposing forces” are not benevolent. I mean maybe they are out there but at the very least they are outnumbered by the fear based Entities (so much so that I would say we haven’t seen them if they do exist) and the OIAR seems to manage the fear related ones.
This also makes it sound like the goal of the OIAR is to keep the various Entities in check. In TMA some Entities often clashed and their various factions would often interrupt each other’s rituals in an attempt to get ahead. The OIAR might be taking advantage of this in order to keep any one Entity from pulling ahead. For example, if someone noticed that The Eye and Stranger often had an antagonistic relationship then they might be inclined to send someone or something aligned with The Stranger to deal with a manifestation of The Eye in order to take advantage of an aspect of the relationship. We have seen this sort of thing done in TMA, such as when Gertrude disrupts a ritual of The Buried by throwing someone touched by The Vast into it or when Jon disrupts the Dark’s Extinguished Sun by staring at it. While it is true that all the Entities are required for a successful ritual it does seem apparent that whichever Entity actually has their ritual pulled off rules, or is the dominant force of, the subsequent Change. For example, The Eye’s ritual did bring all the Entities into the universe but The Eye was watching over all of it and seemed to be in charge. Additionally, those aligned with The Stranger, such as the NotThem and Breekon and Hope, seemed quite miserable due to the fact that the Entity they were tied to thrived off of mystery and the unknown. In MAG 092 (Nothing Beside Remains) Jonah tells Jon “We thrive on ceaseless watching, on knowing too much. What we face is the hidden, the uncanny, and the unknown.” In MAG 165 (Revolutions) Not-Sasha says this in regards to The Eye’s Post-Change world “Do you know how it feels? To be – anonymous? And yet known! To have all the sweetest dread I can create tainted by the relentless gaze of that damned Eye. I’ve suffered enough.”
So it’s possible that even if something like the Anglerfish did get dragged from TMA it might still not want another Power to win. Also, an Entity like The Web still might be at play and trying to prevent an Entity from setting off its ritual until it’s own plan is ready. We also know that people like Jared Hopworth weren’t interested in conducting a ritual for The Flesh, even though others aligned with the same Entity were, so it’s possible there are people and monsters that do not care for any sort of ritual succeeding either way.
GWEN
“That doesn’t mean anything.”
LENA
“And yet it is the only explanation you’re going to get for now.”
GWEN
“So what? We’re the bad guys?”
LENA
“We are… managing the “bad guys”..”
LENA
“(cont. returning to her desk) There should be an email in your inbox. We have another external that needs assignment. It’s quite urgent.”
Lena’s refusal to give Gwen straight answers could just be some sort of security measure until Gwen proves herself trustworthy but it also rings familiar of how Jonah purposefully refused to give Jon certain answers about the Entities and what was happening until the moment was right for his plan. In MAG 092 (Nothing Beside Remains), Jonah explains the reason he killed Leitner: “[Sighs] Of course, Detective. So. For the avoidance of any doubt. I killed Gertrude Robinson because she intended to destroy the Archives. And I killed Jurgen Leitner because he was… an unnecessary complication. Likely to tell John too much, too early.” So something similar could be happening here and Lena is purposefully not giving Gwen all the information as part of some sort of plan or process.
The case for this episode takes the form of Darrien filing a complaint about the Zorrotrade App to their customer supportline’s answerphone. The bot tells Darrien that all the operators are busy and that they should leave a message and Darrien begins to explain what happened.
“(intense) Listen you thieving bastards, I want my money. I don’t care about your “suspicious activity” bollocks, I have burnt my entire life to the ground for this stupid bloody app and now you owe me my goddam money. So, you can either pay up or I drop a line to the Ombudsman and tell them all about your little “Projection” trading, see what they make of it.” “You can’t just take my money, lock me out of your app, and then expect me to roll over. I’ve been a user for years. Hell, I’ve probably invested more via this poxy little program than everyone else put together and what do I have to show for it? Eh? You owe me.”
Darrien rambles about how they worked hard for the money and if losing the money is some sort of punishment they don’t deserve it. While Darrien’s colleagues go to uni Darrien decides to “make bank” and take out their entire student loan and go straight to shoring using the Zorrotrade app. According to Google, “shorting” is short for “short selling” and “is a trading strategy where investors speculate on a stock’s decline.” Darrien stuck with the app since it had just launched and even powered through its “first janky interface, your weird background checks, all those damn glitches but I stuck with it because unlimited Margins and Deposits was pretty sweet. Made some quick cash shorting failing startups then used that to broaden into Crypto, leveraged some EM ETFS, scraped up a few pennies then started to go long on a few obvious winners like Omni and Sparkhub for some hedging. Easy peasy.” Darrien eventually accrues enough money to become the one in their friend group to be buying all the good stuff “And sure, money can’t buy you love, but you’d be amazed what personal trainers, high end surgery and hair plugs can achieve on a speccy little finance nerd.”
Darrien continued to make good money until “I got cocky and I bet against the big man himself. I shorted Dantex hard in 2020. Stupid, really, but the whole Zurich thing had wiped a bunch out of my portfolio and I got a tipoff from one of the lads. So I went all in. And no, I don’t blame Zorrotrade for that. But it was a bad time. I remember I was sitting on deck with Oli, watching the sun set in the Riviera and I was ready to close up shop. I grabbed my phone and started messing with the settings looking to settle up. That was when I noticed your new: “Personal Projection Short Selling” feature. It was disabled, buried under advanced lab settings and covered in disclaimers without any explanation but it still grabbed me. I had no idea what it was and there was nothing about it online”
Darrien makes mention of a slider with the warning “These settings are experimental and
may not function as intended, user discretion is advised.” but insists that this does not justify what Zorrotrade has done to him. Because Darrien was basically broke and had nothing to lose, they flick the experimental slider on and “a new dialogue window opened with two words: “Investment Amount”. Bear in mind that at this point I barely had a pot to piss in. So I put in my last few grand. Why the hell not?” The app took Darrien’s money and they carried on drinking until they passed out at around 4pm. Oli eventually kicks Darrien out for making a mess in his guest cabin but Darrien notes “let’s be honest, we didn’t really get on anyway. He dumped me at the dock with nowhere to stay and told me he’d send me a bill for the TV.” Signifying that Darrien most likely broke a TV in a drunken stupor.
After being kicked out, Darrien tries to call some other friends but Oli had told a group chat that Darrien was broke and the group “always knew I’d “end up back in the gutter eventually.”” As Darrien begins writing a “proper” response their phone dies and, since they were borrowing Oli’s charger previously, they did not have a way to charge their phone.
The call cuts out and then Darrien reconnects saying “Yeah, I know I’m going long with this, but tough. You can just shut up and listen.” which I just thought was funny. I assume the message just got cut because it was too long and Darrien had to tell the story over the course of two messages. Darrien later gets robbed as they explain “So it turns out that stepping off a yacht, alone, in some pissant fishing dock in the arse end of nowhere, in the middle of the night with a thousand dollar case and a lost look on your face is a good way to get yourself mugged. They took everything. The case, my watch, my jacket, even my shoes. But not my phone. Dunno why, it’s like they didn’t even notice it. Kicked the hell out of me, though. Talk about rock bottom…”
Darrien eventually manages to get their hands on a charger and contact the British Embassy. “They told me to go online for an emergency travel permit and it was as I was applying for it, that I saw a new email ping up from my bank app. “Deposit received” I opened it and got as far as “remaining balance: one hundred thousand and eighty three pounds, twelve pence“ before I was back on Zorrotrade reading a notification: “Congratulations! In recognition of your change in circumstances, you’re Personal Projection Short Sell has now been paid in full. We hope you invest again soon!”” Darrien concludes that while they were drunk they had somehow bet against themselves and because Darrien lost all their money and stock they were rewarded for it. Darrien figures this is a bug but handwaves it as being a problem with the app instead of their fault for abusing the loophole. From their perspective they earned / deserved the money.
Darrien admits that they knew it was probably a fluke and should have quit but “Only, that’s the thing with money. It multiplies, especially when you’re good at finding loopholes.” They even say that they should’ve been more concerned about how the supposed loophole even worked but “the wheels were already turning.” They realized that they might be able to short against their own life and then purposely injure themselves in order to go positive and make a profit. “And no, it wasn’t fraud. I’ve checked and there’s no regulations about it or anything, so like I said: your app, your problem…” Darrien begins testing this loophole: “Nothing huge. I bet a thousand quid then picked a fight with the biggest stranger I could. It cost me a tooth but… four hundred profit. A good return but it didn’t cover the dental bill to get it properly fixed. I tried again, this time betting 10k before renting a car (with insurance) and crashing it into a tree at speed. That messed my leg up pretty badly and I got a faceful of glass but I also got 50k profit. That was more like it. I spent a few weeks breaking myself, and sabotaging my life, in various ways, and by the end I’d banked a cool mil. It was just so liberating, so addictive, literally cashing in my misery into cold, hard cash. So as the sun set over the harbor I opened the app again and dug straight through to the Personal Projection Short Selling box: “Investment Amount” One million pounds, ‘You Only Live Once’ right? Again, the little ping and the tick. Then it was time to go for a walk.”
Darrien then picks a cliff that is about an hour and a half’s walk away. They also hope that the cliff isn’t tall enough to kill them when they jump off of it. On their way to the cliff they made a few phone calls. Darrien called their parents to tell them that they never loved them and that they hope they die horribly, they go onto the previously mentioned group chat and talk about how they slept with each of the member’s partners (even when they hadn’t) and “Then it was on to my socials publicly declaring my affiliation with every messed up ideology and psychopath I could find. I ran out of time before I could confess to robbing orphanages to buy drugs but I think I made my point.”
“Then I got to the cliff. It felt much taller standing at the top. There was a surprisingly chill wind blowing across the edge, driven upwards from the sea and that coupled with the sheerness of the drop gave me a moment of vertigo. I hesitated. Was this really worth it?” Then they jump off the cliff and when they come to: “I woke up here at l’hopital Jean-Marcel, 2 days later. Apparently, I was in a medically induced coma since they found me. One leg was amputated and the other is full of pins. Cracked spine in two places, ruptured spleen, 6 broken ribs and a cracked skull. Every second hurts. But when I woke up I couldn’t be happier. I was alive sure, but more than that I was rich, properly rich, untouchably rich. Everything was going to be okay” A bunch of people crowded Darrien as they woke up but they just demanded their phone so they could check the Zorrotrade app for their money (it’s possible that many thought Darrien attempted a suicide).
“I braced myself, looked down and there it was. Almost fifty million. But… there
was a tiny symbol to the left of the figure. A minus symbol. And then I saw your notice. “Your payment has been suspended due to suspicious account activity including potential insider trading. Official bodies have been notified. Please repay your outstanding balance or prepare for Personal Adjustment.” That was twelve hours ago and no matter what I do I can’t seem to get through to anybody. So yeah, I need my money. I didn’t do anything wrong I just… used a loophole, that’s all. You can’t blame me for playing the system. Besides I’ve got nothing left. Nothing. So just, give me my goddamn money.” We then get
DARRIEN
“Oh, right. Darrien Laurel. Account number 428813.”
ANSWERPHONE
“Thank you. You are being transferred to our adjustments department. Click.”
There is something on the other end of the phone. It clearly isn’t human. Metallic insectoid chittering grows louder.
DARRIEN
“H- hello?” The chittering grows even louder. DARRIEN drops the phone.
It’s definitely weird hearing Darrien actively get jumped mid statement. It’s also interesting that whatever is on the other end of the call doesn’t seem to respond until Darrien gives their full name and account number. I wonder if this “adjustement” is killing Darrien, dragging them somewhere, or literally controlling / reconfiguring them somehow. Well Darrien show up again in a kind of Michael Distortion or Anglerfish type situation? It could also be something else entirely.
If I were to view this through the lens of Smirke’s 14 I would say that this statement has a lot of similarities with The Desolation and The Web for a lot of the same reasons I gave when going over episode 9 (Rolling with It).
People mistakenly assume that The Desolation is just the fear of fire when in reality it is the fear of loss and destruction, and it has manifested as bad luck in the past, such as in MAG 37 (Burnt Offering) after Jason North disturbs a site that was used by the Cult of the Lightless Flame in an attempt to curse Gertrude (you can read my full explanation of all that stuff here (Episode 9 TMP Quick Thoughts)). We have also seen The Desolation connect to the loss of belongings such as money. In MAG 089 (Twice as Bright) when Jude Perry says “Then it was simply a matter of forging his signature on a few documents implicating him in some very illegal transactions to get his assets stripped from him. Oh, and burning down the new house, of course. And with each act of glorious, hateful destruction, I felt my god’s love embrace me, consume me, give me life. Any feelings of pity or mercy I might have had for the poor woman I fed from were cauterised.” Notice how she mentions stripping someone of their assets to appease The Desolation. So the connection to the connection to The Desolation would come from the fear Darrien has of losing their money
The connection to The Web is much simpler. Darrien is basically gambling (even if they are cheating in the end) and they note the process as being addictive. We know that The Web has a strong association with addictions. The transcripts also describe the noise at the end of the statement as being “Metallic insectoid chittering” which could relate to something like a weird spider or bug but it’s hard to be sure. Darrien does mention that they were miserable and expresses fear of going too far or messing up, so fear is definitely still present.
There’s also The Buried, an Entity that doesn’t just relate to the fear of being stuck or not having enough space literally but also metaphorically. Meaning it can relate to the idea of being trapped or stuck due to crippling debt.
The case also has some themes of The Slaughter (with Darrien getting stabbed and then picking fights) as well as The Vast (when they jump off the cliff). You could also argue The End since Darrien seems wary of accidentally killing themselves.
We cut back to the OIAR and Alice walks in on Sam who is a little drunk. I wonder if he’s drinking to cope with the realization that the cases could be real. Alice teases him for a bit and Sam says “It’s just- I get that you might not love the idea of me seeing Celia, but… I just think we should keep things a bit more… professional now. You know?” Alice is clearly hurt by this but is clearly trying to cope with jokes and sarcasm.
SAM
“Alice wait.”
ALICE
“What.”
SAM
“I just don’t want things to get weird…”
ALICE
“Then you’re in the wrong line of work.”
SAM
“Yeah.
SAM
“I’m sorry”
An odd comment from Alice. I wonder if she is referring to the weird occurrences in the cases or the nature of many of the people who work in the OIAR. Does the OIAR attract weird people? It isn’t unheard of for Entities to tend to attract people with certain traits or personalities more than others.
Alice tells Sam “But if you ever ask me to be professional again, I’m going to have to take a shit on your desk.” and I wish I could say with confidence that this was just a joke and not a threat. I can see why Alice might be a little hurt by Sam asking to be professional because he is basically saying they should stop talking during their long tedious boring office job right after he went on a very personal date with another coworker. Not to mention the fact that Alice clearly cares about him and even went with him all the way to the ruins of the Magnus Institute.
Sam once again asks Alice if the cases are real. Alice asks if it really matters and Sam says “Yeah, kind of! If we’re working for the Men in Black or covering up ghosts or whatever then shouldn’t someone go to the press or…” to which Alice responds “Okay, a) You’re drunk, b) You can’t prove anything and c) you signed the official secrets act in your onboarding.And I know all your school friends say treason’s “bussin'” and “fire”, but it won’t look good on your CV.” before stopping Sam’s interjection and elaborating “Look Sam, you really want my opinion? Sober up and stop trying to make an impact. Just do the job and take your pay.” Basically, Alice is telling Sam not to try to be the big hero. I makes me wonder how certain Alice is that the cases aren’t real or if she just thinks whether they are real or not doesn’t matter because she wouldn’t be able to do anything about it anyway, so she just works off the assumption they are not.
SAM
“And what, just ignore what’s going on right under my nose?”
ALICE
“(heading off) Pretty much. Keep it professional.”
SAM
“(incredulous) I’m sorry?”
ALICE
“It’s ok when I say it.”
SAM sighs and goes back to work.
I can’t 100% tell if Alice telling Sam to “Keep it professional” is her way of getting back at Sam or if she is more so getting at the idea that she is using it in a different context for different reasons. Maybe both.
Why Smirke’s 14?
I’ve seen more and more people asking why people such as myself have been deferring to, or even adamant about, Smirke’s 14 still being applicable, and to be honest I don’t think I’ve done the best job actually sitting down and explaining all the logic in a cohesive way. Considering Lena mentioned balance and opposing forces in episode 13, and how that rings similar to Smirke’s original philosophy of balance among the Entities, I figured now was a good time to mention it.
A mistake that I think a lot of fans make is that they assume the Entities sort of invented fear or are the reason fear exists when this doesn’t seem to be the case. For example, The Extinction and The Flesh are not the reason the fear of global warming / advancing technology and being butchered / consumed / disfigured exist. They merely feed on, and sometimes exacerbate in specific target people, already existing fears and concerns. In MAG 200 we get “Then came minds that knew it differently. They grew slowly, over the millennia; inch by inch they found new things to dread. The fear of their own end, of the things that lived in the darkness, became a fear of the darkness itself. And as they grew to know what it is that they saw, to give it names, and struggle at learning, so too did they learn to fear that their eyes might deceive them, or show them too much. And as they learned to know their friends and kin, so too did they learn to fear the unknown figure, the coming of the stranger, and the silence when they were alone. And when they found fire, that bright ignition of home and hope and progress, the thing that was fear gorged itself on a newfound terror once again.” This fits in line with what we know about the Entities. Generally speaking, what usually happens is once a fear of something becomes great or common enough on a mass scale an Entity will emerge to feed on it. As I’ve mentioned before, these Entities are all parts of a bigger whole but it helps to think of them as specialists. Each Entity specializes in tracking down and consuming specific types of fear, sort of like how different parts of our body have different purposes and can be made out of different tissues and materials for different reasons. Saying the Entities are the only reason various fears exist would be like saying the only reason animals have meat is for carnivores to eat them. In reality, animals started developing various tissues and meats before certain creatures evolved to take advantage of the resource.
The closest we get to the idea that one or more Entities created a fear from scratch is “Once upon a time there was fear. Old fear. Primal fear. A fear of blood and pounding feet, a fear of that sudden burst of pain and then nothing. And that fear was nothing. Went nowhere. Knew not what it was. Then it became. Or perhaps it always was and simply entered. But fear was here and true and was itself, and it hungered. It wished to know more. It wished to feel more. It wished to be more. And to those things that hurried through the grass, that shivered through the night in their burrows and their caves, because they knew the dark held flashing talons and shining eyes, they fed the fear. It was blunt and it was simple, but still it was solid enough to satisfy. And the thing that was fear was sated and content.” However, while some parts of this are ambiguous, such as whether or not the fears were born attached to the TMA universe, the way it’s phrased makes it sound like what most likely happened is the fear of being hunted caused the first ever Entity (The Hunt) to come into existence. This line says that the primal fear “went nowhere.” It would have gone nowhere because nothing was feeding on it but “Then it became. Or perhaps it always was and simply entered. But fear was here and true and was itself, and it hungered.” Suddenly an Entity manifests from or because of that fear and begins to hunger it. Once again, even in the beginning, the cause and effects are existing fears birthing new Entities.
It’s also important to mention that the Entities couldn’t always manifest in the physical world. It is stated “And as the things that were fear hovered at the edge of the world, the flowing horror of these minds nourished them, swelling some and withering others, pushing and pulling the shattered, swirling mass of terror into ever newer and undiscovered forms. And something else began to happen. Some minds did not simply recoil from them and feed them. Some seemed almost to call them, to court them, to hunger for them in return. Minds that saw the faces of the things that were fear, and were compelled as much as they were repulsed. Whether or not they knew what it was they did, they called out. And they were answered. Time is different for fear, and it cannot be said exactly who was the first to open themselves and be filled with the power of terror. A hermit, huddled in a pitch black cave through winter, who emerged and brought the depth of night with him wherever he trod. A pestilent chieftain who found her breath sloughed from her body and rotted whatever it touched. A warrior driven from their village, who found their face as smooth and shifting as the sands of their home. Which came first does not matter, the unseen gap was bridged, and the thin veil between the world that was and the things that were fear had been torn, ever so slightly. And with this tear, they grew stronger, bolder, pouring themselves into the world and creating monsters. Long things that wore you like a suit, smiling things that stripped you from your bones, unseen things that watched and watched and watched and never left you. And with each new creation, each new servant, the Fears reached further and fed the things that made them. And with this newfound power came greed. The hunger for more, the unformed, unfocused, but impossibly huge desire to exist. To join the minds that gave them shape and purpose, and finally drink their fill ‘til they were one and the same. They had no concept of how, or when, or even why, but they needed it. They needed it.”
The Protocol universe seems quite similar to the TMA universe in that it closely parallels ours in many ways. Many of the cultures that exist in our universe exist there, such as the UK and various countries to name a few, and many of the common fears seem like our own. Even if the Entities are recent additions to the Protocol universe a lot of the fears that gave birth to, and sustained, them would presumably still exist. The fear of being butchered for The Flesh, knowledge and being watched for The Eye, the unknown for The Stranger, violence for the Slaughter. etc.. These aren’t completely alien and distinct cultures or worlds here but places that closely mirror or resemble our own. So a lot of the fears would be the same which would mean basically all of the sustenance for the existing Entities would still be there.
While this does address the various categories this does not address Smirke’s 14 specifically, so let’s talk about that. I’ve seen a lot of people under the impression that Smirke somehow caused the Entities to organize themselves into the various categories we see characters throughout the series using but I think this gets the cause and effect of the Entities backwards once again. Smirke is only one guy and not only is he just one person but a majority of the people didn’t know the Entities existed, much less anything about Smirke’s categories. There weren’t a lot of statements were a victim got jumped by say a creeping figure in the dark and surmised “ah this must be related to the ghost that attacked Jan last week as a manifestation of The Dark.” To most people most supernatural events would be brushed off as delusions and the ones that weren’t wouldn’t usually be immediately assumed to be related without due cause. Even in the Post-Change world there were plenty of victims who seemed unaware of the full scope of the Entities and Smirke’s categories. At best Smirke’s categories would affect the manifestations directed at people who were aware of them but most people are not fully aware of these categories. So overall Smirke’s categories would have been but a drop in the metaphorical ocean that is collective fear.
Smirke made the categories based on patterns and behaviors he had noticed in the Entities and their manifestations. Some manifestations seem attracted to the same kind of emotions, or others clash because sometimes they are fighting in an attempt to bring out two often contradictory emotions. The weird spider people are more likely to work together with other weird spider people but they are more likely to fight the weird destructive burning people. So on and so forth.
For a clearer example of what I mean I would point to the various artifact books. The so-called leitners. The leitners didn’t just start popping into existence so that Jurgen Leitner could collect them. Rather, they already existed which prompted Jurgen to look for them and store them in his library before it was subsequently attacked and destroyed. The Entities did not change their entire general behavior on a global scale because one person found a book, Leitner just wrote his name in existing books. Likewise, what Smirke was at least trying to do was note already existing behaviors and manifestations and find commonalities between them. It wouldn’t be super different in concept than any other of the numerous pattern based categories humans make. For example, we divide animals into things like fish, mammals, birds, reptiles, etc.. These categories are usually based on shared traits between these animals but even they are not perfect categories or little boxes. Every mammal gives live birth… until it’s a platypus. How we divide up animals are just made up human concepts to note various patterns and differences. You could also use colors as an example like Gerard does, we assign names and categories to various colors, we even have things like primary, secondary, and complimentary colors, but in reality all colors are just all pieces of a wider spectrum of electromagnetic waves.
Smirke also mentions weird dreams in MAG 138 (The Architecture of Fear) when he says “Did I ever tell you about the dreams? I’m sure I must have. I would dream about them, you see, as a young man, long before I devised my taxonomy. I would find myself in nightmares of strange, far-off places: a field of graves, a grasping tunnel, an abattoir knee-deep in pig’s blood. I believed then, as I still believe now, that these places I saw were the Powers themselves, expressed in their truest form, far more entirely than any “secret” book can claim. And if, as I came to believe, the Dread Powers were themselves places of some sort, then surely with the right space, the right architecture, they could be contained. Channeled. Harnessed. So yes, hubris. Not simply in that, I suppose, but in believing that those I brought into my confidence shared my lofty goals.” Which might imply one or more Powers were trying to communicate with him directly.
Jon does make a point that Smirke’s system is not flawless and it is often subjective as he notes in MAG 183 (Monument) in response to Martin saying he shouldn’t have a domain because he’s not an Avatar “It’s just a word. A word used by… fools like Smirke to try and sort everything into neat little boxes, to reduce the messy spray of human fear into a checklist: Human, avatar, monster, victim. Only now, now there’s a binary. There’s finally a clear dividing line and, well, I’m sorry you’re not happy with which side you’ve ended up on.” Jon also mentions that the domain that appears in the episode is “Dead? Yes. Very much so. This place is… an homage, shall we say. A monument. To him and those like him, who tried to… categorise the world with themselves at the centre. In so doing, constructed the architecture of its suffering.”
However in the next episode, MAG 184 (Like Ants) Jon says “The whole place would collapse and then, without The Corruption’s influence, I think The Buried would flow in to fill the gap.” to which Martin retorts “I thought you said Smirke’s Fourteen was a load of bull?” before Jon explains “I said it was limited, and draws artificial borders, but it does have its use when it comes to conceptualising these things. Regardless, I’m pretty sure we’d be left somewhat… entombed.” This fits in with what Gerard says about the Entities in MAG 111 (Family Business) “And like colours, some of these powers, they feed into or balance each other. Some really clash, and you just can’t put them together. I mean, you could see them all as just one thing, I guess, but it would be pretty much meaningless, y’know, like… like trying to describe a… shirt by talking about the concept of colour.” Using the color example again, technically all colors we see are just varying wavelengths of light but responding to someone asking “does this look red to you?” with “red, blue, purple… what’s the difference? They’re all the same” isn’t that helpful. If I were to put it another way, imagine trying to go through your life without using any units of measurement. Someone asks how far away a country is and you have to explain it to them without any standardized unit of measurement. It’s certainly possible for some but most people would find it even more obtuse, arbitrary, and unwieldy than even the equally made up standardized units of measurement like kilometers and miles.
However, these categories are not clean, they can be nebulous, and people may organize them differently. In MAG 167 (Curiosity) it is noted that a previous Archivist, Angus Stacey, tried to come up with his own categories: “Angus had been too keen to learn, too ambitious in his academic legacy. He had had grand plans to revise Smirke’s Fourteen, and, in doing so, burned through his resources, his luck, and ultimately all but one of his assistants.”
At the end of the day I think what Jon and TMA are saying is that yes the Entities are kind of incomprehensible and that very incomprehensibility means that the only way many people can process what they are and why they act in certain ways is by dividing them into categories. Jon also points out to Gerard that fears can vary depending on the culture and person and Gerard responds with “A lot of them, yeah, but others are deeper than that. And when our fears change, so do these things. But it’s not quick. Gertrude reckons they’ve basically been the same since the Industrial Revolution. She and my mum both liked to follow Smirke’s list of fourteen.” Which makes sense, most people don’t want to die or be stabbed. Gerard’s comment also makes it sound like other people might categorize the Entities differently but he also says “I always think it helps to imagine them like colours. The edges bleed together, and you can talk about little differences: “oh, that’s indigo, that’s more lilac”, but they’re both purple. I mean, I guess there are technically infinite colours, but you group them together into a few big ones. A lot of it’s kind of arbitrary. I mean, why are navy blue and sky blue both called blue, when pink’s an entirely different colour from red? Y’know? I don’t know, that’s just how it works.” The Smirke’s 14 aren’t as specific as some people make them out to be and can actually be quite broad and sweeping categories.
So with that in mind, I think Smirke’s fears are a lot more helpful and generally applicable than people give them credit for. And I mean, Smirke was onto something since he does seem to be one of the people that came up with the Entities’ rituals in the first place. Upon hearing about an attempted ritual for The Dark he realized every Entity probably has a similar ritual. As he says in the statement of MAG 138 “So many have abandoned us, casting about for rituals that I helped design. In my excited discussions with Mr. Rayner, I perhaps extrapolated too much from his talk of a grand ritual of darkness. The Dark, I thought, was simply one of the powers, so it stands to reason that each of them should have its own ritual. Perhaps they already did, even before I put pen to paper.” Once again implying that ideas about The Dark and rituals for the Entities to react to possibly existed before Smirke and he was simply collecting / noting various patterns and similarities. He may simply have been the most recent or well known person to put these thoughts together but not necessarily the first. Even then, Smirke wasn’t completely right because while his theory about balance was technically right in the sense that you need a ritual to summon every Entity into the universe for one to work he seems to have tied each ritual too closely to a single Entity (which luckily caused them to fail until Jonah worked out the issue).
Smirke does ponder if he brought the Entities into existence when he says “Fourteen powers, with their opposites and their allies, each with an aim no more or less than manifestation. Apocalypse. Apotheosis. I wonder, did my work bring about these dreadful things, or – did I simply develop the means by which they can be known?” But I don’t think he’s the sole reason they exist and I’m more inclined to say that he developed “the means by which they can be known”. His categories allowed others to try to understand the Entities and what they want in a manner that was more digestible. In MAG 200 we see Jon walk through the birth of each of the Entities and interestingly The Web seems to have identified itself as being at least somewhat distinct from the other Entities even if it does identify the other Entities as parts of itself: “But there was one, the part that some would call the Spider, that had been given a gift beyond all its brethren. The minds that feared grew suspicious of their own schemes, of connections and consequences, and over time these suspicions became threads, then webs, then nerves that granted the Spider, the Mother-of-Puppets, the Hidden Machination, a mind of its own; to plot and plan and draw its own connections, its own conclusions. Wheels, within wheels within wheels… It would not, could not tell its other parts, for were they even able to understand such things, which they could not, to trust, to share in such a way ran counter to its very essence.”
We also know that the Entities used to be more harmonious but then began to clash and warp as more fears came into existence: “And as these tiny, strange minds grew and learned, they did something new. They began to take their thoughts, their instincts and their horrors, and they crystallised them. They gave them sound and form and shape to share them. And as they did the thing that was fear felt itself began to tear, to crack and fracture along a thousand unseen fault lines. It bled and warped and multiplied, and could no longer see itself as once it did. It could never be whole again.” Funnily enough, this implies that language probably has a big part to play in the manifestation of the Entities but it seems like a general thing as opposed to Smirke singlehandedly fracturing a nigh primordial being with a checklist of vague categories. The invention of language created new ways to transmit and think about fear. Languages that we know probably also exist in the Protocol universe (such as English).
So how does one reconcile The Web distinguishing itself from other parts? Well, I would use Leitner’s example of a large body. In MAG 80 (The Librarian) Leitner says “Imagine, you are an ant, and you have never before seen a human. Then one day, into your colony, a huge fingernail is thrust, scraping and digging. You flee to another entrance, only to be confronted by a staring eye gazing at you. You climb to the top, trying to find escape and, above you, can see the vast dark shadow of a boot falling upon you. Would that ant be able to construct these things into the form of a single human being? Or would it believe itself to be under attack by three different, equally terrible, but very distinct assailants?” Well, the thing about a body is you don’t have complete control over all parts of it. Your iris will automatically contract or relax when exposed to light, your body may have an allergic reaction to something that won’t harm it, your nails and hair will continue to grow so you must cut them, etc.. So The Web is still kind of an amorphous blob and a part of a greater whole but it’s a sentient blob? At least sentient in a way conventional humans can more easily understand.
This is all to say that I think Smirke’s categories are kind of less impactful on the Entities than people give credit for while also being more useful than people give them credit for. I’ve seen people wonder if the Entities blended together when they went through the gap in reality and while that’s possible, if we use Gerard’s color example, the Entities might be closer to wavelengths of light. So it might just be like shining a light through a hole. Sure the light might look like white light sometimes but at the end of the day all the colors of the rainbow are still in there somewhere. I think people get too hung up on Jon saying the categories are bogus while ignoring the times where he admits their merit or finds them convenient to use.
There’s always the chance that I could be wrong, I admit, but I don’t think people give Smirke’s categories enough credit. It’s possible that the people in this new universe use different categories or divide the Entities up differently but that wouldn’t necessarily mean that say The Desolation just no longer exists. Just like me switching from meters to feet as a unit of measurement doesn’t literally change distance. All I’ve done by doing that is just change my point of reference for what’s happening, and the distance is still the same.
Also, from a narrative perspective, while the categories CAN be obtuse and limit one’s understanding (while this might seem reductive to say) the fear categories are a major part of TMA’s identity and what help make it unique from a lot of horror. I’ve seen people who don’t like the Fears and wish the categories didn’t exist (and arguably they missed Jon’s point about arbitrary lines) but at the same time most horror I’ve come across doesn’t really have the various Entities like TMA does. I would go as far as saying that it helps set TMA apart from a lot of other stuff at the end of the day. But, like I said, who’s to say that the people in the Protocol universe don’t have their own categories and dividing lines or things didn’t get shaken up at least a little.
However, I think some people are also getting too caught up on previously established manifestations of the Fears. It feels like some people have a long checklist of things like “fire, dirt, ocean, cameras, etc.” and just go through that list looking for things to checkmark. If something isn’t on that list they assume that it must be a new Fear or breaking all the known rules. But remember what Leitner says in MAG 80 when Jon asks “What about bones? Does one of them manifest with, with bones?” “You’re thinking too literally. Examining the physical categorisation, but ignoring the meaning of the thing. What are the bones? In the Distortion, your “Michael”, the structure of a skeleton, an established reality in your mind, is twisted and warped into an impossible form. But in other cases? Are they a symbol of slaughter and butchery? Are they the familiar made wrong? Or are they simply part of the messy, physicality of flesh?” It’s not so much as what the Entities manifest as but why. The Entities can manifest as seemingly just about anything as long as it generates their respective fear. The Vast often manifests as the sky and storms but The Spiral manifested as a storm to torment Michael Crew. Almost any Entity could manifest as needles or what have you in the right circumstances depending on what the focus is. It’s important to focus more on what the fears embody generally and not just tunnel vision on the physical manifestations. The Stranger is the fear of the unknown and mystery for example, not simply just the fear of clowns or circuses. In this way, reducing The Stranger to “the circus one” can be inaccurate despite the relation. The Desolation is the fear of loss and destruction, so while it can be fire it can just as easily hypothetically be a natural disaster like a tornado, earthquake, or even a swarm of locusts destroying your crops. It could even be a bank draining all your assets.
That being said, the reason why I think Smirke’s 14 is still at least somewhat applicable is because none of the cases we have gotten have really been anything that Entities haven’t done or couldn’t do before. This is already long enough so I’m sorry that I can’t go through each of these in extreme detail but RedCanary seems Eye related, Arthur sounds like the Anglerfish, the case in episode 2 is one of the most Flesh statements I’ve ever heard, the case in episode 3 reeks of The Corruption, the case in episode 4 is music that can make people fight each other (probably The Slaughter), the case in “Personal Screening” seems like The Eye again, Needles is a bit unclear to me but considering someone tried to stab them The Slaughter wouldn’t be unlikely (but Enttiies like The Flesh are possible), the case in “Give and Take” sounds like a manifestation of The Stranger, episode 8’s case resembles The Lonely, Episode 9’s case sounds like either The Web or The Desolation, Mr. Bonzo sounds pretty in line for what we’ve seen in regards to The Stranger, whatever “deep” is calling out to Gordon in episode 11 sounds the most like The Buried (The Buried is even referred to as the “Forever Deep Below” in TMA which would relate it to “The Deep” Gordon is talking about. There’s an argument for The Vast too but considering all the graves and the desire to bury things in them I’m more inclined to assume Buried), and episode 12 is just Mr. Bonzo showing up. If you want my full thoughts or have any specific questions you can check out the respective articles here (TMP Quick Thoughts Archive).
There’s one Entity I haven’t mentioned though. That’s The Extinction. The Extinction is sort of confirmed to exist but it’s a bit unclear. In MAG 175 (Epoch) Jon says “Of course it was real – A-At least in the sense that – it was a thing people feared. Whether it was strong enough in its own right to be considered at a level with Smirke’s Fourteen, or – whether it was on its way to getting there, I – maybe. This sort of thing is always muddy.” Whether or not The Change allowed the Extinction to gain enough fear to fully emerge is still unclear. There’s an argument that The Extinction was possibly sent back to square one since it seemed like Jonah didn’t need to involve it in his ritual so it’s possible it didn’t emerge in time. But, like I said previously, a lot of the fears that started giving birth to The Extinction in the first place within the world of TMA probably still exist in Protocol.
Then you have to consider the possibility that other characters or monsters may have been dragged with the Entities to the Protocol universe. If something like the Anglerfish or any number of other beings tied to the Entities got sucked into the Protocol universe it would not be impossible for them to introduce the already existing categories to new people. Likewise, they might still have many similar alliances and biases, a being that identified itself as being a part of The Stranger might still tend to dislike The Eye.
As mundane and unsatisfying as my answer might seem, my reasoning basically boils down to “I have yet to see any conclusive evidence that would prove to me this isn’t Smirke’s 14 and The Extinction” and “All of the stuff we are seeing is stuff Smirke’s 14 did or could do to begin with.”
Conclusion
This was an interesting episode but it still leaves some stuff up in the air. I wonder if the alchemical symbols will tie into the OIAR’s goal of balance? [Insert quote about equivalent exchange]. Will Celia betray Sam or side with him? Does she actually like him or just see him as easy to read and are both Sam and Celia being completely honest or not telling the full story (they are probably still hiding some things I think)? Which External will Gwen meet next? I hope they are more talkative and explanatory than Mr. Bonzo. Why did Mr. Bonzo kill that groom anyway? Was the groom aligned to an Entity or organization?
