April 2023

thepodcastcat:

yurufuwajukaiboy:

itchyeye:

mla-citation:

now it may be my own weirdness with the nature of existence but, i dont really get why everyone in TMA cares if someone is inhuman?

so your buddy feeds on fear? ok! sure!

does being human even matter???? whats the big deal about not being human!

i think you’ve very succinctly pinpointed one of tma’s key narrative flaws!

how and why are we meant to see “inhumanity” as a bad thing when by s4 our entire cast is made exclusively of non-humans

and why do these very obviously established non-humans gang up on one particular non-human as being the personification of wanton evil and malicious corruption when he isn’t even the one doing the most damage

jonny sims never resolves the core issue which is that being a monster/avatar is way cooler than being human in every way

I’m typing this at 4:30am so I don’t have the energy to explain deeper and there is a chance I’m going to sound aggressive because I’m tired, but really? This is the take? The show explicitly went on and on a about how being inhuman isn’t just “oh ho look you’ve got cool fucked up powers isn’t that neat wahoo!”

“Feed your fear or it feeds on you”. That is the motto of all avatars. They have to hurt people because that’s how fear works. It is bad to be a monster because being a monster invariably means causing harm to people. Sure it can be argued that Jon got it easy since his Fear was based around watching other people rather than, for example, taking over a hospice and introducing a plague amongst the vulnerable elderly so they’d die alone along with the caretakers, but everyone Jon ever took a live statement from was forced to constantly relive extremely vivid nightmares of their trauma while he watched them suffer.

Being an Avatar means being a killer, a torturer, a parasite, etc. The podcast made it explicitly clear that there is no way to exist as an avatar without causing harm to strangers, innocent or otherwise. FFS Agnes literally burned her crush’s face off by accident and all she did was touch him.

OP’s original post is definitely a simplified, potentially exaggerated take partly for the funsies, but for me the issue is far less, “The series never explains why being inhuman is bad” (because as you point out it quite obviously does) but rather, “The series paints inhumanity as a whole as an intrinsically Evil thing without fully engaging with the fact that humanity can be just as willingly evil.” It’s also late where I’m at so I’m not going to go hunting my brain for a full essay, but it comes down to the extreme way that 99% of the cast (and by extension the narrative) reacts to Jon’s monstrosity in comparison to their own monstrosity and the monstrous humans around them. Gertrude never became an avatar, but committed truly heinous acts in the name of the greater good. Melanie was consumed by the slaughter and got to make some of the most informed choices of the group, but continually positioned Jon as the responsible party for her suffering and mistakes. Martin simultaneously wants to be safe in the apocalypse via being connected to the lonely/having an avatar-killing boyfriend, but remains incredibly, morally critical of those same benefits. Basira spends whole seasons being wary of Jon’s Eye alignment while indulging Daisy’s Hunt alignment.

Yes, the podcast makes it clear that being connected to a God that demands the suffering of others is A Bad Thing, but beyond that it doesn’t - to my mind - fully unpack a) The issue of people like Jon who are manipulated into this, b) The repeating flaw of characters excusing their/a loved one’s monstrosity while using another’s as a scapegoat, and c) The complicated question of, “If you’re causing suffering because you now have to for survival and a human (Gertrude, the police, etc.) are doing it because they choose to… who’s the real ‘monster’ in this scenario? Can we truly maintain this black and white thinking of, 'I’m not connected to an Entity but you are, therefore I’m morally superior - regardless of the harm I’m willingly enacting and the lengths to which you strive to still be a good person.’”?

yurufuwajukaiboy:

itchyeye:

mla-citation:

now it may be my own weirdness with the nature of existence but, i dont really get why everyone in TMA cares if someone is inhuman?

so your buddy feeds on fear? ok! sure!

does being human even matter???? whats the big deal about not being human!

i think you’ve very succinctly pinpointed one of tma’s key narrative flaws!

how and why are we meant to see “inhumanity” as a bad thing when by s4 our entire cast is made exclusively of non-humans

and why do these very obviously established non-humans gang up on one particular non-human as being the personification of wanton evil and malicious corruption when he isn’t even the one doing the most damage

jonny sims never resolves the core issue which is that being a monster/avatar is way cooler than being human in every way

I’m not much of an artist so I don’t think I could do this justice, but I’d love it if more TMA “the sky is looking back” art included animal eyes. It seems to me that a Ceaseless Watcher would make use of all types of vision, not just a human’s (especially when we consider that entities like The Flesh came about due to industrial farming) and I think it would be way creepier to have a variety staring down at you during an apocalyptic journey. Slitted eyes, bulging eyes, eyes that dilate like a cat’s when you get near, eight sets of spider-like eyes tracking your every move… :)

kubo-kubo:

jonmartin making their way through the dark 


alternatively:

image

the-magpie-archives:

I wish real life academia was more like The Magnus Archives because I’d much rather face otherworldly evils than have my research blocked by INFINITE PAYWALLS. Jonathan Sims might’ve suffered immensely and nearly ended the world but at least he didn’t have to cite inaccessible sources.

occudo:

Me: Don’t start another au don’t start another au don’t start another au…

Also me: counterpoint - Pride and prejudice tma

Buried & Corruption

Dark & Desolation

End & Eye

Flesh & Hunt

Lonely & Slaughter

Spiral & Stranger

Vast & Web

cityelf:

Bottled F e a r s.

I’ve been meaning to do this for so long, but here we are: all 14 of the Magnus Archives’ Fears as bottled worlds! Click the individual photos to see which is which

cocoabats:

Art I did for @themagnuscollection vol1! These are pretty old, I drew them at the begining of 2020 but I still love them a lot

elias-rights:

I fucking LOVE Jonah’s response to Jon’s question of whether he’s still human. It refuses to give a straight definition of humanity because he’s a chad who understands nuances and complexities. It includes Jonah himself but not what Jonah aspires to be (can still die). It’s subtle manipulation by placing Jon’s will in his hands (your will is still your own, mostly) when in MAG 160 he explicitly takes it away (your own rotten luck). It infuriatingly answers a question with a question with a tone of voice like he’s disappointed Jon even asked such a pedestrian question. King.

fernisgay1121:

itsclydebitches:

Random headcanon for a TMA AU: in a non-changed world where Jon is trying to balance his humanity with not starving to death, he teams up with Oliver Banks to find his ‘food.’ They’ll go on long walks together with Jon following the pull of a statement and Oliver seeing who has black tendrils tied around them. There’s a surprising amount of overlap (perhaps those who have had true encounters with the Entities are more likely to meet an early End?) and, well, if Jon has to eat and eating has to leave the victim with nightmares of reliving their trauma… best to dump that on someone who’ll only live a few more days, right? :/

Bonus humor times: Martin catches wind of these outings with no context attached and is just: [cracking tea mug with the force of his jealous fury] “I’m sorry, are they on a fucking date?”

drawn on the inside cover of my sketchbook because I’m out of pages :(

perbrm:

Happy birthday Elias on the occasion of my own birthday teehee 🎉🎉🎉

luftballons99:

jon can be little a romantic 

A detail I love about Georgie is since she no longer feels fear, she just looks at all-eyed dream!Jon with pity. There are opportunities for that.

Georgie: So, I was visited by your evil, multi-eyed doppelgänger last night

Jon: Georgie… I’m so sor—

Georgie: Yeah, that thing is lame.

Jon:

Georgie: Just a real wet rat of an eldritch horror, pathetic little creature

Jon: Georgie—

Georgie: I’m thinking of studying lucid dreams, you know? See if I can give it some pointers. A bit of mascara would go a long way.

Jon: Georgie please.

Georgie: Or some style advice. I mean, the clothes on this thing… hang on, they look a lot like what you’re wearing, Jon!

Jon: ………..

Georgie: Any chance you’re dressed in yesterday’s clothes? :3

Jon: Please just get out.

cryberpunkart:

The beating heart of the Institute. WIP! I knew when I heard the feverish overlapping statements that I had to do a panopticon piece at some point. Here’s my interpretation of the conduit.