In the later seasons, everyone deciding not to help Jon and instead cutting him off was theoretically reasonable. After all, they didn’t owe him anything. He caused himself to become like this, nobody turned him into an avatar. Cutting him off was a good and healthy choice for them. Yet I can’t help but notice that it was also cruel, in a way.
Yes, it wasn’t their fault that Jon became an avatar, but it wasn’t his fault either. He was in a coma. He didn’t want to die. It was the most likely choice not only for him - everyone else would’ve chosen the same, had they been in his position. His fate was arranged by others ever since he picked up that book at eight years old. It wasn’t his fault.
He emerged from the coma forever changed. It turned him weak, gave him new needs that had to be met. I understand that for the archive crew, Jon extracting the statements from innocent bystanders was disgusting and cruel. But he needed that to live. He lost his humanity piece by piece, and his entire self shifted into something strange. And everyone hated that new, broken Jon. But it wasn’t his fault.
The sudden change of Jon’s mind and body followed by everyone’s hatred and resulting in his isolation reminds me of someone suddenly becoming very ill or disabled.
Jon’s avatarhood was like a sickness. It was gradually destroying him from inside out. And no one wanted to help him. They saw the death of a normal man and the birth of this new, twisted version, and deemed him lesser than them, not worthy of their time. The damage helping him would cause them outweighted the benefits of that help. They deemed him something disposable. “It should’ve been you. You should’ve died and not Tim.” Jon was forced to suffer for something entirely out of his control.
Not even his boyfriend tried to help him, beyond trying to get rid of the symptoms that inconvenienced him personally. It’s not like Jon was a healthy, normal man, traversing through the apocalypse with just the occasional desire to describe his awful surroundings. He was assaulted by the fear from the very moment the apocalypse began. It gradually built up, until it was too much for him to bear and he had to unceremoniously vomit the horrors he felt. He was holding back his needs, denying himself any relief just because it was inconveniencing for the people around him. Martin didn’t even try to offer him an alternative, he just said the statements upset him and he didn’t want to hear them. Jon was forced to neglect his needs just so his boyfriend didn’t have to be uncomfortable. Martin could’ve at least shown some compassion.
It’s like doctors trying to manage the bothersome and abnormal symptoms instead of getting to the root of the problem and helping the patient function as they are. You should strive to be normal, because it’s the standard. You should do everything in your power to fit in. Anything not meeting the norm is deemed as less worthy and undesirable.
It also fits with how the last few episodes played out. Jon’s a monstrous avatar, so he is no longer given the right to decide for himself. He didn’t have a say in the discussion that regarded his own life. Like a disabled person. “You either submit to us entirely and we give you the help you need, or you keep your autonomy and we deny you help, because if you’re so self-sufficient, that means you don’t need it anymore”. He could either keep quiet and let others decide his fate, or he could disregard them and make the choice for himself, risking the loss of the only people who still tolerated him. And guess which path he chose.
Martin didn’t start off as a bad person.
He was clumsy and shy, and bad at his job, but he was also caring and kind, in a very simple way. His acts of kindness were plain but sweet in their simplicity, and his demeanor seemed almost childish. I can see how that could make him endearing.
He was quite an uncomplicated character: all that we knew of him was that he’s clumsy, a bit squeamish, fond of insects and other small creatures, and that he wrote bad poetry. A perfect fit into the softie character archetype. You could find him cute, and develop an attachment to him - it was easy since he had no real flaws. But he didn’t have anything unique about him either.
That in itself is not necessarily a bad thing. Characters like him have potential to develop into someone interesting and complex. They have a lot of room to grow and change. But Martin’s biggest problem as a character is that he did not change.
The shift in his attitude in s4 was only temporary. He decided that isolating himself from everyone was the correct thing to do, so he did it. For a brief amount of time he became more quiet, started actively avoiding people, and began to work alone. But that was out of his own decision. Nothing in his point of view or values had to shift for him to take this course of action.
And that was a great moment to actually develop his character. That isolation, the decision to voluntatily sacrifice himself for others without even informing them of the situation - it could’ve made him stop and think. It could’ve made him take a moment to reflect on himself and his actions. It could’ve prompted him to realize that things weren’t so conveniently black-and-white as he had always believed them to be. That could’ve been the moment he altered his point of view. But it wasn’t.
You know what did happen? He got depressed. That’s it. He opened up to the audience about how much he’s scared of being forgotten, how much he cared about his mother and how she pushed him away, how out of place he felt everywhere he went. All of that makes the listener sympathize with him and feel bad for him, of course. But those are all issues he struggled with in the past as well. It’s nothing new.
And when he got out of the Lonely, when he more or less managed to pull himself together, he was exactly the same man as before. He might’ve seemed different to the listener, because only then did we learn about his self-esteem issues and his motivations. But his attitude did not change.
He remained the same, simple man we got to know him as. He still divided the world into “good” and “bad” categories, despite being shown on multiple occasions that the world doesn’t work like that. He’s in full-blown denial about being an avatar himself, because then he would have to either put himself next to the people he considers evil, or actually discard his childish point of view.
Because of that oversimplified way of reasoning, he ends up belittling and demeaning his boyfriend, even though he too went through something similar and ended up in a nearly identical position to Jon. Both of them have new needs connected to being an avatar, Jon’s are just more prominent. While Jon needed to extract fear and then speak it out loud, Martin felt the need to isolate himself. Because of that, he was also unknowingly isolating Jon, since he was the only person the man could talk to without being told nearly point-blank that he doesn’t deserve to live.
It’s like the writers were too afraid to properly develop him. After all, it was the sweet, plain Martin whom everyone fell in love with, and so even the slightest change to that beloved sweet cinnamon roll who can do no wrong would’ve caused riots! So they decided to half-heartedly entertain the previously discarded idea of Martin being Web-aligned. “Oh look, the guy whom everyone thought is an innocent pure-hearted sweetie is actually a great manipulator! Anabelle thinks he would be soooo good for her patron, she’s so smug about it!”
I think it was supposed to be him finally standing up for himself. “Look, your poor tormented sweetie is finally getting his revenge for all the mistreatment he had to endure! But he’s still fearful and insecure of course :) it’s your favourite guy beating up the people who were mean to him!” And he didn’t even do the beating himself, he just made Jon do it without much concern for the man’s feelings.
I understand that standing up for yourself is important, especially for shy and insecure people, but there’s a difference between defending your autonomy as a person and just being needlessly rude. I’m sorry, but I don’t think getting mad at your boyfriend for things he repeatedly told you were out of his control counts as “taking your own feelings into account for once”. Martin’s perspective doesn’t really extend past his own needs, and by season 5 it’s no longer cute. It’s just exhausting to listen to.
With the Martin being human and Jon being an avatar arc there are no positive conclusions drawn from it. There is no “love makes you a better person”. It’s just Martin berating Jon for who he has become but also saying that he cares about him (?)
It’s not love that made Jon come back to his senses when he was getting too close to the powers. It was the occasional act of physical violence (slapping/shaking) and I doubt that those particular actions were prompted by love and adoration, rather than Martin’s momentary fear and disgust of fear-influenced Jon. What I’m saying is that any other person could’ve done that, had they been travelling with Jon. Love didn’t play a significant role. We witnessed that others despised Jon for being an avatar as well, and I think it’s safe to assume that they too would do everything in their power to stop Jon from feeding or hurting innconents - but that’s because they hated him and/or perceived avatarhood as violent and monstrous.
Martin’s supposed affection for Jon only resurfaces when Jon tries to go across with his own plan in the last episode, and that one singular act prompted by Martin’s love caused Jon to go with the Web’s plan last minute. The only thing love did for Jon was to strip him of any agency regarding his own life whatsoever. He had to throw away the only decision he could’ve made for himself to appease Martin. His love lost him. His love made him go against everything he believed in.
Love doesn’t fix you, it smashes you into pieces until there is nothing left for you to pick up. The Magnus Archives is not a tragic love story, it isn’t a love story at all. Among many other themes, it is a story about one’s loss of agency. But somehow the narrative completely overlooked that, and instead all that everyone picked up from it was “well they might’ve ended up somewhere else so maybe they’re fine!”. But that is not horror. There is no conclusion drawn it just ends vaguely and hopefully and not at all horror-esque despite it being a horror podcast.