jonelias is incredibly funny and thematically compelling to me because of their character trajectories. like it starts out as twisted nbc hannibal season 1 psychological horror “you wouldn’t put a guy in situations” wherein elias runs his lab rat i mean jon through the archivist trauma punch card machine (“wind him up and watch him go”) and every day is tortured gothic horror protagonist day for him but he doesn’t quite get it yet. and then season 3 happens and jon’s a little further in the beholding’s grasp and he’s experiencing physiological changes which only elias understands and now we’re in vampirism metaphor territory, he turned you into a monster but he’s the only one who will offer you the absolution you seek! (“elias, am i still human?”) murderer mentor maker!!! and you hate him you HATE him but *will graham voice* where else would i go?
and then season 4 happens and audio recording by jonathan sims, the Archivist. point of no return. he’s extracting statements. he’s feeding. he’s unwittingly channelling elias (“you just need… a break.”) he’s scaring everyone at the institute, but doesn’t it feel a tiny bit good after having been powerless and at the mercy of all these other avatars for so long? and even then the only person in the whole world he can turn to for advise is elias because they’re alike. they’re mirrors. they were similar even before the beholding had its hold on jon, because to be avatars of the eye is to hold a shared, unabating curiosity for knowledge and both of them sought it out to protect themselves from the fears. why else would jon end up at the magnus institute if not for a guest for mr spider.
then there’s the panopticon reveal and turns out jon was trapped in a bluebeard narrative all along! but bluebeard’s just won. jon took the key and opened the door and found his secret but he’s not simply another victim, being bluebeard’s final wife means narratively distinguishing yourself from the ones that came before and he does. he’s the special one, he’s the archive. and jonah/elias says he did everything to free himself from pain and death forever, to free them both from it all forever. and he says “don’t worry, jon. you’ll get used to it here. in the world that we have made.”
andthen. power dynamic reversal‼️now season 5 fumbled this badly but listen. the monster you created is coming down to hunt you for sport. the thing you created to escape annihilation is also the very thing that can end you at any given moment. “behold a god more powerful than i who comes to rule over me.” and then it’s “suffer for me, as i suffered for you.” and eventually they play out some equivalent of tackling each other off a cliff hannigram style. or dead ringers 1988. because they’re doubles they’re mirrors they’re shadow selves they’re the watcher and the archivist. conjoined. and one cannot exist without the other :)
The Monster is a normal man with a pleasant smile and sharp unsettling eyes that sees too much ; the Monster is a simple man that has kept himself safe for centuries and fed on terror to do so ; the Monster has chosen you, loves you, adores you, needs you to become as Monsterish, perhaps even more so than him, so that you can both be safe, together ; you walked in there with too much curiosity and the door is now locked behind you and although you will feel afraid, the Monster’s call is too beautiful in its horror to resist forever. You will learn to love him ; perhaps you already did ; if you cannot look at yourself in a mirror, it’s fine. He’ll behold you for all eternity instead, as you gorge yourselves in the world you’ve made, together.
(Also, Jon is a long white victorian nightgown, y'know.)
the magnus archives is a romcom—no what the hell it’s not. it is, however, a gothic horror romance between jon and elias. because you see, the thing about jonelias is that their canonical dynamic is built around an absurd number of gothic genre tropes. jon sims obviously fits the mold of the tortured gothic protagonist quite nicely who’s facing both external (the other avatars targeting him) and internal horrors (his progress as the Archivist weighing on his conscience). but he’s also trapped in the gothic manor which is the magnus institute. there are secrets (the place being a temple to the eye), locked doors, forbidden chambers, and bodies in the attic which serve as evidence of past misdeeds (the panopticon; gertrude and jonah’s bodies in the tunnels), the institute/archives is ultimately destroyed by fire - purging the gothic manor i.e. the symbolic destruction of the previous order with fire is a common motif in the genre. and jon’s work in the archives is haunted by the figurative ghost of gertrude who remains a curious mystery he must unravel and will serve as a constant reminder to jon of his own inadequacies (just like du maurier’s rebecca fr)
elias is then —
1) his personal bluebeard figure who murdered his predecessor, a comparison which only gets stronger with the jonah magnus reveal since he’s been cycling through archivists for two hundred years, all having met gruesome ends in service to him and jon being his final and most notable choice. are you seeing the maxim de winter rochester imagery. are you.
2) his gothic double. doubles as a literary trope are your hidden self made manifest, the horror lies in the double (elias) revealing the gothic protagonist’s (jon) hidden, true self to them. elias as an avatar of the eye is entirely unrepentant for his nature, he revels in it. which is a mirror to jon’s own self-flagellation because despite how much he feels torn about his own metaphorical vampirism, he likes it. he admits as much to gerry as early as s3 when asked about his feelings on his ability to compel truths. and why wouldn’t he! after being kept in the dark so long, why wouldn’t he like it? and jon and jonah had in common their natural curiosity even before they found the beholding. elias is a mirror and jon looks in it and sees someone who is him, but not quite. someone who is what jon would be if he could simply let go, but jon can’t. like most gothic protagonists he will kill his double because it is a reminder of a self-truth he can never escape.
and watcher’s call. like what even is that. what do you mean that’s a thing. what. literally wuthering heights. “why did you heed the call?” // “because this is the place i know i should be” <- normal dialogue to write for two guys definitely not starring in a gothic romance.
^ same genre of images. so the spider, the mother of puppets, the web which is the symbolic representation of narrative thread in the magnus archives universe WEAVED them together? red string fated, that’s what they are? so they’re soulmates. that’s what you’re saying. they’re literally soulmates. soulmates as existential horror? just enough of an illusion of narrative agency for jonah/elias to claim, “the Chosen One is simply that – someone I chose” but paradoxically joined by fate, which isn’t a good thing! because no god-like powers of hope, or love, or indigestion, or whatever, only fear. because even though both help the other achieve narrative self-actualisation (elias making jon the archive and jon making elias the king of a ruined world), their union also irrevocably destroys their lives as they hurt each other in deeply personal ways which signify their greatest fears. elias manipulating jon, whose biggest fear is mr spider, i.e. loss of control and jon repaying by being the very thing that kills jonah, who has spent multiple lifetimes trying to escape the end. and that’s romance <3
