May 2024

meh-tahuman:

catamelon:

weirdness-is-good:

kentodreaming:

characters have to be a little bit awful in ways that you cant defend. its good for the ecosystem. your honor he did do that. He did in fact do that

pemberlaey:

nobody does chapter titles like charles dickens

phynoma:

phynoma:

phynoma:

phynoma:

It has been brought to my attention that people might be interested in the research I’ve done for Magnus stuff (I frequently go on research dives and assume it’s of interest to no one but me 😅)

Jonah Magnus

Some calculations about age/background (spoilers involved)(some of this plus pulled right from the wiki)

Keep reading

The Magnus Institute

SO! I went down a rabbit hole last night because I’m playing the sims and decided to make the Magnus Institute, and, being me, I wanted to try and make the architecture accurate.

Of course, I could have just gone for late 19th century/early 20th century architecture, but I went into the various wikis and reddit threads and found that there is, in fact, a building that Jonny references as an inspiration for the Institute.

Namely, this:


This building is referenced as 42 Millbank, and now owned by the Chelsea College of Arts. Except when you search either one of those, you get different buildings!

What is pictured above is actually 45 Millbank. It’s now used as an event/conference center, and is indeed owned by the College of Arts. Once I knew that, I was able to find these pictures of the interior:


Neat!

But the thing is, I really wanted floorplans. At which point I did some more digging and found some archival records by the lovely people at Friends of Millbank, which explained that 45 Millbank was built as the Royal Army Medical College. There are lots of interesting articles on their site, including primary sources, through which I found this:

I’ve run out of pictures, so hold tight–


Aaaaaand we’re back!

The plans. The PLANS!


OF COURSE, if the building was built as the Institute, it would probably have a different layout. AND…it’s fictional. So do as you please!!

But it’s certainly fun!

nineraeix:

young jonah magnus is if dorian gray in a different font

cherrywhite:

every single time (template from @mhuyo)

pinkravat-art:

“breakfast” a tma s5 animation thing

dawg can’t even fry me an egg in this eyeconomy

phantomrose96:

phantomrose96:

phantomrose96:

phantomrose96:

phantomrose96:

phantomrose96:

phantomrose96:

phantomrose96:

Jonathan Sims as a moderately successful youtube personality because he uploads all his statement readings to the internet but all the video titles are Like That.

Institute Archivist DESTROYS Idiotic Ghost Theorists with FACTS and LOGIC

*thumbnail Martin made of Jon looking supremely smug with some stock-image man crouched over crying behind him*

He keeps it up throughout the seasons but the conviction really starts to wane.

Archivist Jonathan Sims Makes COMPELLING ARGUMENT Against Guy Who Has Some EQUALLY GOOD POINTS About Why Holes Are Evil

Season 5 it’s actually just wrapped right back around

Institute Archivist DESTROYS Idiotic Ghost Theorists With FACTS and LOGIC But Mostly With The SMITING POWERS He Got From GOD

reply from veritablenonsense that says
"the fact that the statements don't track to digital makes this even funnier. It's like. 20 minutes of static and digital tearing and sound glitches, and then 40 seconds of him saying "anyway that's the stupidest thing i've ever heard of. spiders don't even HAVE ghosts" and then signing off. He has a tiny obsessive following of people who think he's some kind of surrealist gimmick artist"ALT

This continues into s5 where it’s 20 minutes of tearing and glitches and then Jon going “that’s fucked up. Ceaseless Watcher, turn you gaze upon this wretched thing” followed by 30 seconds of prolonged agonized otherworldly screaming of a person being rent asunder.

The surviving like 20 people in his fanbase are divided whether this is Jonathan Sims incorporating the ongoing apocalypse into his gimmick or whether he’s just the guy who started the whole apocalypse.