---
layout:          post
title:           "MAG159 - #0182509-B - The Last"
date:            2019-10-24 12:00:00 -0400
episode_type:      episode
tags:            [Peter Lukas, Martin Blackwood, The Archivist, Isolophobia, Scopophobia, The Lonely, The Eye]
statement_of:    [Peter Lukas]
recorder:        [Peter Lukas]
voiced:          [The Archivist, Peter Lukas, Martin Blackwood]
categories:			"tma"
podcasts: ["tma"]
title_prefix:	"MAG"
prev_categories: ["tma"]
prev_prefixes: ["MAG"]
next_categories: ["tma"]
next_prefixes: ["MAG"]
prev_episode:		['158']
next_episode:		['160']
prev_episode_num:		['158']
next_episode_num:		['160']
prev_episode_title:		["Panopticon"]
next_episode_title:		["The Eye Opens"]
episode_title:   'The Last'
episode_number:  '159'
case_number:     '0182509-B'
statement_date:  2018-09-25
recording_date:  2018-09-25
event_date:      
summary:         "Statement of Peter Lukas regarding his life, family and interactions with The Lonely. Statement extracted 25th September 2018."
content_flags:   [Isolation, Murder / Death / Loss, Family estrangement / Neglect]
acast_url:       https://play.acast.com/s/themagnusarchives/mag159-thelast
formats: 
  Google Doc: https://docs.google.com/document/d/1J58dnJ-L9uZq9NCxEDQx5cs8RyP92t5izp_iPebPlFc/edit
  # Google Doc: https://docs.google.com/document/d/1VrU1cpXC5cbbhQebT6f0L3B3ztzeLdHnCJhj1tfY14o/edit # anatomyhouse's copy; deleted
official:        false
unofficial:      https://tmblr.co/molYyThmmvtsZ5OBctA3hnQ
unofficial_name: anatomyhouse.tumblr.com
wiki_url:        https://the-magnus-archives.fandom.com/wiki/MAG_159:_The_Last
notes:           'Edited by snarp 2020-09-19 and b33viemm 2024-07-12'
---

##### [CLICK]

##### [OCEAN WAVES AND STATIC; FOOTSTEPS ON WET SAND]

#### ARCHIVIST

Martin!

*Martin!*

##### [STATICKY SOARING SOUND, LIKE A PLANE OVERHEAD]

#### PETER

_(soft, distorted)_ He doesn't want to see you.

#### ARCHIVIST

Where are you?

#### PETER

_(distorted)_ I'm not here, Archivist. No one is.

#### PETER'S ECHO

No one is.

#### PETER

It's only you.

#### PETER'S ECHO

It's only you.

#### ARCHIVIST

Fine. Then maybe *no one* can answer some questions.

##### [PETER'S VOICE CONTINUES TO ECHO; HE PAUSES AFTER EACH SENTENCE, ALLOWING IT TO REPEAT ITSELF, BEFORE MOVING ON TO THE NEXT.]

#### PETER

You've still got time, Archivist. Turn around and leave. You've played your part. Now go.

#### ARCHIVIST

What's wrong, Lukas? Afraid of talking face-to-face?

#### PETER

_(chuckles)_ Of course. Or haven't you been paying attention?

##### [THE ARCHIVIST MAKES AN AGITATED SOUND. FOOTSTEPS CONTINUE.]

#### ARCHIVIST

*Martin!*

#### PETER

It's odd, really. You each think you're so focused on the other, but how much do you *really* know each other? How much time have you spent together when not working, or bickering, or fleeing from that latest thing that wants to kill you?

So. What are you seeking? The image you've each created of the other?

The people you think you love don't exist. Not really. And that's a very lonely place to be.

#### ARCHIVIST

_(cutting off Peter's echo)_ Shut up!

*Martin!*

#### PETER

_(smugly)_ He doesn't... want... to see you.

#### ARCHIVIST

Then let me hear that from him.

#### PETER

Just go.

#### ARCHIVIST

*Make me.*

Unless you can't. The Lonely and the Eye aren't too far apart, are they? Not really. What good's being alone if you don't *know* how alone you truly are?

Which means... well, I think you're worried. You know I'll find him eventually, and you know I can find *you.*

##### [SEVERAL SECONDS OF SILENCE]

Hm. Thought so.

##### [FOOTSTEPS]

_(surprised)_ Martin!

#### MARTIN

_(quietly, distorted)_ John?

#### MARTIN'S ECHO

John?

##### [MARTIN'S VOICE IS DISTORTED SIMILARLY TO PETER'S, FAINTLY ECHOING IN THE SAME WAY. HE SOUNDS TIRED.]

#### ARCHIVIST

I -- I'm here. I came for you.

#### MARTIN

Why?

#### ARCHIVIST

...I thought you might be lost.

#### MARTIN

Are you real?

#### ARCHIVIST

Yes! Yes, I-I-I am. Come on, we've got to get out of here.

#### MARTIN

No. No, I don't think so.

#### MARTIN'S ECHO

No, I don't think so.

#### ARCHIVIST

_(aghast)_ Why?

#### MARTIN

_(echoing)_ This is where I should be. It feels right.

#### ARCHIVIST

_(over Martin's echo)_ Martin, don't say that.

#### MARTIN

Nothing hurts here. It's just quiet. Even the *fear* is gentle here.

#### ARCHIVIST

This isn't right. This isn't *you*.

#### MARTIN

It is, though.

_(wry laugh)_ I really loved you, you know?

#### ARCHIVIST

Obviously he's done something. Peter's done something to mess with you--

Damn it! Martin! *Martin!*

#### PETER

_(echoing)_ I *tried* to tell you. He's gone. He made his choice. And it wasn't you.

#### ARCHIVIST

It was *for* me, though. I'm the *reason* he... I did this to him as much as you.

#### PETER

Yes. I suppose you did.

Where are your friends, Archivist?

#### ARCHIVIST

Tim and Sasha are dead.

#### PETER

Yes?

#### ARCHIVIST

Daisy and Basira are... probably dead.

#### PETER

Because. Of. You.

#### ARCHIVIST

Georgie and Melanie have left me.

#### PETER

And?

#### ARCHIVIST

Martin's gone.

#### PETER

You're alone, Archivist. The last one standing. I did warn you. I did want you to leave, but... perhaps it would be better if you stayed a while. After all -- you can't *hurt* anyone in here.

#### ARCHIVIST

_(seemingly defeated)_ Yes.

#### PETER (AS THE ARCHIVIST'S ECHO)

Yes.

#### ARCHIVIST

_(flatly)_ Or perhaps you could answer some questions.

#### PETER

_(echoing)_ ...what?

##### [STATIC RISES AND DEEPENS AS THE ARCHIVIST SPEAKS]

#### ARCHIVIST

I wouldn't try to leave if I were you. I can *see* you now. I can find you wherever you go.

#### PETER

_(echo gone)_ Fine! It was just a thought. So leave.

#### ARCHIVIST

Not before I get some answers.

#### PETER

That's not going to happen.

#### ARCHIVIST

*Tell me your story, Peter Lukas.*

##### [AS THE ARCHIVIST SPEAKS, THE CRACKLING STATIC OF COMPULSION RISES.]

#### PETER

No!

#### ARCHIVIST

__*Tell me.*__

##### [PETER LETS OUT A FEW LONG, PAINED GROANS.]

#### PETER (STATEMENT)

_(angrily)_ Fine!

Fine.

Where do you want to begin? The start? A lonely youth, my gradual path to becoming an only child?

That's the thing, you see, about a family faith. You've got to double down on the believers.

My mother had five children over her life, before my father finally drifted away. She was a Lukas to the core, though not born into the family, while my father, for all he believed himself keen on a "life without obligation," gradually withered away to nothing as she cultivated the space between them.

The house was sprawling. Our bedrooms were kept as far apart as possible, and changed often, as we were cared for by a rotating cast of nannies and tutors.

You know, she's still alive? But I still can't picture my mother's face with any clarity. And I consider that a blessing. I'm not even burdened by hatred for her: she is simply someone who exists, far away from me. It was the sort of childhood that would not be allowed if we didn't have money, but we're an old family with, shall we say, a _(heh)_ remarkably *direct* line of inheritance. The sort of family where no social worker would even be allowed on the property.

But for all that, aside from a few oddities of faith, I don't know how different my upbringing was from other scions of aristocracy. _(heh)_ From what I understand, severing the connection to your humanity is a cornerstone of an upper-class education... though I was spared the targeted traumas of boarding school, as my mother clearly believed the danger of friendship was too acute.

I suppose to call myself an "only child" is, technically, untrue. Two of my sisters still live, though they disavowed the family and moved far, far away. Still... to be cut off from one's family is its own very special sort of loneliness, isn't it? So we all serve, in our own ways.

The other two -- my brother, Aaron, and sister, Judith -- well, they weren't considerate enough to quietly grow to adulthood and disappear. They simply didn't have the temperament to thrive in the Lukas household, always trying to... instigate games. Make friends. _(faint disgust)_ *Connect* with people.

As far as I'm aware, they were sent away to live their lives with very distant relatives, never to return. I'm sure it's *possible* my mother resolved the matter in a less-pleasant manner, but in my limited interaction with her, she never struck me as a cruel woman, and I would imagine, for children that age, the fear and isolation of being uprooted and sent away is just as strong as that of meeting a more... *grisly* fate.

*I,* of course, was the favored son, being quiet and reserved, and, at all points, *deeply* engaged with my own loneliness. I had no time for books or television, or any of the escapes and artificial friendships of fiction. No, I was myself, and that was enough. I would spend my days exploring the wide grounds and forests of our estate, finding the hidden corners *I* thought that none would have found before me -- though now, I wonder how many generations of Lukases had exactly those thoughts, in exactly those spots.

As soon as I was old enough, I would run away for days at a time. I would take what money I needed from my mother's purse, and hitchhike to any city I could reach. Looking back, I realize how odd it was that her purse was always so full of cash, and I believe it may have been the closest thing I ever received to her blessing.

By the time I arrived at whatever destination I had arbitrarily picked, it would usually be night. I would walk around the darkened streets, drinking in the sodium orange, looking at the lit windows of the tower blocks that surrounded me, each one a small, cozy den of warmth and humanity, and *reveling* in my distance from them.

Sometimes, I would pass another late-night traveler on the street, and I would *hate* them. They shattered the distance, my cocoon of quiet stillness, and I wished with all my heart that they would simply disappear.

And one day... one of them did.

I still remember him well. He was tall and broad, wearing a green raincoat he clearly bought before middle age began to set in. There was a thin drizzle that night, one of those rains you can't see, but leaves everything glistening and damp, and he was struggling with an umbrella. I tried to pass him quickly, but his eyes met mine and he... _(disgusted)_ *smiled.* And asked if I could help him.

I can't describe the feeling that passed through me. I can only say that I told him to *go away.* And he did.

Or perhaps... I did. In retrospect, it's hard to be sure which of us fell out of the populated world, but either way, the sense of *blissful* relief, edged with a strange, creeping fear -- it was something I'd never experienced before. It was *intoxicating.*

When I returned, I was met by my mother, and a small group of stern-faced relatives that I had never seen before -- except at funerals. They took me below the house, and showed me the truth of our family. It was... difficult to accept, at first. Not because I didn't want it to be true, but because it seemed unbelievable that any god could be so perfectly in tune with my heart.

I left the house again shortly after and took to the sea, and never saw my mother again -- except, of course, at funerals.

Some of my most peaceful memories were on the *Tundra.* I had gathered a small group of trusted souls who I knew were loyal and dedicated to... my money. They had no qualms or morals about what we did on that boat, and at my request, each signed to the ship under a false name, so I would never have to know who they were. Those lonely nights of sacrifice and waiting, hearing the dreadful sound of my ancestors' whistle drift over the dark and brooding waters, knowing another soul was leaving this world...

*God,* I wish I was there now. Locked in my cabin, staring over the quiet emptiness of the open ocean.

But it's moored now, and I came on land, at _(angry)_ *Elias's* request. My crew is out there, waiting for a call I think I am now unlikely ever to give them.

I will call him "Elias," for that's how I've known him for most of our... *acquaintance,* though I originally met him when he was still James Wright, Head of the Magnus Institute. I considered him a dull little man at first, so keen to watch other people's *misery,* to *lose* himself in secondhand pain and *drama* -- exactly the sort of thing *I'd* always been so keen to avoid. 

Gertrude was the one that scared me. She seemed to have no interest in meeting me whatsoever, something I appreciated, but there was something in her eyes when she looked at me. As though she was making a calculation, and I was an unwanted integer she was deciding whether to remove. It wasn't until much later that I realized exactly how true that was. Still, it seems I was never a pressing-enough concern for her to sail out after me -- or even wait until I made port and waylay me. I suppose even she couldn't have predicted how it would all turn out.

Thinking about it now, perhaps one of the reasons I lasted as long as I did was that I was, at the end of the day, predictable. A known quantity. I had my little patch, sending my poor, lost sailors to their forsaken end, but I rarely stepped outside of it. When I think of all those I met who traveled in this secret world we found ourselves in -- Gertrude, Simon, Mikaele, even Rayner -- there are plenty whose lives might well have been easier with my death, but it was rare that I strayed outside my habits.

Maybe that's why, when I crossed paths with _(slight disapproval)_ Adelard Dekker, we ended up talking and he told me his theory of the Extinction -- something that stayed with me even after he died pursuing it.

The thing is, the loneliness I crave, that fills my heart with that reassuring unease, relies on distance from other people. But a world without people at all, or at least anything I would recognize as people...? It is meaningless. Without the lighted window in the distance, how am I to see myself apart from it? No. Such a world would be terribly dull, and scares me in a very different way. A fear I am happy to offer up, of course, but one that I would prefer not come to pass. 

My instinct was much like the others: I thought that if I could complete my ritual first, then the potential birth of the dreadful change would be meaningless. I started it shortly before Simon convinced me to join him with his little space experiment. It was interesting, of course, but in the end a tremendous waste of money, just to scare a single astronaut. But I had it in my mind that it might distract from my true attempt.

I had commissioned the services of architects, designers, and sociologists, all under a variety of pretenses, and had secured a plot of land near Aldgate East. I was going to build a tower block of my very own. Oh, it was a *marvel* of design! Deceptively-spacious apartments, yet no room quite big enough for a double bed or decent-sized sofa. Cooking facilities that seemed adequate until you tried to do more than microwave. An office space in every flat, but without a door, so you could never truly escape your work. None of them had more than a single bedroom -- though each had a main bathroom *and* an ensuite, which is a small touch I was very proud of.

The lower four levels were left deliberately empty, so anyone living there could only see the people below from a distance -- the lights of the city that they were removed from. The windows were thick, and every wall had soundproofing inside it. The corridors were full of false doors, so even though each floor was designed to minimize the probability of residents encountering each other, it would seem as though they were crowded in by doors that would not open if knocked on. I made the elevators *very* small.

Then, I offered the rooms at a ridiculously low price for their central London location, and then screened the applicants *mercilessly.* I prioritized those who were newly moved to the city: graduates who needed cheap accommodation, and were moving into intense and high-stress jobs that would give them little time for socialising. Recent divorcees were also very suitable, especially those whose friends had sided with their partner. I *crammed* them in, pushing them to stew in a cocktail of distant lights, empty corridors, and lukewarm takeout for one.

The plan was to wait until those inside reached a critical mass of loneliness and despair, then all at once, lock them in remotely. Cut off their internet and phone lines, and leave them to die, alone, in their Single-Occupancy Professional Dooms as the Forsaken emerged from their terror. I called it the Silence -- though to be honest, it was mainly because I thought they had to have names. Can't say if the title was desperately inspired.

_(resigned)_ Then -- of course -- Gertrude Robinson happened. Do you know how she did it? What devastating weapon she used to derail my plan? The newspaper. She tipped off someone in *The Guardian.*

I still remember seeing the headline, there in black and white: "The Loneliest Building in Britain." Trouble is, everyone I picked was white middle-class, so people actually cared, falling over themselves to declare it "emblematic of the problems of the modern world." _(ugh)_ The thinkpieces started to pour in, the applications started to drop off, and I was up to my neck in _(exasperated)_ community outreach programs. No way to salvage it. Years of my life and a sizable fortune down the drain. She didn't *even* have the decency to kill me.

It really knocked me back. Took me years to find myself again. I returned to the Tundra, tried to forget -- but the trouble was, I'd tasted the game now. I was still hungry for more. I *suppose* that's why I was so keen when Elias contacted me. We'd kept in touch, of course: my family helped fund the Institute, and he'd always been good about tipping me off to potential victims. Going through something horrific can leave you feeling very isolated indeed, especially if you know no one else will believe you.

And of course... he knew I find it hard to resist a wager.

If I could convince one of his staff to willingly pledge themselves to the Lonely, it was all mine. He even let me pick the victim. He was *so* sure the price of the Institute, the Panopticon and a willing vessel to use it would be just too much for me to resist. And... he was right. Just didn't go quite as I'd hoped.

You know, this is one of the first bets I ever made with him I've actually lost. But I guess that's how hustlers work, isn't it? They lose and lose until you're willing to put it all on the line, and then -- the trap shuts.

So I suppose that's probably why I reacted so rashly, trying to rip his victory away. Keep you here. But it looks like I might have underestimated my opponent once again.

#### ARCHIVIST

What was his prize? What did he get if you lost?

#### PETER

_(disinterested)_ Oh, he got you.

#### ARCHIVIST

I-I don't understand.

#### PETER

And you won't. Not from me.

I'm done.

#### ARCHIVIST

Tell me.

##### [THE COMPULSION STARTS UP AGAIN.]

#### PETER

_(pained)_ I'm... not saying... another... word.

#### ARCHIVIST

*Tell* me, or I will __rip it out of you.__

#### PETER

No...

##### [THE STATIC GROWS LOUDER.]

#### ARCHIVIST

Answer my question!

#### PETER

_(echoing again)_ *No! Leave... me... ALONE!*

#### ARCHIVIST

__*TELL ME!*__

##### [THE SQUEALING CRESCENDOS AS THE ARCHIVIST RIPS PETER LUKAS APART. LUKAS LETS OUT A FINAL DEFIANT SCREAM THAT FADES INTO THE REGULAR STATIC.]

#### ARCHIVIST

_(whispered)_ Stubborn fool.

##### [A FEW SECONDS PASS, FOOTSTEPS]

Martin. He's gone, Martin. He -- he's gone.

#### MARTIN

_(echoing)_ His only wish was to die alone.

#### ARCHIVIST

*Tough.* Now -- listen to me, Martin. Listen.

#### MARTIN

_(emptily, echoing)_ Hello, John.

#### ARCHIVIST

Listen, I know you *think* you want to be here, I know you think it's safer, and well -- well, maybe it is. But we need you. _(desperately)_ *I* need you.

#### MARTIN

No, you don't. Not really. Everyone's alone, but we all survive.

#### ARCHIVIST

_(cutting off Martin's echo)_ I don't just want to *survive!*

#### MARTIN

I'm sorry.

#### ARCHIVIST

Martin. Martin, look at me. Look at me and tell me what you see.

#### MARTIN

I see...

##### [MARTIN'S VOICE QUAVERS.]

I see you, John.

##### [HE LETS OUT AN INCREDULOUS CHUCKLE, THEN ANOTHER. HIS ECHO GOES AWAY.]

I *see* you.

#### ARCHIVIST

_(relieved)_ Martin.

##### [MARTIN'S BREATHING GETS FASTER. HE SOBS, HIS VOICE BREAKING.]

#### MARTIN

I... I was on my own. I was all on my own.

#### ARCHIVIST

Not anymore. Come on. Let's go home.

#### MARTIN

How?

#### ARCHIVIST

Don't worry. I know the way.

##### [THEY BEGIN TO WALK, AND THE TAPE ENDS.]

##### [CLICK]