169 - The Whittler
Let us go then, you and I
When the evening is spread out
Against the sky
And pick up some Dell Taco for dinner.
Welcome to Night Vale.
Beyond our town, past the Sand Wastes, in the Scrublands, sits the old general store. An oaken cabin style A-frame with boxed windows and a covered patio. On the porch there sits a swinging bench and upon that bench sits an elderly man, his face crumpled like a discarded letter, his eyes like tire tracks hidden beneath the shady brim of a straw cowboy hat.
The old man holds a block of Elmwood the size of a potato in his right hand, and in his left, a carving jack. He whittles away at the knot of food, shaving off small corners, making detailed lines and indentations. The wood is all his world. And this world is quiet in his lap, on his bench, on his patio, before his general store amid the Scrublands past the Sand Wastes, which curl about Night Vale like the gentle but calloused hands of a father holding a newborn.
As the old man whittles, he whistles sad songs with no words. But all those who hear the notes know they are bout loss. That they are about loneliness. But no one hears those notes. Not yet. No one sees the old whittler, nor his general store far out in an uninhabited stretch of desert. Not yet. If they did, they would wonder how an old general store, which was not there yesterday, was suddenly here today, a shop that by all accounts had weathered decades of abusive heat, wind, and isolation. They would hear his sad song, and the universal language of wistful sorrow would hide from them their understanding of time.
Let’s have a look now at sports.
This Saturday night, the Night Vale High School Scorpions basketball team begins the district tournament. The Scorpions, having finished the season 18-2, earned the number 1 seat this year, but face some tough competition in their bracket. In the first round, they must battle another basketball team. This is logical, because most basketball tournaments feature other basketball teams. But the other basketball team is considered weaker than the Night Vale Scorpions, because a series of accumulated numbers indicates this is so.
Should the Scorpions make it out of the first round and into the semi-finals, they would likely battle the number 4 seed, Nature. A tougher matchup to be sure, as Nature is unpredictable and ubiquitous. Nature’s style of play is best described as capricious and random, sometimes showcasing an array of flashy skills like sunny days, crystalline lakes, and otters. But Nature is a lockdown defensive force with effective momentum stoppers like lightning, quicksand, and poison ivy.
And in the finals, the favorites to compete for the title are Night Vale High School versus themselves, perhaps the toughest battle of them all, as each player must confront their harmful secrets, painful pasts, and darkest nightmares. Themselves are able to match the pace and power of Night Vale’s offensive and defensive sets, and we expect an excellent game.
Good luck, Scorpions!
Most days the Scrublands are absent of humans, unapproachable and hostile. Today is not most days, as a line of Night Vale citizens has formed outside of the general store to see the old whittler and his wood menagerie. Parents ask for photos of their children with his work, and he only whistles and nods nearly imperceptibly. It could almost be interpreted as a slight twitch of the neck, rather than an affirming nod, but interpretations grow liberal when want is high.
Fathers and mothers snap pictures on their phones of children accepting gifts of wood figurines from the old man. The kids stare into the thin black ellipses that pass for his eyes, searching for the charming smile of elderly approval. But instead, seeing every single constellation of the night sky inside slits as thin as thistles and as black as tar. The historic expansion of the universe cannot be fully understood in words or even human thought, but it can be comprehended in the eyes of the tanned, wrinkled stranger.
The old whittler does not charge a penny for any of his work. He does not smile nor accept the many thank-yous coaxed out of the young ones by their manner-minded handlers. Nor does he accept requests. Children have many mascots, heroes, and cartoons that they love to possess via keepsake totems, and they repeatedly ask the old man for whittled representations of their favorite things, like Pokemon characters or one of Pixar’s anthropomorphic cars, or even Ted Allen, host of Food Network’s long running cooking competition “Chopped”.
But the old whittler only carves what he carves. And he carves tiny horses, little cowboys, old-timey wagons, armadillos, tigers, tractors, almost anything you can think of. He finishes his sculpture of a koala bear and hands it to Amber Akinyi, who looks at her husband Wilson Levy, who is holding their sobbing, screaming 16-month-old baby Flora. The couple smiles together, never knowing that this balsa koala is everything they could have ever wanted beyond a loving family. Wilson begins to cry at the simple beauty of this craft. Amber begins to cry at the feeling of being understood, and young Flora stops crying as she fawns over the 6-inch tall antipodean marsupial, cartoonishly gnawing on a eucalyptus leaf.
The whittler also carves people. Small human figures, yes, like firefighters and ballerinas and clowns, but also actual people. Harrison Kip told the old man he wished to be happier in his own skin, and the old whittler grabbed Harrison’s cheeks and brought Harrison’s round, soft face before his own crinkled countenance, and Harrison screamed. He screamed in fear of what the old man was about to do. He also screamed in joyous anticipation, and the two screams were discordant like adjacent keys pressed simultaneously on a church organ.
The old whittler pressed his knife against Harrison’s chin and began to pull the blade back, using the force of his thumb and the trunk of his forefinger. He repeated throughout Harrison’s assenting and defiant shouts, and after a few moments, Harrison stopped yelling and stood. His jaw squarer, his nose thinner and longer, his shoulders broader. And Harrison smiled.
Soon, the whittler began carving houses, roads, and city buildings. They were larger than the koala, much larger, for they were full-sized renditions of these things. He sliced and sawed away at block after block of red oak, hackberry and peachwood, forming new arteries of city travel, whole blocks of residences, and even cultural landmarks and venues. And the town of Night Vale, in a single late morning, began to expand into the distant and uninhabitable Scrublands of our desert.
Let’s have a look now at horoscopes.
Gemini. Bury yourself in your work today, Gemini. Pile that garbage high and rest your weary head beneath its odorous, but comforting weight.
Cancer. No more Mr. Nice Guy, Cancer. Today you are Mrs. Disinterested Lady. Get out there and be uninvolved in everything.
Leo. You’re the talk of the town, Leo. Word after word is about you, and it is juicy! Like a rare steak, like a blood orange. Juicy like 2008 coutoure. Whew! You should hear what they’re saying.
Virgo. You are not what you seem to be, Virgo. You seem to be a blackberry shrub, overreaching and prickly. But really you are a human, squishy and small. Continue to be the thorny fruit-bearing bush, though.
Libra. You seek balance, Libra, but you are as lopsided as wealth disparity graph in an economist’s classroom. Share your worth, distribute your value fairly and compassionately, Libra, for the villagers are sharpening their tools.
Scorpio. Hey Steve, love you pal!
Sagittarius. Your (-) [0:10:42] in relationships is going to be your downfall, Sagittarius. You’re an obsidian monolith, towering over everyone, absorbing all light, except the faint reflection of those who want to know what glows inside your stony façade. You don’t have to be a diamond, Sagittarius, or even quartz. Just try for salt lick, OK? I think you can achieve that.
Capricorn. Oh the games you play, Capricorn, you wicked little sea goat! You naughty caprine ocean dweller with your horns and scales, vexing us with your riddles and labyrinthian logic! The stars offer no advice for you, Capricorn, only envious praise.
Aquarius. Put your money where your mouth is, but wash that money first, Aquarius. It’s been in so many other people’s mouths, ever since we added Jolly Ranchers as legal currency.
Pisces. You’re swimming upstream, Pisces. Figuratively speaking, of course. I mean you are a human who does not need to actually swim upstream for food or a mate. Get out of the metaphorical stream and avoid the damage you’re going to do to your body and soul. Except for you, Tim. You’re a woodchuck, who is literally swimming upstream. I don’t like you, Tim, because you are eating my tulips. You can drown.
Aries. Fake it til you pretend to make it, Aries.
Taurus. Don’t hide your feelings, Taurus! Frame them! Display them ostentatiously on the wall. Mount them on plinths behind velvet robed (-) [0:12:33]. Curate an exhibit of your feelings, Taurus. Charge admission.
And now the news.
The Night Vale City Council deliberated today on whether the old whittler in front of the old general store in the Scrublands was friend or foe to our town. Those voices arguing in favor of the old man celebrated the huge municipal expansion he was creating so quickly onto undeveloped land.
“This new infrastructure would have taken us dozens of years and millions of dollars to deploy, and he has accomplished it all in half day!” these voices said in unison. “Plus,” they added, “he whittled a little army man for my kid, a bracelet for my wife, and a sweater for our cat. It’s everything we ever wanted!”
The dissenting voices, and they were few, could only argue that he failed to acquire proper permits for any of this construction, let alone an outdoor vendor’s license which is mandatory even for giveaways. Excepting restaurant samples, marketing promotions, and military dispersion of chemtrails.
The many-voiced, uni-bodied creature that is the City Council, huffed in nearly unanimous support for this old man. His sad whistling, his prolific whittling, and his beneficence to our city.
“Did you see?” said there of the voices, “that inside the general store there’s everything you could ever need. Cans, boxes, shelves, counters! Walls. It’s amazing. Everything is craved from a single block of wood, and it’s all connected! No glue or bolts or rivets anywhere.”
“He’s a deft hand,” concurred four other voices.
“How does he even find single blocks of wood that huge?” wondered a solo voice aloud.
“Whatever!” the entire City Council roared in unison. “That old man is a superb whittler!”
And now financial news.
[hysterical laughter Ha ha hahahaha hahaha every-everything’s fine! It’s just dandy! Uh, thank you for asking.
And now back to our top story.
Out in the Scrublands, an entire wooden suburb has grown from the withered hands and sharp knife of the old whittler, who has for the first time today, moved from the porch of his general store. He stands now upon a stage, a round platform on the center of a great amphitheater, which he personally carved deep into the cracked, red rock of the desert floor.
The people of Night Vale gather and sit on wood plank rows, which curve in a semi-circle around the old man on the stage. Each person in attendance holds in their hands a whittled object given to them as they entered the audience space. The items are all different, esoteric, and unique, each item and unexpected gift of the whittler. Each item the very thing they have always wanted, even if it was never what they thought they wanted. They hold gently their presents, protecting them with their very lives.
The whittler, with his straw hat still shading his keyhole eyes and riverbend mouth, stands before the people of Night Vale who sit in an arena of his own making, each cradling a beloved statuette of his own making.
The old man reaches out and takes the hand of his bride. She, of course, is of his own making as well. She is craved of weeping cedar. Her veil, though entirely wood, is somehow translucent, and her sorrowful eyes are faintly visible behind the intricate work of the whittler’s blade.
The old man whistles once again, and the crowd whistles along with him. They know the song now. It lives in them like longing, like blood. Like a soul. They know every word of the wordless (-) [0:16:51], and the notes of loneliness spread across the Scrublands to the mountains’ edge and echo back in the key of hope, with a lilt of contentment and satisfaction. They will only be happy when he is happy and he is, indeed, happy.
As the whittler clutches the hand of his newly carved betrothed, the clouds part, revealing the happiest thing of all:
The weather.
[“Embroidery Stars” by Carrie Elkin http://carrieelkin.com/]
Into the Scrublands I went, myself already as happy as I could ever be for I was with my own true love, my husband. I journeyed to see the whittler for myself, as an effort of journalism, a chronicler of interesting events. I wanted for nothing. My happiness cannot be improved. Or so I believed.
When I arrived, the whittler more than 100 feet a way, and through a mass of thousands, greeted me with a nod so unobtrusive, I believed it to be a trick of the eye. But from the distance, I could see the whole of the universe in those dark eyes under dark shadow, behind the final violet of sunset. I knew he meant me.
Carlos and I stepped to the podium, and the old man opened his palm to reveal an original carving just for me. I had hoped it was a Nintendo Switch, but it was a [sea plane] [0:23:05]. Carlos, like a child on Santa’s lap, cooed and asked the old man for a superconductive supercollider. And the old whittler, his burlap cheeks heavy with gravity and history, reached into the breast pocket of his (-) shirt and handed Carlos a tiny wooden rose. Carlos hugged his rose to his chest, and I my (sea plane). The whittler took the hand again off his bride and gazed upon her, her veiled eyes met by his boundless stare. They stood like that for more than an hour, not speaking. The only sounds were the cicadas chirping and the crowd whistling.
But the tune faded, and soon only the cicadas cut through the silence of a still desert twilight. And one of us, Larry Leroy, stood and walked on to the stage. He touched the old man’s shoulder. The old man did not turn. He did not speak. He collapsed into black ash. Then his bride, then the seats beneath us, it all gave way to crumbling nothing. Then the buildings and roads and even the general store turned into ash. Finally, every one of our object dissipated, like Eurydice almost free from Hades. A gentle cool breeze arrived to sweep our hope away.
We returned home, wordless, with occasional whistles of the whittler’s tune, once again in a sad and lonesome key. Our cherished gifts, we told ourselves, were nothing more than baubles, ephemera, however blessed or magical. They were mere things, not love, not family, not true love, they were objects, toys. Props. Distractions. They were everything we have ever wanted, because we could hold them, see them, touch them. We can no longer do that, but we can remember what it was like. The rough of the wood against the soft of our hand.
Stay tuned next for our new game show:
“Name all the nouns!”
And as always,
good night,
Night Vale,
Good night.
Today’s proverb: Give a man and a fish and he’ll wonder what your deal is. Teach a man to fish and he’ll ask you once again to please leave him alone.