Filename                     Size  Description
05-19.scl                       5  5 out of 19-tET
05-22.scl                       5  Pentatonic "generator" of 09-22.scl
05-24.scl                       5  5 out of 24-tET, symmetrical
06-41.scl                       6  Hexatonic scale in 41-tET, Magic-6
07-19.scl                       7  Nineteen-tone equal major
07-31.scl                       7  Strange diatonic-like strictly proper scale
07-37.scl                       7  Miller's Porcupine-7
08-11.scl                       8  8 out of 11-tET
08-13.scl                       8  8 out of 13-tET
08-19.scl                       8  8 out of 19-tET, Mandelbaum
08-37.scl                       8  Miller's Porcupine-8
09-15.scl                       9  Charyan scale of Andal, Boudewijn Rempt (1999), 1/1=A
09-19.scl                       9  9 out of 19-tET, Mandelbaum. Negri[9]
09-19a.scl                      9  Second strictly proper 9 out of 19 scale
09-22.scl                       9  Trivalent scale in 22-tET, TL 05-12-2000
09-23.scl                       9  9 out of 23-tET, Dan Stearns
09-29.scl                       9  Cycle of g=124.138 in 29-tET (Negri temperament)
09-31.scl                       9  Scott Thompson scale 724541125
10-13-58.scl                   10  Single chain pseudo-MOS of major and neutral thirds in 58-tET
10-13.scl                      10  10 out of 13-tET MOS, Carl Lumma, TL 21-12-1999
10-19.scl                      10  10 out of 19-tET, Mandelbaum. Negri[10]
10-29.scl                      10  10 out of 29-tET, chain of 124.138 cents intervals, Keenan
11-18.scl                      11  11 out of 18-tET, g=333.33, TL 27-09-2009
11-19-gould.scl                11  11 out of 19-tET, Mark Gould (2002)
11-19-krantz.scl               11  11 out of 19-tET, Richard Krantz
11-19-mclaren.scl              11  11 out of 19-tET, Brian McLaren. Asc: 311313313 Desc: 313131313
11-23.scl                      11  11 out of 23-tET, Dan Stearns
11-31.scl                      11  Jon Wild, 11 out of 31-tET, g=7/6, TL 9-9-1999
11-34.scl                      11  Erv Wilson, 11 out of 34-tET, chain of minor thirds, Kleismic-11
11-37.scl                      11  Jake Freivald, 11 out of 37-tET, g=11/8, TL 22-08-2012
11-limit-only.scl              11  11-limit-only
12-17.scl                      12  12 out of 17-tET, chain of fifths
12-19.scl                      12  12 out of 19-tET scale from Mandelbaum's dissertation
12-22.scl                      12  12 out of 22-tET, chain of fifths
12-22h.scl                     12  Hexachordal 12-tone scale in 22-tET
12-27.scl                      12  12 out of 27, Herman Miller's Galticeran scale
12-31.scl                      12  12 out of 31-tET, meantone Eb-G#
12-31_11.scl                   12  11-limit 12 out of 31-tET, George Secor
12-43.scl                      12  12 out of 43-tET (1/5-comma meantone)
12-46.scl                      12  12 out of 46-tET, diaschismic
12-46p.scl                     12  686/675 comma pump scale in 46-tET
12-50.scl                      12  12 out of 50-tET, meantone Eb-G#
12-79mos159et.scl              12  12-tones out of 79 MOS 159ET, Splendid Beat Rates Based on Simple Frequencies version, C=262hz
12-note_11-limit_marvel_sns.scl
                               12  12-note 11-limit Marvel tempered Step-Nested Scale
12-yarman24a.scl               12  12-tones out of Yarman24a, circulating in the style of Rameau's Modified Meantone Temperament
12-yarman24b.scl               12  12-tones out of Yarman24b, circulating in the style of Rameau's Modified Meantone Temperament
12-yarman24c.scl               12  12-tones out of Yarman24c, circulating in the style of Rameau's Modified Meantone Temperament
12-yarman24d.scl               12  12-tones out of Yarman24d, circulating in the style of Rameau's Modified Meantone Temperament
13-19.scl                      13  13 out of 19-tET, Mandelbaum
13-22.scl                      13  13 out of 22-tET, generator = 5
13-30t.scl                     13  Tritave with 13/10 generator, 91/90 tempered out
13-31.scl                      13  13 out of 31-tET Hemiwürschmidt[13]
14-19.scl                      14  14 out of 19-tET, Mandelbaum
14-26.scl                      14  Two interlaced diatonic in 26-tET, tetrachordal. Paul Erlich (1996)
14-26a.scl                     14  Two interlaced diatonic in 26-tET, maximally even. Paul Erlich (1996)
15-37.scl                      15  Miller's Porcupine-15
15-46.scl                      15  Valentine[15] in 46-et tuning
16-139.scl                     16  g=9 steps of 139-tET. Gene Ward Smith "Quartaminorthirds" 7-limit temperament
16-145.scl                     16  Magic[16] in 145-tET
16-31.scl                      16  Armodue semi-equalizzato
17-31.scl                      17  17 out of 31, with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
17-53.scl                      17  17 out of 53-tET, Arabic Pythagorean scale, Safiyuddîn Al-Urmawî (Safi al-Din)
19-31.scl                      19  19 out of 31-tET, meantone Gb-B#
19-31ji.scl                    19  A septimal interpretation of 19 out of 31 tones, after Wilson, XH7+8
19-36.scl                      19  19 out of 36-tET, Tomasz Liese, Tuning List, 1997
19-50.scl                      19  19 out of 50-tET, meantone Gb-B#
19-53.scl                      19  19 out of 53-tET, Larry H. Hanson (1978), key 8 is Mason Green's 1953 scale
19-55.scl                      19  19 out of 55-tET, meantone Gb-B#
19-any.scl                     19  Two out of 1/7 1/5 1/3 1 3 5 7 CPS
20-31.scl                      20  20 out of 31-tET
20-55.scl                      20  20 out of 55-tET, J. Chesnut: Mozart's teaching of intonation, JAMS 30/2 (1977)
21-any.scl                     21  2)7 1.3.5.7.9.11.13 21-any, 1.3 tonic
22-100.scl                     22  MODMOS with 10 and 12-note chains of fifths by Gene Ward Smith, similar to Pajara
22-100a.scl                    22  Alternative version with 600 cents period
22-41.scl                      22  22 out of 41 by Stephen Soderberg, TL 17-11-98
22-46.scl                      22  22 shrutis out of 46-tET by Graham Breed
22-53.scl                      22  22 shrutis out of 53-tET
24-60.scl                      24  12 and 15-tET mixed. Novaro (1951)
24-80.scl                      24  Regular 705-cent temperament, 24 of 80-tET
24-94.scl                      24  24 tone schismic temperament in 94-tET, Gene Ward Smith (2002)
28-any.scl                     26  6)8 1.3.5.7.9.11.13.15 28-any, only 26 tones
30-29-min3.scl                  9  30/29 x 29/28 x 28/27 plus 6/5
31-171.scl                     31  Tertiaseptal-31 in 171-tET, g=11\171
46_72.scl                      46  46 note subset of 72-tET containing the 17-limit otonalities and utonalities by Rick Tagawa
53-commas.scl                  53  so-called 1/9 comma division of Turkish Music by equal division of 9/8 into 9 equal string lengths
56-any.scl                     48  3)8 1.3.5.7.9.11.13.15 56-any, 1.3.5 tonic, only 48 notes
67-135.scl                     67  67 out of 135-tET by Ozan Yarman, g=17.7777
70-any.scl                     70  4)8 1.3.5.7.11.13.17.19 70-any, tonic 1.3.5.7
79-159.scl                     79  79 out of 159-tET MOS by Ozan Yarman, 79-tone Tuning & Theory For Turkish Maqam Music
79-159beats.scl                79  79 MOS 159tET Splendid Beat Rates Based on Simple Frequencies, C=262 hz
79-159first.scl                79  79 MOS 159-tET original pure fourths version
79-159ji.scl                   79  79 MOS 159-tET Just Intonation Ratios
79-159_arel-ezgi-uzdilek.scl   24  Arel-Ezgi-Uzdilek style of 11 fifths up, 12 down from tone of origin in 79 MOS 159-tET
79-159_equidistant5ths.scl     79  79 MOS 159-tET equi-distant fifths from pure 3:2 version.
79-159_splendidbeating.scl     79  79 MOS 159-tET Splendid Beat Rates Based on Simple Frequencies, C=262 hz
80-159.scl                     80  80 out of 159-tET MOS by Ozan Yarman, 79-tone Tuning & Theory For Turkish Maqam Music
80-159beats.scl                80  80 MOS 159tET Splendid Beat Rates Based on Simple Frequencies, C=262 hz
80-159_splendidbeating.scl     80  80 MOS 159-tET Splendid Beat Rates Based on Simple Frequencies, C=262 hz
abell1.scl                     12  Ross Abell's French Baroque Meantone 1, a'=520 Hz
abell2.scl                     12  Ross Abell's French Baroque Meantone 2, a'=520 Hz
abell3.scl                     12  Ross Abell's French Baroque Meantone 3, a'=520 Hz
abell4.scl                     12  Ross Abell's French Baroque Meantone 4, a'=520 Hz
abell5.scl                     12  Ross Abell's French Baroque Meantone 5, a'=520 Hz
abell6.scl                     12  Ross Abell's French Baroque Meantone 6, a'=520 Hz
abell7.scl                     12  Ross Abell's French Baroque Meantone 7, a'=520 Hz
abell8.scl                     12  Ross Abell's French Baroque Meantone 8, a'=520 Hz
abell9.scl                     12  Ross Abell's French Baroque Meantone 9, a'=520 Hz
ad-dik.scl                     24  Amin Ad-Dik, 24-tone Egyptian tuning, d'Erlanger vol.5, p. 42
aeolic.scl                      7  Ancient Greek Aeolic, also tritriadic scale of the 54:64:81 triad
aeu-41 ratios.scl              41  AEU extended to quasi-cyclic 41-tones in simple ratios
aeu-41.scl                     41  AEU extended to 41-quasi equal tones by Ozan Yarman
agricola.scl                   12  Agricola's Monochord, Rudimenta musices (1539)
agricola_p.scl                 12  Agricola's Pythagorean-type Monochord, Musica instrumentalis deudsch (1545)
akea46_13.scl                  46  Tridecimal Akea[46] hobbit minimax tuning. Commas 325/324, 352/351, 385/384
al-din.scl                     35  Safi al-Din's complete lute tuning on 5 strings 4/3 apart
al-din_19.scl                  19  Pythagorean Arabic scale by Safi al-Din
al-farabi.scl                   7  Al-Farabi Syn Chrom
al-farabi_19.scl               19  Arabic scale by Al Farabi
al-farabi_22.scl               22  Al-Farabi 22 note ud scale
al-farabi_9.scl                 9  Al-Farabi 9 note ud scale
al-farabi_blue.scl              7  Another tuning from Al Farabi, c700 AD
al-farabi_chrom.scl             7  Al Farabi's Chromatic c700 AD
al-farabi_chrom2.scl            7  Al-Farabi's Chromatic permuted
al-farabi_diat.scl              7  Al-Farabi's Diatonic
al-farabi_diat2.scl             7  Old Phrygian, permuted form of Al-Farabi's reduplicated 10/9 diatonic genus, same as ptolemy_diat.scl
al-farabi_div.scl              10  Al Farabi's 10 intervals for the division of the tetrachord
al-farabi_div2.scl             12  Al-Farabi's tetrachord division, incl. extra 2187/2048 & 19683/16384
al-farabi_divo.scl             24  Al Farabi's theoretical octave division with identical tetrachords, 10th c.
al-farabi_dor.scl               7  Dorian mode of Al-Farabi's 10/9 Diatonic
al-farabi_dor2.scl              7  Dorian mode of Al-Farabi's Diatonic
al-farabi_g1.scl                7  Al-Farabi's Greek genus conjunctum medium, Land
al-farabi_g10.scl               7  Al-Farabi's Greek genus chromaticum forte
al-farabi_g11.scl               7  Al-Farabi's Greek genus chromaticum mollissimum
al-farabi_g12.scl               7  Al-Farabi's Greek genus mollissimum ordinantium
al-farabi_g3.scl                7  Al-Farabi's Greek genus conjunctum primum
al-farabi_g4.scl                7  Al-Farabi's Greek genus forte duplicatum primum
al-farabi_g5.scl                7  Al-Farabi's Greek genus conjunctum tertium, or forte aequatum
al-farabi_g6.scl                7  Al-Farabi's Greek genus forte disjunctum primum
al-farabi_g7.scl                7  Al-Farabi's Greek genus non continuum acre
al-farabi_g8.scl                7  Al-Farabi's Greek genus non continuum mediocre
al-farabi_g9.scl                7  Al-Farabi's Greek genus non continuum laxum
al-hwarizmi.scl                 6  Al-Hwarizmi's tetrachord division
al-kindi.scl                    6  Al-Kindi's tetrachord division
al-kindi2.scl                  14  Arabic mode by al-Kindi
al-mausili.scl                 11  Arabic mode by Ishaq al-Mausili (? - 850 AD)
alembert-rousseau.scl          12  d'Alembert and Rousseau tempérament ordinaire (1752/1767)
alembert-rousseau2.scl         12  d'Alembert and Rousseau (1752-1767) different interpretation
alembert.scl                   12  Jean-Le Rond d'Alembert modified meantone (1752)
alves.scl                      13  Bill Alves, tuning for "Instantaneous Motion", 1/1 vol.6 no.3
alves_12.scl                   12  Bill Alves, tuning for "Metalloid", TL 12-12-2007
alves_22.scl                   22  Bill Alves, 11-limit rational interpretation of 22-tET, TL 9-1-98
alves_pelog.scl                 7  Bill Alves JI Pelog, 1/1 vol.9 no.4, 1997. 1/1=293.33 Hz
alves_slendro.scl               5  Bill Alves, slendro for Gender Barung, 1/1 vol.9 no.4, 1997. 1/1=282.86 Hz
amity.scl                      39  Amity temperament, g=339.508826, 5-limit
amity53pure.scl                53  Amity[53] in pure-fifths tuning
ammerbach.scl                  12  Elias Mikolaus Ammerbach (1571), from Ratte: Temperierungspraktiken im süddeutschen Orgelbau p. 412
ammerbach1.scl                 12  Elias Mikolaus Ammerbach (1571, 1583) interpretation 1, Ratte, 1991
ammerbach2.scl                 12  Elias Mikolaus Ammerbach (1571, 1583) interpretation 2, Ratte, 1991
angklung.scl                    8  Scale of an anklung set from Tasikmalaya. 1/1=174 Hz
ankara.scl                     34  Ankara Turkish State Radio Tanbur Frets
appunn.scl                     36  Probable tuning of A. Appunn's 36-tone harmonium w. 3 manuals 80/81 apart (1887)
arabic_bastanikar_on_b.scl     12  Arabic Bastanikar with perde iraq on B by Dr. Ozan Yarman
arabic_bayati_and_bayati-shuri_on_d.scl
                               11  Arabic Bayati and Bayati-Shuri (Karjighar) with perde dugah on D by Dr. Oz.
arabic_bayati_and_ushshaq-misri_on_d.scl
                               11  Arabic Bayati and Ushshaq Misri with perde dugah on D by Dr. Oz.
arabic_huzam_on_e.scl          12  Arabic Huzam with perde segah on E by Dr. Oz.
arabic_rast_on_c.scl            8  Arabic Rast with perde rast on C by Dr. Ozan Yarman
arabic_saba-zamzama_on_d.scl   11  Arabic Saba-Zamzama with perde dugah on D by Dr. Oz.
arabic_saba_on_d.scl           11  Arabic Saba with perde dugah on D by Dr. Oz.
arabic_segah-mustaar_on_e.scl  12  Arabic Segah and Mustaar with perde segah on E by Dr. Oz.
arabic_zanjaran_on_c.scl        7  Arabic Zanjaran with perde rast on C by Dr. Oz.
archchro.scl                    7  Archytas' Chromatic in hemif temperament, 58-tET tuning
archytas12.scl                 12  Archytas[12] (64/63) hobbit, 9-limit minimax
archytas12sync.scl             12  Archytas[12] (64/63) hobbit, sync beating
archytas7.scl                   7  Archytas (64/63) hobbit in POTE tuning
arch_chrom.scl                  7  Archytas' Chromatic
arch_chromc2.scl               14  Product set of 2 of Archytas' Chromatic
arch_dor.scl                    8  Dorian mode of Archytas' Chromatic with added 16/9
arch_enh.scl                    7  Archytas' Enharmonic
arch_enh2.scl                   8  Archytas' Enharmonic with added 16/9
arch_enh3.scl                   7  Complex 9 of p. 113 based on Archytas's Enharmonic
arch_enhp.scl                   7  Permutation of Archytas' Enharmonic with 36/35 first
arch_enht.scl                   7  Complex 6 of p. 113 based on Archytas's Enharmonic
arch_enht2.scl                  7  Complex 5 of p. 113 based on Archytas's Enharmonic
arch_enht3.scl                  7  Complex 1 of p. 113 based on Archytas's Enharmonic
arch_enht4.scl                  7  Complex 8 of p. 113 based on Archytas's Enharmonic
arch_enht5.scl                  7  Complex 10 of p. 113 based on Archytas's Enharmonic
arch_enht6.scl                  7  Complex 2 of p. 113 based on Archytas's Enharmonic
arch_enht7.scl                  7  Complex 11 of p. 113 based on Archytas's Enharmonic
arch_mult.scl                  12  Multiple Archytas
arch_ptol.scl                  12  Archytas/Ptolemy Hybrid 1
arch_ptol2.scl                 12  Archytas/Ptolemy Hybrid 2
arch_sept.scl                  12  Archytas Septimal
ares12.scl                     12  Ares[12] (64/63&100/99) hobbit, POTE tuning
ares12opt.scl                  12  Lesfip scale derived from Ares[12], 13 cents, 11-limit
ariel1.scl                     12  Ariel 1
ariel2.scl                     12  Ariel 2
ariel3.scl                     12  Ariel's 12-tone JI scale
ariel_19.scl                   19  Ariel's 19-tone scale
ariel_31.scl                   31  Ariel's 31-tone system
arist_archenh.scl               7  PsAristo Arch. Enharmonic, 4 + 3 + 23 parts, similar to Archytas' enharmonic
arist_chrom.scl                 7  Dorian, Neo-Chromatic,6+18+6 parts = Athanasopoulos' Byzant.liturg. 2nd chromatic
arist_chrom2.scl                7  Dorian Mode, a 1:2 Chromatic, 8 + 18 + 4 parts
arist_chrom3.scl                7  PsAristo 3 Chromatic, 7 + 7 + 16 parts
arist_chrom4.scl                7  PsAristo Chromatic, 5.5 + 5.5 + 19 parts
arist_chromenh.scl              7  Aristoxenos' Chromatic/Enharmonic, 3 + 9 + 18 parts
arist_chrominv.scl              7  Aristoxenos' Inverted Chromatic, Dorian mode, 18 + 6 + 6 parts
arist_chromrej.scl              7  Aristoxenos Rejected Chromatic, 6 + 3 + 21 parts
arist_chromunm.scl              7  Unmelodic Chromatic, genus of Aristoxenos, Dorian Mode, 4.5 + 3.5 + 22 parts
arist_diat.scl                  7  Phrygian octave species on E, 12 + 6 + 12 parts
arist_diat2.scl                 7  PsAristo 2 Diatonic, 7 + 11 + 12 parts
arist_diat3.scl                 7  PsAristo Diat 3, 9.5 + 9.5 + 11 parts
arist_diat4.scl                 7  PsAristo Diatonic, 8 + 8 + 14 parts
arist_diatdor.scl               7  PsAristo Redup. Diatonic, 14 + 2 + 14 parts
arist_diatinv.scl               7  Lydian octave species on E, major mode, 12 + 12 + 6 parts
arist_diatred.scl               7  Aristo Redup. Diatonic, Dorian Mode, 14 + 14 + 2 parts
arist_diatred2.scl              7  PsAristo 2 Redup. Diatonic 2, 4 + 13 + 13 parts
arist_diatred3.scl              7  PsAristo 3 Redup. Diatonic, 8 + 11 + 11 parts
arist_enh.scl                   7  Aristoxenos' Enharmonion, Dorian mode
arist_enh2.scl                  7  PsAristo 2 Enharmonic, 3.5 + 3.5 + 23 parts
arist_enh3.scl                  7  PsAristo Enharmonic, 2.5 + 2.5 + 25 parts
arist_hemchrom.scl              7  Aristoxenos's Chromatic Hemiolion, Dorian Mode
arist_hemchrom2.scl             7  PsAristo C/H Chromatic, 4.5 + 7.5 + 18 parts
arist_hemchrom3.scl             7  Dorian mode of Aristoxenos' Hemiolic Chromatic according to Ptolemy's interpretation
arist_hypenh2.scl               7  PsAristo 2nd Hyperenharmonic, 37.5 + 37.5 + 425 cents
arist_hypenh3.scl               7  PsAristo 3 Hyperenharmonic, 1.5 + 1.5 + 27 parts
arist_hypenh4.scl               7  PsAristo 4 Hyperenharmonic, 2 + 2 + 26 parts
arist_hypenh5.scl               7  PsAristo Hyperenharmonic, 23 + 23 + 454 cents
arist_intdiat.scl               7  Dorian mode of Aristoxenos's Intense Diatonic according to Ptolemy
arist_penh2.scl                 7  Permuted Aristoxenos's Enharmonion, 3 + 24 + 3 parts
arist_penh3.scl                 7  Permuted Aristoxenos's Enharmonion, 24 + 3 + 3 parts
arist_pschrom2.scl              7  PsAristo 2 Chromatic, 6.5 + 6.5 + 17 parts
arist_softchrom.scl             7  Aristoxenos's Chromatic Malakon, Dorian Mode
arist_softchrom2.scl            7  Aristoxenos' Soft Chromatic, 6 + 16.5 + 9.5 parts
arist_softchrom3.scl            7  Aristoxenos's Chromatic Malakon, 9.5 + 16.5 + 6 parts
arist_softchrom4.scl            7  PsAristo S. Chromatic, 6 + 7.5 + 16.5 parts
arist_softchrom5.scl            7  Dorian mode of Aristoxenos' Soft Chromatic according to Ptolemy's interpretation
arist_softdiat.scl              7  Aristoxenos's Diatonon Malakon, Dorian Mode
arist_softdiat2.scl             7  Dorian Mode, 6 + 15 + 9 parts
arist_softdiat3.scl             7  Dorian Mode, 9 + 15 + 6 parts
arist_softdiat4.scl             7  Dorian Mode, 9 + 6 + 15 parts
arist_softdiat5.scl             7  Dorian Mode, 15 + 6 + 9 parts
arist_softdiat6.scl             7  Dorian Mode, 15 + 9 + 6 parts
arist_softdiat7.scl             7  Dorian mode of Aristoxenos's Soft Diatonic according to Ptolemy
arist_synchrom.scl              7  Aristoxenos's Chromatic Syntonon, Dorian Mode
arist_syndiat.scl               7  Aristoxenos's Diatonon Syntonon, Dorian Mode
arist_unchrom.scl               7  Aristoxenos's Unnamed Chromatic, Dorian Mode, 4 + 8 + 18 parts
arist_unchrom2.scl              7  Dorian Mode, a 1:2 Chromatic, 8 + 4 + 18 parts
arist_unchrom3.scl              7  Dorian Mode, a 1:2 Chromatic, 18 + 4 + 8 parts
arist_unchrom4.scl              7  Dorian Mode, a 1:2 Chromatic, 18 + 8 + 4 parts
arnautoff_21.scl               21  Philip Arnautoff, transposed Archytas enharmonic (2005), 1/1 vol.12 no.1
aron-neidhardt.scl             12  Aron-Neidhardt equal beating well temperament
artusi.scl                     12  Clavichord tuning of Giovanni Maria Artusi (1603). 1/4-comma with mean semitones
artusi2.scl                    12  Artusi's tuning no. 2, 1/6-comma meantone with mean semitones
artusi3.scl                    12  Artusi's tuning no. 3
art_nam.scl                     9  Artificial Nam System
athan_chrom.scl                 7  Athanasopoulos's Byzantine Liturgical mode Chromatic
atomic-commas.scl              52  Atomic 5-limit minimax version, schisma=1, diaschisma=10, synt.c=11, pyth.c=12, minor diesis=21, major diesis=32
atomschis.scl                  12  Atom Schisma Scale
augdimhextrug.scl              12  Sister wakalix to Wilson class
augdommean.scl                 12  August-dominant-meantone Fokker block
augment15br1.scl               15  Augmented[15] with a brat of 1
augteta.scl                     8  Linear Division of the 11/8, duplicated on the 16/11
augteta2.scl                    8  Linear Division of the 7/5, duplicated on the 10/7
augtetb.scl                     8  Harmonic mean division of 11/8
augtetc.scl                     8  11/10 C.I.
augtetd.scl                     8  11/9 C.I.
augtete.scl                     8  5/4 C.I.
augtetf.scl                     8  5/4 C.I. again
augtetg.scl                     8  9/8 C.I.
augteth.scl                     8  9/8 C.I. A gapped version of this scale is called AugTetI
augtetj.scl                     6  9/8 C.I. comprised of 11:10:9:8 subharmonic series on 1 and 8:9:10:11 on 16/11
augtetk.scl                     6  9/8 C.I. This is the converse form of AugTetJ
augtetl.scl                     6  9/8 C.I. This is the harmonic form of AugTetI
avg_bac.scl                     7  Average Bac System
avicenna_17.scl                17  Tuning by Avicenna (Ibn Sina), Ahmed Mahmud Hifni, Cairo, 1977
avicenna_19.scl                19  Arabic scale by Ibn Sina
avicenna_chrom.scl              7  Dorian mode a chromatic genus of Avicenna
avicenna_chrom2.scl             7  Dorian Mode, a 1:2 Chromatic, 4 + 18 + 8 parts
avicenna_chrom3.scl             7  Avicenna's Chromatic permuted
avicenna_diat.scl               7  A soft diatonic genus of Avicenna
avicenna_diat2.scl              7  A soft diatonic genus of Avicenna (Ibn Sina)
avicenna_diff.scl              12  Difference tones of Avicenna's Soft diatonic reduced by 2/1
avicenna_enh.scl                7  Dorian mode of Avicenna's (Ibn Sina) Enharmonic genus
awad.scl                       24  d'Erlanger vol.5, p. 37, after Mans.ur 'Awad
awraamoff.scl                  12  Awraamoff Septimal Just (1920)
ayers_19.scl                   19  Lydia Ayers, NINETEEN, for 19 for the 90's CD. Repeats at 37/19 (or 2/1)
ayers_37.scl                   36  Lydia Ayers, algorithmic composition, subharmonics 1-37
ayers_me.scl                    9  Lydia Ayers, Merapi (1996), Slendro 0 2 4 5 7 9, Pelog 0 1 3 6 8 9
b10_13.scl                     10  10-tET approximation with minimal order 13 beats
b12_17.scl                     12  12-tET approximation with minimal order 17 beats
b14_19.scl                     14  14-tET approximation with minimal order 19 beats
b15_21.scl                     15  15-tET approximation with minimal order 21 beats
b8_11.scl                       8  8-tET approximation with minimal order 11 beats
badings1.scl                    9  Henk Badings, harmonic scale, Lydomixolydisch
badings2.scl                    9  Henk Badings, subharmonic scale, Dorophrygisch
bagpipe1.scl                   12  Bulgarian bagpipe tuning
bagpipe2.scl                    9  Highland Bagpipe, from Acustica4: 231 (1954) J.M.A Lenihan and S. McNeill
bagpipe3.scl                    9  Highland Bagpipe, Allan Chatto, 1991. From Australian Pipe Band College
bagpipe4.scl                    9  Highland Bagpipe, Ewan Macpherson in 'NZ Pipeband', Winter 1998
bailey_well.scl                12  Paul Bailey's proportional beating modern temperament (1993)
bailey_well2.scl               12  Paul Bailey's modern well temperament (2002)
bailey_well3.scl               12  Paul Bailey's equal beating well temperament
balafon.scl                     7  Observed balafon tuning from Patna, Helmholtz/Ellis p. 518, nr.81
balafon2.scl                    7  Observed balafon tuning from West-Africa, Helmholtz/Ellis p. 518, nr.86
balafon3.scl                    7  Pitt-River's balafon tuning from West-Africa, Helmholtz/Ellis p. 518, nr.87
balafon4.scl                    7  Mandinka balafon scale from Gambia
balafon5.scl                    7  An observed balafon tuning from Singapore, Helmholtz/Ellis p. 518, nr.82
balafon6.scl                    7  Observed balafon tuning from Burma, Helmholtz/Ellis p. 518, nr.84
balafon7.scl                    5  Observed South Pacific pentatonic balafon tuning, Helmholtz/Ellis p. 518, nr.93
baldy17.scl                    17  Baldy[17] 2.9.5.7.13 subgroup scale in 147-tET tuning
bamboo.scl                     23  Pythagorean scale with fifth average from Chinese bamboo tubes
banchieri.scl                  12  Adriano Banchieri, in L'Organo suonarino (1605)
bapere.scl                      5  African, Bapere Horns Aerophone, made of reed, one note each
barbour_chrom1.scl              7  Barbour's #1 Chromatic
barbour_chrom2.scl              7  Barbour's #2 Chromatic
barbour_chrom3.scl              7  Barbour's #3 Chromatic
barbour_chrom3p.scl             7  permuted Barbour's #3 Chromatic
barbour_chrom3p2.scl            7  permuted Barbour's #3 Chromatic
barbour_chrom4.scl              7  Barbour's #4 Chromatic
barbour_chrom4p.scl             7  permuted Barbour's #4 Chromatic
barbour_chrom4p2.scl            7  permuted Barbour's #4 Chromatic
barca.scl                      12  Barca
barca_a.scl                    12  Barca A
barkechli.scl                  27  Mehdi Barkechli, 27-tone pyth. Arabic scale
barlow_13.scl                  13  7-limit rational 13-equal, Barlow, On the Quantification of Harmony and Metre
barlow_17.scl                  17  11-limit rational 17-equal, Barlow, On the Quantification of Harmony and Metre
barnes.scl                     12  John Barnes' temperament (1977) made after analysis of Wohltemperierte Klavier, 1/6 P
barnes2.scl                    12  John Barnes' temperament (1971), 1/8 P
barton.scl                     12  Jacob Barton, tetratetradic scale on 6:7:9:11
barton2.scl                    11  Jacob Barton, mode of 88CET, TL 17-01-2007
battaglia_16.scl               16  Mike Battaglia 5-limit 16-tone scale
baumeister.scl                 12  In 1988 observed temperament of organ in Maihingen by Johann Martin Baumeister (1737)
beardsley_8.scl                 8  David Beardsley's scale used in "Sonic Bloom" (1999)
bedos.scl                      12  Temperament of Dom François Bédos de Celles (1770), after M. Tessmer
belet.scl                      13  Belet, Brian 1992  Proceedings of the ICMC pp.158-161.
bellingwolde.scl               12  Current 1/6-P. comma mod.mean of Freytag organ in Bellingwolde. Ortgies,2002
bellingwolde_org.scl           12  Original tuning of the Freytag organ in Bellingwolde
bell_mt_partials.scl            8  Partials of major third bell. 1/1=523.5677 Hz, hum note=-1200.42 c. André Lehr, 2006.
belobog31.scl                  31  Belobog[31] hobbit in 626-tET, commas 3136/3125, 441/440
bemetzrieder2.scl              12  Anton Bemetzrieder temperament nr. 2 (1808), is Vallotti in F#
bendeler-b.scl                 12  Die Brüche nach Bendeler, Jerzy Erdmann: Ein Rechenmodell für historische Mensurationsmethoden, p. 342
bendeler.scl                   12  J. Ph. Bendeler well temperament
bendeler1.scl                  12  Bendeler I temperament (c.1690), three 1/3P comma tempered fifths
bendeler2.scl                  12  Bendeler II temperament (c.1690), three 1/3P comma tempered fifths
bendeler3.scl                  12  Bendeler III temperament (c.1690), four 1/4P tempered fifths
bermudo-v.scl                  12  Bermudo's vihuela temperament, 3 1/6P, 1 1/2P comma
bermudo.scl                    12  Temperament of Fr. Juan Bermudo (1555)
bermudo2.scl                   12  Temperament of Fr. Juan Bermudo, interpr. of Franz Josef Ratte: Die Temperatur der Clavierinstrumente, p. 227
berthier.scl                   12  Jérôme Berthier, elliptical temperament (2014)
berthier2.scl                  12  Jérôme Berthier, elliptical temperament (2015)
betacub.scl                    46  inverted 3x3x3 9-limit quintad cube beta (5120/5103) synch tempered
bethisy.scl                    12  Bethisy temperament ordinaire, see Pierre-Yves Asselin: Musique et temperament
biezen.scl                     12  Jan van Biezen modified meantone (1974)
biezen2.scl                    12  Jan van Biezen 2, also Siracusa (early 17th cent.), modified 1/4 comma MT
biezen3.scl                    12  Jan van Biezen 3 (2004) (also called Van Biezen I)
biezen_chaumont.scl            12  Jan van Biezen, after Chaumont, 1/8 Pyth. comma. Lochem, Hervormde Gudulakerk (1978)
biggulp-bunya.scl              12  Biggulp tempered in POTE-tuned 13-limit bunya
biggulp.scl                    12  Big Gulp
bigler12.scl                   12  Kurt Bigler, JI organ tuning, TL 28-3-2004
bihex-top.scl                  12  Bihexany in octoid TOP tuning
bihex540.scl                   12  Bihexany in 540/539 tempering
bihexany-octoid.scl            12  Octoid tempering of bihexany, 600-equal
bihexany.scl                   12  Hole around [0, 1/2, 1/2, 1/2]
bihexanymyna.scl               12  Myna tempered bihexany, 89-tET
billeter.scl                   12  Organ well temperament of Otto Bernhard Billeter
billeter2.scl                  12  Bernhard Billeter's Bach temperament (1977/79), 1/12 and 7/24 Pyth. comma
bimarveldenewoo.scl            24  bimarveldene = genus(27*25*11) in [10/3 7/2 11] marvel tuning
blackbeat15.scl                15  Blackwood[15] with brats of -1
blackchrome2.scl               10  Second 25/24&256/245 scale
blackjack.scl                  21  21 note MOS of "MIRACLE" temperament, Erlich & Keenan, miracle1.scl,TL 2-5-2001
blackjackg.scl                 21  Blackjack on G-D
blackjack_r.scl                21  Rational "Wilson/Grady"-style version, Paul Erlich, TL 28-11-2001
blackjack_r2.scl               21  Another rational Blackjack maximising 1:3:7:9:11, Paul Erlich, TL 5-12-2001
blackjack_r3.scl               21  7-Limit rational Blackjack, Dave Keenan, TL 5-12-2001
blackjb.scl                    21  Marvel (1,1) tuning of pipedum_21b
blackj_gws.scl                 21  Detempered Blackjack in 1/4 kleismic marvel tuning
blackopkeegil1.scl             15  Blacksmith-Opossum-Keemun-Gilead Wakalix 1
blackopkeegil2.scl             15  Blacksmith-Opossum-Keemun-Gilead Wakalix 2
blackwoo.scl                   21  Irregular Blackjack from marvel woo tempering of Cartesian scale below
blackwood.scl                  25  Blackwood temperament, g=84.663787, p=240, 5-limit
blackwood_6.scl                 6  Easley Blackwood, whole tone scale, arrangement of 4:5:7:9:11:13, 1/1=G, p.114
blackwood_9.scl                 9  Blackwood, scale with pure triads on I II III IV VI and dom.7th on V. page 83
blasquinten.scl                23  Blasquintenzirkel. 23 fifths in 2 oct. C. Sachs, Vergleichende Musikwiss. p. 28
blueji-cataclysmic.scl         12  John O'Sullivan's Blueji tempered in 13-limit POTE-tuned cataclysmic
bluesmarvwoo.scl               12  Marvel woo version of Graham Breed's Blues scale
bluesrag.scl                   12  Ragismic tempered bluesji in 8419-tET
bobrova.scl                    12  Bobrova Cheerful 12 WT based on *19 EDL
bobro_phi.scl                   8  Cameron Bobro's phi scale, TL 06-05-2009
bobro_phi2.scl                  6  Cameron Bobro, first 5 golden cuts of Phi, TL 09-05-2009
bockhorn.scl                   12  Modified 1/8-comma temperament after Bockhorn
boeth_chrom.scl                 7  Boethius's Chromatic. The CI is 19/16
boeth_enh.scl                   8  Boethius's Enharmonic, with a CI of 81/64 and added 16/9
bohlen-eg.scl                  13  Bohlen-Pierce with two tones altered by minor BP diesis, slightly more equal
bohlen-p.scl                   13  See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86 (1978)
bohlen-p_9.scl                  9  Bohlen-Pierce subscale by J.R. Pierce with 3:5:7 triads
bohlen-p_9a.scl                 9  Pierce's 9 of 3\13, see Mathews et al., J. Acoust. Soc. Am. 84, 1214-1222
bohlen-p_eb.scl                13  Bohlen-Pierce scale with equal beating 5/3 and 7/3
bohlen-p_ebt.scl               13  Bohlen-Pierce scale with equal beating 7/3 tenth
bohlen-p_ebt2.scl              13  Bohlen-Pierce scale with equal beating 7/5 tritone
bohlen-p_et.scl                13  13-tone equal division of 3/1. Bohlen-Pierce equal approximation
bohlen-p_ring.scl              13  Todd Harrop, symmetrical ring of Bohlen-Pierce enharmonics using 4 major and 8 minor dieses (2012)
bohlen-p_sup.scl               13  Superparticular Bohlen-Pierce scale
bohlen47.scl                   21  Heinz Bohlen, mode of 4\47 (1998), www.huygens-fokker.org/bpsite/pythagorean.html
bohlen47r.scl                  23  Rational version, with alt.9 64/49 and alt.38 40/13
bohlen5.scl                    13  5-limit version of Bohlen-Pierce
bohlen_11.scl                  11  11-tone scale by Bohlen, generated from the 1/1 3/2 5/2 triad
bohlen_12.scl                  12  12-tone scale by Bohlen generated from the 4:7:10 triad, Acustica 39/2, 1978
bohlen_8.scl                    8  See Bohlen, H. 13-Tonstufen in der Duodezime, Acustica 39: 76-86 (1978)
bohlen_arcturus.scl             7  Paul Erlich, Arcturus-7, TOP tuning (15625/15309 tempered)
bohlen_canopus.scl              7  Paul Erlich, Canopus-7, TOP tuning (16875/16807 tempered)
bohlen_coh.scl                 13  Differentially coherent Bohlen-Pierce, interval=2
bohlen_coh2.scl                13  Differentially coherent Bohlen-Pierce, interval=1,2, subharmonic=25
bohlen_coh3.scl                13  Differentially coherent Bohlen-Pierce, interval=1, subharmonic=75
bohlen_delta.scl                9  Bohlen's delta scale, a mode B-P, see Acustica 39: 76-86 (1978)
bohlen_diat_top.scl             9  BP Diatonic, TOP tuning (245/243 tempered)
bohlen_d_ji.scl                 9  Bohlen's delta scale, just version. "Dur" form, "moll" is inversion.
bohlen_enh.scl                 49  Bohlen-Pierce scale, all enharmonic tones
bohlen_eq.scl                  13  Most equal selection from all enharmonic Bohlen-Pierce tones
bohlen_gamma.scl                9  Bohlen's gamma scale, a mode of the Bohlen-Pierce scale
bohlen_g_ji.scl                 9  Bohlen's gamma scale, just version
bohlen_harm.scl                 9  Bohlen's harmonic scale, inverse of lambda
bohlen_h_ji.scl                 9  Bohlen's harmonic scale, just version
bohlen_lambda.scl               9  Bohlen's lambda scale, a mode of the Bohlen-Pierce scale
bohlen_lambda_pyth.scl          9  Dave Benson's BP-Pythagorean scale, lambda mode of bohlen_pyth.scl
bohlen_l_ji.scl                 9  Bohlen's lambda scale, just version
bohlen_mean.scl                13  1/3 minor BP diesis (245/243) tempered 7/3 meantone scale
bohlen_pent_top.scl             5  BP Pentatonic, TOP tuning (245/243 tempered)
bohlen_pyth.scl                13  Cycle of 13 7/3 BP tenths
bohlen_quintuple_j.scl         65  Bohlen-Pierce quintuple scale (just version of 65ED3). Georg Hajdu (2017)
bohlen_quintuple_t.scl         65  Bohlen-Pierce quintuple scale, 65th root of 3. Georg Hajdu (2017)
bohlen_sirius.scl               7  Paul Erlich, Sirius-7, TOP tuning (3125/3087 tempered)
bohlen_t.scl                    8  Bohlen, scale based on the twelfth
bohlen_t_ji.scl                 8  Bohlen, scale based on twelfth, just version
bolivia.scl                     7  Observed scale from pan-pipe from La Paz. 1/1=171 Hz
boomsliter.scl                 12  Boomsliter & Creel basic set of their referential tuning. [1 3 5 7 9] x u[1 3 5] cross set
boop19.scl                     19  19 note detempered sensi MOS boop (245/243) scale, rms tuning
bossart-muri.scl               12  Victor Ferdinand Bossart's Modified meantone (1743/44), organ in Klosterkirche Muri
bossart1.scl                   12  Victor Ferdinand Bossart (erste Anweisung) organ temperament (1740?)
bossart2.scl                   12  Victor Ferdinand Bossart (zweite Anweisung) organ temperament (1740?)
bossart3.scl                   12  Victor Ferdinand Bossart (dritte Anweisung) organ temperament (1740?)
bossier11.scl                  11  Bossier[11] 2.7.11.13 subgroup scale in 225-tET tuning
boulliau.scl                   12  Monsieur Boulliau's irregular temp. (1373), reported by Mersenne in 1636
bourdelle1.scl                 88  Compromis Cordier, piano tuning by Jean-Pierre Chainais
bozuji.scl                     23  Bostjan Zupancic, 5-limit JI scale "Bozuji"
bpg55557777.scl                25  Bohlen-Pierce extended to [55557777]
bps_temp17.scl                 17  Bohlen-Pierce-Stearn temperament. Highest 7-limit error 8.4 cents, 2001
brac.scl                       12  Circulating temperament with simple beat ratios: 4 3/2 4 3/2 2 2 177/176 4 3/2 2 3/2 2
breed-blues1.scl                7  Graham Breed's blues scale in 22-tET
breed-blues2.scl                8  Graham Breed's blues scale in 29-tET
breed-bluesji.scl              12  7-limit JI version of Graham Breed's Blues scale
breed-dias13.scl               46  13-limit Diaschismic temperament, g=103.897, oct=1/2, 13-limit
breed-ht.scl                   19  Hemithird temperament, g=193.202, 5-limit
breed-kleismic.scl              7  Kleismic temperament, g=317.080, 5-limit
breed-magic.scl                13  Graham Breed's Magic temperament, g=380.384, 9-limit, close to 41-tET
breed-magic5.scl               19  Magic temperament, g=379.967949, 5-limit
breed-mystery.scl              58  Mystery temperament, g=15.563, oct=1/29, 15-limit
breed.scl                      12  Graham Breed's fourth based 12-tone keyboard scale. Tuning List 23-10-97
breed11.scl                    11  Breed[11] hobbit in 2749-tET
breed7-3.scl                   10  Graham Breed's 7 + 3 scale in 24-tET
breedball3.scl                 12  Third Breed ball around 49/40-7/4
breedball4.scl                 14  Fourth Breed ball around 49/40-7/4
breedpump.scl                  16  Comma pump in breed (2401/2400 planar) [[1, 1, -2]->[1, 1, -1]->[0, 1, -1]->[0, 0, -1]->[0, 0, 0]->[0, -1, 0],[0, -1, 1]->[0, -2, 1]->[-1, -2, 1]
breedt2.scl                    12  Graham Breed's 1/5 P temperament, TL 10-06-99
breedt3.scl                    12  Graham Breed's other 1/4 P temperament, TL 10-06-99
breetet2.scl                   13  doubled Breed tetrad
breetet3.scl                   25  tripled Breed tetrad
breeza.scl                     27  A 40353607/40000000 & 40960000/40353607 Fokker block with 11 otonal and 10 utonal tetrads
breezb.scl                     27  Alternative block to breeza 40353607/40000000 & 40960000/40353607
bremmer.scl                    12  Bill Bremmer's Shining Brow (1998)
bremmer_ebvt1.scl              12  Bill Bremmer EBVT I temperament (2011)
bremmer_ebvt2.scl              12  Bill Bremmer EBVT II temperament (2011)
bremmer_ebvt3.scl              12  Bill Bremmer EBVT III temperament (2011)
broadwood.scl                  12  Broadwood's Best (Ellis tuner number 4), Victorian (1885)
broadwood2.scl                 12  Broadwood's Usual (Ellis tuner number 2), Victorian (1885)
broadwood3.scl                 12  John Broadwood´s 1832 unequal temperament compiled by A.Sparschuh, a=403.0443
broeckaert-pbp.scl             12  Johan Broeckaert-Devriendt, PBP temperament (2007). Equal PBP for C-E and G-B
broekaert1.scl                 12  Johan Broekaert, low sum beating equal beating temperament (2021), 1/1=F
broekaert2.scl                 12  Johan Broekaert, equal beating Bach temperament, 3 just fifths (2021), 1/1=F
brown.scl                      45  Tuning of Colin Brown's Voice Harmonium, Glasgow. Helmholtz/Ellis p. 470-473, genus [3333333333333355]
bruder-vier.scl                12  Ignaz Bruder organ temperament (1829) according to P. Vier
bruder.scl                     12  Ignaz Bruder organ temperament (1829), systematised by Ratte, p. 406
bug-pelog.scl                   7  Pelog-like subset of bug[9] and superpelog[9], g=260.256797
bugblock19.scl                 19  Bug (<<2 3 0||) and <<5 2 -15|| <19 30 45| weak Fokker block: generators -9 to 9
burma3.scl                      7  Burmese scale, von Hornbostel: Über ein akustisches Kriterium.., 1911, p.613. 1/1=336 Hz
burt1.scl                      12  W. Burt's 13diatsub #1
burt10.scl                     12  W. Burt's 19enhsub #10
burt11.scl                     12  W. Burt's 19enhharm #11
burt12.scl                     12  W. Burt's 19diatharm #12
burt13.scl                     12  W. Burt's 23diatsub #13
burt14.scl                     12  W. Burt's 23enhsub #14
burt15.scl                     12  W. Burt's 23enhharm #15
burt16.scl                     12  W. Burt's 23diatharm #16
burt17.scl                     36  W. Burt's "2 out of 3,5,11,17,31 dekany" CPS with 1/1=3/1. 1/1 vol. 10(1) '98
burt18.scl                     36  W. Burt's "2 out of 1,3,5,7,11 dekany" CPS with 1/1=1/1. 1/1 vol. 10(1) '98
burt19.scl                     20  W. Burt's "2 out of 2,3,4,5,7 dekany" CPS with 1/1=1/1. 1/1 vol. 10(1) '98
burt2.scl                      12  W. Burt's 13enhsub #2
burt20.scl                     12  Warren Burt tuning for "Commas" (1993). 1/1=263 Hz, XH 16
burt3.scl                      12  W. Burt's 13enhharm #3
burt4.scl                      12  W. Burt's 13diatharm #4, see his post 3/30/94 in Tuning Digest #57
burt5.scl                      12  W. Burt's 17diatsub #5
burt6.scl                      12  W. Burt's 17enhsub #6
burt7.scl                      12  W. Burt's 17enhharm #7
burt8.scl                      12  W. Burt's 17diatharm #8, harmonics 16 to 32
burt9.scl                      12  W. Burt's 19diatsub #9
burt_fibo.scl                  12  Warren Burt, 3/2+5/3+8/5+etc. "Recurrent Sequences", 2002
burt_fibo23.scl                23  Warren Burt, 23-tone Fibonacci scale. "Recurrent Sequences", 2002
burt_forks.scl                 19  Warren Burt, 19-tone Forks. Interval 5(3): pp. 13+23, Winter 1986-87
burt_primes.scl                54  Warren Burt, primes until 251. "Some Numbers", Dec. 2002
buselik pentachord 13-limit.scl
                                4  Buselik pentachord 132:147:156:176:198
buselik pentachord 19-limit.scl
                                4  Buselik pentachord 48:54:57:64:72
buselik tetrachord 13-limit.scl
                                3  Buselik tetrachord 132:147:156:176
buselik tetrachord 19-limit.scl
                                3  Buselik tetrachord 48:54:57:64
bushmen.scl                     4  Observed scale of South-African bushmen, almost (4 notes) equal pentatonic
buurman.scl                    12  Buurman temperament, 1/8-Pyth. comma, organ Doetinchem Gereformeerde Gemeentekerk
buzurg10decoid.scl             10  buzurg_al-erin10 in decoid temperament, POTE tuning
buzurg_al-erin10.scl           10  Decatonic with septimal Buzurg, Rastlike modes (cf. Secor, blarney.txt)
c1029cp.scl                    16  1029/1024 comma pump scale in 190-tET
c10976cp.scl                   28  10976/10935 comma pump scale in 695-tET
c126cp.scl                     11  126/125 comma pump scale in 185-tET
c1728cp.scl                    14  1728/1715 comma pump scale in 111-tET
c225cp.scl                     12  225/224 comma pump scale in 197-tET
c3136cp.scl                    20  3136/3125 comma pump scale in 446-tET
c385cp.scl                     16  385/384 comma pump scale in 284-tET
c5120cp.scl                    28  5120/5103 comma pump scale in 391-tET
c6144cp.scl                    21  6144/6125 comma pump scale in 381-tET
c64827cp.scl                   16  64827/64000 comma pump scale in 122-tET
cairo.scl                      26  d'Erlanger vol.5, p. 42. Congress of Arabic Music, Cairo, 1932
cal46.scl                      46  Gene Ward Smith, 46 note scale for Caleb
canou14-410.scl                14  Canou[14] in 410-tET
canou19-410.scl                19  Canou[19] in 410-tET
canou9-410.scl                  9  Canou[9] in 410-tET
canright.scl                    9  David Canright's piano tuning for "Fibonacci Suite" (2001). Also 84-tET version of 11-limit "Orwell"
cantonpenta.scl                12  Freivald's Canton scale in 13-limit pentacircle (351/350 and 364/363) temperament, 271-tET
capurso.scl                    12  Equal temperament with equal beating 3/1 = 4/1 opposite (2009). Circular Harmonic System C.HA.S.
carlos_alpha.scl               18  Wendy Carlos' Alpha scale with perfect fifth divided in nine
carlos_alpha2.scl              36  Wendy Carlos' Alpha prime scale with perfect fifth divided by eightteen
carlos_beta.scl                22  Wendy Carlos' Beta scale with perfect fifth divided by eleven
carlos_beta2.scl               44  Wendy Carlos' Beta prime scale with perfect fifth divided by twentytwo
carlos_gamma.scl               35  Wendy Carlos' Gamma scale with third divided by eleven or fifth by twenty
carlos_harm.scl                12  Carlos Harmonic & Ben Johnston's scale of 'Blues' from Suite f.micr.piano (1977) & David Beardsley's scale of 'Science Friction'
carlos_super.scl               12  Carlos Super Just
carlson.scl                    19  Brian Carlson's guitar scale (or 7 is 21/16 instead) fretted by Mark Rankin
cartwheel.scl                  17  Andrew Heathwite's 13-limit wakalix
cassandra1.scl                 41  Cassandra temperament (Erv Wilson), 13-limit, g=497.866, aka Schismic, Garibaldi and Andromeda
cassandra2.scl                 41  Cassandra temperament, schismic variant, 13-limit, g=497.395
cassmagmirrod.scl              41  Cassandra-magic-miracle-rodan Fokker block 385/384, 441/440, 225/224, 896/891 all generators -20..20
cassmagmonkrod.scl             41  Cassandra-magic-monkey-rodan Fokker block 385/384, 5120/5103, 100/99, 896/891 all generators -20..20
cassmagoctrod.scl              41  Cassandra-magic-octacot-rodan Fokker block: all generators -20 to 20, Paul Erlich (1999)
cassmagsuprod.scl              41  Cassandra-magic-superkliesmic-rodan Fokker block 385/384, 441/440, 100/99, 896/891 all generators -20..20
cat22.scl                      22  5-limit Dwarf(22) in catakleismic tempering, <197 312 457 553 681 728| tuning
catakleismic34.scl             34  Catakleismic[34] 11-limit 3.5 cents lesfip optimized
catakleismic34fok.scl          34  Catakleismic[34] 5-limit 15625/15552&20000/19683 Fokker transversal
catakleismic34semitransversal.scl
                               17  17 note 2.3.7 semitransversal of Catakleismic[34]
catakleismic34trans.scl        34  Catakleismic[34] 2.5.7 transversal
catler.scl                     24  Catler 24-tone JI from "Over and Under the 13 Limit", 1/1 3(3)
cauldron.scl                   12  Circulating temperament with two pure 9/7 thirds and 7 meantone, 2 slightly wide, 3 superpyth fifths
cbrat19.scl                    19  Circulating 19-tone temperament with exact brats, G.W. Smith
cdia22.scl                     22  Circulating 22 note scale, two 11-tET cycles 5/4 apart, 11 pure major thirds
ceb88f.scl                     13  88 cents steps with equal beating fifths
ceb88s.scl                     14  88 cents steps with equal beating sevenths
ceb88t.scl                     14  88 cents steps with equal beating 7/6 thirds
cet10.scl                     118  20th root of 9/8, on Antonio Soler's tuning box, afinador or templante
cet100.scl                     28  28th root of 5
cet100a.scl                    12  12-tET 5-limit TOP tuning
cet100b.scl                    12  12-tET 5-limit TOP-RMS tuning
cet100c.scl                    12  step is 6 ^ 1/pi^3
cet104.scl                     23  23rd root of 4, Tútim Dennsuul
cet104a.scl                    38  38th root of 10
cet105.scl                     13  13th root of 11/5, has very good 6/5 and 13/8
cet105a.scl                    18  18th root of 3
cet108.scl                     11  4th root of 9/7, Chris Vaisvil
cet109.scl                     11  LS optimal 11-tET 2.7.9.11.15.17 JI subgroup tuning
cet11.scl                     112  36th root of 5/4, Mohajeri Shahin
cet111.scl                     25  25th root of 5, Karlheinz Stockhausen in "Studie II" (1954)
cet111a.scl                    17  17th root of 3. McLaren 'Microtonal Music', volume 1, track 8
cet112.scl                     53  53rd root of 31. McLaren 'Microtonal Music', volume 4, track 16
cet112a.scl                    30  30th root of 7
cet114.scl                     21  21st root of 4
cet115.scl                     10  2nd root of 8/7. Werner Linden, Musiktheorie, 2003 no.1 midi 15.Eb=19.44544 Hz
cet116.scl                     31  31st root of 8, Jake Freivald in "A Call in Summer"
cet117.scl                     36  72nd root of 128, step = generator of Miracle
cet117a.scl                    11  6th root of 3/2
cet118.scl                     16  16th root of 3. McLaren 'Microtonal Music', volume 1, track 7
cet119.scl                     10  7th root of phi
cet125.scl                     10  125 cents steps
cet126.scl                     15  15th root of 3. McLaren 'Microtonal Music', volume 1, track 6
cet126a.scl                    19  19th root of 4
cet126b.scl                    22  22th root of 5. Close to every second step of 19-tET
cet133.scl                     13  13th root of e
cet135.scl                     14  14th root of 3
cet139.scl                     20  20th root of 5, Hieronymus' tuning
cet14.scl                      86  Delta scale, 8th root of 16/15
cet140.scl                     24  24th root of 7
cet141.scl                     17  17th root of 4
cet148.scl                     21  21th root of 6, Moreno's C-21
cet152.scl                     13  13th root of pi
cet155.scl                     20  20th root of 6. Approximates 21:56:88:126
cet156.scl                      9  9th root of 9/4
cet158.scl                     12  12th root of 3, Moreno's A-12, see dissertation "Embedding Equal Pitch Spaces"
cet159.scl                      8  4e-th root of e. e-th root of e is highest x-th root of x
cet16.scl                      72  30th root of 4/3, Aristoxenos
cet160.scl                     15  15th root of 4, Rudolf Escher in "The Long Christmas Dinner" (1960)
cet160a.scl                    37  37th root of 31, McLaren 'Microtonal Music', volume 2, track 7
cet163.scl                      9  9th root of 7/3. Jeff Scott in "Quiet Moonlight" (2001)
cet163a.scl                     8  5th root of 8/5
cet166.scl                      3  3rd root of 4/3
cet167.scl                      7  5th root of phi
cet168.scl                     20  20th root of 7
cet173.scl                     11  11th root of 3, Moreno's A-11
cet175.scl                      7  175 cents steps (Georgian)
cet175a.scl                     7  4th root of 3/2
cet175b.scl                    28  28th root of 7. McLaren 'Microtonal Music', volume 6, track 3
cet178.scl                     27  27th root of 16
cet181.scl                     16  6.625 tET. The 16/3 is the so-called Kidjel Ratio promoted by Maurice Kidjel in 1958
cet182.scl                     17  17th root of 6, Moreno's C-17
cet182a.scl                    14  10/9 equal temperament
cet185.scl                     15  15th root of 5
cet195.scl                      7  7th root of 11/5
cet198.scl                     10  10th root of pi
cet20.scl                      95  95th root of 3
cet203.scl                     12  9/8 equal temperament
cet21.scl                      32  32nd root of 3/2
cet214.scl                     13  13th root of 5
cet21k.scl                     56  scale of syntonic comma's, almost 56-tET
cet22.scl                      53  9th root of 9/8
cet222.scl                     14  14th root of 6, Moreno's C-14
cet227.scl                      2  square root of 13/10
cet22a.scl                     84  84th root of 3, almost equal to 53-tET
cet22b.scl                    137  137th root of 6, almost equal to 53-tET
cet231.scl                     11  8/7 equal temperament
cet233.scl                     21  21st root of 17, McLaren 'Microtonal Music', volume 2, track 15
cet25.scl                      48  28th root of 3/2
cet258.scl                     12  12th root of 6, Moreno's C-12
cet29.scl                      95  95th root of 5
cet33.scl                      25  25th root of phi, Walter O´Connell (1993)
cet33a.scl                     57  57th root of 3
cet34.scl                      55  55th root of 3
cet35.scl                      45  45th root of 5/2, Caleb Morgan (2010)
cet38.scl                      67  67th root of 9/2, Erv Wilson (1984)
cet39.scl                      49  49th root of 3
cet39a.scl                     31  31-tET 7-limit TOP-RMS tuning
cet39b.scl                     31  31-tET with l.s. 8/7, 5/4, 4/3, 3/2, 8/5, 7/4, 2/1; equal weights
cet39c.scl                     31  31-tET 11-limit TOP tuning
cet39d.scl                     31  31-tET with l.s. 5/4, 3/2, 7/4
cet39e.scl                     15  15th root of 7/5, X.J. Scott
cet39f.scl                     31  10th root of 5/4
cet39g.scl                     31  31-tET 11-limit TOP-RMS tuning
cet43.scl                      28  9th root of 5/4, Samuel Pellman
cet44.scl                      28  least maximum error of 10.0911 cents to a set of 11-limit consonances
cet44a.scl                     91  91th root of 10, Jim Kukula
cet44b.scl                     16  16th root of 3/2
cet45.scl                      11  11th root of 4/3
cet45a.scl                     13  13th root of 7/5, X.J. Scott
cet46.scl                      18  18th root of phi, Walter O´Connell (1993)
cet48.scl                      30  30th root of 7/3
cet49.scl                      39  39th root of 3, Triple Bohlen-Pierce, good 3.5.7.11.13 system
cet50.scl                      24  14th root of 3/2, stretched 24-tET
cet50a.scl                     38  38th root of 3, stretched 24-tET
cet51.scl                      47  47nd root of 4
cet53.scl                       5  5th root of 7/6, X.J. Scott
cet53a.scl                     19  19th root of 9/5
cet53b.scl                     23  33/32 equal step
cet54.scl                      62  62nd root of 7
cet54a.scl                    101  101st root of 24
cet54b.scl                     35  35th root of 3 or shrunk 22-tET
cet54c.scl                     22  22-tET 11-limit TOP tuning
cet54d.scl                     22  22-tET 11-limit TOP-RMS tuning
cet55.scl                      51  51th root of 5
cet55a.scl                      9  9th root of 4/3, 'Noleta' Scale by Ron Sword
cet55b.scl                     22  7th root of 5/4
cet55c.scl                     22  16th root of 5/3
cet59.scl                      21  12th root of 3/2, Gary Morrison
cet59a.scl                     32  32th root of 3
cet63.scl                      30  30th root of 3 or stretched 19-tET
cet63a.scl                     44  44th root of 5
cet63b.scl                     19  19-tET 7-limit TOP tuning
cet63c.scl                     19  19-tET 7-limit TOP-RMS tuning
cet63d.scl                     19  5th root of 6/5
cet63e.scl                     19  16th root of 9/5
cet63f.scl                     93  93th root of 30 or stretched 19-tET
cet63g.scl                     49  49th root of 6
cet63h.scl                     25  25th root of 5/2
cet63i.scl                     11  11th root of 3/2, half of Carlos Beta
cet65.scl                      20  65cET by Andrew Heathwaite
cet65a.scl                     37  37th root of 4
cet67.scl                      14  14th root of 12/7, X.J. Scott
cet67a.scl                     28  28th root of 3, Carlo Serafini
cet68.scl                      18  3rd root of 9/8
cet68a.scl                     49  49th root of 7
cet69.scl                      12  12th root of phi
cet7.scl                      271  271th root of 3, Heinz Bohlen (1972)
cet70.scl                      27  27th root of 3
cet70a.scl                     17  10th root of 3/2
cet71.scl                      39  39th root of 5
cet72.scl                      33  33rd root of 4, Birgit Maus
cet73.scl                      26  26th root of 3, Gene Smith
cet75.scl                      16  16-tET 13-limit TOP tuning
cet75a.scl                     16  16-tET 13-limit TOP-RMS tuning
cet76.scl                      25  25th root of 3 or stretched 16-tET
cet77.scl                      19  19th root of 7/3
cet78.scl                       9  9th root of 3/2
cet78a.scl                     43  43rd root of 7, stretched Carlos Alpha
cet79.scl                      24  24th root of 3, James Heffernan (1906)
cet80.scl                      35  35th root of 5
cet83.scl                      15  83.33333 cent steps by Alexander Nemtin (1963)
cet83a.scl                     48  48th root of 10
cet84.scl                      33  33rd root of 5
cet84a.scl                     12  12th root of 9/5
cet86.scl                      22  22nd root of 3
cet87.scl                      15  Least-squares stretched ET to telephone dial tones. 1/1=697 Hz
cet88.scl                      14  88.0 cents steps by Gary Morrison alias mr88cet
cet88b.scl                     14  87.97446 cent steps. Least squares for 7/6, 11/9, 10/7, 3/2, 7/4
cet88b2.scl                    14  87.75412 cent steps. Minimax for 7/6, 11/9, 10/7, 3/2, 7/4
cet88b3.scl                    14  87.84635 cent steps. Minimax for 3, 5, 7, 8, 11
cet88b4.scl                    14  87.80488 cent steps. Least squares for 3, 5, 7, 8, 11
cet88c.scl                     38  38th root of 7, McLaren 'Microtonal Music', volume 3, track 7
cet88d.scl                     41  41th root of 8
cet88e.scl                     35  35th root of 6
cet88f.scl                     18  18th root of 5/2
cet88g.scl                     27  27th root of 4
cet88_snake.scl                21  3+1 mode of 88cET, nicknamed Snake by Andrew Heathwaite
cet89.scl                      31  31st root of 5, McLaren 'Microtonal Music', volume 2, track 22
cet90.scl                      17  Scale with limma steps
cet93.scl                       9  Tuning used in John Chowning's Stria (1977), 9th root of Phi
cet95.scl                      20  20th root of 3
cet96.scl                      16  4th root of 5/4
cet97.scl                      12  Manfred Stahnke, PARTCH HARP synth tuning. Minimax for 5/4 and 7/4, acceptable 11/4
cet97a.scl                     15  15th root of 7/3
cet98.scl                       8  8th root of 11/7, X.J. Scott
cet98phi.scl                   17  Phi + 1 equal division by 17, Brouncker (1653)
cet99.scl                      16  16th root of 5/2
chahargah.scl                  12  Chahargah in C
chahargah2.scl                  7  Dastgah Chahargah in C, Mohammad Reza Gharib
chahargah3.scl                  7  Iranian Chahargah, Julien J. Weiss
chalmers.scl                   19  Chalmers' 19-tone with more hexanies than Perrett's Tierce-Tone
chalmers_17.scl                17  7-limit figurative scale, Chalmers '96 Adnexed S&H decads
chalmers_17marvwoo.scl         17  Marvel woo version of chalmers_17
chalmers_19.scl                19  7-limit figurative scale. Reversed S&H decads
chalmers_csurd.scl             15  Combined Surd Scale, combination of Surd and Inverted Surd, JHC, 26-6-97
chalmers_isurd.scl              8  Inverted Surd Scale, of the form 4/(SQRT(N)+1, JHC, 26-6-97
chalmers_ji1.scl               12  Based loosely on Wronski's and similar JI scales, May 2, 1997.
chalmers_ji2.scl               12  Based loosely on Wronski's and similar JI scales, May 2, 1997.
chalmers_ji3.scl               12  15 16 17 18 19 20 21 on 1/1, 15-20 on 3/2, May 2, 1997. See other scales
chalmers_ji4.scl               12  15 16 17 18 19 20 on 1/1, same on 4/3, + 16/15 on 16/9
chalmers_surd.scl               8  Surd Scale, Surds of the form (SQRT(N)+1)/2, JHC, 26-6-97
chalmers_surd2.scl             40  Surd Scale, Surds of the form (SQRT(N)+1)/4
chalung.scl                    11  Tuning of chalung from Tasikmalaya, slendro-like. 1/1=185 Hz
chan34.scl                     34  34 note hanson based circulating scale with 15 pure major thirds and 18 -1 brats
chargah pentachord 7-limit.scl  4  Chargah pentachord 150:162:189:200:225
chargah tetrachord 7-limit.scl  3  Chargah tetrachord 150:162:189:200
chaumont.scl                   12  Lambert Chaumont organ temperament (1695), 1st interpretation
chaumont2.scl                  12  Lambert Chaumont organ temperament (1695), 2nd interpretation
chimes.scl                      3  Heavenly Chimes
chimes_peck.scl                 8  Kris Peck, 9-tone windchime tuning. TL 7-3-2001
chin_12.scl                    12  Chinese scale, 4th cent.
chin_5.scl                      5  Chinese pentatonic from Zhou period
chin_60.scl                    60  Chinese scale of fifths (the 60 lü)
chin_7.scl                      7  Chinese heptatonic scale and tritriadic of 64:81:96 triad
chin_bianzhong.scl             12  Pitches of Bianzhong bells (Xinyang). 1/1=b, Liang Mingyue, 1975.
chin_bianzhong2a.scl           12  A-tones (GU) of 13 Xinyang bells (Ma Cheng-Yuan) 1/1=d#=619 Hz
chin_bianzhong2b.scl           12  B-tones (SUI) of 13 Xinyang bells (Ma Cheng-Yuan) 1/1=b+=506.6 Hz
chin_bianzhong3.scl            26  A and B-tones of 13 Xinyang bells (Ma Cheng-Yuan) abs. pitches wrt middle-C
chin_bronze.scl                 7  Scale found on ancient Chinese bronze instrument 3rd c.BC & "Scholar's Lute"
chin_chime.scl                 12  Pitches of 12 stone chimes, F. Kuttner, 1951, ROMA Toronto. 1/1=b4
chin_ching.scl                 12  Scale of Ching Fang, c.45 BC. Pyth.steps 0 1 2 3 4 5 47 48 49 50 51 52 53
chin_di.scl                     6  Chinese di scale
chin_di2.scl                    7  Observed tuning from Chinese flute dizi, Helmholtz/Ellis p. 518, nr.103
chin_huang.scl                  6  Huang Zhong qin tuning
chin_liu-an.scl                11  Scale of Liu An, in: "Huai Nan Tzu", c.122 BC, 1st known corr. to Pyth. scale
chin_lu.scl                    12  Chinese Lü scale by Huai Nan zi, Han era. Père Amiot 1780, Kurt Reinhard
chin_lu2.scl                   12  Chinese Lü (Lushi chunqiu, by Lu Buwei). Mingyue: Music of the billion, p.67
chin_lu3.scl                   12  Chinese Lü scale by Ho Ch'êng-T'ien, reported in Sung Shu (500 AD)
chin_lu3a.scl                  12  Chinese Lü scale by Ho Ch'êng-T'ien, calc. basis is "big number" 177147
chin_lu4.scl                   12  Chinese Lü "749-Temperament"
chin_lu5.scl                   12  Chinese Lü scale by Ch'ien Lo-Chih, c.450 AD Pyth.steps 0 154 255 103 204 etc.
chin_lusheng.scl                5  Observed tuning of a small Lusheng, 1/1=d, OdC '97
chin_mannen.scl                 7  Observed scale from song Mannen-fon, B.I. Gilman, On Some Psychological Aspects of the Chinese Musical System, 1892
chin_pan.scl                   23  Pan Huai-su pure Pythagorean system, in: Sin-Yan Shen, 1991
chin_pipa.scl                   5  Observed tuning from Chinese balloon lute p'i-p'a, Helmholtz/Ellis p. 518, nr.109
chin_sheng.scl                  7  Observed tuning from Chinese sheng or mouth organ, Helmholtz/Ellis p. 518, nr.105
chin_shierlu.scl               12  Old Chinese Lü scale, from http://en.wikipedia.org/wiki/Shi_Er_L%C3%BC
chin_sientsu.scl                5  Observed tuning from Chinese tamboura sienzi, Helmholtz/Ellis p. 518, nr.108
chin_sona.scl                   7  Observed tuning from Chinese oboe (so-na), Helmholtz/Ellis p. 518, nr.104
chin_wang-po.scl                7  Scale of Wang Po, 958 AD. H. Pischner: Musik in China, Berlin, 1955, p.20
chin_yangqin.scl                7  Observed tuning from Chinese dulcimer yangqin, Helmholtz/Ellis p. 518, nr.107
chin_yunlo.scl                  7  Observed tuning from Chinese gong-chime (yün-lo), Helmholtz/Ellis p. 518, nr.106
chopsticks.scl                 10  Symmetrical non-octave MOS, subset of 15-tET
choquel.scl                    12  Choquel/Barbour/Marpurg?
chordal.scl                    40  Chordal Notes subharmonic and harmonic
chrom15.scl                     7  Tonos-15 Chromatic
chrom15_inv.scl                 7  Inverted Chromatic Tonos-15 Harmonia
chrom15_inv2.scl                7  A harmonic form of the Chromatic Tonos-15 inverted
chrom17.scl                     7  Tonos-17 Chromatic
chrom17_con.scl                 7  Conjunct Tonos-17 Chromatic
chrom19.scl                     7  Tonos-19 Chromatic
chrom19_con.scl                 7  Conjunct Tonos-19 Chromatic
chrom21.scl                     7  Tonos-21 Chromatic
chrom21_inv.scl                 7  Inverted Chromatic Tonos-21 Harmonia
chrom21_inv2.scl                7  Inverted harmonic form of the Chromatic Tonos-21
chrom23.scl                     7  Tonos-23 Chromatic
chrom23_con.scl                 7  Conjunct Tonos-23 Chromatic
chrom25.scl                     7  Tonos-25 Chromatic
chrom25_con.scl                 7  Conjunct Tonos-25 Chromatic
chrom27.scl                     7  Tonos-27 Chromatic
chrom27_inv.scl                 7  Inverted Chromatic Tonos-27 Harmonia
chrom27_inv2.scl                7  Inverted harmonic form of the Chromatic Tonos-27
chrom29.scl                     7  Tonos-29 Chromatic
chrom29_con.scl                 7  Conjunct Tonos-29 Chromatic
chrom31.scl                     8  Tonos-31 Chromatic. Tone 24 alternates with 23 as MESE or A
chrom31_con.scl                 8  Conjunct Tonos-31 Chromatic
chrom33.scl                     7  Tonos-33 Chromatic. A variant is 66 63 60 48
chrom33_con.scl                 7  Conjunct Tonos-33 Chromatic
chrom_new.scl                   7  New Chromatic genus 4.5 + 9 + 16.5
chrom_new2.scl                  7  New Chromatic genus 14/3 + 28/3 + 16 parts
chrom_soft.scl                  7  100/81 Chromatic. This genus is a good approximation to the soft chromatic
chrom_soft2.scl                 7  1:2  Soft Chromatic
chrom_soft3.scl                 7  Soft chromatic genus from Kathleen Schlesinger's modified Mixolydian Harmonia
chrys_diat-1st-ji.scl           7  Chrysanthos JI Diatonic and 1st Byzantine Liturgical mode
chrys_diatenh-var-ji.scl        7  JI interpretation of Chrysanthos Diatonic-Enharmonic Byzantine mode
chrys_enhdiat-var-ji.scl        7  JI interpretation of Chrysanthos Enharmonic-Diatonic Byzantine Mode
cifariello.scl                 15  F. Cifariello Ciardi, ICMC 86 Proc. 15-tone 5-limit tuning
circ5120.scl                   14  Circle of seven minor, six major, and one subminor thirds in 531-tET
circb22.scl                    22  circulating scale from pipedum_22c in 50/49 (-1,5) tuning; approximate pajara
circle31.scl                   31  Approximate 31-tET with 18 5^(1/4) fifths, 12 (56/5)^(1/6) fifths, and a (4096/6125)*sqrt(5)
circls12.scl                   12  Least squares circulating temperament
circos.scl                     12  [1, 3] weight range weighted least squares circulating temperament
ckring9.scl                    13  Double-tie circular mirroring with common pivot of 3:5:7:9
clampitt_phi.scl                7  David Clampitt, phi+1 mod 3phi+2, from "Pairwise Well-Formed Scales", 1997
classr.scl                     12  Marvel projection to the 5-limit of class
claudi-enigma.scl              15  Claudi Meneghin's 11-limit JI Enigma theme scale
clipper100.scl                 17  Clipper(100/99), 2.3.5.11, POTE tuning
clipper1029.scl                 7  clipper(1029/1024), 2.3.7, POTE tuning
clipper105.scl                 15  Clipper(105/104), 2.3.5.7.13, POTE tuning
clipper121.scl                 11  Clipper(121/120), 2.3.5.11, POTE tuning
clipper126.scl                 23  Clipper(126/125) 7-limit, POTE tuning
clipper144.scl                 11  Clipper(144/143), 2.3.11.13, POTE tuning
clipper169.scl                 11  Clipper(169/168), 2.3.7.13, POTE tuning
clipper176.scl                 11  Clipper(176/175), 2.5.7.11, POTE tuning
clipper2048.scl                14  Clipper(2048/2025) 5-limit, POTE tuning
clipper225.scl                 17  Clipper(225/224), 7-limit, POTE tuning
clipper243.scl                 17  Clipper(243/242), 2.3.11, POTE tuning
clipper245.scl                 35  Clipper(245/243), 7-limit, POTE tuning
clipper245242.scl              17  Clipper(245/242), 2.5.7.11
clipper3125.scl                11  Clipper(3125/3072), 5-limit, POTE tuning
clipper3136.scl                17  Clipper(3136/3125), 2.5.7, POTE tuning
clipper385.scl                 15  Clipper(385/384), 11-limit, POTE tuning
clipper4000.scl                31  Clipper(4000/3993), 2.3.5.11, POTE tuning
clipper5120.scl                27  Clipper(5120/5103), 7-limit, POTE tuning
clipper6144.scl                23  Clipper(6144/6125), 7-limit, POTE tuning
clipper625.scl                 19  Clipper(625/624), 2.3.5.13, POTE tuning
clipper640.scl                 11  Clipper(640/637), 2.5.7.13, POTE tuning
clipper65536.scl               11  Clipper(65536/65219), 2.7.11, POTE tuning
clipper65625.scl               23  Clipper(65625/65536), 7-limit, POTE tuning
clipper81.scl                   9  Clipper(81/80), 5-limit, POTE tuning
clipper896.scl                 19  Clipper(896/891), 2.3.7.11, POTE tuning
clipper99.scl                  17  Clipper(99/98), 2.3.7.11, POTE tuning
cluster.scl                    13  13-tone 5-limit Tritriadic Cluster
cluster6c.scl                   6  Six-Tone Triadic Cluster 3:4:5
cluster6d.scl                   6  Six-Tone Triadic Cluster 3:5:4
cluster6e.scl                   6  Six-Tone Triadic Cluster 5:6:8
cluster6f.scl                   6  Six-Tone Triadic Cluster 5:8:6
cluster6g.scl                   6  Six-Tone Triadic Cluster 4:5:7, genus [577]
cluster6i.scl                   6  Six-Tone Triadic Cluster 5:6:7
cluster6j.scl                   6  Six-Tone Triadic Cluster 5:7:6
cluster8b.scl                   8  Eight-Tone Triadic Cluster 4:6:5, genus [3555]
cluster8c.scl                   8  Eight-Tone Triadic Cluster 3:4:5
cluster8d.scl                   8  Eight-Tone Triadic Cluster 3:5:4
cluster8e.scl                   8  Eight-Tone Triadic Cluster 5:6:8
cluster8f.scl                   8  Eight-Tone Triadic Cluster 5:8:6
cluster8h.scl                   8  Eight-Tone Triadic Cluster 4:7:5, genus [5557]
cluster8i.scl                   8  Eight-Tone Triadic Cluster 5:6:7
cluster8j.scl                   8  Eight-Tone Triadic Cluster 5:7:6
cohenf_11.scl                  11  Flynn Cohen, 7-limit scale of "Rameau's nephew" (1996)
coherent49.scl                 49  Generator is the positive root of x^4 - x^2 - 1, Raph, Meta-Sidi, 72&121 temperament sqrtphi <30 35 38 39 ... |
coleman10.scl                  12  Coleman 10 (2001)
coleman11.scl                  12  Jim Coleman's XI piano temperament. TL 16 Mar 1999
coleman16.scl                  12  Balanced 16 from Jim Coleman Sr. (2001)
coleman4.scl                   12  Coleman IV from Jim Coleman Sr.
coll7.scl                       7  Seven note Collatz cycle scale, -17 starting point
collangettes.scl               24  d'Erlanger vol.5, p. 23. Père Maurice Collangettes, 24 tone Arabic system
collapsar.scl                  12  An 11-limit patent val superwakalix
colonna1.scl                   12  Colonna's irregular Just Intonation no. 1 (1618)
colonna2.scl                   12  Colonna's irregular Just Intonation no. 2 (1618)
compton48.scl                  48  Compton[48] 11-limit tweaked
concertina.scl                 14  English Concertina, Helmholtz/Ellis, p. 470
cons11.scl                      7  Set of intervals with num + den <= 11 not exceeding 2/1
cons12.scl                      8  Set of intervals with num + den <= 12 not exceeding 2/1
cons13.scl                     10  Set of intervals with num + den <= 13 not exceeding 2/1
cons14.scl                     11  Set of intervals with num + den <= 14 not exceeding 2/1
cons15.scl                     12  Set of intervals with num + den <= 15 not exceeding 2/1
cons16.scl                     13  Set of intervals with num + den <= 16 not exceeding 2/1
cons17.scl                     16  Set of intervals with num + den <= 17 not exceeding 2/1
cons18.scl                     17  Set of intervals with num + den <= 18 not exceeding 2/1
cons19.scl                     20  Set of intervals with num + den <= 19 not exceeding 2/1
cons20.scl                     22  Set of intervals with num + den <= 20 not exceeding 2/1
cons21.scl                     24  Set of intervals with num + den <= 21 not exceeding 2/1
cons8.scl                       4  Set of intervals with num + den <= 8 not exceeding 2/1
cons9.scl                       5  Set of intervals with num + den <= 9 not exceeding 2/1
cons_5.scl                      7  Set of consonant 5-limit intervals within the octave
cons_7.scl                     10  Set of consonant 7-limit intervals of tetrad 4:5:6:7 and inverse
cons_7a.scl                    11  Set of consonant 7-limit intervals, harmonic entropy minima
cont_frac1.scl                 14  Continued fraction scale 1, see McLaren in Xenharmonikon 15, pp.33-38
cont_frac2.scl                 15  Continued fraction scale 2, see McLaren in Xenharmonikon 15, pp.33-38
corner11.scl                   15  Quadratic Corner 11-limit, John Chalmers (1996)
corner13.scl                   21  Quadratic Corner 13-limit, John Chalmers (1996)
corner17.scl                   28  Quadratic Corner 17-limit
corner17a.scl                  42  Quadratic Corner 17 odd limit
corner7.scl                    10  Quadratic corner 7-limit, John Chalmers (1996)
corner9.scl                    14  First 9 harmonics of 5th through 9th harmonics
corners11.scl                  29  Quadratic Corners 11-limit, John Chalmers (1996)
corners13.scl                  41  Quadratic Corners 13-limit, John Chalmers (1996)
corners7.scl                   19  Quadratic Corners 7-limit, John Chalmers (1996)
corrette.scl                   12  Corrette temperament, modified 1/4-comma meantone
corrette2.scl                  12  Michel Corrette, modified meantone temperament (1753)
corrette3.scl                  12  Corrette's monochord (1753), also Marpurg 4 and Yamaha Pure Minor
cotoneum7.scl                   7  Cotoneum[7] in 217-tET tuning
coul_12.scl                    12  Scale 1 5/4 3/2 2 successively split largest intervals by smallest interval
coul_12a.scl                   12  Scale 1 6/5 3/2 2 successively split largest intervals by smallest interval
coul_12sup.scl                 12  Superparticular approximation to Pythagorean scale, Op de Coul (2003)
coul_13.scl                    13  Symmetrical 13-tone 5-limit JI scale
coul_17sup.scl                 17  Superparticular approximation to Pythagorean 17-tone scale, Op de Coul (2003)
coul_20.scl                    20  Tuning for a 3-row symmetrical keyboard, Op de Coul (1989)
coul_27.scl                    27  Symmetrical 27-tone 5-limit just system, 67108864/66430125 and 25/24
counterschismic.scl            53  Counterschismic temperament, g=498.082318, 5-limit
couperin.scl                   12  Couperin modified meantone
couperin_org.scl               12  F. Couperin organ temperament (1690), from C. di Veroli, 1985
cpak19a.scl                    19  First 19-epimorphic ordered tetrad pack scale, Gene Ward Smith, TL 23-10-2005
cpak19b.scl                    19  Second 19-epimorphic ordered tetrad pack scale, Gene Ward Smith, TL 23-10-2005
cross13.scl                    19  13-limit harmonic/subharmonic cross
cross2.scl                      9  John Pusey's double 5-7 cross reduced by 3/1
cross2_5.scl                    9  double 3-5 cross reduced by 2/1
cross2_7.scl                   13  longer 3-5-7 cross reduced by 2/1
cross3.scl                     13  John Pusey's triple 5-7 cross reduced by 3/1
crossbone1.scl                 12  7-limit Crossbone Scale (1st order, 1st sepent)
cross_7.scl                     7  3-5-7 cross reduced by 2/1, quasi diatonic, similar to Zalzal's, Flynn Cohen
cross_72.scl                   13  double 3-5-7 cross reduced by 2/1
cross_7a.scl                    7  2-5-7 cross reduced by 3/1
cruciform.scl                  12  Cruciform Lattice
cube3.scl                      32  7-limit Cube[3] scale, Gene Ward Smith
cube3enn.scl                   32  7-limit Cube[3] scale, 3600-ET ennealimmal tempered
cube4.scl                      63  7-limit Cube[4] scale, Gene Ward Smith
cube4enn.scl                   63  7-limit Cube[4] scale, 3600-tET ennealimmal tempered
cv1.scl                        12  First 12/5 <12 19 28 34| epimorphic
cv11.scl                       12  Eleventh 12/5 scale <12 19 28 34| epimorphic
cv13.scl                       12  Thirteenth 12/5 scale <12 19 28 34| epimorphic
cv5.scl                        12  Fifth 12/5 scale <12 19 28 34| epimorphic = inverse hen12
cv7.scl                        12  Seventh 12/5 scale <12 19 28 34| epimorphic
cv9.scl                        12  Ninth 12/5 scale <12 19 28 34| epimorphic
cw12_11.scl                    12  CalkinWilf(<12 19 28 34 42|)
cw19_11.scl                    19  CalkinWilf(<19 30 44 53 66|)
cw19_5.scl                     19  CalkinWilf(<19 30 44|)
cw19_7.scl                     19  CalkinWilf(<19 30 44 53|)
cx4.scl                        10  Fourth 10/4 scale <10 16 23 28| epimorphic
cxi1.scl                       11  First 11/5 <11 17 26 31| permutation epimorphic scale
cxi3.scl                       11  Third 11/5 <11 17 26 31| permutation epimorphic scale
cycle19.scl                    19  19-note lesfip scale, 9-limit, 10 cents tolerance
dakota-quintannidene.scl       12  Scott Dakota, Quintannidene, EFG/rhomboidal 1*3*3*3*(14/11)*(14/11). 2058/2057 Nebula microtempered, creating 14:17:21 connections (Mar 2018)
dakota-sun19.scl               19  Scott Dakota, Sun-19 tuning
dakota-sun24.scl               24  Scott Dakota, Sun-24 tuning
danielou5_53.scl               53  Daniélou's Harmonic Division in 5-limit, symmetrized
danielou_53.scl                53  Daniélou's Harmonic Division of the Octave, see p. 153
dan_seman.scl                  12  Semantix-Semantic, 5-limit, common tones to Semantic-36 and Semantix-36 with different A
dan_semantic.scl               35  The Semantic Scale, from Alain Daniélou: "Sémantique Musicale" (1967)
dan_semantix.scl               36  Jacques Dudon, Semantix-36, 27/25 generator
darreg.scl                     19  This set of 19 ratios in 5-limit JI is for his megalyra family
darreg_ennea.scl                9  Ivor Darreg's Mixed Enneatonic, a mixture of chromatic and enharmonic
darreg_genus.scl                9  Ivor Darreg's Mixed JI Genus (Archytas Enh, Ptolemy Soft Chrom, Didymos Chrom
darreg_genus2.scl               9  Darreg's Mixed JI Genus 2 (Archytas Enharmonic and Chromatic Genera)
david11.scl                    22  11-limit system from Gary David (1967)
david7.scl                     12  Gary David's Constant Structure (1967). A mode of Fokker's 7-limit scale
dcon9marvwoo.scl               21  convex closure in marvel of 9-limit diamond, marvel woo tuning
dconv11marv.scl                35  Convex closure in marvel of 11-limit diamond in 166-tET
dconv9gam.scl                  31  Convex closure in gamelismic of 9-limit diamond in 190-tET
dconv9marv.scl                 21  Convex closure in marvel of 9-limit diamond in 197-tET
ddimlim1.scl                   14  First 27/25&2048/1875 scale
dean_81primes.scl              80  Roger Dean's 81 primes non-octave scale (2008)
dean_91primes.scl              90  Roger Dean's 91 primes non-octave scale (2008)
degung-sejati.scl               5  pelog degung sejati, Sunda
degung1.scl                     5  Gamelan Degung, Kabupaten Sukabumi. 1/1=363 Hz
degung2.scl                     5  Gamelan Degung, Kabupaten Bandung. 1/1=252 Hz
degung3.scl                     5  Gamelan Degung, Kabupaten Sumedang. 1/1=388.5 Hz
degung4.scl                     5  Gamelan Degung, Kasepuhan Cheribon. 1/1=250 Hz
degung5.scl                     5  Gamelan Degung, Kanoman Cheribon. 1/1=428 Hz
degung6.scl                     5  Gamelan Degung, Kacherbonan Cheribon. 1/1=426 Hz
deka1029.scl                   20  Dekatesserany (2x2x2 chord cube) gamelismic (1029/1024) 2.5.7 convex closure
deka126.scl                    14  Dekatesserany (2x2x2 chord cube) is convex in starling (126/125); 5-limit projection
deka1728.scl                   21  Dekatesserany (2x2x2 chord cube) orwellismic (1728/1715) 2.3.7 convex closure
deka225.scl                    16  Dekatesserany (2x2x2 chord cube) marvel (225/224) 5-limit convex closure
deka2401.scl                   22  Dekatesserany (2x2x2 chord cube) breedsmic (1029/1024) 2.5.7 convex closure
deka245.scl                    26  Dekatesserany (2x2x2 chord cube) sensamagic (245/243) 2.3.7 convex closure
deka3136.scl                   24  Dekatesserany (2x2x2 chord cube) hemimean (3136/3125) oblique transversal convex closure
deka4375.scl                   34  Dekatesserany (2x2x2 chord cube) ragismic (4375/4374) 5-limit convex closure
deka5120.scl                   38  Dekatesserany (2x2x2 chord cube) hemifamity (5120/5103) 5-limit convex closure
deka6144.scl                   20  Dekatesserany (2x2x2 chord cube) porwell (6144/6125) 2.5.7 convex closure
deka65625.scl                  39  Dekatesserany (2x2x2 chord cube) horwell (65625/65536) 5-limit convex closure
deka875.scl                    21  Dekatesserany (2x2x2 chord cube) keemic (875/864) 5-limit convex closure
dekany-cs-marv.scl             12  dekany-cs in marvel tempering, POTE tuning
dekany-cs.scl                  12  CPS ({1,3,7,9,11}, 2) union {77/72, 77/64}. Grady-Narushima
dekany.scl                     10  2)5 Dekany 1.3.5.7.11 (1.3 tonic)
dekany2.scl                    10  3)5 Dekany 1.3.5.7.9 (1.3.5.7.9 tonic)
dekany3.scl                    10  2)5 Dekany 1.3.5.7.9 and 3)5 Dekany 1 1/3 1/5 1/7 1/9
dekany4.scl                    10  2)5 Dekany 1.7.13.19.29 (1.7 tonic)
dekanymarvwoo.scl              15  Convex closure of the 2)5 Cps({1,3,5,7,11}, 2)5 dekany in marvel; marvel woo tuning
dekany_agni.scl                16  Dekany agni {385/384, 1375/1372} oblique transversal convex closure
dekany_apollo.scl              16  Dekany apollo {100/99, 225/224} 5-limit convex closure
dekany_guanyin.scl             18  Dekany guanyin {176/175, 540/539} oblique transversal convex closure
dekany_indra.scl               19  Dekany indra {540/539, 1375/1372} oblique transversal convex closure
dekany_jove.scl                19  Dekany jove {243/242, 441/440} oblique transversal convex closure
dekany_laka.scl                29  Dekany laka {5120/5103, 540/539} 5-limit convex closure
dekany_laka205.scl             29  Dekany laka convex closure of the 2)5 Dekany 1.3.5.7.11 (1.3 tonic), 205-tET tuning
dekany_marvel.scl              15  Dekany marvel {225/224, 385/384} 5-limit convex closure
dekany_minerva.scl             15  Dekany minerva {99/98, 176/175} 5-limit convex closure
dekany_pele.scl                24  Dekany pele {441/440, 896/891} 5-limit convex closure
dekany_portent.scl             17  Dekany portent {1029/1024, 385/384} 2.5.7 convex closure
dekany_prodigy.scl             20  Dekany prodigy {225/224, 441/440} 5-limit convex closure
dekany_sensamagic.scl          19  Dekany sensamagic {245/243, 385/384} oblique transversal convex closure
dekany_spectacle.scl           24  Dekany spectacle {225/224, 243/242} oblique transversal convex closure
dekany_thrush.scl              16  Dekany thrush {126/125, 176/175} 5-limit convex closure
dekany_union.scl               14  Union of 2)5 and 3)5 1.3.5.7.9 dekanies, or 3)6 1.3.5.5.7.9
dekany_zeus.scl                11  Dekany zeus {121/120, 176/175} oblique transversal convex closure
dent-yn-rwt.scl                12  Tom Dent's Young-Neidhardt well-temperament (rationalized by George Secor)
dent.scl                       12  Tom Dent, well temperament with A=421 Hz and integer Hz beat rates from A
dent2.scl                      12  Tom Dent, well-temperament, 2/32 and 5/32 comma, TL 3 & 5-09-2005
dent3.scl                      12  Tom Dent, Bach harpsichord "sine wave" temperament, TL 10-10-2005
dent4.scl                      12  Tom Dent, modified meantone with appr. to 7/5, 13/11, 14/11, 19/15, 19/16. TL 30-01-2009
dent_19otti.scl                12  Tom Dent's 19otti scale
dent_berger.scl                12  Tom Dent's 19berger scale
dent_mean7.scl                 12  Tom Dent's 7-limit irregular meantone
deporcy.scl                    15  A 15-note chord-based detempering of 7-limit porcupine
de_caus.scl                    12  De Caus (a mode of Ellis's duodene) (1615)
diab17a.scl                    17  [25, 125, 175, 2401, 12005] breed diamond
diab17bb.scl                   17  [25, 125, 175, 2401, 16807] breed diamond
diab17cb.scl                   17  [25, 35, 125, 175, 2401] breed diamond, 3600-tET tempered
diab17db.scl                   17  [25, 125, 175, 245, 2401] breed diamond, 3600-tET tempered
diab19a.scl                    19  19-tone 7-limit JI scale
diab19ab.scl                   19  [25, 125, 175, 245, 1715, 2401] breed diamond, 3600-tET tempered
diab19_612.scl                 19  diab19a in 612-tET
diab19_72.scl                  19  diab19a in 72-tET
diablack.scl                   10  Unique 256/245&2048/2025 Fokker block
diabree.scl                    39  detempered convex closure of 11-limit diamond in {243/242, 441/440} temperament plane
diachrome1.scl                 10  First 25/24&2048/2025 scale
diaconv1029.scl                19  convex closure of 7-limit diamond with respect to 1029/1024
diaconv225.scl                 15  convex closure of 7-limit diamond with respect to 225/224
diaconv2401.scl                17  convex closure of 7-limit diamond with respect to 2401/2400
diaconv2401t.scl               17  convex closure of 7-limit diamond with respect to 2401/2400, 3600-tET
diaconv3136.scl                23  convex closure of 7-limit diamond with respect to 3136/3125
diaconv4375.scl                25  convex closure of 7-limit diamond with respect to 4375/4374
diaconv5120.scl                29  convex closure of 7-limit diamond with respect to 5120/5103
diaconv6144.scl                19  convex closure of 7-limit diamond with respect to 6144/6125
diacycle13.scl                 23  Diacycle on 20/13, 13/10; there are also nodes at 3/2, 4/3; 13/9, 18/13
diaddim1.scl                   14  First 2048/2025&2048/1875 scale
dialim1.scl                    14  First 27/25&2048/2025 scale
diam19.scl                     19  Optimized 13-limit from diamond9plus
diamin7.scl                    18  permutation epimorphic scale with 7-limit diamond, Hahn and TM reduced <18 29 42 50|
diamin7marv.scl                18  1/4 kleismic tempered diamin7
diamin7_72.scl                 18  diamin7 in 72-tET
diamisty.scl                   12  Diamisty scale 2048/2025 and 67108864/66430125
diamond11a.scl                 31  11-limit Diamond (partch_29.scl) with added 16/15 & 15/8, Zoomoozophone tuning: 1/1 = 392 Hz
diamond11ak.scl                31  microtempered version of diamond11a, Dave Keenan TL 11-1-2000, 225/224&385/384
diamond11map.scl               72  11-limit diamond on a 'centreless' map
diamond11strange.scl           16  Lesfip scale, 11-limit diamond, 10 cents tolerance
diamond11tr.scl                15  11-limit triangular diamond lattice with 64/63 intervals removed
diamond15.scl                  59  15-limit diamond + 2nd ratios. See Novaro, 1927, Sistema Natural...
diamond17.scl                  43  17-limit diamond
diamond17a.scl                 55  17-limit, +9 diamond
diamond17b.scl                 65  17-limit, +9 +15 diamond, Denny Genovese, 3/2=384 Hz
diamond19.scl                  57  19-limit diamond
diamond27.scl                  13  Diamond 21 23 25 27, Christopher Vaisvil
diamond7-13.scl                13  7 9 11 13 diamond
diamond7.scl                   13  7-limit diamond, also double-tie circular mirroring of 4:5:6:7 with common pivot
diamond7_126.scl               15  7-limit diamond starling (126/125) 5-limit convex closure
diamond7_225.scl               15  7-limit diamond marvel (225/224) 5-limit convex closure
diamond9.scl                   19  9-limit tonality diamond
diamond9block.scl              19  Weak Fokker block one note different from the 9-limit diamond
diamond9keemic.scl             19  Keemic (875/864) tempering of 9-limit diamond, POTE tuning
diamond9plus.scl               21  9-limit tonality diamond extended with two secors
diamond9_875.scl               27  9-limit diamond keemic (875/864) 5-limit convex closure
diamondupblock.scl             20  Weak Fokker block with val <20 31 46 59|
diamond_chess.scl              11  9-limit chessboard pattern diamond. OdC
diamond_chess11.scl            17  11-limit chessboard pattern diamond. OdC
diamond_dup.scl                20  Two 7-limit diamonds 3/2 apart
diamond_mod.scl                13  13-tone Octave Modular Diamond, based on Archytas's Enharmonic
diamond_tetr.scl                8  Tetrachord Modular Diamond based on Archytas's Enharmonic
diaphonic_10.scl               10  10-tone Diaphonic Cycle
diaphonic_12.scl               12  12-tone Diaphonic Cycle, conjunctive form on 3/2 and 4/3
diaphonic_12a.scl              12  2nd 12-tone Diaphonic Cycle, conjunctive form on 10/7 and 7/5
diaphonic_7.scl                 7  7-tone Diaphonic Cycle, disjunctive form on 4/3 and 3/2
diat13.scl                      7  This genus is from K.S's  diatonic Hypodorian harmonia
diat15.scl                      8  Tonos-15 Diatonic and its own trite synemmenon Bb
diat15_inv.scl                  8  Inverted Tonos-15 Harmonia, a harmonic series from 15 from 30.
diat17.scl                      8  Tonos-17 Diatonic and its own trite synemmenon Bb
diat19.scl                      8  Tonos-19 Diatonic and its own trite synemmenon Bb
diat21.scl                      8  Tonos-21 Diatonic and its own trite synemmenon Bb
diat21_inv.scl                  8  Inverted Tonos-21 Harmonia, a harmonic series from 21 from 42.
diat23.scl                      8  Tonos-23 Diatonic and its own trite synemmenon Bb
diat25.scl                      8  Tonos-25 Diatonic and its own trite synemmenon Bb
diat27.scl                      8  Tonos-27 Diatonic and its own trite synemmenon Bb
diat27_inv.scl                  8  Inverted Tonos-27 Harmonia, a harmonic series from 27 from 54
diat29.scl                      8  Tonos-29 Diatonic and its own trite synemmenon Bb
diat31.scl                      8  Tonos-31 Diatonic. The disjunctive and conjunctive diatonic forms are the same
diat33.scl                      8  Tonos-33 Diatonic. The conjunctive form  is 23 (Bb instead of B) 20 18 33/2
diat_chrom.scl                  7  Diatonic- Chromatic, on the border between the chromatic and diatonic genera
diat_dies2.scl                  7  Dorian Diatonic, 2 part Diesis
diat_dies5.scl                  7  Dorian Diatonic, 5 part Diesis
diat_enh.scl                    7  Diat. + Enharm. Diesis, Dorian Mode
diat_enh2.scl                   7  Diat. + Enharm. Diesis, Dorian Mode 3 + 12 + 15 parts
diat_enh3.scl                   7  Diat. + Enharm. Diesis, Dorian Mode, 15 + 3 + 12 parts
diat_enh4.scl                   7  Diat. + Enharm. Diesis, Dorian Mode, 15 + 12 + 3 parts
diat_enh5.scl                   7  Dorian Mode, 12 + 15 + 3 parts
diat_enh6.scl                   7  Dorian Mode, 12 + 3 + 15 parts
diat_eq.scl                     7  Equal Diatonic, Islamic form, similar to 11/10 x 11/10 x 400/363
diat_eq2.scl                    7  Equal Diatonic, 11/10 x 400/363 x 11/10
diat_hemchrom.scl               7  Diat. + Hem. Chrom. Diesis, Another genus of Aristoxenos, Dorian Mode
diat_smal.scl                   7  "Smallest number" diatonic scale
diat_sofchrom.scl               7  Diat. + Soft Chrom. Diesis, Another genus of Aristoxenos, Dorian Mode
diat_soft.scl                   7  Soft Diatonic genus 5 + 10 + 15 parts
diat_soft2.scl                  7  Soft Diatonic genus with equally divided Pyknon; Dorian Mode
diat_soft3.scl                  7  New Soft Diatonic genus with equally divided Pyknon; Dorian Mode; 1:1 pyknon
diat_soft4.scl                  7  New Soft Diatonic genus with equally divided Pyknon; Dorian Mode; 1:1 pyknon
didymus19sync.scl              19  Didymus[19] hobbit (81/80) in synchronized tuning ! 3-2x, 5-x, 7-2x, where x is the smaller root of 16x^4 - 96x^3 + 216x^2 - 200x + 1
didy_chrom.scl                  7  Didymus Chromatic
didy_chrom1.scl                 7  Permuted Didymus Chromatic
didy_chrom2.scl                 7  Didymos's Chromatic, 6/5 x 25/24 x 16/15
didy_chrom3.scl                 7  Didymos's Chromatic, 25/24 x 16/15 x 6/5
didy_diat.scl                   7  Didymus Diatonic
didy_enh.scl                    7  Dorian mode of Didymos's Enharmonic
didy_enh2.scl                   7  Permuted Didymus Enharmonic
diesic-m.scl                    7  Minimal Diesic temperament, g=176.021, 5-limit
diesic-t.scl                   19  Tiny Diesic temperament, g=443.017, 5-limit
diff19-9-4.scl                 10  Scale derived from (19,9,4) Type Q cyclic difference set, 19-tET
diff31-h8.scl                  16  (31, 15, 7) type H8 cyclic difference set, 31-tET
diff31-q.scl                   16  (31, 15, 7) type Q cyclic difference set, 31-tET
diff31_72.scl                  31  Diff31, 11/9, 4/3, 7/5, 3/2, 7/4, 9/5 difference diamond, tempered to 72-tET
diminished.scl                 20  Diminished temperament, g=94.134357 period=300.0, 7-limit
dimteta.scl                     7  A heptatonic form on the 9/7
dimtetb.scl                     5  A pentatonic form on the 9/7
dint.scl                       41  Breed reduction of 43 note scale of all tetrads sharing interval with 7-limit diamond
divine9.scl                    12  Gert Kramer´s Divine 9 tuning, 5-limit with one 7-limit interval (2011), 1/1=253.125 Hz
div_fifth1.scl                  5  Divided Fifth #1, From Schlesinger, see Chapter 8, p. 160
div_fifth2.scl                  5  Divided Fifth #2, From Schlesinger, see Chapter 8, p. 160
div_fifth3.scl                  5  Divided Fifth #3, From Schlesinger, see Chapter 8, p. 160
div_fifth4.scl                  5  Divided Fifth #4, From Schlesinger, see Chapter 8, p. 160
div_fifth5.scl                  5  Divided Fifth #5, From Schlesinger, see Chapter 8, p. 160
dkring1.scl                    12  Double-tie circular mirroring of 4:5:6:7
dkring2.scl                    12  Double-tie circular mirroring of 3:5:7:9
dkring3.scl                    12  Double-tie circular mirroring of 6:7:8:9
dkring4.scl                    12  Double-tie circular mirroring of 7:8:9:10
dodeceny.scl                   12  Degenerate eikosany 3)6 from 1.3.5.9.15.45 tonic 1.3.15
domdimpajinjschis.scl          12  Dominant-diminished-pajara-injera-schism wakalix
donar46.scl                    46  Donar[46] hobbit in 3390-tET, commas 4375/4374, 3025/3024 and 4225/4224
dorian_chrom.scl               24  Dorian Chromatic Tonos
dorian_chrom2.scl               7  Schlesinger's Dorian Harmonia in the chromatic genus
dorian_chrominv.scl             7  A harmonic form of Schlesinger's Chromatic Dorian inverted
dorian_diat.scl                24  Dorian Diatonic Tonos
dorian_diat2.scl                8  Schlesinger's Dorian Harmonia, a subharmonic series through 13 from 22
dorian_diat2inv.scl             8  Inverted Schlesinger's Dorian Harmonia, a harmonic series from 11 from 22
dorian_diatcon.scl              7  A Dorian Diatonic with its own trite synemmenon replacing paramese
dorian_diatred11.scl            7  Dorian mode of a diatonic genus with reduplicated 11/10
dorian_enh.scl                 24  Dorian Enharmonic Tonos
dorian_enh2.scl                 7  Schlesinger's Dorian Harmonia in the enharmonic genus
dorian_enhinv.scl               7  A harmonic form of Schlesinger's Dorian enharmonic inverted
dorian_pent.scl                 7  Schlesinger's Dorian Harmonia in the pentachromatic genus
dorian_pis.scl                 15  Diatonic Perfect Immutable System in the Dorian Tonos, a non-rep. 16 tone gamut
dorian_schl.scl                12  Schlesinger's Dorian Piano Tuning (Sub 22)
dorian_tri1.scl                 7  Schlesinger's Dorian Harmonia in the first trichromatic genus
dorian_tri2.scl                 7  Schlesinger's Dorian Harmonia in the second trichromatic genus
doty_14.scl                    14  David Doty and Dale Soules, 7-limit just tuning of Other Music´s American gamelan
doublediadie.scl               23  13-limit 8 cents tolerance
douwes.scl                     12  Claas Douwes recommendation of 24/23 and 15/14 steps for clavichord (1699)
dowland_12.scl                 12  subset of Dowland's lute tuning, lowest octave
dow_high.scl                   14  Highest octave of Dowlands lute tuning, strings 5,6. 1/1=G (1610)
dow_lmh.scl                    55  All three octaves of Dowland's lute tuning
dow_low.scl                    17  Lowest octave of Dowlands lute tuning, strings 1,2,3. 1/1=G. (1610)
dow_middle.scl                 24  Middle octave of Dowlands lute tuning, strings 3,4,5. 1/1=G (1610)
druri.scl                       4  Scale of druri dana of Siwoli, south Nias, Jaap Kunst
dudon_12_of_19-ht.scl          12  12 of 19-tones harmonic temperament, from 27 to 35
dudon_19-l_rocky_hwt.scl       12  19-limit well-temperament, C to B achieving eq-b of bluesy DEG-type chords (2005)
dudon_3-limit_with429.scl      12  cycle of 10 pure fourths (4/3) from D ending in 429/256
dudon_a.scl                     7  Dudon Tetrachord A
dudon_afshari.scl              12  Avaz-e-Afshari -c JI interpretation
dudon_aka.scl                  12  Cylf-scale (Baka sequence- pentatonic Slendro plus pure fifths)
dudon_aksand.scl               12  Fractal Aksaka - c sequence  (x^2 - x = 1/4), 16:20:24:29:35, plus 163
dudon_aluna.scl                12  Chromatic scale based on F25, with turkish 31/25 segahs and many different thirds
dudon_amlak.scl                12  Amlak recurrent sequence (x^2 = x + 1/3), as a matrix for Ethiopian scales
dudon_appalachian.scl          12  Synchronous beating quasi-1/4 syntonic comma meantone temperament
dudon_are-are_tapping.scl      12  'Are'are tapping bamboo tubes as collected by Hugo Zemp in 1977, JI interpretation
dudon_are-are_women1.scl       12  'Are'are women songs as collected by Hugo Zemp in 1977, JI interpretation (2009)
dudon_are-are_women2.scl       12  'Are'are women songs as collected by Hugo Zemp in 1977, JI interpretation (Dudon 2009)
dudon_armadillo.scl            12  Triple equal-beating sequence from C to B, optimal major chords on white keys
dudon_atlantis.scl             12  Triple equal-beating of minor triads + septimal sevenths meantone sequence
dudon_aulos.scl                12  Double clarinet -c version of Ptolemy's Diatonon Homalon
dudon_b.scl                     7  Dudon Tetrachord B
dudon_baka.scl                 12  Baka typical semifourth pentatonic, can also be accepted as a circular Slendro
dudon_balafon_semifo.scl       12  Burkinabe typical semifourth pentatonic balafon feast scale
dudon_balasept-above.scl       12  5.7.13.15 tuning based on a single Balasept sequence
dudon_balasept-under.scl       12  5.7.13.15.21 tuning based on a single Balasept sequence
dudon_bala_ribbon.scl          12  Parizekmic scale based on a double Bala sequence
dudon_bala_ribbon19.scl        19  Parizekmic scale based on a double Bala sequence
dudon_bala_ribbon24.scl        24  Parizekmic scale based on a double Bala sequence
dudon_bali-balaeb_14.scl       14  Bali-Bala[14] (676/675 tempering), equal-beating version
dudon_bambara.scl              12  Typical pentatonic balafon ceremonial tuning from Mali or Burkina Faso
dudon_bayati_in_d.scl          12  Bayati (or Husayni) maqam in D
dudon_baziguzuk.scl            12  8 9 11 12 13 defective Mohajira (Dudon 1985)
dudon_bhairav.scl              12  Bhairav thaat raga, based on 17th harmonic
dudon_bhairavi.scl             12  Bhairavi thaat raga, by Dudon (2004)
dudon_bhatiyar.scl             12  Early morning North indian raga, a modelisation based on Amlak 57
dudon_bhavapriya.scl           12  Bhavapriya (South indian, prati madhyama mela # 44) or Bhavani (North indian)
dudon_brazil.scl               12  Triple equal-beating 1/5 syntonic comma meantone, limited to 8 tones
dudon_burma.scl                12  Burmese typical diatonic scale, compatible with modes Pule, Thanyu, Autpyin
dudon_buzurg.scl               12  Decaphonic system inspired by medieval Persian mode Buzurg (Safi al-Din), Dudon 1997
dudon_byzantine.scl            12  Byzantine scale, JI interpretation and -c extrapolation of turkish Hijaz in C
dudon_c1.scl                    7  Differentially coherent scale in interval class 1
dudon_c12.scl                   7  Differentially coherent scale in interval class 1 and 2
dudon_chandrakaus.scl          12  Chandrakaus from Bb on black keys plus other version from D on white keys
dudon_chiffonie.scl            12  Hurdy-Gurdy variation on fractal Gazelle (Rebab tuning)
dudon_chromatic_subh.scl       12  Chromatic subharmonic scale using smallest possible numbers
dudon_coherent_shrutis.scl     12  12 of the 22 shrutis (cycle of fifths from A to D), differentially coherent with C or 2C
dudon_cometslendro1.scl        12  Five septimal tone comets (quasi auto-coherent intervals) in one octave
dudon_cometslendro2.scl        12  Five septimal tone comets (quasi auto-coherent intervals) in one octave
dudon_comptine.scl             12  1/4 pyth. comma meantone sequence between C and E, completed by 8 pure fifths
dudon_comptine_h3.scl          12  1/4 pyth. comma meantone sequence between G and B, completed by 8 pure fifths
dudon_countrysongs.scl         12  CDEG chords and all transpositions equal-beating meantone sequence
dudon_country_blues.scl        12  Differentially-coherent 12 tones country blues scale
dudon_crying_commas.scl        12  Pentatonic differentiallly-coherent scale with crying commas
dudon_darbari.scl              12  Darbari Kanada  (midnight raga)
dudon_diat.scl                  7  Dudon Neutral Diatonic
dudon_diatess.scl              12  Sequence of 11 Diatess fifths from Eb (75)
dudon_didymus.scl              12  Greek-genre scale rich in commas
dudon_egyptian_rast.scl        12  Egyptian style Rast -c modelisation
dudon_evan_thai.scl            12  Evan differentially-coherent double Thai heptaphone
dudon_flamenca.scl             12  Flamenco chromatic scale around the 17th harmonic, in A (= guitar), Dudon 2005
dudon_fong.scl                 12  Differentially-coherent Thai scale, with double seventh note
dudon_gayakapriya.scl          12  South indian raga with Ethiopian flavors, interpreted through a 19-limit Amlak sequence
dudon_gnawa-pelog.scl          12  Differentially-coherent model of a Gnawa scale, with Pelog variations
dudon_golden_h7eb.scl          12  12 of 19/31/50 etc... Golden meantone harmonic 7-c and eq-b version
dudon_gulu-nem.scl             12  5 tones Pelog from a sequence of very low "Gulu-nem" fifths (about 5/9 of an octave)
dudon_harm_minor.scl           12  So-called "harmonic" minor scale, also raga Kiravani, one of Dudon's versions
dudon_harry.scl                12  Hommage to Harry Partch, 20th century just intonation pioneer (1901-1974)
dudon_hawaiian.scl             12  Equal-beating lapsteel-style Major 6th chords (C:E:G:A:C:E) meantone sequence
dudon_hijazira.scl              7  Hijazira = Hijaz-Mohajira
dudon_hiroyoshi.scl            12  Japanese koto most famous mode, also Ethiopian minor scale, etc.
dudon_homayun.scl              12  Homayun in G
dudon_hoomi.scl                12  Hoomi singing scale in F/F# (on black keys), or in C or G, CFGAC^equal-beating sequence
dudon_ifbis.scl                12  Ifbis -c recurrent sequence:  x^5 - x^3 = 1 (not traditional)
dudon_iph-arax.scl              6  Iph-Arax heptatone
dudon_isrep.scl                12  Fractal Isrep -c recurrent sequence,  x^2 = 8x - 8  from F=64
dudon_jamlak.scl               12  Cycle of fifths developped around a 19-limit Amlak sequence
dudon_jazz.scl                 12  Jazz in 7 tones
dudon_jobim.scl                12  Triple equal-beating 1/5 syntonic comma meantone, full 12 tones scale
dudon_jog.scl                  12  Jog with (ascent only) additional 15/8
dudon_joged-bumbung.scl        12  Typical Balinese grantang and tingklik (bamboo xylophones) slendro tuning
dudon_kalyana.scl              12  Kalyana thaat raga, harmonics 3-5-17-19-43 version by Dudon 2004
dudon_kanakangi.scl            12  Raga Kanakangi (Karnatic music, suddha madhyama mela # 1)
dudon_kellner_eb.scl           12  JI version of Anton Kellner 1/5 Pyth.c well-temperament, based on Skisni algorithm
dudon_kidarvani.scl            10  Kidarvani, combination tuning of ragas Kirvani and Darbari
dudon_kirvanti.scl             12  Raga Kirvanti (known also as Hungarian Gypsy scale)
dudon_kora-chimere.scl         12  Kora diatonic, slightly neutral
dudon_kora_snd.scl             12  Kora tuning in the Mandinka semi-neutral diatonic style
dudon_kumoyoshi_19-l.scl       12  Japanese famous mode, -c 17+19th harmonics interpretation
dudon_lakota.scl               12  Comma variations add to the richness of differential tones
dudon_liane.scl                12  Class 1 differentially coherent interleaved intervals, hexatonic scale
dudon_lucie.scl                12  Sequence of 11 fractal Lucie fifths (exactly 695,5023126 c.) from Eb
dudon_madhuvanti.scl           12  Madhuvanti (also called Ambika), late evening raga
dudon_mahur.scl                12  Persian Dastgah Mahur
dudon_mandinka.scl             12  Guinean Balafon circular tuning, neutral diatonic -c interpretation
dudon_marovany.scl             12  Typical Malagasy scale, neutral diatonic, multiways -c and eq-b
dudon_marva.scl                12  Raga Marva, differential-coherent version, modelized by Jacques Dudon
dudon_meancaline.scl           12  12 of 19-tones quasi-equal HT with coherent semifourths on black keys
dudon_melkis.scl               12  Sequence of 11 Melkis fourths (499.11472 c.) from D
dudon_melkis_3f.scl            12  Sequence of 6 Melkis fourths from G, then 3 pure fourths between C# and E
dudon_meso-iph12.scl           12  Partial Meso-Iph fifth transposition of two Iph fractal series (2010)
dudon_meso-iph7.scl             7  Neutral diatonic variation based on two Iph fractal series
dudon_michemine.scl            12  Triple equal-beating of all minor triads  meantone sequence
dudon_mohajira.scl              7  Dudon's Mohajira, neutral diatonic. g^5-g^4=1/2
dudon_mohajira117.scl           7  Jacques Dudon Mohajira, 1/1 vol.2 no.1, p. 11, with 3/2 (117:78)
dudon_mohajira_r.scl            7  Jacques Dudon, JI Mohajira, Lumières audibles
dudon_moha_baya.scl             7  Mohajira + Bayati (Dudon) 3 + 4 + 3 Mohajira and 3 + 3 + 4 Bayati tetrachords
dudon_mougi.scl                12  Tsigan-style raga, based on the  19/16 minor third -c properties
dudon_mounos.scl               12  Mounos extended fifths -c sequence, quasi-septimal minor diatonic scale
dudon_nan-kouan.scl            12  Nan-Kouan (medieval chinese ballade) scale interpretation
dudon_napolitan.scl            12  Napolitan scale, class-1 differential coherence ; whole tone scale by omitting C
dudon_natte.scl                12  Sequence of 7 consecutive tones of a Natte series from 28 to 151
dudon_nung-phan1.scl           12  7 tones from a sequence of Nung-Phan very low fifths (in theory 679.5604542 c.)
dudon_nung-phan2.scl           12  7 tones from a Nung-Phan sequence (very low fifths, in theory 679.5604542 c.)
dudon_okna_hwt.scl             12  Harmonic well-temperament for mongolian lute
dudon_over-under_ht.scl        12  Cycle of fifths, one half above 3/2, the other below (meantone)
dudon_pelog_35.scl             12  JI -c Pelog with 5, 13, 35 and complements
dudon_pelog_59.scl             12  JI -c Pelog with 5, 11, 59 and complements
dudon_pelog_ambi.scl           12  Differential-coherent 5 notes Pelog, ambiguous tonic between C & E
dudon_phi13.scl                13  Division of phi giving close approximations to ratios with Fibonacci denominators
dudon_phidiama.scl              8  Two Phidiama series, used in "Appel", x^2=3x-1
dudon_piphat.scl               12  Gazelle-Naggar -c series + comma 953-960, major mode
dudon_piphat_min.scl           12  Gazelle-Naggar -c series + comma 953-960, minor mode
dudon_purvi.scl                12  Purvi Thaat Raga
dudon_quechua.scl              12  Gazelle-Naggar -c series + comma 953-960, F.11 mode
dudon_raph.scl                 12  Raph recurrent sequence, series Phi17 & Phi93
dudon_rast-iph39.scl            7  Neutral diatonic composed of Rast and Iph tetrachords, based on F and 3F series
dudon_rast-iph63.scl            7  Neutral diatonic composed of Rast and Iph tetrachords, based on F and 3F series
dudon_rast-mohajira.scl        12  Rast + Mohajira -c quartertones set
dudon_rast_matrix.scl          12  Wusta-Zalzal Arijaom sequence with Rast on white keys and other maqamat
dudon_rebab.scl                12  Gazelle, x^5 = 8x^4 - 32,  -c series + comma 953-960, Dudon (2009)
dudon_s-n-buzurg.scl           12  Decaphonic system inspired by medieval Persian mode Buzurg (Safi al-Din)
dudon_saba-c.scl               12  Differentially coherent version of Maqam Saba
dudon_sapaan.scl               12  7 tones from a sequence of Sapaan very low fifths (in theory 680.015678 c.)
dudon_saqqara.scl              12  Scale of a ney flute (n¡ 69815) from ancient Egypt found in Saqqara
dudon_satara.scl               12  Rajasthani double flute drone-c tuning amusement
dudon_saung_gauk.scl           12  Typical diatonic heptaphone played on the saung gauk (burmese harp)
dudon_segah.scl                12  Dastgah Segah, JI interpretation
dudon_segah_subh.scl           12  Inversed Dudon Neutral Diatonic (mediants of major and minor)
dudon_septimal_2.scl           12  Slendro formed by five 8/7 separated by two commas, Dudon (2009)
dudon_septimal_3.scl           12  Five 8/7 or close approximations separated by three commas, Dudon (2009)
dudon_shaku.scl                12  Japanese Shakuhachi scale, -c interpretation
dudon_shri_rag.scl             12  Sunset indian raga (Purvi Thaat), as modeled from a 19-limit Amlak sequence
dudon_shur.scl                 12  Shur Dastgah -c version, modelisation by Dudon (1990)
dudon_siam_97.scl              12  Black keys = 5 quasi-edo ; White keys = 7 quasi-edo (Dudon 1997)
dudon_simdek.scl               12  Heptatonic scale from a sequence of Simdek very low fifths (in theory 676,48557456 c.)
dudon_sireine_f.scl            12  Sequence of 11 Sireine fifths (exactly 691.2348426 c.) from F
dudon_skisni.scl               12  Triple equal-beating sequence of 11 quasi-1/5 Pythagorean comma meantone fifths
dudon_skisni_hwt.scl           12  Triple equal-beating sequence from C to B, optimal major chords on white keys
dudon_slendra.scl              12  Cylf-scale (Baka pentatonic Slendro plus pure fifths)
dudon_slendro_m-mean.scl       12  Wilson meantone from Bb to F# extended in a Slendro M on black keys
dudon_slendro_matrix.scl       12  Ten tones for many 7-limit slendros from Lou Harrison, of the five types N, M, A, S, J
dudon_smallest_numbers.scl     12  Chromatic scale achieved with smallest possible numbers
dudon_soria.scl                12  12 from a 17-notes cycle, equal-beating extended fifths (705.5685 c.) sequence
dudon_soria12.scl              12  12 from a 17-notes cycle, equal-beating extended fifths (705.5685 c.) sequence
dudon_sumer.scl                12  Neutral diatonic soft Rast scale with Ishku -c variations
dudon_synch12.scl              12  Synchronous-beating alternative to 12-tET, cycle of fourths beats from C:F = 1 2 1 1 2 4 3 6 8 8 8 32
dudon_tango.scl                12  Fractal Melkis lowest numbers HWT fifths sequence, from D
dudon_thai.scl                  7  Dudon, coherent Thai heptatonic scale, 1/1 vol.11 no.2, 2003
dudon_thai2.scl                 7  Slightly better version, 3.685 cents deviation
dudon_thai3.scl                 7  Dudon, Thai scale with two 704/703 = 2.46 c. deviations and simpler numbers
dudon_tibet.scl                12  Differentially coherent minor pentatonic
dudon_tielenka.scl             12  Tielenka (Romanian harmonic flute) scale JI imitation, Dudon (2009)
dudon_timbila.scl              12  Bala tuning whole tone intervals -c heptaphone
dudon_tit_fleur.scl            12  Differentially coherent semi-neutral diatonic, small numbers
dudon_todi.scl                 12  Morning Thaat raga (with G = Todi ; without G = Gujari Todi)
dudon_tsaharuk24.scl           24  Rational version of Tsaharuk linear temperament
dudon_valiha.scl               12  Typical Malagasy scale, neutral diatonic, equal-beating on minor triads
dudon_werckmeister3_eb.scl     12  Harmonic equal-beating version of the famous well-temperament (2006)
dudon_x-slen_31.scl            31  X-slen fractal temperament, sequence of 420 to 1600
dudon_zinith.scl               20  Dudon's "Zinith" generator, (sqrt(3)+1)/2, TL 30-03-2009
dudon_ziraat.scl               10  Dudon's "Zira'at" generator, sqrt(3)+2, TL 30-03-2009
dudon_zurna.scl                12  Quartertone scale with tonic transposition on a turkish segah of 159/128
duncan.scl                     12  Dudley Duncan's Superparticular Scale
duoden12.scl                   12  Almost equal 12-tone subset of Duodenarium
duodenarium.scl               117  Ellis's Duodenarium : genus [3^12 5^8]
duodene.scl                    12  Ellis's Duodene : genus [33355]
duodene14-18-21.scl            12  14-18-21 Duodene
duodene3-11_9.scl              12  3-11/9 Duodene
duodene6-7-9.scl               12  6-7-9 Duodene
duodene_double.scl             24  Ellis's Duodene union 11/9 times the duodene in 240-tET
duodene_min.scl                12  Minor Duodene
duodene_r-45.scl               12  Ellis's Duodene rotated -45 degrees
duodene_r45.scl                12  Ellis's Duodene rotated 45 degrees
duodene_skew.scl               12  Rotated 6/5x3/2 duodene
duodene_t.scl                  12  Duodene with equal tempered fifths
duodene_w.scl                  12  Ellis duodene well-tuned to fifth=(7168/11)^(1/16) third=(11/7)^(1/2), G.W. Smith
duohex.scl                     12  Scale with two hexanies, inverse mode of hahn_7.scl
duohexmarvwoo.scl              12  Marvel woo version of duohex, a scale with two hexanies
dwarf11marv.scl                11  Semimarvelous dwarf: 1/4 kleismic dwarf(<11 17 26|)
dwarf12marv.scl                12  Marvelous dwarf: 1/4 kleismic tempered duodene
dwarf12_11.scl                 12  Dwarf(<12 19 28 34 42|) two otonal hexads
dwarf12_11marvwoo.scl          12  Marvel woo version of dwarf(<12 19 28 34 42|)
dwarf12_7.scl                  12  Dwarf(<12 19 28 34|) five major triads, four minor triads two otonal pentads
dwarf13marv.scl                13  Semimarvelous dwarf: 1/4 kleismic dwarf(<13 20 30|)
dwarf13_7d.scl                 13  Dwarf(<13 21 30 37|)
dwarf14block.scl               14  Weak Fokker block tweaked from dwarf(<14 23 36 40|)
dwarf14c7-hecate.scl           14  7-limit dwarf(14c) in hecate tempering, 166-tET tuning
dwarf14marv.scl                14  Semimarvelous dwarf: 1/4 kleismic dwarf(<14 22 33})
dwarf15marv.scl                15  Marvelous dwarf: 1/4 kleismic dwarf(<15 24 35|) subset rosatimarv
dwarf15marvwoo.scl             15  Marvelous dwarf: dwarf(<15 24 35|) in [10/3 7/2 11] marvel woo tuning
dwarf16marv.scl                16  Semimarvelous dwarf: 1/4 kleismic dwarf(<16 25 37|)
dwarf17marv.scl                17  Semimarvelous dwarf: 1/4 kleismic dwarf(<17 27 40|)
dwarf17marveq.scl              17  Semimarvelous dwarf: equal beating dwarf(<17 27 40|)
dwarf17marvwoo.scl             17  Semimarvelous dwarf: dwarf(<17 27 40|) in [10/3 7/2 11] marvel woo tuning
dwarf18marv.scl                18  Marvelous dwarf: 1/4 kleismic dwarf(<18 29 42|)
dwarf19marv.scl                19  Marvelous dwarf: 1/4 kleismic dwarf(<19 30 44|) = inverse wilson1
dwarf19_43.scl                 19  Dwarf scale for 43-limit patent val of 19-tET
dwarf20marv.scl                20  Marvelous dwarf: 1/4 kleismic dwarf(<20 32 47|) = genus(3^4 5^3)
dwarf21marv.scl                21  Marvelous dwarf: 1/4 kleismic dwarf(<21 33 49|)
dwarf22marv.scl                22  Semimarvelous dwarf: 1/4 kleismic dwarf22_5 and dwarf22_7
dwarf22_77.scl                 22  7-limit dwarf(22), 77-tET tuning
dwarf25marv.scl                25  Marvelous dwarf: 1/4 kleismic dwarf(<25 40 58|) = genus(3^4 5^4)
dwarf271_bp.scl               271  Tritave dwarf(<171 271 397 480|)
dwarf27_7tempered.scl          27  Irregularly tempered dwarf(<27 43 63 76|)
dwarf31_11.scl                 31  Dwarf(<31 49 72 87 107|)
dwart14block.scl               14  Weak Fokker block tweaked from Dwarf(<14 23 36 40|)
dyadic53tone9div.scl           53  Philolaos tone-9-division 8:9=72:73:74:75:76:77:78:79:80:81
edson17.scl                    17  Edson[17] 2.3.7/5.11/5.13/5 subgroup MOS in 17\29 tuning
efg333.scl                      4  Genus primum [333]
efg333333333337.scl            24  Genus [333333333337]
efg333333355.scl               24  Genus [333333355]
efg33335.scl                   10  Genus [33335], Dwarf(<10 16 23|), also blackchrome1
efg3333555.scl                 20  Genus [3333555]
efg33335555.scl                25  Genus bis-ultra-chromaticum [33335555], also dwarf25_5, limmic-magic weak Fokker block
efg333355577.scl               60  Genus [333355577]
efg333357.scl                  20  Genus [333357]
efg33337.scl                   10  Genus [33337]
efg3335.scl                     8  Genus diatonicum veterum correctum [3335]
efg33355.scl                   12  Genus diatonico-chromaticum hodiernum correctum [33355]
efg333555.scl                  16  Genus diatonico-hyperchromaticum [333555]
efg33355555.scl                24  Genus [33355555]
efg333555777.scl               64  Genus [333555777]
efg333555plusmarvwoo.scl       17  Genus [333555] plus 10125/8192, marvel woo tuning
efg333557.scl                  24  Genus diatonico-enharmonicum [333557]
efg33357.scl                   16  Genus diatonico-enharmonicum [33357]
efg3335711.scl                 32  Genus [3 3 3 5 7 11], expanded hexany 1 3 5 7 9 11
efg333577.scl                  24  Genus [333577]
efg3337.scl                     8  Genus [3337]
efg33377.scl                   12  Genus [33377] Bi-enharmonicum simplex
efg335.scl                      6  Genus secundum [335]
efg3355.scl                     9  Genus chromaticum veterum correctum [3355]
efg33555.scl                   12  Genus bichromaticum [33555]
efg335555577.scl               45  Genus [335555577]
efg335555marvwoo.scl           15  Genus [335555] in marvel temperament, woo tuning
efg33555marvwoo.scl            12  Genus [33555] in marvel temperament, woo tuning
efg33557.scl                   18  Genus chromatico-enharmonicum [33557]
efg335577.scl                  27  Genus chromaticum septimis triplex [335577]
efg3357.scl                    12  Genus enharmonicum vocale [3357]
efg335711.scl                  24  Genus [335711]
efg33577.scl                   18  Genus [33577]
efg337.scl                      6  Genus quintum [337]
efg3377.scl                     9  Genus [3377]
efg33777.scl                   12  Genus [33777]
efg33777a.scl                  10  Genus [33777] with 1029/1024 discarded which vanishes in 31-tET
efg355.scl                      6  Genus tertium [355]
efg3555.scl                     8  Genus enharmonicum veterum correctum [3555]
efg35555.scl                   10  Genus [35555]
efg35557.scl                   16  Genus [35557]
efg3557.scl                    12  Genus enharmonicum instrumentale [3557]
efg35577.scl                   18  Genus [35577]
efg357.scl                      8  Genus sextum [357] & 7-limit Octony, see ch.6 p.118
efg35711.scl                   16  Genus [3 5 7 11]
efg3571113.scl                 32  Genus [3 5 7 11 13]
efg3577.scl                    12  Genus [3577]
efg35777.scl                   16  Genus [35777]
efg35777a.scl                  14  Genus [35777] with comma discarded which disappears in 31-tET
efg3711.scl                     8  Genus [3 7 11]
efg377.scl                      6  Genus octavum [377]
efg37711.scl                   12  Genus [3 7 7 11]
efg3777.scl                     8  Genus [3777]
efg37777.scl                   10  Genus [37777]
efg37777a.scl                   8  Genus [37777] with comma discarded that disappears in 31-tET
efg555.scl                      4  Genus quartum [555]
efg55557.scl                   10  Genus [55557]
efg5557.scl                     8  Genus [5557]
efg55577.scl                   12  Genus [55577]
efg557.scl                      6  Genus septimum [557]
efg5577.scl                     9  Genus [5577]
efg55777.scl                   12  Genus [55777]
efg577.scl                      6  Genus nonum [577]
efg5777.scl                     8  Genus [5777]
efg57777.scl                   10  Genus [57777]
efg777.scl                      4  Genus decimum [777]
efg77777.scl                    6  Genus [77777]
efghalf357777.scl              10  Half genus [357777]
egads.scl                     441  Egads temperament, g=315.647874, 5-limit
eikobag.scl                    12  3)6 1.3.3.5.7.9 combination product bag
eikohole1.scl                   6  First eikohole ball <6 9 13 17 20|-epimorphic
eikohole2.scl                  18  Second eikohole ball
eikohole4.scl                  24  Fourth eikohole ball
eikohole5.scl                  42  Fifth eikohole ball
eikohole6.scl                  54  Sixth eikohole ball
eikosany.scl                   20  3)6 1.3.5.7.9.11 Eikosany (1.3.5 tonic)
eikosanyplusop.scl             21  Eikosanyplus 11-limit 5 cents optimized
eikoseven.scl                  20  Seven-limit version of 385/384-tempered Eikosany
ekring1.scl                    12  Single-tie circular mirroring of 3:4:5
ekring2.scl                    12  Single-tie circular mirroring of 6:7:8
ekring3.scl                    12  Single-tie circular mirroring of 4:5:7
ekring4.scl                    12  Single-tie circular mirroring of 4:5:6
ekring5.scl                    12  Single-tie circular mirroring of 3:5:7
ekring5bp.scl                  12  Single-tie BP circular mirroring of 3:5:7
ekring6.scl                    12  Single-tie circular mirroring of 6:7:9
ekring7.scl                    12  Single-tie circular mirroring of 5:7:9
ekring7bp.scl                  12  Single-tie BP circular mirroring of 5:7:9
elevenplus.scl                 12  11-tET plus the 22-tET fifth; C-D-Eb-F-Gb-A-Bb-C' form the Orgone[7] scale
elf12f.scl                     12  A {352/351, 364/363} 2.3.7.11.13 elf transversal
elf87.scl                      87  Elf[87], a strictly proper MOS of elf, the 224&311 temperament
elfjove7.scl                    7  Jove tempering of [8/7, 11/9, 4/3, 3/2, 18/11, 7/4, 2], 202-tET tuning
elfkeenanismic11c.scl          11  Keenanismic tempered [12/11, 8/7, 5/4, 21/16, 4/3, 3/2, 32/21, 8/5, 7/4, 11/6, 2], 284-tET tuning
elfkeenanismic12.scl           12  Keenanismic tempered [12/11, 8/7, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5, 5/3, 7/4, 11/6, 2], 284et tuning
elfkeenanismic7.scl             7  Keenanismic tempered [8/7, 5/4, 4/3, 3/2, 8/5, 7/4, 2] = cross_7, 284et tuning
elfleapday10.scl               10  Leapday tempering of [21/20, 9/8, 14/11, 4/3, 7/5, 3/2, 11/7, 16/9, 21/11, 2], 46-tET tuning, 13-limit patent val elf
elfleapday12f.scl              12  Leapday tempering of [21/20, 9/8, 13/11, 14/11, 4/3, 7/5, 3/2, 11/7, 22/13, 16/9, 21/11, 2], in 46-tET, 13-limit 12f elf
elfleapday7.scl                 7  Leapday tempering of [9/8, 13/11, 4/3, 3/2, 22/13, 16/9, 2], 46-tET tuning, 13-limit patent val elf
elfleapday8d.scl                8  Leapday tempering of [21/20, 9/8, 4/3, 7/5, 3/2, 16/9, 13/7, 2], 46-tET tuning, 13-limit 8d elf
elfleapday9.scl                 9  Leapday tempering of [9/8, 13/11, 14/11, 4/3, 3/2, 11/7, 22/13, 16/9, 2], 46-tET tuning, 13-limit patent val elf
elfmadagascar12f.scl           12  Madagascar tempering of [26/25, 15/13, 6/5, 9/7, 4/3, 7/5, 3/2, 14/9, 5/3, 26/15, 25/13, 2], 313-tET tuning
elfmagic10.scl                 10  Magic tempering of [15/14, 7/6, 5/4, 9/7, 11/8, 14/9, 8/5, 12/7, 15/8, 2], 104-tET tuning, patent val elf
elfmagic12.scl                 12  Magic tempering of [25/24, 10/9, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5, 5/3, 9/5, 27/14, 2], 104-tET tuning, patent val elf
elfmagic7.scl                   7  Magic tempering of [10/9, 5/4, 4/3, 3/2, 8/5, 27/14, 2], 104-tET tuning, patent val elf
elfmagic8.scl                   8  Magic tempering of [25/24, 6/5, 5/4, 9/7, 8/5, 5/3, 12/7, 2], 104-tET tuning, patent val elf
elfmagic9.scl                   9  Magic tempering of [25/24, 6/5, 5/4, 4/3, 3/2, 8/5, 5/3, 27/14, 2], 104-tET tuning, patent val elf
elfmiracle12.scl               12  Miracle tempered [15/14, 8/7, 7/6, 11/9, 21/16, 7/5, 32/21, 18/11, 12/7, 7/4, 15/8, 2], 72et tuning, 11-limit patent val elf
elfmiracle7.scl                 7  Miracle tempered [8/7, 11/9, 21/16, 32/21, 18/11, 15/8, 2], 72-tET tuning, 11-limit patent val elf
elfmyna7.scl                    7  Myna tempered [8/7, 6/5, 7/5, 10/7, 5/3, 7/4, 2] in 58-tET tuning, 13-limit patent val elf
elfoctacot12f.scl              12  Octacot tempered [21/20, 10/9, 7/6, 11/9, 15/11, 7/5, 22/15, 14/9, 12/7, 9/5, 21/11, 2], 150-tET tuning, 13-limit 12f val
elfqilin10.scl                 10  Qilin tempering of [26/25, 15/13, 6/5, 9/7, 13/9, 14/9, 5/3, 26/15, 25/13, 2], POTE tuning, 13-limit patent val elf
elfthrush10.scl                10  Thrush temperng of [21/20, 8/7, 5/4, 4/3, 7/5, 3/2, 8/5, 7/4, 21/11, 2], 89et tuning
elfthrush8d.scl                 8  Thrush tempering of [21/20, 6/5, 5/4, 10/7, 3/2, 11/7, 21/11, 2], 89-tET tuning
elfvalentine8d.scl              8  Valentine tempered [21/20, 6/5, 5/4, 21/16, 8/5, 5/3, 11/6, 2] in 77-tET tuning, 11-limit 8d elf
elfvalinorsmic10.scl           10  Valinorsmic tempering of [16/15, 11/10, 5/4, 4/3, 11/8, 3/2, 8/5, 20/11, 15/8, 2], 111-tET tuning
elfvalinorsmic11.scl           11  Valinorsmic tempering of [11/10, 9/8, 5/4, 4/3, 15/11, 22/15, 3/2, 8/5, 16/9, 20/11, 2], 111-tET tuning
elfzeus10.scl                  10  Zeus tempering of [16/15, 11/10, 5/4, 4/3, 11/8, 3/2, 8/5, 7/4, 11/6, 2], 99-tET tuning
elfzeus12.scl                  12  Zeus tempering of [16/15, 11/10, 6/5, 5/4, 4/3, 11/8, 3/2, 8/5, 5/3, 7/4, 11/6, 2], 99-tET tuning
ellis.scl                      12  Alexander John Ellis' imitation equal temperament (1875)
ellis_24.scl                   24  Ellis, from p. 421 of Helmholtz, 24 tones of JI for 1 manual harmonium
ellis_eb.scl                   12  Ellis's new equal beating temperament for pianofortes (1885)
ellis_harm.scl                 12  Ellis's Just Harmonium
ellis_mteb.scl                 12  Ellis's equal beating meantone tuning (1885)
ellis_r.scl                    12  Ellis's rational approximation of equal temperament
enh14.scl                       7  14/11 Enharmonic
enh15.scl                       7  Tonos-15 Enharmonic
enh15_inv.scl                   7  Inverted Enharmonic Tonos-15 Harmonia
enh15_inv2.scl                  7  Inverted  harmonic form of the enharmonic Tonos-15
enh17.scl                       7  Tonos-17 Enharmonic
enh17_con.scl                   7  Conjunct Tonos-17 Enharmonic
enh19.scl                       7  Tonos-19 Enharmonic
enh19_con.scl                   7  Conjunct Tonos-19 Enharmonic
enh2.scl                        7  1:2 Enharmonic. New genus 2 + 4 + 24 parts
enh21.scl                       7  Tonos-21 Enharmonic
enh21_inv.scl                   7  Inverted Enharmonic Tonos-21 Harmonia
enh21_inv2.scl                  7  Inverted harmonic form of the enharmonic Tonos-21
enh23.scl                       7  Tonos-23 Enharmonic
enh23_con.scl                   7  Conjunct Tonos-23 Enharmonic
enh25.scl                       7  Tonos-25 Enharmonic
enh25_con.scl                   7  Conjunct Tonos-25 Enharmonic
enh27.scl                       7  Tonos-27 Enharmonic
enh27_inv.scl                   7  Inverted Enharmonic Tonos-27 Harmonia
enh27_inv2.scl                  7  Inverted harmonic form of the enharmonic Tonos-27
enh29.scl                       7  Tonos-29 Enharmonic
enh29_con.scl                   7  Conjunct Tonos-29 Enharmonic
enh31.scl                       8  Tonos-31 Enharmonic. Tone 24 alternates with 23 as MESE or A
enh31_con.scl                   8  Conjunct Tonos-31 Enharmonic
enh33.scl                       7  Tonos-33 Enharmonic
enh33_con.scl                   7  Conjunct Tonos-33 Enharmonic
enh_invcon.scl                  7  Inverted Enharmonic Conjunct Phrygian Harmonia
enh_mod.scl                     7  Enharmonic After Wilson's Purvi Modulations, See page 111
enh_perm.scl                    7  Permuted Enharmonic, After Wilson's Marwa Permutations, See page 110.
enlil19_13.scl                 19  Enlil[19] hobbit 13 limit minimax, commas 15625/15552, 385/384 and 325/324
ennea45.scl                    45  Ennealimmal-45, in a 7-limit least-squares tuning, g=48.999, G.W. Smith
ennea45ji.scl                  45  Detempered Ennealimma-45, Hahn reduced
ennea72.scl                    72  Ennealimmal-72 in 612-tET tuning (strictly proper)
ennea72synch.scl               72  Poptimal synchonized beating ennealimmal tuning, TM 10-10-2005
enneadecal57.scl               57  Enneadecal-57 (152&171) in 171-tET tuning
ennealimmal45trans.scl         45  Ennealimmal-45 symmetric 5-limit transversal
epimore_enh.scl                 7  New Epimoric Enharmonic, Dorian mode of the 4th new Enharmonic on Hofmann's list
eratos_chrom.scl                7  Dorian mode of Eratosthenes's Chromatic. same as Ptol. Intense Chromatic
eratos_diat.scl                 7  Dorian mode of Eratosthenes's Diatonic, Pythagorean. 7-tone Kurdi
eratos_enh.scl                  7  Dorian mode of Eratosthenes's Enharmonic
erlangen.scl                   12  Anonymus: Pro clavichordiis faciendis, Erlangen 15th century
erlangen2.scl                  12  Revised Erlangen
erlich1.scl                    10  Asymmetrical Major decatonic mode of 22-tET, Paul Erlich
erlich10.scl                   10  Canonical JI interpretation of the Pentachordal decatonic mode of 22-tET
erlich10a.scl                  10  erlich10 in 50/49 (-1,5) tuning
erlich10coh.scl                10  Differential coherent version of erlich10 with subharmonic 40
erlich10s1.scl                 10  Superparticular version of erlich10 using 50/49 decatonic comma
erlich10s2.scl                 10  Other superparticular version of erlich10 using 50/49 decatonic comma
erlich11.scl                   10  Canonical JI interpretation of the Symmetrical decatonic mode of 22-tET
erlich11s1.scl                 10  Superparticular version of erlich11 using 50/49 decatonic comma
erlich11s2.scl                 10  Other superparticular version of erlich11 using 50/49 decatonic comma
erlich12.scl                   18  Two 9-tET scales 3/2 shifted, Paul Erlich, TL 5-12-2001
erlich13.scl                   12  Just 7-limit scale by Paul Erlich
erlich2.scl                    10  Asymmetrical Minor decatonic mode of 22-tET, Paul Erlich
erlich3.scl                    10  Symmetrical Major decatonic mode of 22-tET, Paul Erlich
erlich4.scl                    10  Symmetrical Minor decatonic mode of 22-tET, Paul Erlich
erlich5.scl                    22  Unequal 22-note compromise between decatonic & Indian srutis, Paul Erlich
erlich6.scl                    22  Scale of consonant tones against 1/1-3/2 drone. TL 23-9-1998
erlich7.scl                    26  Meantone-like circle of sinuoidally varying fifths, TL 08-12-99
erlich8.scl                    24  Two 12-tET scales 15 cents shifted, Paul Erlich
erlich9.scl                    10  Just scale by Paul Erlich (2002)
erlichpump.scl                 15  Scale from a 385/384 comma pump by Paul Erlich (11-limit POTE tuning)
erlich_bpf.scl                 39  Erlich's 39-tone Triple Bohlen-Pierce scale
erlich_bpp.scl                 39  Periodicity block for erlich_bpf, 1625/1617 1331/1323 275/273 245/243
erlich_bpp2.scl                39  Improved shape for erlich_bpp
erlich_bppe.scl                39  LS optimal 3:5:7:11:13 tempering, virtually equal, g=780.2702 cents
erlich_bppm.scl                39  MM optimal 3:5:7:11:13 tempering, g=780.352 cents
erose.scl                      12  Zhea Erose, Novemdeca (2020)
escot.scl                      12  Nicolas Escot, Arcane 17 temperament
et-mix24.scl                  180  Mix of all equal temperaments from 1-24 (= 13-24)
et-mix6.scl                    12  Mix of equal temperaments from 1-6 (= 4-6)
etdays.scl                    366  365.24218967th root of 2, average number of days per tropical year
etdays2.scl                   366  365.2563542th root of 2, average number of days per sidereal year
euler.scl                      12  Euler's Monochord (a mode of Ellis's duodene) (1739), genus [33355]
euler20.scl                    20  Genus [3333555] tempered by 225/224-planar
euler24.scl                    24  Genus [33333555] tempered by 225/224-planar
euler_diat.scl                  8  Euler's genus diatonicum veterum correctum, 8-tone triadic cluster 4:5:6, genus [3335]
euler_enh.scl                   7  Euler's Old Enharmonic, From Tentamen Novae Theoriae Musicae
euler_gm.scl                    8  Euler's Genus Musicum, Octony based on Archytas's Enharmonic
even12a.scl                    12  first maximally even {15/14,16/15,21/20,25/24} scale
even12b.scl                    12  second maximally even {15/14,16/15,21/20,25/24} scale
exptriad2.scl                   7  Two times expanded major triad
exptriad3.scl                  30  Three times expanded major triad
farey12_101.scl                12  Common denominator=101 Farey approximation to 12-tET
farey12_116.scl                12  Common denominator=116 Farey approximation to 12-tET, well-temperament
farey12_65.scl                 12  Common denominator=65 Farey approximation to 12-tET
farey12_80.scl                 12  Common denominator=80 Farey approximation to 12-tET
farey3.scl                      5  Farey fractions between 0 and 1 until 3rd level, normalised by 2/1
farey4.scl                      9  Farey fractions between 0 and 1 until 4th level, normalised by 2/1
farey5.scl                     20  Farey fractions between 0 and 1 until 5th level, normalised by 2/1
farnsworth.scl                  7  Farnsworth's scale
fibo_10.scl                    10  First 13 Fibonacci numbers reduced by 2/1
fibo_9.scl                      8  First 9 Fibonacci terms reduced by 2/1, B. McLaren, XH 13, 1991
finnamore.scl                   8  David J. Finnamore, tetrachordal scale, 17/16x19/17x64/57, TL 9-5-97
finnamore53.scl                16  David J. Finnamore, 53-limit tuning for "Crawlspace" (1998)
finnamore_11.scl               14  David J. Finnamore, 11-limit scale, TL 3-9-98
finnamore_7.scl                12  David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in 21/20 &15/14
finnamore_7a.scl               12  David J. Finnamore, TL 1 Sept '98. 7-tone Pyth. with 9/8 div. in 15/14 &21/20
finnamore_jc.scl                7  Chalmers' modification of finnamore.scl, 19/18 x 9/8 x 64/57, TL 9-5-97
fisher.scl                     12  Alexander Metcalf Fisher's modified meantone temperament (1818)
fj-10tet.scl                   10  Franck Jedrzejewski continued fractions approx. of 10-tet
fj-12tet.scl                   12  Franck Jedrzejewski continued fractions approx. of 12-tet
fj-13tet.scl                   13  Franck Jedrzejewski continued fractions approx. of 13-tet
fj-14tet.scl                   14  Franck Jedrzejewski continued fractions approx. of 14-tet
fj-15tet.scl                   15  Franck Jedrzejewski continued fractions approx. of 15-tet
fj-16tet.scl                   16  Franck Jedrzejewski continued fractions approx. of 16-tet
fj-17tet.scl                   17  Franck Jedrzejewski continued fractions approx. of 17-tet
fj-18tet.scl                   18  Franck Jedrzejewski continued fractions approx. of 18-tet
fj-19tet.scl                   19  Franck Jedrzejewski continued fractions approx. of 19-tet
fj-20tet.scl                   20  Franck Jedrzejewski continued fractions approx. of 20-tet
fj-21tet.scl                   21  Franck Jedrzejewski continued fractions approx. of 21-tet
fj-22tet.scl                   22  Franck Jedrzejewski continued fractions approx. of 22-tet
fj-23tet.scl                   23  Franck Jedrzejewski continued fractions approx. of 23-tet
fj-24tet.scl                   24  Franck Jedrzejewski continued fractions approx. of 24-tet
fj-26tet.scl                   26  Franck Jedrzejewski continued fractions approx. of 26-tet
fj-30tet.scl                   30  Franck Jedrzejewski continued fractions approx. of 30-tet
fj-31tet.scl                   31  Franck Jedrzejewski continued fractions approx. of 31-tet
fj-36tet.scl                   36  Franck Jedrzejewski continued fractions approx. of 36-tet
fj-41tet.scl                   41  Franck Jedrzejewski continued fractions approx. of 41-tet
fj-42tet.scl                   42  Franck Jedrzejewski continued fractions approx. of 42-tet
fj-43tet.scl                   43  Franck Jedrzejewski continued fractions approx. of 43-tet
fj-53tet.scl                   53  Franck Jedrzejewski continued fractions approx. of 53-tet
fj-54tet.scl                   54  Franck Jedrzejewski continued fractions approx. of 54-tet
fj-55tet.scl                   55  Franck Jedrzejewski continued fractions approx. of 55-tet
fj-5tet.scl                     5  Franck Jedrzejewski continued fractions approx. of 5-tet
fj-60tet.scl                   60  Franck Jedrzejewski continued fractions approx. of 60-tet
fj-66tet.scl                   66  Franck Jedrzejewski continued fractions approx. of 66-tet
fj-72tet.scl                   72  Franck Jedrzejewski continued fractions approx. of 72-tet
fj-78tet.scl                   78  Franck Jedrzejewski continued fractions approx. of 78-tet
fj-7tet.scl                     7  Franck Jedrzejewski continued fractions approx. of 7-tet
fj-84tet.scl                   84  Franck Jedrzejewski continued fractions approx. of 84-tet
fj-8tet.scl                     8  Franck Jedrzejewski continued fractions approx. of 8-tet
fj-90tet.scl                   90  Franck Jedrzejewski continued fractions approx. of 90-tet
fj-96tet.scl                   96  Franck Jedrzejewski continued fractions approx. of 96-tet
fj-9tet.scl                     9  Franck Jedrzejewski continued fractions approx. of 9-tet
flattone12.scl                 12  Flattone[12] in 13-limit POTE tuning
flavel.scl                     12  Bill Flavel's just tuning, mode of Ellis's Just Harmonium. Tuning List 06-05-98
flippery9.scl                   9  A 9-note flippery scale
flute-s.scl                     7  Observed tuning of Flauta salmantina de tres agujeros
fogliano.scl                   14  Fogliano's Monochord with D-/D and Bb-/Bb
fogliano1.scl                  12  Fogliano's Monochord no.1, Musica theorica (1529). Fokker block 81/80 128/125
fogliano2.scl                  12  Fogliano's Monochord no.2
fokker-h.scl                   19  Fokker-H 5-limit per.bl. synt.comma&small diesis, KNAW B71, 1968
fokker-ht.scl                  19  Tempered version of Fokker-H per.bl. with better 6 tetrads, OdC
fokker-k.scl                   19  Fokker-K 5-limit per.bl. of 225/224 & 81/80 & 10976/10935, KNAW B71, 1968
fokker-l.scl                   19  Fokker-L 7-limit periodicity block 10976/10935 & 225/224 & 15625/15552, 1969
fokker-lt.scl                  19  Tempered version of Fokker-L per.bl. with more triads
fokker-m.scl                   31  Fokker-M 7-limit periodicity block 81/80 & 225/224 & 1029/1024, KNAW B72, 1969
fokker-n.scl                   31  Fokker-N 7-limit periodicity block 81/80 & 2100875/2097152 & 1029/1024, 1969
fokker-n2.scl                  31  Fokker-N different block shape
fokker-p.scl                   31  Fokker-P 7-limit periodicity block 65625/65536 & 6144/6125 & 2401/2400, 1969
fokker-q.scl                   53  Fokker-Q 7-limit per.bl. 225/224 & 4000/3969 & 6144/6125, KNAW B72, 1969
fokker-r.scl                   53  Fokker-R 7-limit per.bl. 4375/4374 & 65625/65536 & 6144/6125, 1969
fokker-s.scl                   53  Fokker-S 7-limit per.bl. 4375/4374 & 323/322 & 64827/65536, 1969
fokker_12.scl                  12  Fokker's 7-limit 12-tone just scale
fokker_12a.scl                 12  Fokker's 7-limit periodicity block of 2048/2025 & 3969/4000 & 225/224
fokker_12b.scl                 12  Fokker's 7-limit semitone scale KNAW B72, 1969
fokker_12c.scl                 12  Fokker's 7-limit complementary semitone scale, KNAW B72, 1969
fokker_12m.scl                 12  Fokker's 12-tone 31-tET mode, has 3 4:5:6:7 tetrads + 3 inv.
fokker_12t.scl                 12  Tempered version of fokker_12.scl with egalised 225/224, see also lumma.scl
fokker_12t2.scl                12  Another tempered version of fokker_12.scl with egalised 225/224
fokker_22.scl                  22  Fokker's 22-tone periodicity block of 2048/2025 & 3125/3072. KNAW B71, 1968
fokker_22a.scl                 22  Fokker's 22-tone periodicity block of 2048/2025 & 2109375/2097152 = semicomma
fokker_31.scl                  31  Fokker's 31-tone just system
fokker_31a.scl                 31  Fokker's 31-tone first alternate septimal tuning
fokker_31b.scl                 31  Fokker's 31-tone second alternate septimal tuning
fokker_31c.scl                 31  Fokker's 31-tone periodicity block of 81/80 & 2109375/2097152 = semicomma
fokker_31d.scl                 31  Fokker's 31-tone periodicity block of 81/80 & Würschmidt's comma
fokker_31d2.scl                31  Reduced version of fokker_31d by Prooijen expressibility
fokker_41.scl                  41  Fokker's 7-limit supracomma per.bl. 10976/10935 & 225/224 & 496125/262144
fokker_41a.scl                 41  Fokker's 41-tone periodicity block of schisma & 34171875/33554432
fokker_41b.scl                 41  Fokker's 41-tone periodicity block of schisma & 3125/3072
fokker_53.scl                  53  Fokker's 53-tone system, degree 37 has alternatives
fokker_53a.scl                 53  Fokker's 53-tone periodicity block of schisma & kleisma
fokker_53b.scl                 53  Fokker's 53-tone periodicity block of schisma & 2109375/2097152
fokker_av.scl                  31  Fokker's suggestion for a shrinked octave by averaging approximations
fokker_bosch.scl                9  Scale of "Naar Den Bosch toe", genus diatonicum cum septimis. 1/1=D
fokker_sr.scl                  22  Fokker's 7-limit sruti scale, KNAW B72, 1969
fokker_sr2.scl                 22  Fokker's complementary 7-limit sruti scale, KNAW B72, 1969
fokker_sra.scl                 22  Two-step approximation 9-13 to Fokker's 7-limit sruti scale
fokker_uv.scl                  70  Table of Unison Vectors, Microsons and Minisons, from article KNAW, 1969
foote.scl                      12  Ed Foote, piano temperament. TL 9 Jun 1999, almost equal to Coleman
foote2.scl                     12  Ed Foote´s temperament with 1/6, 1/8 and 1/12 Pyth comma fractions
forster.scl                    32  Cris Forster's Chrysalis tuning, XH 7+8
fortuna11.scl                  12  11-limit scale from Clem Fortuna
fortuna_a1.scl                 12  Clem Fortuna, Arabic mode of 24-tET, try C or G major, superset of Basandida, trivalent
fortuna_a2.scl                 12  Clem Fortuna, Arabic mode of 24-tET, try C or F minor
fortuna_bag.scl                12  Bagpipe tuning from Fortuna, try key of G with F natural
fortuna_eth.scl                12  Ethiopian Tunings from Fortuna
fortuna_sheng.scl              12  Sheng scale on naturals starting on d, from Fortuna
francis_924-1.scl              12  J. Charles Francis, Bach temperament for BWV 924 version 1 (2005)
francis_924-2.scl              12  J. Charles Francis, Bach temperament for BWV 924 version 2 (2005)
francis_924-3.scl              12  J. Charles Francis, Bach temperament for BWV 924 version 3 (2005)
francis_924-4.scl              12  J. Charles Francis, Bach temperament for BWV 924 version 4 (2005)
francis_r12-14p.scl            12  Bach WTC theoretical temperament, 1/14 Pyth. comma, Cornet-ton, same Maunder III
francis_r12-2.scl              12  J. Charles Francis, Bach WTC temperament R12-2, fifths beat ratios 0, 1, 2. C=279.331 Cornet-ton
francis_r2-1.scl               12  J. Charles Francis, Bach WTC temperament R2-1, fifths beat ratios 0, 1, 2. C=249.072 Cammerton
francis_r2-14p.scl             12  Bach WTC theoretical temperament, 1/14 Pyth. comma, Cammerton
francis_seal.scl               12  J. Charles Francis, Bach tuning interpretion as beats/sec. from seal
francis_suppig.scl             12  J. Charles Francis, Suppig Calculus musicus, 5ths beat ratios 0, 1, 2.
freiberg.scl                   12  Temperament of G. Silbermann organ (1735), St. Petri in Freiberg (1985), a=476.3
freivald-star.scl              12  Jake Freivald, starling scale, approximately 8, 15, 20, 25, 28, 32, 40, 45, 60, 65, 72, 77 steps of 77-tET
freivald11.scl                 17  Jake Freivald, scale derived mostly from elevens (2011)
freivaldthree.scl              13  JI tritave repeating scale, similar to ennon13. Mode of the 13-note tritave MOS of ennealimmal
freivald_9190.scl              13  Jake Freivald, tritave with appr. 13/10 generator, 91/90 tempered out, 3\30 tuning
freivald_canton.scl            12  Jake Freivald, a 2.3.11/7.13/7 subgroup scale
freivald_lucky.scl              9  Jake Freivald, Lucky sevens and elevens, two chords 3/2 apart, superparticular
freivald_sub.scl               12  Jake Freivald, just scale in 5.11.31 subgroup. TL 30-5-2011
freivald_sup.scl               17  Jake Freivald, 4/3 divided into 7 superparticulars, repeated at 3/2, and the 4/3-3/2 divide split into 25/24, 26/25, 27/26
fribourg.scl                   12  Manderscheidt organ in Fribourg (1640), modified meantone
frischknecht2.scl              12  Frischknecht II organ temperament, 1/8 P
fusc4.scl                      15  All rationals with fusc value <= 4
fusc5.scl                      23  All rationals with fusc value <= 5
fusc6.scl                      35  All rationals with fusc value <= 6
gabler.scl                     12  In 1982 reconstructed temperament of organ in Weingarten by Joseph Gabler (1737-1750)
galilei.scl                    12  Vincenzo Galilei's approximation
gamelan_udan.scl               12  Gamelan Udan Mas (approx) s6,p6,p7,s1,p1,s2,p2,p3,s3,p4,s5,p5
ganassi.scl                    12  Sylvestro Ganassi's temperament (1543)
gann_arcana.scl                24  Kyle Gann, scale for Arcana XVI
gann_charingcross.scl          39  Kyle Gann, scale for Charing Cross (2007)
gann_cinderella.scl            30  Kyle Gann, scale for Cinderella's Bad Magic
gann_custer.scl                31  Kyle Gann, scale from Custer's Ghost to Sitting Bull, 1/1=G
gann_fractured.scl             16  Kyle Gann, scale from Fractured Paradise, 1/1=B
gann_fugitive.scl              21  Kyle Gann, scale for Fugitive Objects (2007)
gann_ghost.scl                  8  Kyle Gann, scale from Ghost Town, 1/1=E
gann_love.scl                  21  Kyle Gann, scale for Love Scene
gann_new_aunts.scl             27  Kyle Gann, scale from New Aunts (2008), 1/1=A
gann_revisited.scl             29  Kyle Gann, scale for The Day Revisited (2005)
gann_sitting.scl               21  Kyle Gann, tuning for Sitting Bull (1998), 1/1=B
gann_solitaire.scl             36  Kyle Gann, scale from Solitaire (2009), 1/1=Eb
gann_suntune.scl               30  Kyle Gann, tuning for Sun Dance / Battle of the Greasy Grass River, 1/1=F#
gann_super.scl                 22  Kyle Gann, scale from Superparticular Woman (1992), 1/1=G
gann_things.scl                24  Kyle Gann, scale from How Miraculous Things Happen, 1/1=A
gann_wolfe.scl                579  Kyle Gann from Anatomy of an Octave, edited by Kristina Wolfe (2015)
garcia.scl                     29  Linear 29-tone scale by José L. Garcia (1988) 15/13-52/45 alternating
garibaldi24opt.scl             24  13-limit lesfip optimization, 5 cent tolerance
genggong.scl                    5  Genggong polos scale, harmonics 5-9
genovese_12.scl                12  Denny Genovese's superposition of harmonics 8-16 and subharmonics 6-12
genovese_38.scl                38  Denny Genovese's 38-note scale of harmonics 1-16 and subharmonics 1-12
gerle.scl                      19  "Gerle" 1/1=G
gf1-2.scl                      16  16-note scale with all possible quadruplets of 50 & 100 c. Galois Field GF(2)
gf2-3.scl                      16  16-note scale with all possible quadruplets of 60 & 90 c. Galois Field GF(2)
gibelius.scl                   14  Otto Gibelius, Propositiones Mathematico-musicae, 1666, p.35
gilson7.scl                     9  Gilson septimal
gilson7a.scl                    9  Gilson septimal 2
gizmo14-ji_transversal.scl     14  Possible JI transversal of gizmo14.scl or gizmo14-pote.scl
gizmo14-pote.scl               14  Gizmo in Parapyth POTE, three ~4:6:7:9:11:13 hexads on 1/1, 9/8, 3/2
gizmo14.scl                    14  Parapyth set, three ~4:6:7:9:11:13 hexads on 1/1, 9/8, 3/2 (MET-24 version)
glacial6.scl                    6  Glacial[6] 2.9.5.11.13 subgroup MOS in 13\84 tuning
gluck.scl                      12  Thomas Glück Bach temperament
godmeankeeflat1.scl            19  Godzilla-meantone-keemun-flattone wakalix
godmeankeeflat3.scl            19  Godzilla-meantone-keemun-flattone wakalix
goebel.scl                     12  Joseph Goebel quasi equal temperament (1967)
golden_5.scl                    5  Golden pentatonic
gorgo-pelog.scl                 7  Pelog-like subset of gorgo[9]
gradus10.scl                   27  Intervals > 1 with Gradus = 10
gradus10m.scl                  92  Intervals > 1 with Gradus <= 10
gradus3.scl                     2  Intervals > 1 with Gradus = 3
gradus4.scl                     3  Intervals > 1 with Gradus = 4
gradus5.scl                     5  Intervals > 1 with Gradus = 5
gradus6.scl                     7  Intervals > 1 with Gradus = 6
gradus7.scl                    11  Intervals > 1 with Gradus = 7
gradus8.scl                    15  Intervals > 1 with Gradus = 8
gradus9.scl                    21  Intervals > 1 with Gradus = 9
grady11.scl                    12  Kraig Grady's dual [5 7 9 11] hexany scale
grady_14.scl                   14  Kraig Grady, letter to Lou Harrison, published in 1/1 vol. 7 no. 1, 1991, p.5
grady_beebalm.scl              12  Kraig Grady, Beebalm (a Monarda Variation)
grady_centaur.scl              12  Kraig Grady's 7-limit Centaur scale (1987), Xenharmonikon 16
grady_centaur17.scl            17  17-tone extension of Centaur, Kraig Grady & Terumi Narushima (2012)
grady_centaur19.scl            19  19-tone extension of Centaur, Kraig Grady & Terumi Narushima (2012). Optional 10/9, 63/40, 16/9, 35/18
grady_centaura.scl             12  Kraig Grady, 11 limit variation to Centaur (2019)
grady_centaurmarv.scl          12  1/4-kleismic marvel tempered centaur/meandin
grady_mirror-meta-pelog20.scl  20  20-tone pelog generated from 'fourth' based recurrent series by Kraig Grady
grady_mirror-meta-pelog7.scl    7  7-tone pelog generated from 'fourth' based recurrent series by Kraig Grady
grady_mirror-meta-pelog9.scl    9  9-tone pelog generated from 'fourth' based recurrent series by Kraig Grady
grady_mirror-meta-slendro17.scl
                               17  17-tone slendro generated from 'fifth' based recurrent series by Kraig Grady
grady_mirror_meta_slendro12.scl
                               12  12-tone slendro generated from 'fifth' based recurrent series by Kraig Grady
graf-sorge.scl                 12  Gräf-Sorge organ temperament, 1/6 P
grammateus.scl                 12  H. Grammateus (Heinrich Schreiber) (1518). B-F# and Bb-F 1/2 P. Also Marpurg nr.6 and Baron von Wiese and Maria Renold
graupner.scl                   12  Johann Gottlieb Graupner's temperament (1819)
groenewald.scl                 12  Jürgen Grönewald, new meantone temperament (2001)
groenewald_21.scl              21  Jürgen Grönewald, just tuning (2000)
groenewald_bach.scl            12  Jürgen Grönewald, simplified Bach temperament, Ars Organi vol.57 no.1, March 2009, p.39
groven.scl                     36  Eivind Groven's 36-tone scale with 1/8-schisma temp. fifths and 5/4 (1948)
groven_ji.scl                  36  Untempered version of Groven's 36-tone scale
guanyin22.scl                  22  Guanyin[22] {176/175, 540/539} hobbit in 111-tET
guanyintet5.scl                 5  Guanyintet[5] 2.5.7/3.11/3 subgroup MOS in 70\311 tuning
guiron77.scl                   77  Guiron[77] (118&159 temperament) in 159-tET
gunkali.scl                     7  Indian mode Gunkali, see Daniélou: Intr. to the Stud. of Mus. Scales, p.175
gyaling.scl                     6  Tibetan Buddhist Gyaling tones measured from CD "The Diamond Path", Ligon 2002
h10_27.scl                     10  10-tET harmonic approximation, fundamental=27
h12_24.scl                     12  12-tET harmonic approximation, fundamental=24
h14_27.scl                     14  14-tET harmonic approximation, fundamental=27
h15_24.scl                     15  15-tET harmonic approximation, fundamental=24
h17_32.scl                     17  17-tET harmonic approximation, fundamental=32
hahn9.scl                       9  Paul Hahn's just version of 9 out of 31 scale, TL 6-8-98
hahnmaxr.scl                   12  Paul Hahn's hahn_7.scl marvel projected to the 5-limit
hahn_7.scl                     12  Paul Hahn's scale with 32 consonant 7-limit dyads. TL '99, see also smithgw_hahn12.scl
hahn_g.scl                     12  Paul Hahn, fourth of sqrt(2)-1 octave "recursive" meantone (1999)
hamilton.scl                   12  Elsie Hamilton's gamut, from article The Modes of Ancient Greek Music (1953)
hamilton_jc.scl                12  Chalmers' permutation of Hamilton's gamut. Diatonic notes on white
hamilton_jc2.scl               12  EH gamut, diatonic notes on white and drops 17 for 25. JC Dorian Harmonia on C. Schlesinger's Solar scale
hammond.scl                    13  Hammond organ pitch wheel ratios, 1/1=320 Hz. Do "del 0" to get 12-tone scale
hammond12.scl                  12  Hammond organ scale, 1/1=277.0731707 Hz, A=440, see hammond.scl for the ratios
handblue.scl                   12  "Handy Blues" of Pitch Palette, 7-limit
handel.scl                     12  Well temperament according to Georg Friedrich Händel's rules (c. 1780)
handel2.scl                    12  Another "Händel" temperament, C. di Veroli
hanfling-bumler.scl            12  The Hänfling/Bümler equal temperament from Mattheson, June 1722, corrected
hanson_19.scl                  19  JI version of Hanson's 19 out of 53-tET scale
harm-doreninv1.scl              7  1st Inverted Schlesinger's Enharmonic Dorian Harmonia
harm-dorinv1.scl                7  1st Inverted Schlesinger's Chromatic Dorian Harmonia
harm-lydchrinv1.scl             7  1st Inverted Schlesinger's Chromatic Lydian Harmonia
harm-lydeninv1.scl              7  1st Inverted Schlesinger's Enharmonic Lydian Harmonia
harm-mixochrinv1.scl            7  1st Inverted Schlesinger's Chromatic Mixolydian Harmonia
harm-mixoeninv1.scl             7  1st Inverted Schlesinger's Enharmonic Mixolydian Harmonia
harm10.scl                     10  Harmonics 10 to 20
harm12.scl                     12  Harmonics 12 to 24
harm12s.scl                    11  Harmonics 1 to 12 and subharmonics mixed
harm12_2.scl                   12  Harmonics 12 to 24, mode 9
harm14.scl                     14  Harmonics 14 to 28, Tessaradecatonic Harmonium, José Pereira de Sampaio (1903)
harm15.scl                     15  Harmonics 15 to 30
harm15a.scl                    12  Twelve out of harmonics 15 to 30
harm16.scl                     16  Harmonics 16 to 32, Tom Stone's Guitar Scale
harm19.scl                     19  Harmonics 19 to 38, odd harmonics until 37
harm1c-hypod.scl                8  HarmC-Hypodorian
harm1c-hypol.scl                8  HarmC-Hypolydian
harm1c-lydian.scl               8  Harm1C-Lydian
harm1c-mix.scl                  7  Harm1C-Con Mixolydian
harm1c-mixolydian.scl           7  Harm1C-Mixolydian
harm20_12.scl                  12  12-tone subset of harmonics 20 to 40
harm24_12.scl                  12  12-tone subset of harmonics 24 to 48
harm24_8.scl                    8  Modified Porcupine scale, Mike Sheiman (2011)
harm256.scl                   128  Harmonics 2 to 256, Johnny Reinhard
harm28_8.scl                    8  8-tone subset of harmonics 28 to 56, Mike Sheiman (2011)
harm28_9.scl                    9  9-tone subset of harmonics 28 to 56, Mike Sheiman (2011)
harm30.scl                     30  Harmonics 30 to 60
harm32.scl                     32  Harmonics 32 to 64
harm34.scl                     34  harm 34 68, Pandelia
harm6.scl                       6  Harmonics 6 to 12
harm7lim.scl                   47  7-limit harmonics
harm8.scl                       8  Harmonics 8 to 16
harm9.scl                       9  Harmonics 9 to 18
harmc-hypop.scl                 9  HarmC-Hypophrygian
harmd-15.scl                    7  HarmD-15-Harmonia
harmd-conmix.scl                7  HarmD-ConMixolydian
harmd-hypop.scl                 9  HarmD-Hypophrygian
harmd-lyd.scl                   9  HarmD-Lydian
harmd-mix.scl                   7  HarmD-Mixolydian. Harmonics 7-14
harmd-phr.scl                  12  HarmD-Phryg (with 5 extra tones)
harme-hypod.scl                 8  HarmE-Hypodorian
harme-hypol.scl                 8  HarmE-Hypolydian
harme-hypop.scl                 9  HarmE-Hypophrygian
harmf10.scl                    13  6/7/8/9/10 harmonics
harmf12.scl                    20  First 12 harmonics of 6th through 12th harmonics. Also Arnold Dreyblatt's tuning system with 1/1=349.23 Hz
harmf16.scl                    30  First 16 harmonics and subharmonics
harmf30.scl                    59  First 30 harmonics and subharmonics
harmf9.scl                     10  6/7/8/9 harmonics, First 9 overtones of 5th through 9th harmonics
harmjc-15.scl                  12  Rationalized JC Sub-15 Harmonia on C. MD=15, No planetary assignment.
harmjc-17-2.scl                12  Rationalized JC Sub-17 Harmonia on C. MD=17, No planetary assignment.
harmjc-17.scl                  12  Rationalized JC Sub-17 Harmonia on C. MD=17, No planetary assignment.
harmjc-19-2.scl                12  Rationalized JC Sub-19 Harmonia on C. MD=19, No planetary assignment.
harmjc-19.scl                  12  Rationalized JC Sub-19 Harmonia on C. MD=19, No planetary assignment.
harmjc-21.scl                  12  Rationalized JC Sub-21 Harmonia on C. MD=21, No planetary assignment.
harmjc-23-2.scl                12  Rationalized JC Sub-23 Harmonia on C. MD=23, No planetary assignment.
harmjc-23.scl                  12  Rationalized JC Sub-23 Harmonia on C. MD=23, No planetary assignment.
harmjc-25.scl                  12  Rationalized JC Sub-25 Harmonia on C. MD=25, No planetary assignment.
harmjc-27.scl                  12  Rationalized JC Sub-27 Harmonia on C. MD=27, No planetary assignment.
harmjc-hypod16.scl             12  Rationalized JC Hypodorian Harmonia on C. Saturn Scale on C, MD=16. (Steiner)
harmjc-hypol20.scl             12  Rationalized JC Hypolydian Harmonia on C. Mars scale on C., MD=20
harmjc-hypop18.scl             12  Rationalized JC Hypophrygian Harmonia on C. Jupiter scale on C, MD =18
harmjc-lydian13.scl            12  Rationalized JC Lydian Harmonia on Schlesinger's Mercury scale on C, MD = 26 or 13
harmjc-mix14.scl               12  Rationalized JC Mixolydian Harmonia on Schlesinger's Moon Scale on C, MD = 14
harmjc-phryg12.scl             12  Rationalized JC Phrygian Harmonia on Schlesinger's Venus scale on C, MD = 24 or 12
harmonical.scl                 12  See pages 17 and 466-468 of Helmholtz. Lower 4 oct. instrument designed and tuned by Ellis
harmonical_up.scl              12  Upper 2 octaves of Ellis's Harmonical
harmsub16.scl                  12  16 harmonics on 1/1 and 16 subharmonics on 15/8
harm_bastard.scl                7  Schlesinger's "Bastard" Hypodorian Harmonia & inverse 1)7 from 1.3.5.7.9.11.13
harm_bastinv.scl                7  Inverse Schlesinger's "Bastard" Hypodorian Harmonia & 1)7 from 1.3.5.7.9.11.13
harm_darreg.scl                24  Darreg Harmonics 4-15
harm_mean.scl                   9  Harm. mean 9-tonic, 8/7 is HM of 1/1 and 4/3, etc.
harm_pehrson.scl               19  Harm. 1/4-11/4 and subh. 4/1-4/11. Joseph Pehrson (1999)
harm_perkis.scl                12  Harmonics 60 to 30 (Perkis)
harrisonj.scl                  12  John Harrison's temperament (1775), almost 3/10-comma. Third = 1200/pi
harrisonm_rev.scl              12  Michael Harrison, piano tuning for "Revelation" (2001), 1/1=F
harrison_15.scl                15  15-tone scale found in Music Primer, Lou Harrison
harrison_16.scl                16  Lou Harrison 16-tone superparticular "Ptolemy Duple", an aluminium bars instrument
harrison_5.scl                  5  From Lou Harrison, a pelog style pentatonic
harrison_5_1.scl                5  From Lou Harrison, a pelog style pentatonic
harrison_5_3.scl                5  From Lou Harrison, a pelog style pentatonic
harrison_5_4.scl                5  From Lou Harrison, a pelog style pentatonic
harrison_8.scl                  8  Lou Harrison 8-tone tuning for "Serenade for Guitar"
harrison_bill.scl               6  Lou Harrison, "Music for Bill and Me" (1966) for guitar
harrison_cinna.scl             12  Lou Harrison, "Incidental Music for Corneille's Cinna" (1955-56) 1/1=C
harrison_diat.scl               7  From Lou Harrison, a soft diatonic
harrison_handel.scl             7  Lou Harrison, "In Honor of the Divine Mr. Handel" (1978-2002) for guitar
harrison_kyai.scl               7  Lou Harrison´s Kyai Udan Arum, pelog just gamelan tuning
harrison_mid.scl                7  Lou Harrison mid mode
harrison_mid2.scl               7  Lou Harrison mid mode 2
harrison_min.scl                5  Lou Harrison, symmetrical pentatonic with minor thirds. Per. block 16/15, 27/25
harrison_mix1.scl               5  A "mixed type" pentatonic, Lou Harrison
harrison_mix2.scl               5  A "mixed type" pentatonic, Lou Harrison
harrison_mix3.scl               5  A "mixed type" pentatonic, Lou Harrison
harrison_mix4.scl               5  A "mixed type" pentatonic, Lou Harrison
harrison_slye.scl              12  11-limit scale by Lou Harrison and Bill Slye for National Reso-Phonic Just Intonation Guitar
harrison_songs.scl             12  Shared gamut of "Four Strict Songs" (1951-55), each pentatonic
harry58.scl                    58  Harry[58] 11-limit least squares optimized
haverstick13.scl               13  Neil Haverstick, scale in 34-tET, MMM 21-5-2006
haverstick21.scl               21  Neil Haverstick, just guitar tuning, TL 19-07-2007
hawkes.scl                     12  William Hawkes' modified 1/5-comma meantone (1807)
hawkes2.scl                    12  Meantone with fifth tempered 1/6 of 53-tET step by William Hawkes (1808)
hawkes3.scl                    12  William Hawkes' modified 1/5-comma meantone (1811)
helmholtz.scl                   7  Helmholtz's Chromatic scale and Gipsy major from Slovakia
helmholtz_24.scl               24  Simplified Helmholtz 24
helmholtz_decad.scl             9  Helmholtz Harmonic Decad, major pentatonic modes mixed
helmholtz_pure.scl             24  Helmholtz's two-keyboard harmonium tuning untempered
helmholtz_temp.scl             24  Helmholtz's two-keyboard harmonium tuning
hemienn82.scl                  72  Hemiennealimmal-72 in 612-tET tuning (strictly proper)
hemifamcyc.scl                 14  Hemifamity cycle of thirds scale, nearest to proper
hemifamity27.scl               27  (3/2)^9 * (10/9)^3 hemifamity tempered
hemimute31.scl                 31  Mutant Hemithirds[31]
hemiwuer24.scl                 24  Hemiwürschmidt[24] in 229-tET tuning.
hemiwuerschmidt19trans37.scl   19  Hemiwuerschmidt[19] symmetric 2.3.7 transversal
hemiwuerschmidt25trans37.scl   25  Hemiwuerschmidt[25] symmetric 2.3.7 transversal
hemiwuerschmidt31trans37.scl   31  Hemiwuerschmidt[31] symmetric 2.3.7 transversal
hemony.scl                     12  Average tuning of 10 Hemony carillons, 1/4-comma meantone, Lehr, 1999
hem_chrom.scl                   7  Hemiolic Chromatic genus has the strong or 1:2 division of the 12/11 pyknon
hem_chrom11.scl                 7  11'al Hemiolic Chromatic genus with a CI of 11/9, Winnington-Ingram
hem_chrom13.scl                 7  13'al Hemiolic Chromatic or neutral-third genus has a CI of 16/13
hem_chrom2.scl                  7  1:2 Hemiolic Chromatic genus 3 + 6 + 21 parts
hen12.scl                      12  Adjusted Hahn12
hen22.scl                      22  Adjusted Hahn22
hept_diamond.scl               25  Inverted-Prime Heptatonic Diamond based on Archytas's Enharmonic
hept_diamondi.scl              25  Prime-Inverted Heptatonic Diamond based on Archytas's Enharmonic
hept_diamondp.scl              27  Heptatonic Diamond based on Archytas's Enharmonic, 27 tones
herf_istrian.scl               10  Franz Richter Herf, Istrian scale used in "Welle der Nacht" op. 2
heun.scl                       12  Well temperament for organ of Jan Heun (1805), 12 out of 55-tET (1/6-comma meantone)
hexagonal13.scl                13  Star hexagonal 13-tone scale
hexagonal37.scl                37  Star hexagonal 37-tone scale
hexany1.scl                     6  Two out of 1 3 5 7 hexany on 1.3
hexany10.scl                    6  1.3.5.9 Hexany and Lou Harrison's Joyous 6. Second key is Harrison's Solemn 6 (1962)
hexany11.scl                    6  1.3.7.9 Hexany on 1.3
hexany12.scl                    6  3.5.7.9 Hexany on 3.9
hexany13.scl                    6  1.3.5.11 Hexany on 1.11
hexany14.scl                    6  5.11.13.15 Hexany (5.15), used in The Giving, by Stephen J. Taylor
hexany15.scl                    5  1.3.5.15  2)4 hexany (1.15 tonic) degenerate, symmetrical pentatonic
hexany16.scl                    5  1.3.9.27 Hexany, a degenerate pentatonic form
hexany17.scl                    5  1.5.25.125 Hexany, a degenerate pentatonic form
hexany18.scl                    5  1.7.49.343 Hexany, a degenerate pentatonic form
hexany19.scl                    5  1.5.7.35 Hexany, a degenerate pentatonic form
hexany2.scl                    12  Hexany Cluster 2
hexany20.scl                    6  3.5.7.105 Hexany
hexany21.scl                    6  3.5.9.135 Hexany
hexany21a.scl                   7  3.5.9.135 Hexany + 4/3. Is Didymos Diatonic tetrachord on 1/1 and inv. on 3/2
hexany22.scl                    5  1.11.121.1331 Hexany, a degenerate pentatonic form
hexany23.scl                    5  1.3.11.33 Hexany, degenerate pentatonic form
hexany24.scl                    5  1.5.11.55 Hexany, a degenerate pentatonic form
hexany25.scl                    5  1.7.11.77 Hexany, a degenerate pentatonic form
hexany26.scl                    5  1.9.11.99 Hexany, a degenerate pentatonic form
hexany3.scl                    12  Hexany Cluster 3
hexany4.scl                    12  Hexany Cluster 4
hexany49.scl                    6  1.3.21.49  2)4 hexany (1.21 tonic)
hexany5.scl                    12  Hexany Cluster 5
hexany6.scl                    12  Hexany Cluster 6, periodicity block 125/108 and 135/128
hexany7.scl                    12  Hexany Cluster 7
hexany8.scl                    12  Hexany Cluster 8
hexanys-valentino.scl          12  hexanys tempered in 13-limit POTE-tuned valentino
hexanys.scl                    12  Hexanys 1 3 5 7 9
hexanys2.scl                   12  Hexanys 1 3 7 11 13
hexany_1029.scl                10  Hexany gamelismic (1029/1024) 2.5.7 convex closure
hexany_1728.scl                 7  Hexany orwellismic (1728/1715) 2.3.7 convex closure
hexany_245.scl                 10  Hexany sensamagic (245/243) 2.3.7 convex closure
hexany_4375.scl                12  Hexany ragismic (4375/4374) 5-limit convex closure
hexany_5120.scl                10  Hexany hemifamity (5120/5103) 5-limit convex closure
hexany_6144.scl                 8  Hexany porwell (6144/6125) 2.5.7 convex closure
hexany_65625.scl               11  Hexany porwell (65625/65536) 5-limit convex closure
hexany_875.scl                  7  Hexany keema (875/864) 5-limit convex closure
hexany_cl.scl                  12  Hexany Cluster 1
hexany_cl2.scl                 11  Composed of 1.3.5.45, 1.3.5.75, 1.3.5.9, and 1.3.5.25 hexanies
hexany_tetr.scl                 6  Complex 12 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans.scl                6  Complex 1 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans2.scl               6  Complex 2 of p. 115, a hexany based on Archytas's Enharmonic
hexany_trans3.scl               6  Complex 9 of p. 115, a hexany based on Archytas's Enharmonic
hexany_u2.scl                  25  Hexany union = genus [335577] minus two corners
hexany_union.scl               19  The union of all of the pitches of the 1.3.5.7 hexany on each tone as 1/1
hexany_urot.scl                24  Aggregate rotations of 1.3.5.7 hexany, 1.3 = 1/1
hexlesfip22.scl                22  15-limit, 10 cent lesfip; no consonances smaller than 12/11
hexlesfip22seed.scl            22  Scale square of 5-limit diamond plus {27/16, 45/32, 75/64}
hexy-miraculous.scl            12  hexy in 13-limit POTE-tuned miraculous
hexy.scl                       12  Maximized 9-limit harmony containing a hexany
hexymarv.scl                   12  Marvel-tempered hexy, 197-tET
hi19marv.scl                   19  inverted smithgw_hahn19 in 1/4 kleismic tempering
higgs.scl                       7  From Greg Higgs announcement of the formation of an Internet Tuning list
highschool1-rodan.scl          12  12highschool1 tempered in 13-limit POTE-tuned rodan
highschool1.scl                12  First 12-note Highschool scale
highschool2-miracle.scl        12  12highschool2 tempered in 11-limit POTE-tuned miracle
highschool2.scl                12  Second 12-note Highschool scale
highschool3.scl                12  Third 12-note Highschool scale, inverse is fourth Highschool scale
highschool_9.scl                9  Nine note Highschool scale, Fokker block 135/128 and 27/25
hijaz pentachord 13-limit a.scl
                                4  Hijaz pentachord 12:13:15:16:18
hijaz pentachord 13-limit b.scl
                                4  Hijaz pentachord 78:84:96:104:117
hijaz pentachord 67-limit.scl   4  Hijaz pentachord 54:58:67:72:81
hijaz pentachord 7-limit.scl    4  Hijaz pentachord 90:96:112:120:135
hijaz tetrachord 11-limit.scl   3  Hijaz tetrachord 33:36:42:44
hijaz tetrachord 13-limit a.scl
                                3  Hijaz tetrachord 12:13:15:16
hijaz tetrachord 13-limit b.scl
                                3  Hijaz tetrachord 39:42:48:52
hijaz tetrachord 67-limit.scl   3  Hijaz tetrachord 54:58:67:72
hijaz tetrachord 7-limit.scl    3  Hijaz tetrachord 45:48:56:60
hilim13.scl                    13  13 patent val epimorphic 2.11.13.17.19 scale
hill.scl                       12  Robert Hill, Bach temperament based on 1/13 P (2008)
hinrichsen.scl                 12  Haye Hinrichsen minimal harmonic entropy temperament (2015)
hinsz_gr.scl                   12  Reconstructed Hinsz temperament, organ Pelstergasthuiskerk Groningen. Ortgies,2002
hipkins.scl                     7  Hipkins' Chromatic
hirajoshi.scl                   5  Observed Japanese pentatonic koto scale. Helmholtz/Ellis p.519, nr.112
hirajoshi2.scl                  5  Japanese pentatonic koto scale, theoretical. Helmholz/Ellis p.519, nr.110
hirajoshi3.scl                  5  Observed Japanese pentatonic koto scale. Helmholtz/Ellis p.519, nr.111
hirashima.scl                  12  Tatsushi Hirashima, temperament of chapel organ of Kobe Shoin Women's Univ.
hjelmstad-blues.scl             6  Paul Hjelmstad's "blues" scale, TL 27-05-2005
hjelmstad-boogie.scl           10  Paul Hjelmstad's "Boogie Woogie" scale, TL 20-3-2006
hjelmstad-conv.scl             10  Convex closure in breed plane of hjelmboogie.scl
hochgartz.scl                  12  Michael Hochgartz, modified 1/5-comma meantone temperament
hofmann1.scl                    7  Hofmann's Enharmonic #1, Dorian mode
hofmann2.scl                    7  Hofmann's Enharmonic #2, Dorian mode
hofmann_chrom.scl               7  Hofmann's Chromatic
holder.scl                     12  William Holder's equal beating meantone temperament (1694). 3/2 beats 2.8 Hz
holder2.scl                    12  Holder's irregular e.b. temperament with improved Eb and G#
honkyoku.scl                    9  Honkyoku tuning for shakuhachi
horwell22.scl                  22  Horwell[22] hobbit in 995-tET tuning
ho_mai_nhi.scl                  5  Ho Mai Nhi (Nam Hue) dan tranh scale, Vietnam
hppshq.scl                     22  Hedgehog-pajarous-pajara-suprapyth-hedgepig-quasisoup superwakalix
hulen_33.scl                   33  Peter Hulen's ratiotonic temperament, E = 1/1
hummel.scl                     12  Johann Nepomuk Hummel's quasi-equal temperament (1829)
hummel2.scl                    12  Johann Nepomuk Hummel's temperament according to the second bearing plan, also John Marsh's quasi-equal temperament (1840)
huntington10.scl               10  Huntington[10] 2.5.7.13 subgroup scale in 400-tET tuning
huntington7.scl                 7  Huntington[7] 2.5.7.13 subgroup scale in 400-tET tuning
huseyni pentachord 13-limit.scl
                                4  Huseyni pentachord 66:72:78:88:99
huseyni pentachord 19-limit.scl
                                4  Huseyni pentachord 96:105:114:128:144
huseyni pentachord 23-limit.scl
                                4  Huseyni pentachord 42:46:50:56:63
huseyni pentachord 71-limit.scl
                                4  Huseyni pentachord 60:66:71:80:90
husmann.scl                     6  Tetrachord division according to Husmann
huzzam pentachord 61-limit.scl  4  Huzzam pentachord 114:122:138:150:171
huzzam pentachord 79-limit.scl  4  Huzzam pentachord 60:64:72:79:90
huzzam.scl                      7  Arab Huzzam on C, Julien J. Weiss
hyper_enh.scl                   7  13/10 HyperEnharmonic. This genus is at the limit of usable tunings
hyper_enh2.scl                  7  Hyperenharmonic genus from Kathleen Schlesinger's enharmonic Phrygian Harmonia
hypodorian_pis.scl             15  Diatonic Perfect Immutable System in the Hypodorian Tonos
hypod_chrom.scl                12  Hypodorian Chromatic Tonos
hypod_chrom2.scl                7  Schlesinger's Chromatic Hypodorian Harmonia
hypod_chrom2inv.scl             7  Inverted Schlesinger's Chromatic Hypodorian Harmonia
hypod_chromenh.scl              7  Schlesinger's Hypodorian Harmonia in a mixed chromatic-enharmonic genus
hypod_chrominv.scl              7  A harmonic form of Kathleen Schlesinger's Chromatic Hypodorian Inverted
hypod_diat.scl                 12  Hypodorian Diatonic Tonos
hypod_diat2.scl                 8  Schlesinger's Hypodorian Harmonia, a subharmonic series through 13 from 16
hypod_diatcon.scl               7  A Hypodorian Diatonic with its own trite synemmenon replacing paramese
hypod_diatinv.scl               9  Inverted Schlesinger's Hypodorian Harmonia, a harmonic series from 8 from 16
hypod_enh.scl                  12  Hypodorian Enharmonic Tonos
hypod_enhinv.scl                7  Inverted Schlesinger's Enharmonic Hypodorian Harmonia
hypod_enhinv2.scl               7  A harmonic form of Schlesinger's Hypodorian enharmonic inverted
hypolydian_pis.scl             15  The Diatonic Perfect Immutable System in the Hypolydian Tonos
hypol_chrom.scl                 8  Schlesinger's Hypolydian Harmonia in the chromatic genus
hypol_chrominv.scl              8  Inverted Schlesinger's Chromatic Hypolydian Harmonia
hypol_chrominv2.scl             7  harmonic form of Schlesinger's Chromatic Hypolydian inverted
hypol_chrominv3.scl             7  A harmonic form of Schlesinger's Chromatic Hypolydian inverted
hypol_diat.scl                  8  Schlesinger's Hypolydian Harmonia, a subharmonic series through 13 from 20
hypol_diatcon.scl               7  A Hypolydian Diatonic with its own trite synemmenon replacing paramese
hypol_diatinv.scl               8  Inverted Schlesinger's Hypolydian Harmonia, a harmonic series from 10 from 20
hypol_enh.scl                   8  Schlesinger's Hypolydian Harmonia in the enharmonic genus
hypol_enhinv.scl                8  Inverted Schlesinger's Enharmonic Hypolydian Harmonia
hypol_enhinv2.scl               7  A harmonic form of Schlesinger's Hypolydian enharmonic inverted
hypol_enhinv3.scl               7  A harmonic form of Schlesinger's Hypolydian enharmonic inverted
hypol_pent.scl                  8  Schlesinger's Hypolydian Harmonia in the pentachromatic genus
hypol_tri.scl                   8  Schlesinger's Hypolydian Harmonia in the first trichromatic genus
hypol_tri2.scl                  8  Schlesinger's Hypolydian Harmonia in the second trichromatic genus
hypophryg_pis.scl              15  The Diatonic Perfect Immutable System in the Hypophrygian Tonos
hypop_chrom.scl                12  Hypophrygian Chromatic Tonos
hypop_chromenh.scl              7  Schlesinger's Hypophrygian Harmonia in a mixed chromatic-enharmonic genus
hypop_chrominv.scl              7  Inverted Schlesinger's Chromatic Hypophrygian Harmonia
hypop_chrominv2.scl             7  A harmonic form of Schlesinger's Chromatic Hypophrygian inverted
hypop_diat.scl                 12  Hypophrygian Diatonic Tonos
hypop_diat2.scl                 8  Schlesinger's Hypophrygian Harmonia
hypop_diat2inv.scl              8  Inverted Schlesinger's Hypophrygian Harmonia, a harmonic series from 9 from 18
hypop_diatcon.scl               7  A Hypophrygian Diatonic with its own trite synemmenon replacing paramese
hypop_enh.scl                  12  Hypophrygian Enharmonic Tonos
hypop_enhinv.scl                7  Inverted Schlesinger's Enharmonic Hypophrygian Harmonia
hypop_enhinv2.scl               7  A harmonic form of Schlesinger's Hypophrygian enharmonic inverted
hypo_chrom.scl                 12  Hypolydian Chromatic Tonos
hypo_diat.scl                  12  Hypolydian Diatonic Tonos
hypo_enh.scl                   12  Hypolydian Enharmonic Tonos
iivv17.scl                     21  17-limit IIVV
ikosany.scl                    31  Convex closure of Eikosany in 385/384-tempering, 140-tET tuning
ikosany7.scl                   31  Seven-limit tuning of ikosany.scl
indian-ayyar.scl               22  Carnatic sruti system, C.Subrahmanya Ayyar, 1976. alt:21/20 25/16 63/40 40/21
indian-dk.scl                   9  Raga Darbari Kanada
indian-ellis.scl               22  Ellis's Indian Chromatic, theoretical #74 of App.XX, p.517 of Helmholtz
indian-hahn.scl                22  Indian shrutis Paul Hahn proposal
indian-hrdaya1.scl             12  From Hrdayakautaka of Hrdaya Narayana (17th c) Bhatkande's interpretation
indian-hrdaya2.scl             12  From Hrdayakautaka of Hrdaya Narayana (17th c) Levy's interpretation
indian-invrot.scl              12  Inverted and rotated North Indian gamut
indian-magrama.scl              7  Indian mode Ma-grama (Sa Ri Ga Ma Pa Dha Ni Sa)
indian-mystical22.scl          23  Srinivasan Nambirajan, 11-limit shruti scale
indian-newbengali.scl          22  Modern Bengali scale,S.M. Tagore: The mus. scales of the Hindus,Calcutta 1884
indian-old2ellis.scl           22  Ellis Old Indian Chrom2, Helmholtz, p. 517. This is a 4 cent appr. to #73
indian-oldellis.scl            22  Ellis Old Indian Chromatic, Helmholtz, p. 517. This is a 0.5 cent appr. to #73
indian-raja.scl                 6  A folk scale from Rajasthan, India
indian-sagrama.scl              7  Indian mode Sa-grama (Sa Ri Ga Ma Pa Dha Ni Sa), inverse of Didymus' diatonic
indian-sarana.scl              26  26 saranas (shrutis) by Acharekar and Acharya Brihaspati, 1/1=240 or 270 Hz
indian-sarana2.scl             26  26 saranas by Vidhyadhar Oak, 1/1=240 Hz
indian-srutiharm.scl           22  B. Chaitanya Deva's sruti harmonium and S. Ramanathan's sruti vina, 1973. B.C. Deva, The Music of India, 1981, p. 109-110
indian-srutivina.scl           22  Raja S.M. Tagore's sruti vina, measured by Ellis and Hipkins, 1886. 1/1=241.2
indian-vina.scl                12  Observed South Indian tuning of a vina, Ellis
indian-vina2.scl               24  Observed tuning of old vina in Tanjore Palace, Ellis and Hipkins. 1/1=210.7 Hz
indian-vina3.scl               12  Tuning of K.S. Subramanian's vina (1983)
indian.scl                     22  Indian shruti scale
indian2.scl                    22  Indian shruti scale with tritone 64/45 schisma lower (Mr.Devarajan, Madurai)
indian2_sm.scl                 22  Shruti/Mathieu's Magic Mode scale in 289-equal (schismic) temperament
indian3.scl                    22  Indian shruti scale with 32/31 and 31/16 and tritone schisma lower
indian4.scl                    22  Indian shruti scale according to Firoze Framjee: Text book of Indian music
indian5.scl                    23  23 Shrutis, Amit Mitra, 1/1 no. 12:2, Table C.
indian6.scl                    77  Shrutis calculated by generation method, Amit Mitra, 1/1 no. 12:2, Table B.
indian_12.scl                  12  North Indian Gamut, modern Hindustani gamut out of 22 or more shrutis
indian_12c.scl                 12  Carnatic gamut. Kuppuswami: Carnatic music and the Tamils, p. v
indian_a.scl                    7  One observed indian mode
indian_b.scl                    7  Observed Indian mode
indian_c.scl                    7  Observed Indian mode
indian_d.scl                    7  Indian D (Ellis, correct)
indian_e.scl                    7  Observed Indian mode
indian_g.scl                   22  Shruti/Mathieu's Magic Mode scale in 94-tET (Schismic, Garibaldi) temperament
indian_rat.scl                 22  Indian Raga, From Fortuna, after Helmholtz, ratios by JC
indian_rot.scl                 12  Rotated North Indian Gamut
indium17.scl                   17  Indium[17] 2.5/3.7/3.11/3 subgroup scale in 31\253 tuning
indra31.scl                    31  Indra[31] (540/539, 1375/1372) hobbit in 296-tET
interbartolo1.scl              12  Graziano Interbartolo & Paolo Venturino Bach temperament nr.1 (2006)
interbartolo2.scl              12  Graziano Interbartolo & Paolo Venturino Bach temperament nr.2 (2006)
interbartolo3.scl              12  Graziano Interbartolo & Paolo Venturino Bach temperament nr.3 (2006)
ionic.scl                       7  Ancient greek Ionic
iranian pentachord 7-limit.scl  9  Iranian pentachord 42:45:48:56:63
iran_diat.scl                   7  Iranian Diatonic from Dariush Anooshfar, Safi-a-ddin Armavi's scale from 125 ET
iraq.scl                        8  Iraq 8-tone scale, Ellis
isfahan_5.scl                   5  Isfahan (IG #2, DF #8), from Rouanet
islamic.scl                     5  Islamic Genus (DF#7), from Rouanet
italian.scl                    12  Italian organ temperament, G.C. Klop (1974), 1/12 P.comma, also d'Alembert/Rousseau (1752/67)
iter1.scl                       6  McLaren style, IE= 2.414214, PD=5, SD=0
iter10.scl                     17  Iterated 5/2 scale, IE=5/2, PD=4, SD=3
iter11.scl                     10  Binary 5/3 Scale #2
iter12.scl                      9  Binary 5/3 Scale #4
iter13.scl                      5  Binary 5/3 Scale #6
iter14.scl                     11  Binary Divided 3/1 Scale #2
iter15.scl                     10  Binary Division Scale
iter16.scl                     11  Binary Division Scale 4+2
iter17.scl                     17  Binary E Scale #2
iter18.scl                     10  Binary E Scale #4
iter19.scl                     16  Binary Kidjel Ratio scale #2, IE=16/3
iter2.scl                       8  Iterated 1 + SQR(2) Scale, IE=2.414214, PD=5, SD=1
iter20.scl                     11  Binary PHI Scale #2
iter21.scl                     12  Binary PHI Scale 5+2 #2
iter22.scl                     16  Binary PI Scale #2
iter23.scl                     16  Binary SQR(3) Scale #2
iter24.scl                     16  Binary SQR(5) Scale #2
iter25.scl                     16  Binary SQR(7) Scale #2
iter26.scl                     17  E Scale
iter27.scl                     16  Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=3
iter28.scl                      5  McLaren 3-Division Scale
iter29.scl                      7  Iterated Binary Division of the Octave, IE=2, PD=6, SD=0
iter3.scl                      10  Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=3, SD=2
iter30.scl                      6  Iterated E-scale, IE= 2.71828, PD=5, SD=0
iter31.scl                      4  Iterated Kidjel Ratio Scale, IE=16/3, PD=3, SD=0
iter32.scl                      9  Iterated PHI scale, IE= 1.61803339, PD=8, SD=0
iter33.scl                      5  Iterated PI Scale, IE= 3.14159, PD=4, SD=0
iter34.scl                      9  Iterated SQR(3) scale, IE= 1.73205, PD=8, SD=0
iter35.scl                      7  Iterated SQR(5) scale, IE= 2.23607, PD=6, SD=0
iter36.scl                      6  Iterated SQR(7) scale, IE= 2.64575, PD=5, SD=0
iter4.scl                      17  Iterated 5/2 scale, IE=5/2, PD=4, SD=3
iter5.scl                      10  Iterated 5/3 scale, analog of Hexachord, IE=5/3, PD=3, SD=2
iter6.scl                      11  Iterated binary 1+SQR(2) scale, IE= 2.414214, G=2, PD=4, SD=2
iter7.scl                      10  Iterated 27/16 scale, analog of Hexachord, IE=27/16, PD=3, SD=2
iter8.scl                       9  Iterated 27/16 scale, analog of Hexachord, IE=27/16, PD=2, SD=2
iter9.scl                       5  Iterated 27/16 Scale, analog of Hexachord, IE=27/16, PD=2, SD=12
ives.scl                        7  Charles Ives' stretched major scale, "Scrapbook" pp. 108-110
ives2a.scl                      7  Speculation by Joe Monzo for Ives' other stretched scale
ives2b.scl                      7  Alt. speculation by Joe Monzo for Ives' other stretched scale
jademohaporc.scl                7  Jade-mohajira-porcupine wakalix
janke1.scl                     12  Reiner Janke, Temperatur I (1998)
janke2.scl                     12  Reiner Janke, Temperatur II
janke3.scl                     12  Reiner Janke, Temperatur III
janke4.scl                     12  Reiner Janke, Temperatur IV
janke5.scl                     12  Reiner Janke, Temperatur V
janke6.scl                     12  Reiner Janke, Temperatur VI
janke7.scl                     12  Reiner Janke, Temperatur VII
jemblung1.scl                   5  Scale of bamboo gamelan jemblung from Kalijering, slendro-like. 1/1=590 Hz
jemblung2.scl                   5  Bamboo gamelan jemblung at Royal Batavia Society. 1/1=504 Hz
jioct12.scl                    12  12-tone JI version of Messiaen's octatonic scale, Erlich & Parízek
jira1.scl                      12  Martin Jira, ´closed´ temperament (2000)
jira2.scl                      12  Martin Jira, ´open´ temperament (2000)
ji_10coh.scl                   10  Differentially coherent 10-tone scale with subharmonic 48
ji_10coh2.scl                  10  Other diff. coherent 10-tone scale with subharmonic 30
ji_10i4.scl                    10  7-limit scale with mean variety four
ji_11.scl                      11  3 and 7 prime rational interpretation of 11-tET. OdC 2000
ji_12.scl                      12  Basic JI with 7-limit tritone. Robert Rich: Geometry
ji_121.scl                    121  13-limit detempering of 121-tET
ji_12a.scl                     12  7-limit 12-tone scale
ji_12b.scl                     12  alternate 7-limit 12-tone scale
ji_12coh.scl                   12  Differentially coherent 12-tone scale with subharmonic 60
ji_13.scl                      13  5-limit 12-tone symmetrical scale with two tritones
ji_15coh.scl                   15  Differentially coherent 15-tone scale with subharmonic 88
ji_17.scl                      17  3 and 7 prime rational interpretation of 17-tET. OdC
ji_17a.scl                     17  3, 5 and 11 prime rational interpretation of 17-tET, OdC
ji_17b.scl                     17  Alt. 3, 5 and 11 prime rational interpretation of 17-tET, OdC
ji_18.scl                      18  11-limit approximation of 18-tET
ji_19.scl                      19  5-limit 19-tone scale, subset of genus [3333555]
ji_20.scl                      20  3 and 7 prime rational interpretation of 20-tET. OdC
ji_21.scl                      21  7-limit 21-tone just scale, Op de Coul, 2001
ji_22.scl                      22  5-limit 22-tone scale (Zarlino?)
ji_29.scl                      29  3,5,11-prime rational interpretation of 29-tET, OdC
ji_30.scl                      30  11-limit rational interpretation of 30-tET
ji_31.scl                      31  A just 7-limit 31-tone scale
ji_311.scl                    311  41-limit transversal of 311-tET
ji_5coh.scl                     5  Differential fully coherent pentatonic scale
ji_7.scl                        7  7-limit rational interpretation of 7-tET. OdC
ji_7a.scl                       7  Superparticular approximation to 7-tET. Op de Coul, 1998
ji_87.scl                      87  13-limit approximation of 87-tET
ji_8coh.scl                     8  Differentially coherent 8-tone scale with subharmonic 40
ji_9.scl                        9  Pseudo-equal 7-limit 9-tET
ji_9coh.scl                     9  Differentially coherent 9-tone scale with subharmonic 30
jobin-bach.scl                 12  Emile Jobin, WTC temperament after Bach's signet
johnson-secor_rwt.scl          12  Johnson/Secor proportional-beating well-temperament with five 24/19s.
johnson_44.scl                 44  Aaron Johnson, 44-tET approximation
johnson_7.scl                   7  Aaron Johnson, 7-tET approximation
johnson_eb.scl                 12  Aaron Johnson, "1/4-comma tempered" equal beating C-G-D-A-E plus just thirds
johnson_ratwell.scl            12  Aaron Johnson, rational well-temperament with five 24/19's
johnson_temp.scl               12  Aaron Johnson, temperament with just 5/4, 24/19 and 19/15
johnston.scl                   12  Ben Johnston's combined otonal-utonal scale
johnston_21.scl                21  Johnston 21-note just enharmonic scale
johnston_22.scl                22  Johnston 22-note 7-limit scale from end of string quartet nr. 4
johnston_25.scl                25  Johnston 25-note just enharmonic scale
johnston_6-qt.scl              61  11-limit complete system from Ben Johnston's "6th Quartet"
johnston_6-qt_row.scl          12  11-limit 'prime row' from Ben Johnston's "6th Quartet"
johnston_81.scl                81  Johnston 81-note 5-limit scale of Sonata for Microtonal Piano
jonsson1.scl                   12  Magnus Jonsson [1 3 5 7] x [1 3 5 9] cross set (2005)
jonsson2.scl                   12  Magnus Jonsson [1 3 5] x [1 3 5 7 11] cross set (2005)
jorgensen.scl                  12  Jorgensen's 5&7 temperament, mix of 7-tET and 5-tET shifted 120 cents
jousse.scl                     12  Temperament of Jean Jousse (1832)
jousse2.scl                    12  Jean Jousse's quasi-equal piano temperament, also Becket and Co. plan (1840)
jove41.scl                     41  Jove[41] 17-limit hobbit in 243-tET, commas 243/242, 441/440, 364/363, 595/594
jubilismic10.scl               10  Jubilismic[10] (50/49) hobbit minimax tuning
julius22.scl                   22  Julius[22] hobbit (176/175&896/891) in POTE tuning
julius24.scl                   24  Julius[24] hobbit (176/175&896/891) in POTE tuning
kacapi1.scl                     5  kacapi indung tuning, Pelog by Uking Sukri, mean of 6 tunings, W. van Zanten, 1987
kacapi10.scl                    5  kacapi indung tuning, Mandalungan by Uking Sukri, mean of 4 tunings, W. van Zanten, 1987
kacapi11.scl                    5  kacapi indung tuning, Mandalungan by Bakang & others, mean of 2 tunings, W. van Zanten, 1987
kacapi2.scl                     5  kacapi indung tuning, Pelog by Bakang & others, mean of 8 tunings, W. van Zanten, 1987
kacapi3.scl                     5  kacapi indung tuning, Pelog by Sulaeman Danuwijaya, mean of 9 tunings, W. van Zanten, 1987
kacapi4.scl                     5  kacapi indung tuning, Sorog by Uking Sukri, mean of 4 tunings, W. van Zanten, 1987
kacapi5.scl                     5  kacapi indung tuning, Sorog by Bakang & others, mean of 6 tunings, W. van Zanten, 1987
kacapi6.scl                     5  kacapi indung tuning, Salendro by Uking Sukri, mean of 4 tunings, W. van Zanten, 1987
kacapi7.scl                     5  kacapi indung tuning, Salendro by Bakang & others, mean of 4 tunings, W. van Zanten, 1987
kacapi8.scl                     5  kacapi indung tuning, Mataraman by Uking Sukri, mean of 4 tunings, W. van Zanten, 1987
kacapi9.scl                     5  kacapi indung tuning, Mataraman by Bakang & others, mean of 4 tunings, W. van Zanten, 1987
kai-metalbar-exp.scl            7  Kaiveran Lugheidh, ditave scale based on the spectrum of an ideal metal bar
kai-metalbar.scl               21  K. Lugheidh, GOT "tonality diamond" of a metal bar, 1st overtone = IoE
kanzelmeyer_11.scl             11  Bruce Kanzelmeyer, 11 harmonics from 16 to 32. Base 388.3614815 Hz
kanzelmeyer_18.scl             18  Bruce Kanzelmeyer, 18 harmonics from 32 to 64. Base 388.3614815 Hz
kayolonian.scl                 19  19-tone 5-limit scale of the Kayenian Imperium on Kayolonia (reeks van Sjauriek)
kayoloniana.scl                19  Amendment by Rasch of Kayolonian scale's note 9
kayolonian_12.scl              12  See Barnard: De Keiaanse Muziek, p. 11. (uitgebreide reeks)
kayolonian_40.scl              40  See Barnard: De Keiaanse Muziek
kayolonian_f.scl                9  Kayolonian scale F and periodicity block (128/125, 16875/16384)
kayolonian_p.scl                9  Kayolonian scale P
kayolonian_s.scl                9  Kayolonian scale S
kayolonian_t.scl                9  Kayolonian scale T
kayolonian_z.scl                9  Kayolonian scale Z
kebyar-b.scl                    5  Gamelan kebyar tuning begbeg, Andrew Toth, 1993
kebyar-s.scl                    5  Gamelan kebyar tuning sedung, Andrew Toth, 1993
kebyar-t.scl                    5  Gamelan kebyar tuning tirus, Andrew Toth, 1993
keemic15.scl                   15  Keemic[15] hobbit in minimax tuning
keen1.scl                       5  Keenanismic tempering of [5/4, 11/8, 3/2, 12/7, 2], 284-tET tuning
keen2.scl                       5  Keenanismic tempering of [8/7, 5/4, 11/8, 12/7, 2], 284-tET tuning
keen3.scl                       5  Keenanismic tempering of [6/5, 11/8, 3/2, 7/4, 2], 284-tET tuning
keen4.scl                       5  Keenanismic tempering of [12/11, 5/4, 3/2, 12/7, 2], 284-tET tuning
keen5.scl                       5  Keenanismic tempering of [6/5, 11/8, 3/2, 12/7, 2], 284-tET tuning
keen6.scl                       5  Keenanismic tempering of [12/11, 5/4, 3/2, 7/4, 2], 284-tET tuning
keenan3.scl                    11  Chain of 1/6 kleisma tempered 6/5s, 10 tetrads, Dave Keenan, TL 30-Jun-99
keenan3j.scl                   11  Chain of 11 nearly just 19-tET minor thirds, Dave Keenan, 1-Jul-99
keenan3rb.scl                  11  Chain of 11 equal beating minor thirds, 6/5=3/2 same
keenan3rb2.scl                 11  Chain of 11 equal beating minor thirds, 6/5=3/2 opposite
keenan5.scl                    31  11-limit, 31 tones, 9 hexads within 2.7c of just, Dave Keenan 27-Dec-99
keenan6.scl                    31  11-limit, 31 tones, 14 hexads within 3.2c of just, Dave Keenan 11-Jan-2000
keenan7.scl                    22  Dave Keenan, 22 out of 72-tET periodicity block. TL 29-04-2001
keenan_b19.scl                 19  Dave Keenan, planar tempering of vitale3.scl, in 72-tET
keenan_mt.scl                  12  Dave Keenan 1/4-comma tempered version of keenan.scl with 6 7-limit tetrads
keenan_st.scl                  23  Dave Keenan, 7-limit temperament, g=260.353, Superpelog
keenan_t9.scl                  12  Dave Keenan strange 9-limit temperament TL 19-11-98
keentet.scl                     8  The five keenanismic tetrads, plus o- and u-tonal, in 284-tET
keesred12_5.scl                12  Kees reduced 5-limit 12-note scale = Hahn reduced
kelletat.scl                   12  Herbert Kelletat's Bach-tuning (1966), Ein Beitrag zur musikalischen Temperatur p. 26-27.
kelletat1.scl                  12  Herbert Kelletat's Bach-tuning (1960)
kellner.scl                    12  Herbert Anton Kellner's Bach tuning. 5 1/5 Pyth. comma and 7 pure fifths
kellners.scl                   12  Kellner's temperament with 1/5 synt. comma instead of 1/5 Pyth. comma
kellner_eb.scl                 12  Equal beating variant of kellner.scl
kellner_org.scl                12  Kellner's original Bach tuning. C-E & C-G beat at identical rates, so B-F# slightly wider than C-G-D-A-E, 7 pure fifths
kepler1.scl                    12  Kepler's Monochord no.1, Harmonices Mundi (1619)
kepler2.scl                    12  Kepler's Monochord no.2
kepler3.scl                    12  Kepler's choice system, Harmonices Mundi, Liber III (1619)
kilroy.scl                     12  Kilroy
kimball.scl                    18  Buzz Kimball 18-note just scale
kimball_53.scl                 53  Buzz Kimball 53-note just scale
kirkwood.scl                    8  Scale based on Kirkwood gaps of the asteroid belt
kirn-stan.scl                  12  Kirnberger temperament improved by Charles Earl Stanhope (1806)
kirnberger.scl                 12  Kirnberger's well-temperament, also called Kirnberger III, letter to Forkel 1779
kirnberger1.scl                12  Kirnberger's temperament 1 (1766)
kirnberger2.scl                12  Kirnberger 2: 1/2 synt. comma. "Die Kunst des reinen Satzes" (1774)
kirnberger24.scl               24  Kirnberger, 24-tone 7-limit JI scale (ca. 1766)
kirnberger3.scl                12  Kirnberger 3: 1/4 synt. comma (1744)
kirnberger3s.scl               12  Sparschuh's (2010) refined epimoric Kirnberger III variant
kirnberger3v.scl               12  Variant well-temperament like Kirnberger 3, Kenneth Scholz, MTO 4.4, 1998
kirnberger48.scl               48  Kirnberger, 48-tone 7-limit JI scale (ca. 1769)
kite33.scl                     33  33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3"
klais.scl                      12  Johannes Klais, Bach temperament. Similar to Kelletat (1960)
kleismic34trans.scl            34  Kleismic[34] transversal (detempering)
kleismic34transex.scl         102  Comma extended Kleismic[34] transversal
klonaris.scl                   12  Johnny Klonaris, 19-limit harmonic scale
knot.scl                       24  Smallest knot in cubic lattice, American Scientist, Nov-Dec '97 p. 506-510, trefoil knot of 24 units long
koepf_36.scl                   36  Siegfried Koepf, 36-tone subset of 48-tone scale (1991)
koepf_48.scl                   48  Siegfried Koepf, 48-tone scale (1991)
kolinski.scl                   12  Mieczyslaw Kolinski's 7th root of 3/2 (1959), also invented by Augusto Novaro and Serge Cordier (1975)
konig.scl                      12  In 1997 observed temperament of pipes in Niederehe/Eifel by Balthaser König (1715)
kora1.scl                       7  Kora tuning Tomora Ba, also called Silaba, 1/1=F, R. King
kora2.scl                       7  Kora tuning Tomora Mesengo, also called Tomora, 1/1=F, R. King
kora3.scl                       7  Kora tuning Hardino, 1/1=F, R.King
kora4.scl                       7  Kora tuning Sauta (Sawta), 1/1=F, R. King
korea_5.scl                     5  Scale called "the delightful" in Korea. Lou Harrison, "Avalokiteshvara" (1965) for harp
kornerup.scl                   19  Kornerup's regular temperament with fifth of (15 - sqrt 5) / 22 octaves, is golden meantone
kornerup_11.scl                11  Kornerup's doric minor
koval.scl                      12  Ron Koval Variable 1.0 (2002)
koval2.scl                     12  Ron Koval Variable Well 1.5
koval3.scl                     12  Ron Koval Variable Well 1.9
koval4.scl                     12  Ron Koval Variable Well 3.0
koval5.scl                     12  Ron Koval Variable Well 5.0
koval6.scl                     12  Ron Koval EBVT (2002)
koval7.scl                     12  Ron Koval Variable Well 1.3
koval8.scl                     12  Ron Koval Variable Well 1.7
koval9.scl                     12  Ron Koval Variable Well 2.1
kraeh_22.scl                   22  Kraehenbuehl & Schmidt 7-limit 22-tone tuning
kraeh_22a.scl                  46  Kraehenbuehl & Schmidt 7-limit 22-tone tuning with "inflections" for some tones
kring1.scl                      7  Double-tie circular mirroring of 4:5:6 and Partch's 5-limit tonality Diamond
kring1p3.scl                   35  Third carthesian power of double-tie mirroring of 4:5:6 with kleismas removed
kring2.scl                      7  Double-tie circular mirroring of 6:7:8
kring2p3.scl                   25  Third power of 6:7:8 mirroring with 1029/1024 intervals removed
kring3.scl                      7  Double-tie circular mirroring of 3:5:7
kring3bp.scl                    7  Double-tie BP circular mirroring of 3:5:7
kring4.scl                      7  Double-tie circular mirroring of 4:5:7
kring4p3.scl                   29  Third power of 4:5:7 mirroring with 3136/3125 intervals removed
kring5.scl                      7  Double-tie circular mirroring of 5:7:9
kring5p3.scl                   33  Third power of 5:7:9 mirroring with 250047/250000 intervals removed
kring6.scl                      7  Double-tie circular mirroring of 6:7:9
kring6p3.scl                   34  Third power of 6:7:9 mirroring with 118098/117649 intervals removed
krousseau2.scl                 12  19-tET version of Kami Rousseau's tri-blues scale
kukuya.scl                      4  African Kukuya Horns (aerophone, ivory, one note only)
kurdi pentachord 17-limit.scl   4  Kurdi pentachord 102:108:120:136:153
kurdi tetrachord 17-limit.scl   3  Kurdi tetrachord 51:54:60:68
kurzweil_arab.scl              12  Kurzweil "Empirical Arabic"
kurzweil_ji.scl                12  Kurzweil "Just with natural b7th", is Sauveur Just with 7/4
kurzweil_pelogh.scl            12  Kurzweil "Empirical Bali/Java Harmonic Pelog"
kurzweil_pelogm.scl            12  Kurzweil "Empirical Bali/Java Melodic Pelog"
kurzweil_slen.scl              12  Kurzweil "Empirical Bali/Java Slendro, Siam 7"
kurzweil_tibet.scl             12  Kurzweil "Empirical Tibetian Ceremonial"
laka-dwarf.scl                 17  Laka tempered (205-tET) dwarf(<17 27 40 48 59 63 70|)
lambdoma5_12.scl               42  5x12 Lambdoma
lambdoma_prim.scl              56  Prime Lambdoma
lambert.scl                    12  Lambert's temperament (1774) 1/7 Pyth. comma, 5 pure
lang.scl                       12  Johannes Lang, Freiburg, organ temperament, 1/6 P and two -1/12 P
lara.scl                       12  Sundanese 'multi-laras' gamelan Ki Barong tuning, Weintraub, TL 15-2-99 1/1=497
leapday46.scl                  29  13-limit temperament, minimax g=495.66296 cents
leapmute29.scl                 29  Mutant Leapday[29]
leapmute46.scl                 46  Mutant Leapday[46]
lebanon.scl                     7  Lebanese scale? Dastgah Shur
leedy.scl                      13  Douglas Leedy, scale for "Pastorale" (1987), 1/1=f, 10/9 only in vocal parts
leeuw1.scl                     13  Ton de Leeuw: non-oct. mode from "Car nos vignes sont en fleurs",part 5. 1/1=A
leftpistol.scl                 12  Left Pistol
legros1.scl                    12  Example of temperament with 3 just major thirds
legros2.scl                    12  Example of temperament with 2 just major thirds
lehman1.scl                    12  Bradley Lehman Bach temperament I (2005)
lehman2.scl                    12  Bradley Lehman Bach squiggle keyboard temperament II (2005)
lehman3.scl                    12  Bradley Lehman Bach temperament III (2006)
lemba12.scl                    12  Lemba[12] in 270-et (poptimal)
lemba22.scl                    22  Lemba[22] in 270-et (poptimal)
lemba24.scl                    24  24-note Lemba scale for mapping millerlemba24.kbm
lemba8.scl                      8  Lemba temperament (4 down, 3 up) 7-limit TOP tuning, Herman Miller, TL 22-11-2004
leusden.scl                    12  Organ in Gereformeerde kerk De Koningshof, Henk van Eeken, 1984, a'=415, modif. 1/4 mean
levens.scl                     12  Charles Levens' Monochord (1743)
levens2.scl                    12  Levens' Monochord, altered form
ligon.scl                      12  Jacky Ligon, strictly proper all prime scale, TL 08-09-2000
ligon10.scl                    19  Jacky Ligon, scale from "Symmetries" (2011)
ligon11.scl                     7  Jacky Ligon, 7 tone superparticular non-octave scale
ligon2.scl                     12  Jacky Ligon, 19-limit symmetrical non-octave scale (2001)
ligon3.scl                     16  Jacky Ligon, 23-limit non-octave scale (2001)
ligon4.scl                     21  Jacky Ligon, 2/1 Phi Scale, TL 12-04-2001
ligon5.scl                     16  Jacky Ligon, scale for "Two Golden Flutes" (2001)
ligon7.scl                      7  Jacky Ligon, superparticular 7 tone 11-limit MOS, 27/22=generator, MMM 22-01-2002
ligon8.scl                      5  Jacky Ligon, 5 tone superparticular non-octave scale
ligon9.scl                      5  Jacky Ligon, 5 tone superparticular non-octave scale
lindley-hamburg.scl            12  Mark Lindley, proposed revision for organ Jakobikirche, Hamburg (1994)
lindley-hamburg2.scl           12  Mark Lindley, compromise between lindley-hamburg.scl and vogelh_hamburg.scl (1994)
lindley-ortgies1.scl           12  Lindley-Ortgies I Bach temperament (2006), Early Music 34/4, Nov. 2006
lindley-ortgies2.scl           12  Lindley-Ortgies II Bach temperament (2006), Early Music 34/4, Nov. 2006
lindley1.scl                   12  Mark Lindley I Bach temperament (1993)
lindley2.scl                   12  Mark Lindley II Average Neidhardt temperaments (1993)
lindley_ea.scl                 12  Mark Lindley +J. de Boer +W. Drake (1991), for organ Grosvenor Chapel, London
lindley_sf.scl                 12  Lindley (1988) suggestion nr. 2 for Stanford Fisk organ
lindley_sf2.scl                12  Lindley (1994) New Stanford neobaroque organ temperament
line10.scl                     10  [0, -2, 0], [0, -1, 0], [0, 0, 0], [0, 1, 0] line of tetrads
line40.scl                     40  |11 -10 -10 10> tempered line scale in 2080-tET tuning
linemarv12.scl                 12  [0, 0, 0] to [0, 0, 5]
liu_major.scl                   7  Linus Liu's Major Scale, see his 1978 book, "Intonation Theory"
liu_mel.scl                     9  Linus Liu's Melodic Minor, use 5 and 7 descending and 6 and 8 ascending
liu_minor.scl                   7  Linus Liu's Harmonic Minor
liu_pent.scl                    7  Linus Liu's "pentatonic scale"
locomotive.scl                 12  A 2.9.11.13 subgroup scale, Gene Ward Smith
london-baroque.scl             12  Well-temperament used by London Baroque, close to Young
london-chapel.scl              12  Organ temperament, Grosvenor Chapel, London (originally). See also lindley_ea.scl
lorenzi-m.scl                  12  De Lorenzi's Metrofono (monochord) tuning (1870), Barbieri 2009
lorenzi.scl                    12  Giambattista de Lorenzi, Venetian temperament (c. 1830), Barbieri, 1986
lorina.scl                     12  Lorina
lublin.scl                     12  Johannes von Lublin (1540) interpr. by Franz Joseph Ratte, p. 255
lucktenberg.scl                12  George Lucktenberg, general purpose temperament, 1/8P, SEHKS Newsletter vol.26 no.1 (2005)
lucy01and07tuned0b5s.scl       12  0A440Lucy01&07Tuned 0b5s RootKeyA = CC#DD#EFF#GG#AA#B
lucy02and14tuned5b0s.scl       12  0A440Lucy02Tuned 5b0s RootKeyA = CDbDEbEFGbGAbABbB
lucy03tuned4b1s.scl            12  0A440Lucy03Tuned 4b1s RootKeyA = CDbDEbEFF#GAbAB
lucy04and21tuned3b2s.scl       12  0A440Lucy04Tuned 3b2s RootKeyA = CC#DEbEFF#GAbAB
lucy05tuned2b3s.scl            12  0A440Lucy05Tuned 2b3s RootKeyA = CC#DEbEFF#GG#ABbB
lucy06tuned1b4s.scl            12  0A440Lucy06Tuned 1b4s RootKeyA = CC#DD#EFF#GG#ABbB
lucy08tuned0b6s.scl            12  0A440Lucy08Tuned 0b6s RootKeyA = CC#DD#EE#F#GG#AA#B
lucy09tuned0b7s.scl            12  0A440Lucy09Tuned 0b7s RootKeyA = B#C#DD#EE#F#GG#AA#B
lucy10tuned0b8s.scl            12  0A440Lucy10Tuned 0b8s RootKeyA = B#C#DD#EE#F#FxG#AA#B
lucy11tuned0b9s.scl            12  0A440Lucy11Tuned 0b9s RootKeyA = B#C#CxD#EE#F#FxG#AA#B
lucy13Gxtuned0b11s.scl         12  0A440Lucy13Tuned 0b11s RootKeyA (resetAtoGx=-54.1) plays B#C#CxD#DxE#F#FxG#GxA#B
lucy15tuned6b0s.scl            12  0A440Lucy15Tuned 6b0s RootKeyA = CDbDEbEFGbGAbABbCb
lucy16tuned7b0s.scl            12  0A440Lucy16Tuned 7b0s RootKeyA = CDbDEbFbFGbGAbABbCb
lucy18Bbbtuned9b0s.scl         12  0A440Lucy18Tuned 9b0s RootKeyA (resetAtoBbb=+54.1) plays CDbEbbEbFbFGbGAbBbbCb
lucy19Bbbtuned10b0s.scl        12  0A440Lucy19Tuned 10b0s RootKeyA (resetAtoBbb=+54.1) plays CDbEbbEbFbFGbAbbAbBbbBbCb
lucy20Bbbtuned11b0s.scl        12  0A440Lucy20Tuned 11b0s RootKeyA (resetAtoBbb=+54.1) plays DbbDbEbbEbFbFGbAbbAbBbbCb
lucy22tuned4bGs.scl            12  0A440Lucy22Tuned 4bGs RootKeyA = CDbDEbEFGbGG#ABbB
lucy23tuned4bDs.scl            12  0A440Lucy23Tuned 4bDs RootKeyA = CDbDD#EFGbGAbABbB
lucy24tuned4bCs.scl            12  0A440Lucy24Tuned 4bCs RootKeyA = CC#DEbEFGbGAbABbB
lucy25tunedAb4s.scl            12  0A440Lucy25Tuned Ab4s RootKeyA = CC#DD#EFF#GAbAA#B
lucy26tunedGb4s.scl            12  0A440Lucy26Tuned Gb4s RootKeyA = CC#DD#EFGbGG#AA#B
lucy27tunedEb5s.scl            12  0A440Lucy27Tuned Eb4s RootKeyA = CC#DEbEFF#GG#AA#B
lucy28tunedDb4s.scl            12  0A440Lucy28Tuned 0b5s RootKeyA = CDbDD#EFF#GG#AA#B
lucy29tunedBbAbGbCsDs.scl      12  0A440Lucy29TunedBbAbGbCsDs RootKeyA = CC#DD#EFGbGAbABbB
lucy30tunedBbEbGbCsGs.scl      12  0A440Lucy30TunedBbEbGbCsGs RootKeyA = CC#DEbEFGbGG#ABbB
lucy31tuned3b2sCsAs.scl        12  0A440Lucy31Tuned 3b2s RootKeyA = CC#DEbEFGbGAbAA#B
lucy32tuned3b2sDsFs.scl        12  0A440Lucy32Tuned 3b2s RootKeyA = CDbDD#EFF#GAbABbB
lucy33tuned3b2sDsGs.scl        12  0A440Lucy33Tuned 3b2s RootKeyA = CDbDD#EFGbGG#ABbB
lucy34tuned3b2sDsAs.scl        12  0A440Lucy34Tuned 3b2s RootKeyA = CDbDD#EFGbGAbAA#B
lucy35tuned3b2sFsGs.scl        12  0A440Lucy35Tuned 3b2s RootKeyA = CDbDEbEFF#GG#ABbB
lucy36tuned3b2sFsAs.scl        12  0A440Lucy36Tuned 3b2s RootKeyA = CDbDEbEFF#GAbAA#B
lucy37tuned3b2sGsAs.scl        12  0A440Lucy37Tuned 3b2s RootKeyA = CDbDEbEFGbGG#AA#B
lucy38tuned2b3sDbEb.scl        12  0A440Lucy38Tuned 2b3s RootKeyA = CDbDEbEFF#GG#AA#B
lucy39tuned2b3sDbGb.scl        12  0A440Lucy39Tuned 2b3s RootKeyA = CDbDD#EFGbGG#AA#B
lucy40tuned2b3sDbAb.scl        12  0A440Lucy40Tuned 2b3s RootKeyA = CDbDD#EFF#GAbAA#B
lucy41tuned2b3sDbBb.scl        12  0A440Lucy41Tuned 2b3s RootKeyA = CDbDD#EFF#GG#ABbB
lucy42tuned2b3sEbGb.scl        12  0A440Lucy42Tuned 2b3s RootKeyA = CC#DEbEFGbGG#AA#B
lucy43tuned2b3sEbAb.scl        12  0A440Lucy43Tuned 2b3s RootKeyA = CC#DEbEFF#GAbAA#B
lucy44tuned2b3sGbAb.scl        12  0A440Lucy44Tuned 2b3s RootKeyA = CC#DD#EFGbGAbAA#B
lucy45tuned2b3sGbBb.scl        12  0A440Lucy45Tuned 2b3s RootKeyA = CC#DD#EFGbGG#ABbB
lucy46tuned2b3sAbBb.scl        12  0A440Lucy46Tuned 2b3s RootKeyA = CC#DD#EFF#GAbABbB
lucy50Bbbtuned6b1sFs.scl       12  0A440Lucy50Tuned 6b1s RootKeyA (resetAtoBbb=+54.1) plays CDbDEbEFF#GAbABbCb
lucy51Bbbtuned3b3sBbEbDbBbbFsGsFx.scl
                               12  0A440Lucy51Tuned 3b3s RootKeyA (resetAtoBbb=+54.1) plays CDbDEbEFF#FxG#BbbBbB
lucy52tuned4b1sAs.scl          12  0A440Lucy52Tuned 4b1s RootKeyA = CDbDEbEFGbGAbAA#B
lucy53tuned4b2sCsFCb.scl       12  0A440Lucy53Tuned 4b2s RootKeyA = CC#DEbEFF#GAbABbCb
lucy55tuned3b3sCxFb.scl        12  0A440Lucy55Tuned 3b3s RootKeyA = CC#CxEbFbFF#GAbABbB
lucy56tuned4b3sEs.scl          12  0A440Lucy56Tuned 4b3s RootKeyA = CC#DEbEE#F#GAbABbCb
lucy57tuned7b0sAbbGbb.scl      12  0A440Lucy57Tuned 7b BbEbAbDbGbAbbGbb RootKeyA = CDbDEbEGbbGbAbbAbABbCb
lucy58tuned5b2sEs.scl          12  0A440Lucy58Tuned 5b2s RootKeyA = CDbDEbEE#F#GAbABbCb
lucy59Bbbtuned9b0sE.scl        12  0A440Lucy59Tuned 9b0s RootKeyA (resetAtoBbb=+54.1) plays CDbEbbEbEFGbAbbAbBbbBbCb
lucy60tuned3b4sEs.scl          12  0A440Lucy60Tuned 3b4s RootKeyA = CDbDEbEE#F#GG#AA#Cb
lucy61Bbbtuned8b1s.scl         12  0A440Lucy61Tuned 8b1s RootKeyA (resetAtoBbb=+54.1) plays CDbEbbEbFbFGbGAbBbbCb
lucy62tuned4b3sBbbEs.scl       12  0A440Lucy62Tuned 4b3s RootKeyA = CC#DEbEE#F#GAbABbbCb
lucy63tuned5b0s.scl            12  0A440Lucy63Tuned 5b0s RootKeyA = CDbDEbEFGbGGxABbAx
lucy64tuned7b0snoF.scl         12  0A440Lucy64Tuned 7b0s no F RootKeyA = CDbDEbEFbGbGAbABbCb
lucy65tuned2b3s.scl            12  0A440Lucy65Tuned 2b4s RootKeyA = CC#DEbEFF#GG#ABbA#
lucy_19.scl                    19  Lucy's 19-tone scale
lucy_24.scl                    24  Lucy/Harrison, meantone tuning from Bbb to Cx, third=1200.0/pi, 1/1=A
lucy_31.scl                    31  Lucy/Harrison's meantone tuning, 1/1=A
lucy_7.scl                      7  Diatonic Lucy's scale
lumma5.scl                     12  Carl Lumma's 5-limit version of lumma7, also Fokker 12-tone just.
lumma_10.scl                   10  Carl Lumma's 10-tone 125 cent Pyth. scale, TL 29-12-1999
lumma_12p5.scl                 12  Well-temperament 1/5Pyth. comma C-G-D A-E-B G#-Eb
lumma_12p6.scl                 12  Well-temperament 1/6Pyth. comma C-G-D-A-E-B G#-Eb
lumma_12p7.scl                 12  Well-temperament 1/7Pyth. comma F-C-G-D-A-E F#-C#-G#
lumma_12_fun.scl               12  Rational well temperament based on 577/289, 3/2, and 19/16
lumma_12_moh-ha-ha.scl         12  Rational well temperament
lumma_12_strangeion.scl        12  19-limit "dodekaphonic" scale
lumma_17.scl                   17  Carl Lumma, intervals of attraction, minus inversions, trial and error (1999)
lumma_22.scl                   22  Carl Lumma, intervals of attraction by trial and error (1999)
lumma_5151.scl                 12  Carl Lumma's 5151 temperament III (1197/709.5/696), June 2003
lumma_al1.scl                  12  Alaska I (1197/709.5/696), Carl Lumma, 6 June 2003.
lumma_al2.scl                  12  Alaska II (1197/707/696.5), Carl Lumma, 6 June 2003.
lumma_al3.scl                  12  Alaska III (1197/707/696.5), Carl Lumma, 6 June 2003.
lumma_al4.scl                  12  Alaska IV (1196/701/697), Carl Lumma, 6 June 2003.
lumma_al5.scl                  12  Alaska V (1197/702/696.375), Carl Lumma, 6 June 2003.
lumma_al6.scl                  12  Alaska VI (1196/701/696), Carl Lumma, 6 June 2003.
lumma_al7.scl                  12  Alaska VII, Carl Lumma, 27 Jan 2004
lumma_dec1.scl                 10  Carl Lumma, two 5-tone 7/4-chains, 5/4 apart in 31-tET, TL 9-2-2000
lumma_dec2.scl                 10  Carl Lumma, two 5-tone 3/2-chains, 7/4 apart in 31-tET, TL 9-2-2000
lumma_magic.scl                12  Magic chord test, Carl Lumma, TL 24-06-99
lumma_prism.scl                12  Carl Lumma's 7-limit 12-tone scale, a.k.a GW Smith's Prism. TL 21-11-98
lumma_prismkeen.scl            12  Dave Keenan's adaptation of Prism scale to include 6:8:11, TL 17-04-99
lumma_prismt.scl               12  Tempered Prism scale, 6 tetrads + 4 triads within 2c of Just, TL 19-2-99
lumma_stelhex.scl              12  12-out-of [4 5 6 7] stellated hexany
lumma_synchtrines+2.scl        12  The 12-tone equal temperament with 2:3:4 brats of +2
lumma_wt19.scl                 12  Carl Lumma, {2 3 17 19} well temperament, TL 13-09-2008
luyten.scl                     19  Carl Luyten, harpsichord tuning. Praetorius, 1619.
lydian_chrom.scl               24  Lydian Chromatic Tonos
lydian_chrom2.scl               7  Schlesinger's Lydian Harmonia in the chromatic genus
lydian_chrominv.scl             7  A harmonic form of Schlesinger's Chromatic Lydian inverted
lydian_diat.scl                24  Lydian Diatonic Tonos
lydian_diat2.scl                8  Schlesinger's Lydian Harmonia, a subharmonic series through 13 from 26
lydian_diat2inv.scl             8  Inverted Schlesinger's Lydian Harmonia, a harmonic series from 13 from 26
lydian_diatcon.scl              7  A Lydian Diatonic with its own trite synemmenon replacing paramese
lydian_enh.scl                 24  Lydian Enharmonic Tonos
lydian_enh2.scl                 7  Schlesinger's Lydian Harmonia in the enharmonic genus
lydian_enhinv.scl               7  A harmonic form of Schlesinger's Enharmonic Lydian inverted
lydian_pent.scl                 7  Schlesinger's Lydian Harmonia in the pentachromatic genus
lydian_pis.scl                 15  The Diatonic Perfect Immutable System in the Lydian Tonos
lydian_tri.scl                  7  Schlesinger's Lydian Harmonia in the first trichromatic genus
lydian_tri2.scl                 7  Schlesinger's Lydian Harmonia in the second trichromatic genus
machine_lf.scl                 11  Mike 11:9:7:4 Lesfip scale
madagascar19.scl               19  Madagascar[19] (19&53&58) hobbit in 313-tET tuning
madenda-sejati.scl              5  Sorog madenda sejati, Sunda
madimba.scl                     5  Madimba from Luba/Lulua tuning. 1/1=132 Hz, Tracey TR-35 A-3,4
magic-majthird13.scl           13  Magic-major thirds[13] major thirds repetition MOS, 11-limit TE tuning, also known as Devadoot
magic-shrutis.scl              22  Magic[22] in 41-tET tuning usable as shrutis, Gene Ward Smith
magic16septimage.scl           16  Magic[16] in regular Septimage tuning
magic16terzbirat.scl           16  Magic[16] in regular Terzbirat tuning
magic19trans37.scl             19  Magic-19 2.3.7 transversal
magic19trans37ex.scl           57  Extended Magic-19 2.3.7 transversal
magic22trans37.scl             22  Magic-22 2.3.7 transversal
magic22trans37ex.scl           66  Extended Magic-22 2.3.7 transversal
mahur tetrachord 13-limit.scl   3  Mahur tetrachord 39:44:49:52
mahur tetrachord 19-limit.scl   3  Mahur tetrachord 120:135:152:160
maihingen.scl                  12  Tuning of the Baumeister organ in Maihingen (1737)
majmin.scl                     17  Malcolm & Marpurg 4 (Yamaha major & minor) mixed. Mersenne/Ban without D#
major_clus.scl                 12  Chalmers' Major Mode Cluster
major_wing.scl                 12  Chalmers' Major Wing with 7 major and 6 minor triads
major_wing_lesfip.scl          12  Lesfip version of Chalmers' Major Wing, 7-limit, 15 cents
makoyan.scl                    12  Makoyan's temperament (1999)
malawi_bangwe.scl               7  Average of 9 observed bangwe tunings, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
malawi_bangwe1.scl             11  Bangwe Medisoni, 1/1=212 Hz
malawi_bangwe2.scl             12  Bangwe Manyindu, 1/1=174 Hz
malawi_bangwe3.scl             10  Bangwe Luwizi A, 1/1=164 Hz
malawi_bangwe4.scl             10  Bangwe Luwizi B, 1/1=170 Hz
malawi_bangwe5.scl             11  Bangwe Gasitoni A, 1/1=158 Hz
malawi_bangwe6.scl             12  Bangwe Gasitoni B, 1/1=186 Hz
malawi_bangwe7.scl              8  Bangwe Botomani, 1/1=146 Hz
malawi_bangwe8.scl              8  Bangwe Topiyasi, 1/1=210 Hz
malawi_bangwe9.scl              7  Bangwe Jester, 1/1=202 Hz
malawi_malimba5.scl            15  Malimba Semba, mano a mbuzi, 1/1=110 Hz, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
malawi_valimba.scl              7  Average of 17 observed valimba tunings, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
malco.scl                      12  malcolm tempered in malcolm temperament, 94-tET tuning
malcolm.scl                    12  Alexander Malcolm's Monochord (1721), and C major in Yamaha synths, Wilkinson: Tuning In
malcolm2.scl                   12  Malcolm 2, differentially coherent
malcolme.scl                   12  Most equal interval permutation of Malcolm's Monochord
malcolme2.scl                  12  Inverse most equal interval permutation of Malcolm's Monochord
malcolms.scl                   12  Symmetrical version of Malcolm's Monochord and Riley's Albion scale. Also proposed by Hindemith in Unterweisung im Tonsatz
malcolm_ap.scl                 12  Best approximations in mix of all ETs from 12-23 to Malcolm's Monochord
malcolm_me.scl                  7  Malcolm's Mid-East
malerbi.scl                    12  Luigi Malerbi's well-temperament nr.1 (1794) (nr.2 = Young). Also Sievers
malgache.scl                   12  tuning from Madagascar
malgache1.scl                  12  tuning from Madagascar
malgache2.scl                  12  tuning from Madagascar
malkauns.scl                    5  Raga Malkauns, inverse of prime_5.scl
mambuti.scl                     8  African Mambuti Flutes (aerophone; vertical wooden; one note each)
mandela.scl                    14  One of the 195 other denizens of the dome of mandala, <14 23 36 40| weakly epimorphic
mandelbaum5.scl                19  Mandelbaum's 5-limit 19-tone scale, kleismic detempered circle of minor thirds. Per.bl. 81/80 & 15625/15552
mandelbaum7.scl                19  Mandelbaum's 7-limit 19-tone scale
mandelbaum7keemun.scl          19  Keemun Fokkerization of mandelbaum7.scl, Gene Ward Smith, TL 8-3-2012
mander.scl                     12  John Pike Mander's Adlington-Hall organ tuning compiled by A.Sparschuh
marimba1.scl                   17  Marimba of the Bakwese, SW Belgian Congo (Zaire). 1/1=140.5 Hz
marimba2.scl                   17  Marimba of the Bakubu, S. Belgian Congo (Zaire). 1/1=141.5 Hz
marimba3.scl                   10  Marimba from the Yakoma tribe, Zaire. 1/1=185.5 Hz
marion.scl                     19  scale with two different ET step sizes
marion1.scl                    24  Marion's 7-limit Scale # 1
marion10.scl                   25  Marion's 7-limit Scale # 10
marion15.scl                   24  Marion's 7-limit Scale # 15
marissing.scl                  12  Peter van Marissing, just scale, Mens en Melodie, 1979
marpurg-1.scl                  12  Other temperament by Marpurg, 3 fifths 1/3 Pyth. comma flat
marpurg-a.scl                  12  Marpurg's temperament A, 1/12 and 1/6 Pyth. comma
marpurg-b.scl                  12  Marpurg's temperament B, 1/12 and 1/6 Pyth. comma
marpurg-c.scl                  12  Marpurg's temperament C, 1/12 and 1/6 Pyth. comma
marpurg-d.scl                  12  Marpurg's temperament D, 1/12 and 1/6 Pyth. comma
marpurg-e.scl                  12  Marpurg's temperament E, 1/12 and 1/6 Pyth. comma
marpurg-g.scl                  12  Marpurg's temperament G, 1/5 Pyth. comma
marpurg-t1.scl                 12  Marpurg's temperament nr.1, Kirnbergersche Temperatur (1766). Also 12 Indian shrutis
marpurg-t11.scl                12  Marpurg's temperament nr.11, 6 tempered fifths
marpurg-t12.scl                12  Marpurg's temperament nr.12, 4 tempered fifths
marpurg-t1a.scl                12  Marpurg's temperament no. 1, 1/12 and 1/6 Pyth. comma
marpurg-t2.scl                 12  Marpurg's temperament nr.2, 2 tempered fifths, Neue Methode (1790)
marpurg-t2a.scl                12  Marpurg's temperament no. 2, 1/12 and 5/24 Pyth. comma
marpurg-t3.scl                 12  Marpurg's temperament nr.3, 2 tempered fifths
marpurg-t4.scl                 12  Marpurg's temperament nr.4, 2 tempered fifths
marpurg-t5.scl                 12  Marpurg's temperament nr.5, 2 tempered fifths
marpurg-t7.scl                 12  Marpurg's temperament nr.7, 3 tempered fifths
marpurg-t8.scl                 12  Marpurg's temperament nr.8, 4 tempered fifths
marpurg-t9.scl                 12  Marpurg's temperament nr.9, 4 tempered fifths
marpurg.scl                    12  Marpurg, Versuch über die musikalische Temperatur (1776), p. 153
marpurg1.scl                   12  Marpurg's Monochord no.1 (1776)
marpurg3.scl                   12  Marpurg 3
marsh.scl                      12  John Marsh's meantone temperament (1809)
marvbiz.scl                    19  1/4 kleismic tempered marvel "byzantine" scale
marvel10.scl                   10  Marvel[10] hobbit in 197-tET
marvel11.scl                   11  Marvel[11] hobbit in 197-tET
marvel12.scl                   12  Marvel[12] hobbit in 197-tET
marvel19.scl                   19  Marvel[19] hobbit in 197-tET
marvel19woo.scl                19  Woo tuning of 7-limit 19 note marvel hobbit
marvel22.scl                   22  Marvel[22] hobbit in 197-tET
marvel22_11.scl                22  Unidecimal Marvel[22] hobbit, minimax tuning, commas 225/224, 385/384, 540/539
marvel6.scl                     6  11-limit marvel tempering of [7/6, 9/7, 10/7, 8/5, 11/6, 2], 166-tET tuning
marvel9.scl                     9  Marvel[9] hobbit in 197-tET
marveldene.scl                 12  BlueJI in 197-tET (= Duodene, etc, in 197-tET)
maunder1.scl                   12  Richard Maunder Bach temperament I (2005), also Daniel Jencka
maunder2.scl                   12  Richard Maunder Bach temperament II (2005)
mavila12.scl                   12  A 12-note mavila scale (for warping meantone-based music), 5-limit TOP
mavila9.scl                     9  Mavila-9 in 5-limit TOP tuning
mavlim1.scl                     9  First 27/25&135/128 scale
mavsynch16.scl                 16  Mavila[16] in meta (brat=-1) tuning, fifth satisfies f^4 + f^3 - 8 = 0
mavsynch7.scl                   7  Mavila[7] in meta (brat=-1) tuning, fifth satisfies f^4 + f^3 - 8 = 0
max1.scl                       12  31 intervals 26 triads 6 tetrads 2 pentads smallest step 49/48
max3.scl                       12  31 intervals 26 triads 6 tetrads 2 pentads smallest step 50/49
max5.scl                       12  31 intervals 26 triads 6 tetrads two pentads smallest step 50/49
max7amarvwoo.scl                7  Marvel woo tempering of [9/8, 5/4, 32/25, 3/2, 8/5, 15/8, 2]
mbira_banda.scl                 7  Mubayiwa Bandambira's tuning of keys R2-R9 from Berliner: The soul of mbira.
mbira_banda2.scl               21  Mubayiwa Bandambira's Mbira DzaVadzimu tuning B1=114 Hz
mbira_budongo.scl               5  Mbira budongo from Soga. 1/1=328 Hz, Tracey TR-140 A-6
mbira_budongo2.scl              5  Mbira budongo from Soga. 1/1=260 Hz, Tracey TR-141 A-1,2
mbira_chilimba.scl              7  Mbira chilimba from Bemba. 1/1=228 Hz, Tracey TR-182 B-7
mbira_chisanzhi.scl             6  Mbira chisanzhi from Luchazi. 1/1=256 Hz, Tracey TR-184 B-4,5
mbira_chisanzhi2.scl            7  Mbira chisanzhi from Lunda. 1/1=212 Hz, Tracey TR-179 B-5,6
mbira_chisanzhi3.scl            6  Mbira chisanzhi from Luba. 1/1=134 Hz, Tracey TR-40 A-4,5,6
mbira_chisanzhi4.scl            5  Mbira chisanzhi (likembe) from Luba. 1/1=324 Hz, Tracey TR-177 B-3,4
mbira_deza.scl                  7  Mbira deza from Valley Tonga. 1/1=192 Hz, Tracey TR-41 A-3
mbira_ekembe.scl                6  Mbira ekembe from Binza. 1/1=212 Hz, Tracey TR-128 A-5,6,7,8
mbira_ekembe2.scl               5  Mbira ekembe from Zande/Bandiya. 1/1=220 Hz, Tracey TR-122 B-4,5,6
mbira_gondo.scl                21  John Gondo's Mbira DzaVadzimu tuning B1=122 Hz
mbira_ikembe.scl                5  Mbira ikembe from Rundi/Hangaza. 1/1=300 Hz, Tracey TR-147 B-1,2
mbira_ilimba.scl                5  Mbira ilimba from Gogo. 1/1=268 Hz, Tracey TR-154 B-4-5
mbira_isanzo.scl                5  Mbira isanzo from Zande. 1/1=268 Hz, Tracey TR-121 B-7,8,9,10
mbira_kalimba.scl               5  Mbira kalimba from Tumbuka/Henga. 1/1=182 Hz, Tracey TR-90 B-3
mbira_kalimba2.scl              6  Mbira kalimba from Nyanja/Chewa. 1/1=296 Hz, Tracey TR-191 B-2,3,4
mbira_kalimba3.scl              6  Mbira kalimba from Sena/Nyungwe. 1/1=220 Hz, Tracey TR-91 A-4,5
mbira_kangombio.scl             7  Mbira kangombio from Lozi. 1/1=138 Hz, Tracey TR-67 B-4,5
mbira_kangombio2.scl            7  Mbira kangombio from Lozi. 1/1=226 Hz, Tracey TR-80 A-2,3
mbira_kankowela.scl             7  Mbira kankowela from Valley Tonga. 1/1=240 Hz, Tracey TR-41 B-6
mbira_kankowela2.scl            7  Mbira kankowela from Valley Tonga. 1/1=264 Hz, Tracey TR-41 B-7
mbira_kankowela3.scl            7  Mbira kankowela from Valley Tonga. 1/1=264 Hz, Tracey TR-42 B-2
mbira_kankowele.scl             7  Mbira kankowele from Lala. 1/1=252 Hz, Tracey TR-14 A-6,7,8,9
mbira_katima.scl                5  Mbira katima. 1/1=364 Hz, Tracey TR-127 B-10
mbira_kiliyo.scl                5  Mbira kiliyo. 1/1=364 Hz, Tracey TR-127 B=11,12,13
mbira_kombi.scl                 5  Mbira kombi from Yogo. 1/1=224 Hz, Tracey TR-118 B-6,7
mbira_kunaka.scl                7  John Kunaka's mbira tuning of keys R2-R9
mbira_kunaka2.scl              21  John Kunaka's Mbira DzaVadzimu tuning B1=113 Hz
mbira_limba.scl                 5  Mbira limba from Nyakyusa. 1/1=224 Hz, Tracey TR-158 A-5
mbira_malimba.scl               7  Mbira malimba from Nyamwezi. 1/1=244 Hz, Tracey TR-148 A-1,2
mbira_mang_baru.scl             5  Mbira mang 'baru (likembe) from Nande. 1/1=364 Hz, Tracey TR-127 B-9
mbira_marimbe.scl               7  Mbira marimbe from Zinza. 1/1=166 Hz, Tracey TR-147 A-3,4,5,6
mbira_mbele_ko_fuku.scl         5  Mbira mbele ko fuku from Yogo. 1/1=280 Hz, Tracey TR-119 A-11,12
mbira_mbira.scl                 6  Mbira mbira from Karanga/Duma. 1/1=212 Hz, Tracey TR-80 A-2,3
mbira_muchapata.scl             6  Mbira muchapata from Luvale/Lwena. 1/1=244 Hz, Tracey TR-36 B-1,2
mbira_mude.scl                 21  Hakurotwi Mude's Mbira DzaVadzimu tuning B1=132 Hz
mbira_mujuru.scl               21  Ephat Mujuru's Mbira DzaVadzimu tuning, B1=106 Hz
mbira_mumamba.scl               7  Mbira mumamba from Bemba. 1/1=140 Hz, Tracey TR-24 A-1
mbira_natine.scl                5  Mbira natine and minu from Alur. 1/1=268 Hz, Tracey TR-124 A-5,6
mbira_neikembe.scl              7  Mbira neikembe from Medje. 1/1=320 Hz, Tracey TR-120 B-1,2
mbira_sansi.scl                 5  Mbira sansi from Nyanja/Chewa. 1/1=202 Hz, Tracey TR-78 A-1
mbira_sansi2.scl                5  Mbira sansi from Nyanja/Chewa. 1/1=176 Hz, Tracey TR-191 A-10,11,12
mbira_zimb.scl                  7  Shona mbira scale
mboko_bow.scl                   2  African Mboko Mouth Bow (chordophone, single string, plucked)
mboko_zither.scl                7  African Mboko Zither (chordophone; idiochordic palm fibre, plucked)
mcclain.scl                    12  McClain's 12-tone scale, see page 119 of The Myth of Invariance
mcclain_18.scl                 18  McClain's 18-tone scale, see page 143 of The Myth of Invariance
mcclain_8.scl                   8  McClain's 8-tone scale, see page 51 of The Myth of Invariance
mccoskey_22.scl                22  31-limit rational interpretation of 22-tET, Marion McCoskey
mcgoogy_phi.scl                18  Brink McGoogy's Phinocchio tuning, mix of 5th (black keys) and 7th (white keys) root of phi
mcgoogy_phi2.scl               18  Brink McGoogy's Phinocchio tuning with symmetrical "brinko"
mclaren_bar.scl                13  Metal bar scale. see McLaren, Xenharmonicon 15, pp.31-33
mclaren_cps.scl                15  2)12 [1,2,3,4,5,6,8,9,10,12,14,15] a degenerate CPS
mclaren_harm.scl               11  from "Wilson part 9", claimed to be Schlesingers Dorian Enharmonic, prov. unkn
mclaren_rath1.scl              12  McLaren Rat H1
mclaren_rath2.scl              12  McLaren Rat H2
mean10.scl                     12  3/10-comma meantone scale
mean11.scl                     12  3/11-comma meantone scale. A.J. Ellis no. 10
mean11ls_19.scl                19  Least squares appr. to 3/2, 5/4, 7/6, 15/14 and 11/8, Petr Parízek
mean13.scl                     12  3/13-comma meantone scale
mean14.scl                     12  3/14-comma meantone scale (Giordano Riccati, 1762)
mean14a.scl                    12  fifth of sqrt(5/2)-1 octave "recursive" meantone, Paul Hahn
mean14_15.scl                  15  15 of 3/14-comma meantone scale
mean14_19.scl                  19  19 of 3/14-comma meantone scale
mean14_7.scl                    7  Least squares appr. of 5L+2S to Ptolemy's Intense Diatonic scale
mean16.scl                     12  3/16-comma meantone scale
mean17.scl                     12  4/17-comma meantone scale, least squares error of 5/4 and 3/2
mean17_17.scl                  17  4/17-comma meantone scale with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
mean17_19.scl                  19  4/17-comma meantone scale, least squares error of 5/4 and 3/2
mean18.scl                     12  5/18-comma meantone scale (Smith). 3/2 and 5/3 eq. beat. A.J. Ellis no. 9
mean19.scl                     12  5/19-comma meantone scale, fifths beats three times third. A.J. Ellis no. 11
mean19r.scl                    12  Approximate 5/19-comma meantone with 19/17 tone, Petr Parizek (2002)
mean19t.scl                    12  Approximate 5/19-comma meantone with three 7/6 minor thirds
mean23.scl                     12  5/23-comma meantone scale, A.J. Ellis no. 4
mean23six.scl                  12  6/23-comma meantone scale
mean24rat.scl                  24  Meantone[24] in a rational tuning with brats of 4
mean25.scl                     12  7/25-comma meantone scale, least square weights 3/2:0 5/4:1 6/5:1
mean26.scl                     12  7/26-comma meantone scale (Woolhouse 1835). Almost equal to meaneb742.scl
mean26_21.scl                  21  21 of 7/26-comma meantone scale (Woolhouse 1835)
mean27.scl                     12  7/27-comma meantone scale, least square weights 3/2:2 5/4:1 6/5:1
mean29.scl                     12  7/29-comma meantone scale, least square weights 3/2:4 5/4:1 6/5:1
mean2nine.scl                  12  2/9-comma meantone scale, Lemme Rossi, Sistema musico (1666)
mean2nine_15.scl               15  15 of 2/9-comma meantone scale
mean2nine_19.scl               19  19 of 2/9-comma meantone scale
mean2nine_31.scl               31  31 of 2/9-comma meantone scale
mean2sev.scl                   12  2/7-comma meantone scale. Zarlino's temperament (1558). See also meaneb371
mean2sev10.scl                 12  2/17-comma meantone scale
mean2seveb.scl                 12  "2/7-comma" meantone with equal beating fifths. A.J. Ellis no. 8
mean2sevr.scl                  12  Rational approximation to 2/7-comma meantone, 1/1 = 262.9333
mean2sev_15.scl                15  15 of 2/7-comma meantone scale
mean2sev_19.scl                19  19 of 2/7-comma meantone scale
mean2sev_31.scl                31  31 of 2/7-comma meantone scale
mean4nine.scl                  12  4/9-comma meantone scale
meanbrat32.scl                 12  Beating of 5/4 = 1.5 times 3/2 same. Almost 1/3-comma
meanbrat32a.scl                12  Beating of 5/4 = 1.5 times 3/2 opposite. Almost 3/16 Pyth. comma
meanbratm32.scl                12  Beating of 6/5 = 1.5 times 3/2 same. Almost 4/15-comma
meandia.scl                    21  Detempered Meantone[21]; contains 7-limit diamond
meaneb1071.scl                 12  Equal beating 7/4 = 3/2 same.
meaneb1071a.scl                12  Equal beating 7/4 = 3/2 opposite.
meaneb341.scl                  12  Equal beating 6/5 = 5/4 same. Almost 4/15 Pyth. comma
meaneb371.scl                  12  Equal beating 6/5 = 3/2 same. Practically 2/7-comma (Zarlino)
meaneb371a.scl                 12  Equal beating 6/5 = 3/2 opposite. Almost 2/5-comma
meaneb381.scl                  12  Equal beating 6/5 = 8/5 same. Almost 1/7-comma
meaneb451.scl                  12  Equal beating 5/4 = 4/3 same, 5/24 comma meantone. A.J. Ellis no. 6
meaneb471.scl                  12  Equal beating 5/4 = 3/2 same. Almost 5/17-comma. Erv Wilson's 'metameantone'
meaneb471a.scl                 12  Equal beating 5/4 = 3/2 opposite. Almost 1/5 Pyth. Gottfried Keller (1707)
meaneb471b.scl                 12  21/109-comma meantone with 9/7 major thirds, almost equal beating 5/4 and 3/2
meaneb472.scl                  12  Beating of 5/4 = twice 3/2 same. Almost 5/14-comma
meaneb472a.scl                 12  Beating of 5/4 = twice 3/2 opposite. Almost 3/17-comma
meaneb472_19.scl               19  Beating of 5/4 = twice 3/2 same, 19 tones
meaneb591.scl                  12  Equal beating 4/3 = 5/3 same.
meaneb732.scl                  12  Beating of 3/2 = twice 6/5 same. Almost 4/13-comma
meaneb732a.scl                 12  Beating of 3/2 = twice 6/5 opposite. Almost 1/3 Pyth. comma
meaneb732_19.scl               19  Beating of 3/2 = twice 6/5 same, 19 tones
meaneb742.scl                  12  Beating of 3/2 = twice 5/4 same.
meaneb742a.scl                 12  Beating of 3/2 = twice 5/4 opposite. Almost 3/13-comma, 3/14 Pyth. comma
meaneb781.scl                  12  Equal beating 3/2 = 8/5 same.
meaneb891.scl                  12  Equal beating 8/5 = 5/3 same. Almost 5/18-comma
meaneight.scl                  12  1/8-comma meantone scale
meaneightp.scl                 12  1/8 Pyth. comma meantone scale
meanfifth.scl                  12  1/5-comma meantone scale (Verheijen)
meanfifth2.scl                 12  1/5-comma meantone by John Holden (1770)
meanfiftheb.scl                12  "1/5-comma" meantone with equal beating fifths
meanfifth_19.scl               19  19 of 1/5-comma meantone scale
meanfifth_43.scl               43  Complete 1/5-comma meantone scale
meanfifth_french.scl           12  Homogeneous French temperament, 1/5-comma, C. di Veroli
meangolden.scl                 12  Meantone scale with Blackwood's R = phi, and diat./chrom. semitone = phi, Kornerup. Almost 4/15-comma
meangolden_top.scl             12  Meantone scale with Blackwood's R = phi, TOP tuning
meanhalf.scl                   12  1/2-comma meantone scale
meanhar2.scl                   12  1/9-Harrison's comma meantone scale
meanhar3.scl                   12  1/11-Harrison's comma meantone scale
meanharris.scl                 12  1/10-Harrison's comma meantone scale
meanhsev.scl                   41  1/14-septimal schisma tempered meantone scale
meanhskl.scl                   12  Half septimal kleisma meantone
meanlst357_19.scl              19  19 of mean-tone scale, least square error in 3/2, 5/4 and 7/4
meanmalc.scl                   12  Meantone approximation to Malcolm's Monochord, 3/16 Pyth. comma
meannine.scl                   12  1/9-comma meantone scale, Jean-Baptiste Romieu
meannkleis.scl                 12  1/5 kleisma tempered meantone scale
meanpi.scl                     12  Pi-based meantone with Harrison's major third by Erv Wilson
meanpi2.scl                    12  Pi-based meantone by Erv Wilson analogous to 22-tET
meanpkleis.scl                 12  1/5 kleisma positive temperament
meanquar.scl                   12  1/4-comma meantone scale. Pietro Aaron's temp. (1523). 6/5 beats twice 3/2
meanquareb.scl                 12  Variation on 1/4-comma meantone with equal beating fifths
meanquarm23.scl                12  1/4-comma meantone approximation with minimal order 23 beatings
meanquarn.scl                  44  Non-octave quarter-comma meantone, fifth period, also known as Angel
meanquarr.scl                  12  Rational approximation to 1/4-comma meantone, Kenneth Scholz, MTO 4.4, 1998
meanquarw2.scl                 12  1/4-comma meantone with 1/2 wolf, used in England in 19th c. (Ellis)
meanquarw3.scl                 12  1/4-comma meantone with 3 superpythagorean fifths, C. di Veroli & S. Leidemann (1985), also called Rainbow
meanquar_14.scl                14  1/4-comma meantone scale with split D#/Eb and G#/Ab, Otto Gibelius (1666)
meanquar_15.scl                15  1/4-comma meantone scale with split C#/Db, D#/Eb and G#/Ab
meanquar_16.scl                16  1/4-comma meantone scale with split C#/Db, D#/Eb, G#/Ab and A#/Bb
meanquar_17.scl                17  1/4-comma meantone scale with split C#/Db, D#/Eb, F#/Gb, G#/Ab and A#/Bb
meanquar_19.scl                19  19 of 1/4-comma meantone scale
meanquar_27.scl                27  27 of 1/4-comma meantone scale
meanquar_31.scl                31  31 of 1/4-comma meantone scale
meanreverse.scl                12  Reverse meantone 1/4 82/81-comma tempered
meansabat.scl                  12  1/9-schisma meantone scale of Eduard Sábat-Garibaldi
meansabat_53.scl               53  53-tone 1/9-schisma meantone scale
meanschis.scl                  12  1/8-schisma temperament, Helmholtz
meanschis7.scl                 12  1/7-schisma linear temperament
meanschis_17.scl               17  17-tone 1/8-schisma linear temperament
meansept.scl                   12  Meantone scale with septimal diminished fifth
meansept2.scl                  19  Meantone scale with septimal neutral second
meansept3.scl                  41  Pythagorean scale with septimal minor third
meansept4.scl                  41  Pythagorean scale with septimal narrow fourth
meansev.scl                    12  1/7-comma meantone scale, Jean-Baptiste Romieu (1755)
meansev2.scl                   12  Meantone scale with 1/7-comma stretched octave (stretched meansept.scl)
meanseveb.scl                  12  "1/7-comma" meantone with equal beating fifths
meansev_19.scl                 19  19 of 1/7-comma meantone scale
meansixth.scl                  12  1/6-comma meantone scale (tritonic temperament of Salinas)
meansixtheb.scl                12  "1/6-comma" meantone with equal beating fifths
meansixthm.scl                 12  modified 1/6-comma meantone scale, wolf spread over 2 fifths
meansixthm2.scl                12  modified 1/6-comma meantone scale, wolf spread over 4 fifths
meansixthpm.scl                12  modified 1/6P-comma temperament, French 18th century
meansixthso.scl                12  1/6-comma meantone scale with 1/6-comma stretched oct, Dave Keenan TL 13-12-99
meansixth_19.scl               19  19 of 1/6-comma meantone scale
meansqunumigpopmo.scl          31  Meantone-squares-nusecond-migration-meanpop-mohajira superwakalix
meanstr.scl                    12  Meantone with 1/9-comma stretched octave, Petr Parizek (2006)
meanten.scl                    12  1/10-comma meantone scale
meanthird.scl                  12  1/3-comma meantone scale (Salinas)
meanthirdeb.scl                12  "1/3-comma" meantone with equal beating fifths
meanthirdp.scl                 12  1/3-P comma meantone scale
meanthird_19.scl               19  Complete 1/3-comma meantone scale
meantone-fifths11.scl          11  Meantone-fifths[11] fifths-repetition MOS, pure 2 and 5 (1/4 comma)
meantone19trans37.scl          19  Meantone-19 symmetric 2.3.7 transversal
meantone19trans37ex.scl        57  Meantone-19 extended 2.3.7 transversal
meantone31trans37.scl          31  Meantone-31 symmetric 2.3.7 transversal
meantone31trans37ex.scl        93  Meantone-31 extended 2.3.7 transversal
meanvar1.scl                   12  Variable meantone 1: C-G-D-A-E 1/4, others 1/6
meanvar2.scl                   12  Variable meantone 2: C..E 1/4, 1/5-1/6-1/7-1/8 outward both directions
meanvar3.scl                   12  Variable meantone 3: C..E 1/4, 1/6 next, then Pyth.
meanvar4.scl                   12  Variable meantone 4: naturals 1/4-comma, accidentals Pyth.
meister-p12.scl                12  Temperament with 1/6 and 1/12 P comma, W.Th. Meister, p. 117
meister-s4.scl                 12  Temperament with 1/4 comma, W.Th. Meister, p. 120
meister-s5.scl                 12  Temperament with 1/5 comma, W.Th. Meister, p. 121
meister-synt.scl               12  Halved syntonic comma's, Wolfgang Theodor Meister, Die Orgelstimmung in Süddeutschland, 1991, p. 117
meister-t.scl                  12  A temperament, W.Th. Meister, p. 35-36
melog.scl                       5  pelog melog, Sunda
mercadier.scl                  12  Mercadier's well-temperament (1777), 1/12 and 1/6 Pyth. comma
mercadier2.scl                 12  Jean-Baptiste Mercadier de Belesta (1776), 2/13 and 1/13 Pyth. comma
mercator.scl                   19  19 out of 53-tET, see Mandelbaum p. 331
mercury_sand.scl                7  Mercury Sand, 7-limit JI heptatonic MOS by Andrew Heathwaite (2018)
merrick.scl                    12  A. Merrick's melodically tuned equal temperament (1811)
mersen-ban.scl                 18  For keyboard designs of Mersenne (1635) & Ban (1639), 10 black and extra D. Traité, p. 44-45
mersenmt1.scl                  12  Mersenne's Improved Meantone 1
mersenmt2.scl                  12  Mersenne's Improved Meantone 2
mersenne-t.scl                 12  Marin Mersenne, equal temp with just 5/4 (1636)
mersenne_26.scl                26  26-note choice system of Mersenne, Traité de l'orgue, 1635, p. 46-48
mersenne_31.scl                31  31-note choice system of Mersenne, Harmonie universelle (1636)
mersen_l1.scl                  12  Mersenne lute 1
mersen_l2.scl                  12  Mersenne lute 2
mersen_s1.scl                  12  Mersenne spinet 1, Traité de l'orgue, 1635, p. 43
mersen_s2.scl                  12  Mersenne spinet 2, Traité de l'orgue, 1635, p. 42
mersen_s3.scl                  16  Mersenne spinet 3, Traité de l'orgue, 1635, p. 43
met24-byz-1st_pl-trans.scl      7  1st plagal Byzantine Liturgical Mode transposed (E-E, final A or ~4/3 step)
met24-byz-2nd_pl.scl            7  2nd plagal Byzantine Liturgical or Palace Mode with upper Diatonic tetra
met24-byz-3rd-ditonic.scl       7  3rd Byzantine Liturgical mode, ditonic, ~12.5-12.5-5 parts of 72
met24-byz-3rd.scl               7  3rd Byzantine Liturgical mode (cf. tiby1.scl), ~12.5-14-3.5 parts of 72
met24-byz-4th_e.scl             7  4th Byzantine Liturgical mode, legetos type (final on E)
met24-byz-4th_e2.scl            7  4th Byzantine Liturgical mode, legetos type, ~7-12-12-9-7-12-9 parts of 68
met24-byz-4th_pl-var1.scl       7  4th plagal Byzantine Liturgical mode (C-C) type with consistent Bb
met24-byz-4th_pl-var2.scl       7  4th plagal Byzantine Liturgical mode with consistent Bb as ~7/4
met24-byz-4th_pl.scl            7  4th plagal Byzantine Liturgical mode (cf. 68: 12-9-7 or 72: 12-10-8)
met24-byz-barys_diat.scl        7  Byzantine Barys Diatonic Liturgical mode with upper Soft Chromatic tetra
met24-byz-palace1.scl           7  Byzantine Palace Mode, symmetrical, ~5-20-5 parts of 72
met24-byz-palace2.scl           7  Byzantine Palace Mode, ~22:21-11:9-126:121 or ~5-21-4 parts of 72
met24-byz-schrom.scl            7  Byzantine Soft Chromatic, 2nd Liturgical mode (~14:13-8:7-13:12)
met24-byz-schrom2.scl           7  Byzantine Soft Chromatic, 2nd Liturgical mode (~13:12-8:7-14:13)
met24-chrys_chrom-2nd_pl.scl    7  Near Chrysanthos 2nd plagal Byzantine Liturgical mode (7-18-3 parts of 68)
met24-chrys_chromdiat.scl       7  Near Chrysanthos Hard Chromatic/Diatonic Byzantine mode (68: 7-18-3-12-9-7-12)
met24-chrys_diat-1st-68.scl     7  Near Chrysanthos 1st Byzantine Liturgical mode (68: 9-7-12-12-9-7-12)
met24-chrys_diat-1st.scl        7  Near Chrysanthos JI diatonic, also 1st Byzantine Liturgical mode
met24-chrys_diat-4th-68.scl     7  Near Chrysanthos 4th Byzantine Liturgical mode (68: 12-9-7-12-9-7-12)
met24-chrys_diat-4th.scl        7  Near Chrysanthos 4th Byzantine Liturgical mode, JI (also zalzal.scl)
met24-chrys_diat-4th_pl.scl     7  Near Chrysanthos 4th Byzantine Liturgical mode, JI
met24-chrys_diatenh.scl         7  Near Chrysanthos Diatonic-Enharmonic Byzantine mode (68: 9-7-12-12-3-13-12)
met24-chrys_enhdiat.scl         7  Near Chrysanthos Enharmonic-Diatonic Byzantine mode (68: 13-12-3-12-9-7-12)
met24c-cs12-archytan-maqam_cup.scl
                               12  Constant Structure, tempered subdivision of Archytas Chromatic
metals.scl                      9  Gold, silver, titanium - strong metastable intervals between 1 and 2.
metdia.scl                     19  Consists of the tetrads of detempered Meantone[21] = meandia.scl
metius.scl                     24  Adrianus Metius, Tafel van de proportie der thoonen, 1/1=E (1626), Maet-constigh liniael, p. 88.
meyer.scl                      19  Max Meyer, see Doty, David, 1/1 August 1992 (7:4) p.1 and 10-14
meyer_29.scl                   29  Max Meyer, see David Doty, 1/1, August 1992, pp.1,10-14
mgr12.scl                      12  Modular Golomb Ruler of 12 segments, length 133
mgr14.scl                      14  Modular Golomb Ruler of 14 segments, length 183
mgr18.scl                      18  Modular Golomb Ruler of 18 segments, length 307
mid_enh1.scl                    7  Mid-Mode1 Enharmonic, permutation of Archytas's with the  5/4 lying medially
mid_enh2.scl                    7  Permutation of Archytas' Enharmonic with the 5/4 medially and 28/27 first
miller7.scl                    12  Herman Miller, 7-limit JI. mode of parizek_ji1
millerop.scl                   12  Lesfip 7 cents version of miller_12.scl
miller_12.scl                  12  Herman Miller, scale with appr. to three 7/4 and one 11/8, TL 19-11-99
miller_12a.scl                 12  Herman Miller, "Starling" scale, alternative version TL 25-11-99
miller_12r.scl                 12  Herman Miller, "Starling" scale rational version
miller_ar1.scl                 12  Herman Miller, "Arrow I" well-temperament
miller_ar2.scl                 12  Herman Miller, "Arrow II" well-temperament
miller_b1.scl                  12  Herman Miller, "Butterfly I" well-temperament
miller_b2.scl                  12  Herman Miller, "Butterfly II" well-temperament
miller_bug.scl                 12  Herman Miller, "Bug I" well-temperament
miller_lazy.scl                12  Herman Miller, JI tuning for Lazy Summer Afternoon
miller_nikta.scl               19  Herman Miller, 19-tone scale of "Nikta", TL 22-1-1999
miller_phi-plus-1-udphi.scl    13  13 notes of Phi+1 UDphi
miller_reflections.scl         12  Herman Miller, 7-limit (slightly tempered) "reflections" scale
miller_sp.scl                  14  Herman Miller, Superpelog temperament, TOP tuning
minerva12.scl                  12  Minerva[12] (99/98&176/175) 11-limit hobbit, POTE tuning
minerva22.scl                  22  Minerva[22] 11-limit JI hobbit <22 35 51 62 76|
minerva22x.scl                 22  Minerva[22] (176/175, 99/98) hobbit irregular
minorthird_19.scl              19  Chain of 19 minor thirds
minortone.scl                  46  Minortone temperament, g=182.466089, 5-limit
minor_5.scl                     5  A minor pentatonic, subharmonics 6 to 10
minor_clus.scl                 12  Chalmers' Minor Mode Cluster, Genus [333335]
minor_wing.scl                 12  Chalmers' Minor Wing with 7 minor and 6 major triads
miracle1.scl                   21  21 out of 72-tET Pyth. scale "Miracle/Blackjack", Keenan & Erlich, TL 2-5-2001
miracle1a.scl                  21  Version of Blackjack with just 11/8 intervals
miracle2.scl                   31  31 out of 72-tET Pythagorean scale "Miracle/Canasta", tempered Fokker-M, 36 7-limit tetrads
miracle21trans.scl             21  Miracle-21 (Blackjack) symmetric 5-limit transversal
miracle21trans511.scl          21  Miracle-21 (Blackjack) symmetric 2.5.11 transversal
miracle24.scl                  24  Miracle-24 in 72-tET tuning.
miracle2a.scl                  31  Version of Canasta with just 11/8 intervals
miracle2m.scl                  31  Fractal form with division=2*sqrt(7)+5 by Jacques Dudon, TL 12-2-2010
miracle3.scl                   41  41 out of 72-tET Pythagorean scale "Miracle/Studloco", Erlich/Keenan (2001)
miracle31s.scl                 31  Miracle-31 with Secor's minimax generator of 116.7155941 cents (5:9 exact). XH5, 1976
miracle31trans.scl             31  Miracle-31 (Canasta) symmetric 5-limit transversal
miracle31trans511.scl          31  Miracle-31 2.5.11 symmetric transversal
miracle3a.scl                  41  Version of Studloco with just 11/8 intervals
miracle3p.scl                  41  Least squares Pythagorean approximation to partch_43
miracle41s.scl                 41  Miracle-41 with Secor's minimax generator of 116.7155941 cents (5:9 exact). XH5, 1976
miracle_10.scl                 10  A 10-tone subset of Blackjack, g=116.667
miracle_12.scl                 12  A 12-tone subset of Blackjack with six 4-7-9-11 tetrads
miracle_12a.scl                12  A 12-tone chain of Miracle generators and subset of Blackjack
miracle_24hi.scl               24  24 note mapping for Erlich/Keenan Miracle scale
miracle_24lo.scl               24  24 note mapping for Erlich/Keenan Miracle scale, low version, tuned to 72-equal
miracle_8.scl                   8  tet3a.scl in 72-tET
miring.scl                      5  sorog miring, Sunda
miring1.scl                     5  Gamelan Miring from Serdang wetan, Tangerang. 1/1=309.5 Hz
miring2.scl                     5  Gamelan Miring (Melog gender) from Serdang wetan
misca.scl                       9  21/20 x 20/19 x 19/18=7/6 7/6 x 8/7=4/3
miscb.scl                       9  33/32 x 32/31x 31/27=11/9 11/9 x 12/11=4/3
miscc.scl                       9  96/91 x 91/86 x 86/54=32/27. 32/27 x 9/8=4/3.
miscd.scl                       9  27/26 x 26/25 x 25/24=9/8. 9/8 x 32/27=4/3.
misce.scl                       9  15/14 x 14/13 x 13/12=5/4. 5/4 x 16/15= 4/3.
miscf.scl                       9  SupraEnh 1
miscg.scl                       9  SupraEnh 2
misch.scl                       9  SupraEnh 3
misty.scl                      63  Misty temperament, g=96.787939, p=400, 5-limit
mistyschism.scl                12  Mistyschism scale 32805/32768 and 67108864/66430125
mitchell.scl                   10  Geordan Mitchell, fractal Koch flake monochord scale. XH 18, 2006
mixed9_3.scl                    9  A mixture of the hemiolic chromatic and diatonic genera, 75 + 75 + 150 + 200 c
mixed9_4.scl                    9  Mixed enneatonic 4, each "tetrachord" contains 67 + 67 + 133 + 233 cents.
mixed9_5.scl                    9  A mixture of the intense chromatic genus and the permuted intense diatonic
mixed9_6.scl                    9  Mixed 9-tonic 6, Mixture of Chromatic and Diatonic
mixed9_7.scl                    9  Mixed 9-tonic 7, Mixture of Chromatic and Diatonic
mixed9_8.scl                    9  Mixed 9-tonic 8, Mixture of Chromatic and Diatonic
mixol_chrom.scl                24  Mixolydian chromatic tonos
mixol_chrom2.scl                7  Schlesinger's Mixolydian Harmonia in the chromatic genus
mixol_chrominv.scl              7  A harmonic form of Schlesinger's Chromatic Mixolydian inverted
mixol_diat.scl                 24  Mixolydian diatonic tonos
mixol_diat2.scl                 8  Schlesinger's Mixolydian Harmonia, a subharmonic series though 13 from 28
mixol_diatcon.scl               7  A Mixolydian Diatonic with its own trite synemmenon replacing paramese
mixol_diatinv.scl               7  A Mixolydian Diatonic with its own trite synemmenon replacing paramese
mixol_diatinv2.scl              8  Inverted Schlesinger's Mixolydian Harmonia, a harmonic series from 14 from 28
mixol_enh.scl                  24  Mixolydian Enharmonic Tonos
mixol_enh2.scl                  7  Schlesinger's Mixolydian Harmonia in the enharmonic genus
mixol_enhinv.scl                7  A harmonic form of Schlesinger's Mixolydian inverted
mixol_penta.scl                 7  Schlesinger's Mixolydian Harmonia in the pentachromatic genus
mixol_pis.scl                  15  The Diatonic Perfect Immutable System in the Mixolydian Tonos
mixol_tri1.scl                  7  Schlesinger's Mixolydian Harmonia in the first trichromatic genus
mixol_tri2.scl                  7  Schlesinger's Mixolydian Harmonia in the second trichromatic genus
mmmgeo1.scl                     7  Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings
mmmgeo2.scl                     7  Scale for MakeMicroMusic in Peppermint 24, maybe a bit like Georgian tunings
mmmgeo3a.scl                    7  Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
mmmgeo4a.scl                    7  Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
mmmgeo4b.scl                    7  Peppermint 24 scale for MakeMicroMusic, maybe a bit "Georgian-like"?
mmswap.scl                     12  Swapping major and minor in 5-limit JI
moantone12.scl                 12  Moantone[12] (Passion) in 86-tET
mobbs-mackenzie.scl            12  Kenneth Mobbs and Alexander Mackenzie of Ord, Bach temperament (2005)
mohaj-bala_213.scl             12  Parizekmic Mohajira+Bala scale, based on a double Bala sequence
mohaj-bala_443.scl             12  Parizekmic Mohajira+Bala scale, based on a double Bala sequence
mohajira-to-slendro.scl        12  From Mohajira to Aeolian and Slendros
mokhalif.scl                    7  Iranian mode Mokhalif from C
monarda_ji.scl                 12  Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, previous to 273/272 561/560 441/440 225/224 (Tannic) tempering (2018)
monarda_tannic_pote.scl        12  Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, with 273/272 561/560 441/440 225/224 (Tannic) POTE tempering (2018)
monarda_tannic_te.scl          12  Monarda scale by Scott Dakota, 10:12:14:17 x 6:8:9, with 273/272 561/560 441/440 225/224 (Tannic) tempering (2018)
montvallon.scl                 12  Montvallon's Monochord, Nouveau sisteme de musique (1742)
monza.scl                      12  Irregular tuning for 18th century Italian music
monzismic.scl                  53  Monzismic temperament, g=249.018448, 5-limit
monzo-sym-11.scl               41  Monzo symmetrical system: 11-limit
monzo-sym-5.scl                13  Monzo symmetrical system: 5-limit
monzo-sym-7.scl                25  Monzo symmetrical system: 7-limit
monzo_pyth-quartertone.scl     24  Joe Monzo, approximation to 24-tET by 2^n*3^m
monzo_sumerian_2place12.scl    12  Monzo - most accurate 2-place sexagesimal 12-tET approximation
monzo_sumerian_simp12.scl      12  Monzo - simplified 2-place sexagesimal 12-tET approximation
moore.scl                      12  Moore representative Victorian well-temperament (1885)
morgan.scl                     12  Augustus de Morgan's temperament (1843)
morgan_c_36.scl                36  Caleb Morgan's Hairy UnJust Tuning
morgan_c_46.scl                46  Caleb Morgan's 13-limit superparticular tuning
moscow.scl                     12  Charles E. Moscow's equal beating piano tuning (1895)
mothra11br4.scl                11  Mothra[11] with a brat of 4
mothra11rat.scl                11  Mothra[11] with exact 8/7 as generator
mothra11sub.scl                11  Mothra[11] with subminor third beats
mothra16br4.scl                16  Mothra[16] with a brat of 4, also Meta-Cynder
mttfokker.scl                  24  MTT-24-like Fokker block in POTE parapyth tuning, two chains of fifths 7/6 apart
munakata.scl                   15  Nobuo Munakata, shamisen Ritsu Yang and Yin tuning, 1/1=E, TL 19-04-2008
mund45.scl                     45  Tenney reduced 11-limit Miracle[45]
mundeuc45.scl                  45  Euclidean reduced detempered Miracle[45] with Tenney tie-breaker
musaqa.scl                      7  Egyptian scale by Miha'il Musaqa
musaqa_24.scl                  24  d'Erlanger vol.5, p. 34. After Mih.a'il Mu^saqah, 1899, a Lebanese scholar
mustear pentachord 17-limit.scl
                                4  Mustear pentachord 42:48:51:56:63
mustear pentachord 5-limit.scl  4  Mustear pentachord 120:135:144:160:180
myna15br25.scl                 15  Myna[15] with a brat of 5/2
myna15br3.scl                  15  Myna[15] with a brat of 3
myna19trans.scl                19  Myna[19] symmetric 5-limit transversal
myna19trans37.scl              19  Myna[19] 2.3.7 transversal
myna23.scl                     23  Myna[23] temperament, TOP tuning, g=309.892661 (Paul Erlich)
myna23trans.scl                23  Myna[23] symmetric 5-limit transversal
myna23trans37.scl              23  Myna[23] 2.3.7 transversal
myna27trans.scl                27  Myna[27] symmetric 5-limit transversal
myna27trans37.scl              27  Myna[27] 2.3.7 transversal
myna7opt.scl                    7  Lesfip version of 7-limit Myna[7]
mynadiaechhemi.scl             58  Myna-diachismic-echidna-hemififths Fokker block
mynafip22.scl                  22  Lesfip scale with two ~17/14 semi-wolves, 11-limit diamond target, 10 cents error
mystery.scl                    58  Mystery temperament, minimax with pure octaves, g=15.021612, 13-limit
mystic-r.scl                    5  Skriabin's mystic chord, op. 60 rationalised
mystic.scl                      5  Skriabin's mystic chord, op. 60
nakika12.scl                   12  Nakika[12] (100/99&245/242) hobbit, 41-tET tuning
namo17.scl                     17  Namo[17] 2.3.11.13 subgroup MOS in 128\437 tuning
narushima-vex.scl              21  To accommodate the 21 different spellings of notes in Satie’s score
nassarre.scl                   12  Nassarre's Equal Semitones
ndau1.scl                       6  Ndau mbira tuning, Zimbabwe. 1/1=204 Hz, Tracey TR-205
ndau2.scl                       6  Ndau mbira tuning, Zimbabwe. 1/1=220 Hz, Tracey TR-176
ndau3.scl                       6  Ndau mbira tuning, Zimbabwe. 1/1=184 Hz, Tracey TR-176
negri5_19.scl                  19  Negri[19], 5-limit
negri_19.scl                   19  Negri temperament, 13-limit, g=124.831
neid-mar-morg.scl              12  Neidhardt-Marpurg-de Morgan temperament (1858)
neidhardm.scl                  12  modified Neidhardt temperament
neidhardt-f10.scl              12  Neidhardt's fifth-circle no. 10, 1/6 and 1/4 Pyth. comma
neidhardt-f10i.scl             12  Neidhardt's fifth-circle no. 10, idealised
neidhardt-f11.scl              12  Neidhardt's fifth-circle no. 11, 1/12, 1/6 and 1/4 Pyth. comma
neidhardt-f12.scl              12  Neidhardt's fifth-circle no. 12, 1/12, 1/6 and 1/4 Pyth. comma (1732)
neidhardt-f2.scl               12  Neidhardt's fifth-circle no. 2, 1/6 Pyth. comma, 9- 3+
neidhardt-f3.scl               12  Neidhardt's fifth-circle no. 3, 1/6 Pyth. comma. Also Marpurg's temperament F
neidhardt-f4.scl               12  Neidhardt's fifth-circle no. 4, 1/4 Pyth. comma
neidhardt-f5.scl               12  Neidhardt's fifth-circle no. 5, 1/12 and 1/6 Pyth. comma
neidhardt-f6.scl               12  Neidhardt's fifth-circle no. 6, 1/12 and 1/6 Pyth. comma
neidhardt-f7.scl               12  Neidhardt's fifth-circle no. 7, 1/6 and 1/4 Pyth. comma
neidhardt-f9.scl               12  Neidhardt's fifth-circle no. 9, 1/12 and 1/6 Pyth. comma
neidhardt-s1.scl               12  Neidhardt's sample temperament no. 1, 1/1, -1/1 Pyth. comma (1732)
neidhardt-s2.scl               12  Neidhardt's sample temperament no. 2, 1/12, 1/6 and 1/4 Pyth. comma (1732)
neidhardt-s3.scl               12  Neidhardt's sample temperament no. 3, 1/12, 1/6 and 1/4 Pyth. comma (1732)
neidhardt-t1.scl               12  Neidhardt's third-circle no. 1, 1/12, 1/6 and 1/4 Pyth. comma (1732) 'Für das Dorf'
neidhardt-t2.scl               12  Neidhardt's third-circle no. 2, 1/12, 1/6 and 1/4 Pyth. comma (1732) 'kleine Stadt'
neidhardt-t3.scl               12  Neidhardt's third-circle no. 3, 1/12 and 1/6 Pyth. comma
neidhardt-t4.scl               12  Neidhardt's third-circle no. 4, 1/12 and 1/6 Pyth. comma
neidhardt-t5.scl               12  Neidhardt's third-circle no. 5, 1/12 and 1/6 Pyth. comma
neidhardt1.scl                 12  Neidhardt I temperament (1724)
neidhardt2.scl                 12  Neidhardt II temperament (1724)
neidhardt3.scl                 12  Neidhardt III temperament (1724) 'große Stadt'
neidhardt4.scl                 12  Neidhardt IV temperament (1724), equal temperament
neidhardtn.scl                 12  Johann Georg Neidhardt's temperament (1732), alt. 1/6 & 0 P. Also Marpurg nr. 10
nestoria17.scl                 17  Nestoria[17], 2.3.5.19 subgroup scale in 171-tET tuning
neutr_diat.scl                  7  Neutral Diatonic, 9 + 9 + 12 parts, geometric mean of major and minor
neutr_pent1.scl                 5  Quasi-Neutral Pentatonic 1, 15/13 x 52/45 in each trichord, after Dudon
neutr_pent2.scl                 5  Quasi-Neutral Pentatonic 2, 15/13 x 52/45 in each trichord, after Dudon
newcastle.scl                  12  Newcastle modified 1/3-comma meantone
newton_15_out_of_53.scl        15  from drawing: Cambridge Univ.Lib.,Ms.Add.4000,fol.105v ; November 1665
newts.scl                      41  11-limit scale with boatload of neutral thirds
new_enh.scl                     7  New Enharmonic
new_enh2.scl                    7  New Enharmonic permuted
niederbobritzsch.scl           12  Göthel organ, Niederbobritzsch, 19th cent. from Klaus Walter, 1988
nikriz pentachord 13-limit.scl  4  Nikriz pentachord 32:36:39:45:48
nikriz pentachord 29-limit.scl  4  Nikriz pentachord 24:27:29:34:36
nikriz pentachord 67-limit.scl  4  Nikriz pentachord 48:54:58:67:72
nikriz pentachord 7-limit.scl   4  Nikriz pentachord 40:45:48:56:60
norden.scl                     12  Reconstructed Schnitger temperament, organ in Norden. Ortgies, 2002
notchedcube.scl                28  Otonal tetrads sharing a note with the root tetrad, a notched chord cube
nova-lesfip.scl                 8  9-limit lesfip version of Nova transversal, 14 to 21 cent tolerance
novadene.scl                   12  Novadene, starling-tempered skew duodene in 185-tET tuning
novaro.scl                     23  9-limit diamond with 21/20, 16/15, 15/8 and 40/21 added for evenness
novaro15.scl                   49  1-15 diamond, see Novaro, 1927, Sistema Natural base del Natural-Aproximado, p
novaro_eb.scl                  12  Novaro (?) equal beating 4/3 with stretched octave, almost pure 3/2
nufip15.scl                    15  A 15-note lesfip mutant nusecond, target 11-limit diamond, error limit 12 cents
ochmohaporc.scl                 7  Jade-mohajira-porcupine wakalix
oconnell.scl                   25  Walter O'Connell, Pythagorean scale of 25 octaves reduced by Phi, Xenharmonikon 15 (1993)
oconnell_11.scl                11  Walter O'Connell, 11-note mode of 25-tone scale
oconnell_14.scl                14  Walter O'Connell, 14-note mode of 25-tone scale
oconnell_7.scl                  7  Walter O'Connell, 7-note mode of 25-tone scale
oconnell_9.scl                  9  Walter O'Connell, 9-tone mode of 25-tone scale
oconnell_9a.scl                 9  Walter O'Connell, 7+2 major mode analogy for 25-tone scale
octacot19.scl                  14  gen 20/19 octacot
octasquare25.scl               25  5x5 generator square octagar tempered scale
octocoh.scl                     8  Differential coherent octatonic with subharmonic 32
octoid72.scl                   72  Octoid[72] in 224-tET tuning
octone.scl                      8  octone around 60/49-7/4 interval
octony_min.scl                  8  Octony on Harmonic Minor, from Palmer on an album of Turkish music
octony_rot.scl                  8  Rotated Octony on Harmonic Minor
octony_trans.scl                8  Complex 10 of p. 115, an Octony based on Archytas's Enharmonic
octony_trans2.scl               8  Complex 6 of p. 115 based on Archytas's Enharmonic, an Octony
octony_trans3.scl               8  Complex 5 of p. 115 based on Archytas's Enharmonic, an Octony
octony_trans4.scl               8  Complex 11 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones
octony_trans5.scl               8  Complex 15 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones
octony_trans6.scl               8  Complex 14 of p. 115, an Octony based on Archytas's Enharmonic, 8 tones
octony_u.scl                    8  7)8 octony from 1.3.5.7.9.11.13.15, 1.3.5.7.9.11.13 tonic (subharmonics 8-16)
odd1.scl                       12  ODD-1
odd2.scl                       12  ODD-2
odonnell.scl                   12  John O'Donnell Bach temperament (2006), Early Music 34/4, Nov. 2006
oettingen.scl                  53  von Oettingen's Orthotonophonium tuning
oettingen2.scl                 53  von Oettingen's Orthotonophonium tuning with central 1/1
ogr10.scl                      10  Optimal Golomb Ruler of 10 segments, length 72
ogr10a.scl                     10  2nd Optimal Golomb Ruler of 10 segments, length 72
ogr11.scl                      11  Optimal Golomb Ruler of 11 segments, length 85
ogr12.scl                      12  Optimal Golomb Ruler of 12 segments, length 106
ogr2.scl                        2  Optimal Golomb Ruler of 2 segments, length 3
ogr3.scl                        3  Optimal Golomb Ruler of 3 segments, length 6
ogr4.scl                        4  Optimal Golomb Ruler of 4 segments, length 11
ogr4a.scl                       4  2nd Optimal Golomb Ruler of 4 segments, length 11
ogr5.scl                        5  Optimal Golomb Ruler of 5 segments, length 17
ogr5a.scl                       5  2nd Optimal Golomb Ruler of 5 segments, length 17
ogr5b.scl                       5  3rd Optimal Golomb Ruler of 5 segments, length 17
ogr5c.scl                       5  4th Optimal Golomb Ruler of 5 segments, length 17
ogr6.scl                        6  Optimal Golomb Ruler of 6 segments, length 25
ogr6a.scl                       6  2nd Optimal Golomb Ruler of 6 segments, length 25
ogr6b.scl                       6  3rd Optimal Golomb Ruler of 6 segments, length 25
ogr6c.scl                       6  4th Optimal Golomb Ruler of 6 segments, length 25
ogr6d.scl                       6  5th Optimal Golomb Ruler of 6 segments, length 25
ogr7.scl                        7  Optimal Golomb Ruler of 7 segments, length 34
ogr8.scl                        8  Optimal Golomb Ruler of 8 segments, length 44
ogr9.scl                        9  Optimal Golomb Ruler of 9 segments, length 55
oktone.scl                      8  202-tET tempering of octone (15/14 60/49 5/4 10/7 3/2 12/7 7/4 2)
oldani.scl                     12  5-limit JI scale by Norbert L. Oldani (1987), Interval 5(3), p.10-11
oljare.scl                     12  Mats Öljare, scale for "Tampere" (2001)
oljare17.scl                    8  Mats Öljare, scale for "Fafner" (2001), MOS in 17-tET, Sentinel[8]
olympos.scl                     5  Scale of ancient Greek flutist Olympos, 6th century BC as reported by Partch
omaha.scl                      12  Omaha 2.3.11 just scale
omahat.scl                     12  243/242 tempered Omaha 2.3.11 scale, 380-tET tuning
opelt.scl                      19  Friederich Wilhelm Opelt 19-tone
organ1373a.scl                 12  English organ tuning (1373) with 18:17:16 ficta semitones (Eb-G#)
organ1373b.scl                 12  English organ tuning (1373) with 18:17:16 accidental semitones (Eb-G#), Pythagorean whole tones
orwell-graham.scl               9  Orwell tempering of [16/15, 7/6, 5/4, 11/8, 3/2, 8/5, 7/4, 15/8, 2], 53-tET tuning
orwell13-modmos-containing-minvera12.scl
                               13  A MODMOS of orwell[13] (LLsLLssLLLsLL) containing a differently-tempered version of minerva12.scl, POTE tuning
orwell13eb.scl                 13  Equal beating version of Orwell[13], x^10 + 2x^3 - 8 generator
orwell13trans.scl              13  Orwell[13] 5-limit symmetric transversal
orwell13trans57.scl            13  Orwell[13] 2.5.7 symmetric transversal
orwell13trans57ex.scl          39  Orwell[13] extended 2.5.7 transversal
orwell22.scl                   22  Orwell[22] 7-limit 6 cents lesfip optimized
orwell22trans.scl              22  Orwell[22] 5-limit transversal
orwell22trans57.scl            22  Orwell[22] 2.5.7 transversal
orwell31trans.scl              31  Orwell[31] 5-limit transversal
orwell31trans57.scl            31  Orwell[31] 2.5.7 symmetric transversal
orwell9-12.scl                 12  Twelve notes of Orwell[9], POTE tuning. Useful to retune 12-tET To Orwell[9]
orwellismic22_11.scl           22  Unidecimal Orwellismic[22] {1728/1715, 540/539} hobbit in 111-tET
orwellismic22_sns.scl          22  22-note Orwellismic tempered Step-Nested Scale
orwellismic9.scl                9  Orwellismic[9] 1728/1715 hobbit in 142-tET
oxford-queens.scl              12  Organ temperament, Queens College, Oxford c.1980
oxford-queens2.scl             12  Organ temperament, Queens College, Oxford (1994)
p4.scl                          4  First 4 primes, for testing tempering
p5.scl                          5  First 5 primes, for testing tempering
p5a.scl                         9  First 5 primes plus superparticulars, for testing tempering
p6.scl                          6  First 6 primes, for testing tempering
p6a.scl                        11  First 6 primes plus superparticulars, for testing tempering
pagano_b.scl                   12  Pat Pagano and David Beardsley, 17-limit scale, TL 27-2-2001
pajara_mm.scl                  22  Paul Erlich's Pajara or Twintone with minimax optimal generator and just octave
pajara_rms.scl                 22  Paul Erlich's Pajara or Twintone with RMS optimal generator and just octave
pajara_top.scl                 22  Paul Erlich's Pajara, TOP tuning
pajhedgepythquas1.scl          22  Pajara-hedgehog-superpyth-quasisuper wakalix 1
pajhedgepythquas2.scl          22  Pajara-hedgehog-superpyth-quasisuper wakalix 2
pajmagorpor22.scl              22  Pajara-magic-orwell-porcupine Fokker block
pajmagorpor22apollo.scl        22  Apollo tempering of pajmagorpor22, POTE tuning
pajmagorpor22ares.scl          22  Ares tempering of pajmagorpor22, POTE tuning
pajmagorpor22marvel.scl        22  Marvel tempering of pajmagorpor22, POTE tuning
pajmagorpor22minerva.scl       22  Minerva tempering of pajmagorpor22, POTE tuning
pajmagorpor22supermagic.scl    22  Supermagic tempering of pajmagorpor22, POTE tuning
pajmagorpor22_100.scl          22  Rank four 100/99 tempering of pajmagorpor22, POTE tuning
pajmagorpor22_176.scl          22  Rank four 176/175 tempering of pajmagorpor22, POTE tuning
pajmagorpor22_225.scl          22  Rank four 225/224 tempering of pajmagorpor22, POTE tuning
pajmagorpor22_385.scl          22  Rank four 385/384 tempering of pajmagorpor22, POTE tuning
palace.scl                     12  Palace mode+
palace2.scl                     7  Byzantine Palace mode, 17-limit
panpipe1.scl                    6  Palina panpipe of Solomon Islands, 1/1=f+45c, from Ocora CD Guadalcanal
panpipe2.scl                   15  Lalave panpipe of Solomon Islands. 1/1=f'+47c.
panpipe3.scl                   15  Tenaho panpipe of Solomon Islands. 1/1=f'+67c.
parachrom.scl                   7  Parachromatic, new genus 5 + 5 + 20 parts
parakleismic.scl               42  Parakleismic temperament, g=315.250913, 5-limit
parapyth12-7.scl               12  2.3.7 transversal of parapyth12
parapyth12.scl                 12  A triple Fokker block of the 2.3.7.11.13 temperament called Parapyth, TOP tuning
parapyth12trans.scl            12  A JI transversal of parapyth17.scl for use in calculations. If you temper out 352/351 and 364/363 it becomes parapyth17
parapyth17-7.scl               17  2.3.7 transversal of parapyth17
parapyth17trans.scl            17  A JI transversal of parapyth17.scl for use in calculations. If you temper out 352/351 and 364/363 it becomes parapyth17
parizekhex.scl                 17  Union of the parizek-miller wakalix hexagon, itself a 17c wakalix
parizek_13lqmt.scl             12  13-limit Quasi-meantone (darker)
parizek_17lqmt.scl             12  17-limit Quasi-meantone
parizek_7lmtd1.scl             12  7-limit Quasi-Meantone No. 1, 1/1=D
parizek_7lqmtd2.scl            12  7-limit Quasi-meantone no. 2 (1/1 is D)
parizek_cirot.scl              12  Overtempered circular tuning (1/1 is F)
parizek_epi.scl                12  In The Epimoric World
parizek_epi2.scl               24  In the Epimoric World - extended (version for two keyboards)
parizek_epi2a.scl              24  In the Epimoric World 2a (Almost the same as EPI2)
parizek_ji1.scl                12  Petr Parizek, 12-tone septimal tuning (2002). Dominant-diminished-pajara-injera-meantone wakalix
parizek_jiweltmp.scl           12  19-limit Rational Well Temperament
parizek_jiwt2.scl              12  Rational Well Temperament 2 (1/1 is Db)
parizek_jiwt3.scl              12  Rational Well-temperament 3
parizek_llt7.scl                7  7-tone mode of Linear Level Tuning 2000 (= wilson_helix.scl)
parizek_lt13.scl               13  Linear temperament, g=sqrt(11/8)
parizek_lt130.scl              13  Linear temperament, g=13th root of 130, with good 1:2:5:11:13. TL 23-03-2008
parizek_meanqr.scl             12  Rational approx. of 1/4-comma meantone for beat-rate tuning, 1/1 = 257.2 Hz, TL 17-12-2005
parizek_part7_12.scl           12  Partial 7-limit half-octave temperament
parizek_qmeb1.scl              12  Equal beating quasi-meantone tuning no. 1 - F...A# (1/1 = 261.7Hz)(3/2 5/3 5/4 7/4 7/6)
parizek_qmeb2.scl              12  Equal beating quasi-meantone tuning no. 2 - F...A# (1/1 = 262.7Hz)
parizek_qmeb3.scl              12  Equal beating quasi-meantone tuning no. 3 - F...A#. 1/1 = 262Hz
parizek_qmtp12.scl             12  12-tone quasi-meantone tuning with 1/9 Pyth. comma as basic tempering unit (F...A#)
parizek_qmtp24.scl             24  24-tone quasi-meantone tuning with 1/9 Pyth. comma as basic tempering unit (Bbb...C##)
parizek_ragipuq1.scl           17  17-step ragisma pump, symmetric (7/6, 5/1, 2/7)
parizek_rphi.scl               10  The most difficult 10-tone quasi-linear normalized phi chain
parizek_syndiat.scl            12  Petr Parizek, diatonic scale with syntonic alternatives
parizek_syntonal.scl           12  Petr Parizek, Syntonic corrections in JI tonality, Jan. 2004
parizek_temp.scl                6  Nice small scale, TL 10-12-2007
parizek_temp19.scl             12  Petr Parizek, genus [3 3 19 19 19] well temperament
parizek_triharmon.scl          20  The triharmonic scale
parizek_well.scl               12  Well-temperament with 1/6-P fifths
parizek_xid1.scl               16  Semisixth in two octaves
parizek_xid2.scl               16  Semitenth in two octaves
parrot.scl                     14  jamesbond-bipelog-decimal-injera 14c wakalix
part12.scl                     12  9+3=12 partition scale <12 19 27| epimorphic
partch-barstow.scl             18  Guitar scale for Partch's Barstow (1941, 1968)
partch-greek.scl               12  Partch Greek scales from "Two Studies on Ancient Greek Scales" on black/white
partch-grm.scl                  9  Partch Greek scales from "Two Studies on Ancient Greek Scales" mixed
partch-indian.scl              22  Partch's Indian Chromatic, Exposition of Monophony, 1933
partch_29-av.scl               29  29-tone JI scale from Partch's Adapted Viola (1928-1930)
partch_29.scl                  29  Partch/Ptolemy 11-limit Diamond
partch_37.scl                  37  From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9 no.2
partch_39.scl                  39  Ur-Partch Keyboard 39 tones, published in Interval
partch_41.scl                  41  13-limit Diamond after Partch, Genesis of a Music, p 454, 2nd edition
partch_41a.scl                 41  From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9 no.2
partch_41comb.scl              41  41-tone JI combination from Partch's 29-tone and 37-tone scales
partch_43.scl                  43  Harry Partch's 43-tone pure scale
partch_43a.scl                 43  From "Exposition on Monophony" 1933, unp. see Ayers, 1/1 vol.9 no.2
patala.scl                      7  Observed patala tuning from Burma, Helmholtz/Ellis p. 518, nr.83
paulsmagic.scl                 22  Circulating Magic[22] lesfip, 9-limit, 12 cent tolerance, from Paul Erlich erlich5.scl
pel-pelog.scl                   7  Pelog-like pelogic[7]
pelog1.scl                      7  Gamelan Saih pitu from Ksatria, Den Pasar (South Bali). 1/1=312.5 Hz
pelog10.scl                     7  Balinese saih 7 scale, Krobokan. 1/1=275 Hz. McPhee, Music in Bali, 1966
pelog11.scl                     7  Balinese saih pitu, gamelan luang, banjar Sèséh. 1/1=276 Hz. McPhee, 1966
pelog12.scl                     7  Balinese saih pitu, gamelan Semar Pegulingan, Tampak Gangsai, 1/1=310, McPhee
pelog13.scl                     7  Balinese saih pitu, gamelan Semar Pegulingan, Klungkung, 1/1=325. McPhee, 1966
pelog14.scl                     7  Balinese saih pitu, suling gambuh, Tabanan, 1/1=211 Hz, McPhee, 1966
pelog15.scl                     7  Balinese saih pitu, suling gambuh, Batuan, 1/1=202 Hz. McPhee, 1966
pelog16.scl                     5  Balinese 5-tone pelog, "Tembung chenik", 1/1=273 Hz, McPhee, 1966
pelog17.scl                     5  Balinese 5-tone pelog, "Selisir Sunarèn", 1/1=310 Hz, McPhee, 1966
pelog18.scl                     5  Balinese 5-tone pelog, "Selisir pelègongan", 1/1=305 Hz, McPhee, 1966
pelog19.scl                     5  Balinese 5-tone pelog, "Demung", 1/1=362 Hz, McPhee, 1966
pelog2.scl                      7  Bamboo gambang from Batu lulan (South Bali). 1/1=315 Hz
pelog20.scl                     4  Balinese 4-tone pelog, gamelan bebonang, Sayan village, 1/1=290 Hz, McPhee, 1966
pelog3.scl                      5  Gamelan Gong from Padangtegal, distr. Ubud (South Bali). 1/1=555 Hz
pelog4.scl                      7  Hindu-Jav. demung, excavated in Banjarnegara. 1/1=427 Hz
pelog5.scl                      7  Gamelan Kyahi Munggang (Paku Alaman, Jogja). 1/1=199.5 Hz
pelog6.scl                      6  Gamelan Semar pegulingan, Ubud (S. Bali). 1/1=263.5 Hz
pelog7.scl                      7  Gamelan Kantjilbelik (kraton Jogja). Measured by Surjodiningrat, 1972.
pelog8.scl                     14  from William Malm: Music Cultures of the Pacific, the Near East and Asia.
pelogic.scl                     9  Pelogic temperament, g=521.089678, 5-limit
pelogic2.scl                   12  Pelogic temperament, g=677.137654 in cycle of fifths order
pelog_24.scl                    7  Subset of 24-tET (Sumatra?). Also Arabic Segah (Dudon) Two 4+3+3 tetrachords
pelog_9.scl                     7  9-tET "Pelog"
pelog_a.scl                     7  Pelog, average class A. Kunst 1949
pelog_av.scl                    7  "Normalised Pelog", Kunst, 1949. Average of 39 Javanese gamelans
pelog_b.scl                     7  Pelog, average class B. Kunst 1949
pelog_c.scl                     7  Pelog, average class C. Kunst 1949
pelog_he.scl                    7  Observed Javanese Pelog scale, Helmholtz/Ellis p. 518, nr.96
pelog_jc.scl                    5  John Chalmers' Pelog, on keys C# E F# A B c#, like Olympos' Enharmonic on 4/3. Also hirajoshi2
pelog_laras.scl                 7  Lou Harrison, gamelan "Si Betty"
pelog_mal.scl                   5  Malaysian Pelog, Pierre Genest: Différentes gammes encore en usage
pelog_me1.scl                   7  Gamelan Kyahi Kanyut Mesem pelog (Mangku Nagaran). 1/1=295 Hz
pelog_me2.scl                   7  Gamelan Kyahi Bermara (kraton Jogja). 1/1=290 Hz
pelog_me3.scl                   7  Gamelan Kyahi Pangasih (kraton Solo). 1/1=286 Hz
pelog_pa.scl                    7  "Blown fifth" pelog, von Hornbostel, type a.
pelog_pa2.scl                   7  New mixed gender Pelog
pelog_pb.scl                    7  "Primitive" Pelog, step of blown semi-fourths, von Hornbostel, type b.
pelog_pb2.scl                   7  "Primitive" Pelog, Kunst: Music in Java, p. 28
pelog_schmidt.scl               7  Modern Pelog designed by Dan Schmidt and used by Berkeley Gamelan
pelog_selun.scl                11  Gamelan selunding from Kengetan, South Bali (Pelog), 1/1=141 Hz
pelog_slen.scl                 11  W.P. Malm, pelog+slendro, Musical Cultures Of The Pacific, The Near East, And Asia. P: 1,3,5,6,8,10; S: 2,4,7,9
pelog_str.scl                   9  JI Pelog with stretched 2/1 and extra tones between 2-3, 6-7. Wolf, XH 11, '87
penchgah pentachord 7-limit.scl
                                4  Penchgah pentachord 40:45:50:56:60
penta1.scl                     12  Pentagonal scale 9/8 3/2 16/15 4/3 5/3
penta2.scl                     12  Pentagonal scale 7/4 4/3 15/8 32/21 6/5
pentadekany.scl                15  2)6 1.3.5.7.11.13 Pentadekany (1.3 tonic)
pentadekany2.scl               15  2)6 1.3.5.7.9.11 Pentadekany (1.3 tonic)
pentadekany3.scl               15  2)6 1.5.11.17.23.31 Pentadekany (1.5 tonic)
pentadekany4.scl               15  2)6 1.3.9.51.57.87 Pentadekany (1.3 tonic)
pentatetra1.scl                 9  Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3
pentatetra2.scl                 9  Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3
pentatetra3.scl                 9  Penta-tetrachord 20/19 x 19/18 x 18/17 x 17/16 = 5/4. 5/4 x 16/15 = 4/3
pentatriad.scl                 11  4:5:6 Pentatriadic scale
pentatriad1.scl                11  3:5:9 Pentatriadic scale
penta_opt.scl                   5  Optimally consonant major pentatonic, John deLaubenfels (2001)
pepper.scl                     17  Keenan Pepper's 17-tone jazz tuning, TL 07-06-2000
pepper2.scl                    12  Keenan Pepper's "Noble Fifth" with chromatic/diatonic semitone = Phi (12)
pepper_archytas12.scl          12  A 3-distributionally even scale in archytas (64/63 planar) temperament
pepper_archytas7.scl            7  A trivalent scale in archytas (64/63 planar) temperament
pepper_archytas8.scl            8  A 3-distributionally even scale in archytas (64/63 planar) temperament
pepper_didymus9.scl             9  A trivalent scale in didymus (81/80 planar) temperament
pepper_jubilee12.scl           12  A 3-distributionally even scale in jubilee (50/49 planar) temperament
pepper_meantone-killer.scl     15  15 circulating notes of porcupine (sort of nusecond in the far keys)
pepper_orwellian13.scl         13  A trivalent scale in orwellian temperament
pepper_orwellian9.scl           9  A trivalent scale in orwellian temperament
pepper_portent11.scl           11  A trivalent scale in portent temperament
pepper_sengic7.scl              7  A trivalent scale in sengic temperament
pepper_sengic8.scl              8  A 3-distributionally even scale in sengic temperament
pepper_sengic9.scl              9  A trivalent scale in sengic temperament
pepper_sonic13.scl             13  A trivalent scale in sonic temperament
pepper_sonic15.scl             15  A trivalent scale in sonic temperament
pepper_starling11.scl          11  A trivalent scale in starling temperament
pepper_starling7.scl            7  A trivalent scale in starling temperament
pepper_zeus7.scl                7  A trivalent scale in zeus temperament
pepper_zeus8.scl                8  A 3-distributionally even scale in zeus temperament
perkis-indian.scl              22  Indian 22 Perkis
perrett-tt.scl                 19  Perrett Tierce-Tone
perrett.scl                     7  Perrett / Tartini / Pachymeres Enharmonic
perrett_14.scl                 14  Perrett's 14-tone system (subscale of tierce-tone)
perrett_chrom.scl               7  Perrett's Chromatic
perry.scl                      12  Robin Perry, Tuning List 22-9-'98
perry2.scl                     12  Robin Perry, 7-limit scale, TL 22-10-2006
perry3.scl                     13  Robin Perry, symmetrical 3,5,17 scale, TL 22-10-2006
perry4.scl                     27  Robin Perry, Just About fretboard
persian-far.scl                17  Hormoz Farhat, average of observed Persian tar and sehtar tunings (1966)
persian-far53.scl              18  Hormoz Farhat, pitches in The Dastgah Concept in Persian Music in 53-tET
persian-hr.scl                 18  Hatami-Rankin Persian scale
persian-vaz.scl                17  Vaziri's Persian tuning, using quartertones
persian.scl                    17  Persian Tar Scale, from Dariush Anooshfar, TL 2-10-94
persian2.scl                   17  Traditional Persian scale, from Mark Rankin
phi1_13.scl                    13  Pythagorean scale with (Phi + 1) / 2 as fifth
phillips_19.scl                19  Pauline Phillips, organ manual scale, TL 7-10-2002
phillips_19a.scl               19  Adaptation by Gene Ward Smith with more consonant chords, TL 25-10-2002
phillips_22.scl                22  All-key 19-limit JI scale (2002), TL 21-10-2002
phillips_ji.scl                21  Pauline Phillips, JI 0 #/b "C" scale (2002), TL 8-10-2002
phi_10.scl                     10  Pythagorean scale with Phi as fifth
phi_11.scl                     11  Non-octave Phi-based scale, Aaron Hunt, TL 29-08-2007
phi_12.scl                     12  Non-octave Pythagorean scale with Phi as fourth. Jacky Ligon TL 12-04-2001
phi_13.scl                     13  Pythagorean scale with Phi as fifth
phi_13a.scl                    13  Non-octave Pythagorean scale with Phi as fifth, Jacky Ligon TL 12-04-2001
phi_13b.scl                    13  Non-octave Pythagorean scale with 12 3/2s, Jacky Ligon, TL 12-04-2001
phi_7b.scl                      7  Heinz Bohlen's Pythagorean scale with Phi as fifth (1999)
phi_7be.scl                     7  36-tET approximation of phi_7b
phi_8.scl                       8  Non-octave Pythagorean scale with 4/3s, Jacky Ligon, TL 12-04-2001
phi_8a.scl                      8  Non-octave Pythagorean scale with 5/4s, Jacky Ligon, TL 12-04-2001
phi_inv_13.scl                 13  Phi root of 2 generator, WF=Fibonacci series. Jacky Ligon/Aaron Johnson
phi_inv_8.scl                   8  Phi root of 2 generator, WF=Fibonacci series. Jacky Ligon/Aaron Johnson
phi_mos2.scl                    9  Period Phi, generator 2nd successive golden section of Phi, Cameron Bobro
phi_mos3.scl                    7  Period Phi, generator 3rd successive golden section of Phi, Cameron Bobro
phi_mos4.scl                   11  Period Phi, generator 4th successive golden section of Phi, Cameron Bobro
phrygian.scl                   12  Old Phrygian ??
phrygian_diat.scl              24  Phrygian Diatonic Tonos
phrygian_enh.scl               12  Phrygian Enharmonic Tonos
phryg_chromcon2.scl             7  Harmonic Conjunct Chromatic Phrygian
phryg_chromconi.scl             7  Inverted Conjunct Chromatic Phrygian
phryg_chrominv.scl              7  Inverted Schlesinger's Chromatic Phrygian
phryg_chromt.scl               24  Phrygian Chromatic Tonos
phryg_diat.scl                  8  Schlesinger's Phrygian Harmonia, a subharmonic series through 13 from 24
phryg_diatcon.scl               7  A Phrygian Diatonic with its own trite synemmenon replacing paramese
phryg_diatinv.scl               7  Inverted Conjunct Phrygian Harmonia with 17, the local Trite Synemmenon
phryg_diatsinv.scl              8  Inverted Schlesinger's Phrygian Harmonia, a harmonic series from 12 from 24
phryg_enh.scl                   7  Schlesinger's Phrygian Harmonia in the enharmonic genus
phryg_enhcon.scl                7  Harmonic Conjunct Enharmonic Phrygian
phryg_enhinv.scl                7  Inverted Schlesinger's Enharmonic Phrygian Harmonia
phryg_enhinv2.scl               7  Inverted  harmonic form of Schlesinger's Enharmonic Phrygian
phryg_penta.scl                 7  Schlesinger's Phrygian Harmonia in the pentachromatic genus
phryg_pis.scl                  15  The Diatonic Perfect Immutable System in the Phrygian Tonos
phryg_tri1.scl                  7  Schlesinger's Phrygian Harmonia in the chromatic genus
phryg_tri1inv.scl               7  Inverted Schlesinger's Chromatic Phrygian Harmonia
phryg_tri2.scl                  7  Schlesinger's Phrygian Harmonia in the second trichromatic genus
phryg_tri3.scl                  7  Schlesinger's Phrygian Harmonia in the first trichromatic genus
piagui.scl                     12  Mario Pizarro's Piagui temperament, steps of (9/8)^1/2 and (128/81)^1/8 (2004)
piagui2.scl                    12  Mario Pizarro, true octave scale with Piagui K and P semitone factors
piano.scl                      19  Enhanced Piano Total Gamut, 1/1 vol.8 no.2 January 1994
piano7.scl                     12  Enhanced piano 7-limit
pipedum_10.scl                 10  2048/2025, 34171875/33554432 are homophonic intervals
pipedum_10a.scl                10  2048/2025, 25/24 are homophonic intervals
pipedum_10b.scl                10  225/224, 64/63, 25/24 are homophonic intervals
pipedum_10c.scl                10  225/224, 64/63, 49/48 are homophonic intervals
pipedum_10d.scl                10  1029/1024, 2048/2025, 64/63 are homophonic intervals
pipedum_10e.scl                10  2048/2025, 64/63, 49/48 are homophonic intervals
pipedum_10f.scl                10  225/224, 64/63, 28/27 are homophonic intervals
pipedum_10g.scl                10  225/224, 1029/1024, 2048/2025 are homophonic intervals
pipedum_10h.scl                10  225/224, 1029/1024, 64/63 are homophonic intervals
pipedum_10i.scl                10  225/224, 2048/2025, 49/48 are homophonic intervals
pipedum_10j.scl                10  25/24, 28/27, 49/48, Gene Ward Smith, 2002
pipedum_10k.scl                10  2048/2025, 225/224, 2401/2400
pipedum_10l.scl                10  64/63, 225/224 and 2401/2400
pipedum_10m.scl                10  2.7.13 Fokker block (free-floating parallelogram definition) 343/338, 28672/28561. Keenan Pepper, 2011
pipedum_11.scl                 11  16/15, 15625/15552 are homophonic intervals
pipedum_11a.scl                11  126/125, 1728/1715, 10/9, Gene Ward Smith, 2002
pipedum_11b.scl                11  16/15, 49/45, 126/125, Carl Lumma, 2010
pipedum_12.scl                 12  81/80, 2048/2025 are homophonic intervals
pipedum_12a.scl                12  81/80, 2048/2025 are homophonic intervals
pipedum_12b.scl                12  64/63, 50/49 comma, 36/35 chroma
pipedum_12c.scl                12  225/224, 64/63, 36/35 are homophonic intervals
pipedum_12d.scl                12  50/49, 128/125, 225/224 are homophonic intervals
pipedum_12e.scl                12  50/49, 225/224, 3136/3125 are homophonic intervals
pipedum_12f.scl                12  128/125, 3136/3125, 703125/702464 are homophonic intervals
pipedum_12g.scl                12  50/49, 225/224, 28672/28125 are homophonic intervals
pipedum_12h.scl                12  2048/2025, 67108864/66430125, Gene Ward Smith, 2004
pipedum_12i.scl                12  64/63, 6561/6272, Gene Ward Smith, 2004
pipedum_12j.scl                12  6561/6272, 59049/57344
pipedum_12k.scl                12  64/63, 729/686, a no-fives 7-limit Fokker block, Gene Ward Smith, 2004
pipedum_12l.scl                12  81/80, 361/360, 513/512, Gene Ward Smith
pipedum_13.scl                 13  33275/32768, 163840/161051 are homophonic intervals. Op de Coul, 2001
pipedum_130.scl               130  2401/2400, 3136/3125, 19683/19600, Gene Ward Smith, 2002
pipedum_13a.scl                13  15/14, 3136/3125, 2401/2400, Gene Ward Smith, 2002
pipedum_13b.scl                13  15/14, 3136/3125, 6144/6125, Gene Ward Smith, 2002
pipedum_13bp.scl               13  78732/78125, 250/243, twelfth based, Manuel Op de Coul, 2003
pipedum_13bp2.scl              13  250/243, 648/625, twelfth based, Manuel Op de Coul, 2003
pipedum_13c.scl                13  15/14, 2401/2400, 6144/6125, Gene Ward Smith, 2002
pipedum_13d.scl                13  125/121, 33275/32768, Joe Monzo, 2003
pipedum_13e.scl                13  33275/32768, 163840/161051, Op de Coul, 2004
pipedum_14.scl                 14  81/80, 49/48, 2401/2400, Paul Erlich, TL 17-1-2001
pipedum_140.scl               140  2401/2400, 5120/5103, 15625/15552
pipedum_14a.scl                14  81/80, 50/49, 2401/2400, Paul Erlich, 2001
pipedum_14b.scl                14  245/243, 81/80 comma, 25/24 chroma
pipedum_14c.scl                14  245/243, 50/49 comma, 25/24 chroma
pipedum_15.scl                 15  126/125, 128/125, 875/864, 5-limit, Paul Erlich, 2001
pipedum_15a.scl                15  Septimal version of pipedum_15, Manuel Op de Coul, 2001
pipedum_15b.scl                15  126/125, 128/125, 1029/1024, Paul Erlich, 2001
pipedum_15c.scl                15  49/48, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_15d.scl                15  64/63, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_15e.scl                15  64/63, 875/864, 1029/1024, Paul Erlich, 2001
pipedum_15f.scl                15  126/125, 64/63 comma, 28/27 chroma
pipedum_15g.scl                15  128/125, 250/243
pipedum_15h.scl                15  121/120, 1331/1323, 4375/4356, 15625/15552
pipedum_16.scl                 16  50/49, 126/125, 1029/1024, Paul Erlich, 2001
pipedum_17.scl                 17  245/243, 64/63, 525/512, Paul Erlich, 2001
pipedum_171.scl               171  2401/2400, 4375/4374, 32805/32768, Gene Ward Smith, 2002
pipedum_17a.scl                17  245/243, 525/512, 1728/1715, Paul Erlich, 2001
pipedum_17b.scl                17  245/243, 64/63 comma, 25/24 chroma
pipedum_17c.scl                17  1605632/1594323, 177147/175616, Manuel Op de Coul, 2002
pipedum_17d.scl                17  243/242, 99/98, 64/63, Manuel Op de Coul, 2002
pipedum_17e.scl                17  245/243, 1728/1715, 32805/32768, Manuel Op de Coul, 2003
pipedum_17f.scl                17  243/242, 8192/8019, Manuel Op de Coul
pipedum_17g.scl                17  243/242, 896/891, 99/98, Manuel Op de Coul
pipedum_18.scl                 18  875/864, 686/675, 128/125, Paul Erlich, 2001
pipedum_18a.scl                18  875/864, 686/675, 50/49, Paul Erlich, 2001
pipedum_18b.scl                18  1728/1715, 875/864, 686/675, Paul Erlich, 2001
pipedum_19a.scl                19  3125/3072, 15625/15552 are homophonic intervals
pipedum_19b.scl                19  225/224, 3136/3125, 4375/4374, Op de Coul, 2000
pipedum_19e.scl                19  225/224, 126/125, 245/243, Paul Erlich, 2001
pipedum_19f.scl                19  225/224, 245/243, 3645/3584, Paul Erlich, 2001
pipedum_19g.scl                19  10976/10935, 225/224, 126/125, Paul Erlich, 2001
pipedum_19h.scl                19  126/125, 81/80 comma, 49/48 chroma
pipedum_19i.scl                19  225/224, 81/80 comma, 49/48 chroma
pipedum_19j.scl                19  21/20, 3136/3125, 2401/2400, Gene Ward Smith, 2002
pipedum_19k.scl                19  21/20, 3136/3125, 6144/6125, Gene Ward Smith, 2002
pipedum_19l.scl                19  21/20, 2401/2400, 6144/6125, Gene Ward Smith, 2002
pipedum_19m.scl                19  126/125, 1728/1715, 16/15, Gene Ward Smith, 2002
pipedum_19n.scl                19  126/125, 2401/2400, 16/15, Gene Ward Smith, 2002
pipedum_19o.scl                19  16875/16384, 81/80
pipedum_20.scl                 20  9801/9800, 243/242, 126/125, 100/99, Paul Erlich, 2000
pipedum_21.scl                 21  36/35, 225/224, 2401/2400, P. Erlich, 2001. Just PB version of miracle1.scl
pipedum_21a.scl                21  1029/1024, 81/80 comma, 25/24 chroma
pipedum_21b.scl                21  36/35, 225/224, 1029/1024, Gene Ward Smith, 2002
pipedum_21c.scl                21  128/125, 34171875/33554432 Fokker block
pipedum_22.scl                 22  3125/3072, 2109375/2097152 are homophonic intervals
pipedum_22a.scl                22  2048/2025, 2109375/2097152 are homophonic intervals
pipedum_22b.scl                22  2025/2048, 245/243, 64/63, P. Erlich "7-limit Indian", TL 19-12-2000
pipedum_22b2.scl               22  Version of pipedum_22b with other shape, Paul Erlich
pipedum_22c.scl                22  1728/1715, 64/63, 50/49, Paul Erlich, 2001
pipedum_22d.scl                22  1728/1715, 875/864, 64/63, Paul Erlich, 2001
pipedum_22e.scl                22  1728/1715, 245/243, 50/49, Paul Erlich, 2001
pipedum_22f.scl                22  1728/1715, 245/243, 875/864, Paul Erlich, 2001
pipedum_22g.scl                22  225/224, 1728/1715, 64/63, Paul Erlich, 2001
pipedum_22h.scl                22  225/224, 1728/1715, 875/864, Paul Erlich, 2001
pipedum_22i.scl                22  1728/1715, 245/243, 245/243, Paul Erlich, 2001
pipedum_22j.scl                22  50/49, 64/63, 245/243, Gene Ward Smith, 2002
pipedum_22k.scl                22  121/120, 2048/2025, 4125/4096, Manuel Op de Coul
pipedum_22l.scl                22  121/120, 736/729, 100/99, 2048/2025
pipedum_22m.scl                22  Pajara-magic-orwell-porcupine 385/384, 176/175, 100/99 and 225/224
pipedum_23.scl                 23  6144/6125, 15625/1552, 5103/5000, Manuel Op de Coul, 2003
pipedum_24.scl                 24  121/120, 16384/16335, 32805/32768. Manuel Op de Coul, 2001
pipedum_24a.scl                24  49/48, 81/80, 128/125, Gene Ward Smith, 2002
pipedum_25.scl                 25  65625/65536, 1029/1024, 3125/3072, Manuel Op de Coul, 2003
pipedum_26.scl                 26  1029/1024, 1728/1715, 50/49, Paul Erlich, 2001
pipedum_26a.scl                26  50/49, 81/80, 525/512, Gene Ward Smith, 2002
pipedum_26b.scl                26  81/80, 78125/73728, Gene Ward Smith, 2005
pipedum_27.scl                 27  126/125, 1728/1715, 4000/3969 are homophonic intervals, Paul Erlich
pipedum_27a.scl                27  126/126, 1728/1715, 64/63, Paul Erlich, 2001
pipedum_27b.scl                27  2401/2400, 126/125, 128/125, Paul Erlich, 2001
pipedum_27c.scl                27  2401/2400, 126/125, 686/675, Paul Erlich, 2001
pipedum_27d.scl                27  2401/2400, 126/125, 64/63, Paul Erlich, 2001
pipedum_27e.scl                27  2401/2400, 126/125, 245/243, Paul Erlich, 2001
pipedum_27f.scl                27  2401/2400, 1728/1715, 128/125, Paul Erlich, 2001
pipedum_27g.scl                27  2401/2400, 1728/1715, 686/675, Paul Erlich, 2001
pipedum_27h.scl                27  2401/2400, 1728/1715, 64/63, Paul Erlich, 2001
pipedum_27i.scl                27  2401/2400, 1728/1715, 245/243, Paul Erlich, 2001
pipedum_27j.scl                27  78732/78125, 390625000/387420489
pipedum_27k.scl                27  67108864/66430125, 25/24
pipedum_28.scl                 28  393216/390625, 16875/16384
pipedum_29.scl                 29  5120/5103, 225/224, 50421/50000, Manuel Op de Coul, 2003
pipedum_29a.scl                29  49/48, 55/54, 65/64, 91/90, 100/99
pipedum_31.scl                 31  81/80, 225/224, 1029/1024 are homophonic intervals
pipedum_31a.scl                31  393216/390625, 2109375/2097152 are homophonic intervals
pipedum_31a2.scl               31  Variant of pipedum_31a, corner clipped genus
pipedum_31b.scl                31  245/243, 1029/1024 comma, 25/24 chroma
pipedum_31c.scl                31  126/125, 225/224, 1029/1024, Op de Coul
pipedum_31d.scl                31  1728/1715, 225/224, 81/80
pipedum_31e.scl                31  81/80, 126/125, 1029/1024, "Synstargam", Gene Ward Smith, 2005
pipedum_31f.scl                31  225/224, 2401/2400, 1728/1715
pipedum_31g.scl                31  540/539, 2401/2400, 3025/3024, 5632/5625
pipedum_32.scl                 32  225/224, 2048/2025, 117649/116640
pipedum_32a.scl                32  589824/588245, 225/224, 2048/2025
pipedum_34.scl                 34  15625/15552, 393216/390625 are homophonic intervals
pipedum_342.scl               342  kalisma, ragisma, schisma and Breedsma, Manuel Op de Coul, 2001
pipedum_34a.scl                34  15625/15552, 2048/2025, Manuel Op de Coul, 2001
pipedum_34b.scl                34  100/99, 243/242, 5632/5625, Manuel Op de Coul
pipedum_36.scl                 36  1029/1024, 245/243 comma, 50/49 chroma, Gene Ward Smith, 2001
pipedum_36a.scl                36  1125/1024, 531441/524288, Op de Coul
pipedum_37.scl                 37  250/243, 3136/3125, 3125/3087, Gene Ward Smith, 2002
pipedum_38.scl                 38  81/80, 1224440064/1220703125, Manuel Op de Coul, 2001
pipedum_38a.scl                38  50/49, 81/80, 3125/3072, Gene Ward Smith, 2002
pipedum_41.scl                 41  100/99, 105/104, 196/195, 275/273, 385/384, Paul Erlich, TL 3-11-2000
pipedum_41a.scl                41  pipedum_41 improved shape by Manuel Op de Coul, all intervals superparticular
pipedum_41b.scl                41  pipedum_41 more improved shape by M. OdC, all intervals superparticular
pipedum_41c.scl                41  225/224, 245/243, 1029/1024, Gene Ward Smith, 2002
pipedum_41d.scl                41  33554432/33480783, 1029/1024
pipedum_43.scl                 43  81/80, 126/125, 12288/12005, Gene Ward Smith, 2002
pipedum_45.scl                 45  81/80, 525/512, 2401/2400, Gene Ward Smith, 2002
pipedum_45a.scl                45  81/80, 2401/2400, 4375/4374, Gene Ward Smith
pipedum_46.scl                 46  126/125, 1029/1024, 5120/5103, Manuel Op de Coul, 2001
pipedum_46a.scl                46  126/125, 1029/1024, 245/243, Gene Ward Smith, 2002
pipedum_46b.scl                46  2048/2025, 78732/78125
pipedum_46c.scl                46  126/125, 176/175, 385/384, 896/891, Paul Erlich
pipedum_46d.scl                46  91/90, 121/120, 126/125, 169/168, 176/175
pipedum_50.scl                 50  81/80, 126/125, 16807/16384, Gene Ward Smith, 2002
pipedum_53a.scl                53  225/224, 1728/1715, 4375/4374, Manuel Op de Coul, 2001
pipedum_53b.scl                53  225/224, 1728/1715, 3125/3087, Gene Ward Smith, 2002
pipedum_53c.scl                53  225/224, 2430/2401 and 5120/5103
pipedum_55.scl                 55  81/80, 686/675, 6144/6125, Gene Ward Smith, 2002
pipedum_58.scl                 58  9801/9800, 2401/2400, 5120/5103, 896/891
pipedum_58a.scl                58  126/125, 144/143, 176/175, 196/195, 364/363
pipedum_5a.scl                  5  27/25, 81/80
pipedum_65.scl                 65  1216/1215, 32805/32768, 39858075/39845888. Manuel Op de Coul, 2001
pipedum_65a.scl                65  78732/78125, 32805/32768
pipedum_67.scl                 67  81/80, 1029/1024, 9604/9375, Gene Ward Smith, 2002
pipedum_68.scl                 68  245/243, 2048/2025, 2401/2400, Gene Ward Smith, 2002
pipedum_72.scl                 72  225/224, 1029/1024, 4375/4374, Gene Ward Smith, 2002
pipedum_72a.scl                72  4375/4374, 2401/2400, 15625/15552, Manuel Op de Coul, 2002
pipedum_72b.scl                72  225/224, 3025/3024, 1375/1372, 4375/4374
pipedum_72b2.scl               72  Optimised version of pipedum_72b, Manuel Op de Coul
pipedum_72c.scl                72  441/440, 2401/2400, 4375/4374, 1375/1372
pipedum_74.scl                 74  81/80, 126/125, 4194304/4117715, Gene Ward Smith, 2002
pipedum_8.scl                   8  50/49, 126/125 and 686/675
pipedum_81.scl                 81  81/80, 126/125, 17294403/16777216, Gene Ward Smith, 2002
pipedum_87.scl                 87  67108864/66430125, 15625/15552, Op de Coul
pipedum_8a.scl                  8  16/15 and 250/243, or 250/243 and 648/625
pipedum_9.scl                   9  225/224, 49/48, 36/35 are homophonic intervals
pipedum_99.scl                 99  2401/2400, 3136/3125, 4375/4374, Gene Ward Smith, 2002
pipedum_9a.scl                  9  4375/4374, 2401/2400, 21/20
pipedum_9b.scl                  9  128/125, 2109375/2097152
pipedum_9c.scl                  9  49/48, 21/20, 99/98, 121/120, Gene Ward Smith, 2002
pipedum_9d.scl                  9  128/125, 36/35, 99/98, 121/120, Gene Ward Smith, 2002
pipedum_9e.scl                  9  21/20, 27/25, 128/125
pizarro-stretch.scl            12  Mario Pizarro, toctave based ET (2001)
pleyel-dussek.scl              12  Pleyel and Dussek's temperament (1797) according to vague instructions
plum.scl                       12  686/675 comma pump scale in 46-tET
polansky_owt1.scl              12  Optimal WT 1, from A Math. Model for Optimal Tuning Systems, 2008
polansky_owt2.scl              12  Optimal WT 2, from A Math. Model for Optimal Tuning Systems, 2008
polansky_ps.scl                50  Three interlocking harmonic series on 1:5:3 by Larry Polansky in Psaltery
ponsford1.scl                  12  David Ponsford Bach temperament I (2005)
ponsford2.scl                  12  David Ponsford Bach temperament II (2005)
poole-rod.scl                  17  Rod Poole's 13-limit scale
poole.scl                       7  Henry Ward Poole's double diatonic or dichordal scale, also Ewan Macpherson's experimentally-verified great highland bagpipe tuning
poole_100.scl                 100  Henry Ward Poole's 100 note 7-limit scale, Helmholtz page 474
porcupine.scl                  37  Porcupine temperament, g=162.996, 7-limit
porcupine15cfip.scl            15  A circulating Porcupine[15] lesfip scale, 11-limit target, 15 cent tolerance
porcupine15fip.scl             15  Lesfip version of Porcupine[15], 11-limit diamond target, 15 cent tolerance
porcupine15lfip.scl            15  Porcupine-related lesfip scale
porcupinewoo15.scl             15  [8/5 12/7] eigenmonzo porcupine, -6 to 8 gamut
porcupinewoo22.scl             22  [8/5 12/7] eigenmonzo porcupine, -10 to 11 gamut
porcutone_13-limit_supermagic.scl
                               12  13-limit Supermagic tempered porcutone chromatic as a 3-SN scale
portbag1.scl                    7  Portugese bagpipe tuning
portbag2.scl                   10  Portugese bagpipe tuning 2
portent11tri.scl               11  Portent tempered scale with trivalence proprty, 190-tET tuning, abababababc
portent26.scl                  26  Portent[26] hobbit minimax tuning
portsmouth.scl                 12  Portsmouth, a 2.3.7.11 subgroup scale
pps7.scl                        7  Merged transpositions of superparticular 8/7 7/6 6/5 5/4 4/3 3/2 2/1
precata19.scl                  19  Cata[19] transversal
prelleur.scl                   12  Peter Prelleur's well temperament (1731)
preston.scl                    12  Preston's equal beating temperament (1785)
preston2.scl                   12  Preston's theoretically correct well temperament
primewak15.scl                 15  Blacksmith-augene-porcupine-progress-kumbaya-nuke 13-limit wakalix; all generators -7 to 7; patent epimorphic
prime_10.scl                   10  First 10 prime numbers reduced by 2/1
prime_12.scl                   12  Prime dodecatonic scale
prime_5.scl                     5  What Lou Harrison calls "the Prime Pentatonic", a widely used scale
prime_7.scl                     7  Prime heptatonic scale
prinz.scl                      12  Prinz well-tempermament (1808)
prinz2.scl                     12  Prinz equal beating temperament (1808)
pris.scl                       12  Optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale.
prisun.scl                     12  Unimarv tempered pris/cv3, 166-tET
prod13.scl                     27  13-limit binary products [1 3 5 7 9 11 13]
prod7d.scl                     39  Double Cubic Corner 7-limit. Chalmers '96
prod7s.scl                     20  Single Cubic Corner 7-limit = superstellated three out of 1 3 5 7 tetrany
prodigy11.scl                  11  Prodigy[11] (225/224, 441/400) hobbit in 72-tET
prodigy12.scl                  12  Prodigy[12] (225/224, 441/440) hobbit, 72-tET tuning. As a miracle scale, [-8, -7, -6, -2, -1, 0, 1, 2, 5, 6, 7, 8]
prodigy29.scl                  29  Prodigy[29] (225/224, 441/440) hobbit irregular tuning
prodq13.scl                    40  13-limit Binary products&quotients. Chalmers '96
prog_ennea.scl                  9  Progressive Enneatonic, 50+100+150+200 cents in each half (500 cents)
prog_ennea1.scl                 9  Progressive Enneatonic, appr. 50+100+150+200 cents in each half (500 cents)
prog_ennea2.scl                 9  Progressive Enneatonic, appr. 50+100+200+150 cents in each half (500 cents)
prog_ennea3.scl                 9  Progressive Enneatonic, appr. 50+100+150+200 cents in each half (500 cents)
prooijen1.scl                   7  Kees van Prooijen, major mode of Bohlen-Pierce
prooijen2.scl                   7  Kees van Prooijen, minor mode of Bohlen-Pierce
prop10a.scl                    10  10 note proper scale, 11-limit optimized
prop10b.scl                    10  10 note proper scale, 11-limit optimized
prop10c.scl                    10  10 note proper scale, 11-limit optimized
prop10d.scl                    10  10 note proper scale, 11-limit optimized
prop10e.scl                    10  10 note proper scale, 13-limit optimized
prop10f.scl                    11  10 note proper scale, 13-limit optimized
prop10g.scl                    10  10 note proper scale, 13-limit optimized
prop10h.scl                    10  10 note proper scale, 11-limit optimized
prop10i.scl                    10  10 note proper scale, 11-limit optimized
prop10j.scl                    10  10 note proper scale, 11-limit optimized
prop10k.scl                    10  10 note proper scale, 11-limit optimized
prop10l.scl                    10  10 note proper scale, 11-limit optimized
prop7a.scl                      7  7 note proper scale, 9-limit optimized
prop7b.scl                      7  7 note proper scale, 11-limit optimized
prop7c.scl                      7  7 note proper scale, 11-limit optimized
prop7d.scl                      7  7 note proper scale, 9-limit optimized
prop7e.scl                      7  7 note proper scale, 9-limit optimized
prop7f.scl                      7  7 note proper scale, 9-limit optimized
prop7g.scl                      7  7 note proper scale, 9-limit optimized
prop7h.scl                      7  7 note proper scale, 11-limit optimized
prop8a.scl                      8  8 note proper scale, 7-limit optimized
prop8b.scl                      8  8 note proper scale, 9-limit optimized
prop8c.scl                      8  8 note proper scale, 11-limit optimized
prop8d.scl                      8  8 note proper scale, 11-limit optimized
prop8e.scl                      8  8 note proper scale, 11-limit optimized
prop8f.scl                      8  8 note proper scale, 11-limit optimized
prop8g.scl                      8  8 note proper scale, 11-limit optimized
prop8h.scl                      8  8 note proper scale, 11-limit optimized
prop8i.scl                      8  8 note proper scale, 11-limit optimized
prop8j.scl                      8  8 note proper scale, 11-limit optimized
prop8k.scl                      8  8 note proper scale, 11-limit optimized
prop9a.scl                      9  9 note proper scale, 11-limit optimized
prop9b.scl                      9  9 note proper scale, 11-limit optimized
prop9c.scl                      9  9 note proper scale, 11-limit optimized
prop9d.scl                      9  9 note proper scale, 11-limit optimized
prop9e.scl                      9  9 note proper scale, 11-limit optimized
prop9f.scl                      9  9 note proper scale, 11-limit optimized
prop9g.scl                      9  9 note proper scale, 11-limit optimized
prop9h.scl                      9  9 note proper scale, 9-limit optimized
prop9j.scl                      9  9 note proper scale, 11-limit optimized
prop9k.scl                      9  9 note proper scale, 13-limit optimized
prop9l.scl                      9  9 note proper scale, 13-limit optimized
prop9o.scl                      9  9 note proper scale, 11-limit optimized
prop9q.scl                      9  9 note proper scale, 11-limit optimized
prop9r.scl                      9  9 note proper scale, 11-limit optimized
ps-dorian.scl                   7  Complex 4 of p. 115 based on Archytas's Enharmonic
ps-enh.scl                      7  Dorian mode of an Enharmonic genus found in Ptolemy's Harmonics
ps-hypod.scl                    7  Complex 7 of p. 115 based on Archytas's Enharmonic
ps-hypod2.scl                   7  Complex 8 of p. 115 based on Archytas's Enharmonic
ps-mixol.scl                    7  Complex 3 of p. 115 based on Archytas's Enharmonic
pseudotrillium19.scl           19  Tricot[19] in 53&335 11-limit POTE tuning
ptolemy.scl                     7  Ptolemy's Intense Diatonic Syntonon, also Zarlino's scale
ptolemy_chrom.scl               7  Ptolemy Soft Chromatic
ptolemy_ddiat.scl               7  Lyra tuning, Dorian mode, comb. of diatonon toniaion & diatonon ditoniaion
ptolemy_diat.scl                7  Ptolemy's Diatonon Ditoniaion & Archytas' Diatonic, also Lyra tuning
ptolemy_diat2.scl               7  Dorian mode of a permutation of Ptolemy's Tonic Diatonic
ptolemy_diat3.scl               7  Dorian mode of the remaining permutation of Ptolemy's Intense Diatonic
ptolemy_diat4.scl               7  permuted Ptolemy's diatonic
ptolemy_diat5.scl               7  Sterea lyra, Dorian, comb. of 2 Tonic Diatonic 4chords, also Archytas' diatonic
ptolemy_diff.scl                7  Difference tones of Intense Diatonic reduced by 2/1
ptolemy_enh.scl                 7  Dorian mode of Ptolemy's Enharmonic
ptolemy_exp.scl                24  Intense Diatonic expanded: all interval combinations
ptolemy_ext.scl                12  Jon Lyle Smith, extended septimal Ptolemy, MMM 7-2-2011
ptolemy_hom.scl                 7  Dorian mode of Ptolemy's Equable Diatonic or Diatonon Homalon
ptolemy_hominv.scl              7  Just Rast scale, inverse of Ptolemy's Equable Diatonic, 11-limit superparticular
ptolemy_hominv2.scl            14  Densified version of ptolemy_hominv.scl
ptolemy_iast.scl                7  Ptolemy's Iastia or Lydia tuning, mixture of Tonic Diatonic & Intense Diatonic
ptolemy_iastaiol.scl            7  Ptolemy's kithara tuning, mixture of Tonic Diatonic and Ditone Diatonic
ptolemy_ichrom.scl              7  Dorian mode of Ptolemy's Intense Chromatic
ptolemy_idiat.scl               7  Dorian mode of Ptolemy's Intense Diatonic (Diatonon Syntonon)
ptolemy_imix.scl               11  Ptolemy Intense Diatonic mixed with its inverse
ptolemy_malak.scl               7  Ptolemy's Malaka lyra tuning, a mixture of Intense Chrom. & Tonic Diatonic
ptolemy_malak2.scl              7  Malaka lyra, mixture of his Soft Chromatic and Tonic Diatonic.
ptolemy_mdiat.scl               7  Ptolemy soft diatonic
ptolemy_mdiat2.scl              7  permuted Ptolemy soft diatonic
ptolemy_mdiat3.scl              7  permuted Ptolemy soft diatonic
ptolemy_meta.scl                7  Metabolika lyra tuning, mixture of Soft Diatonic & Tonic Diatonic
ptolemy_mix.scl                19  All modes of Ptolemy Intense Diatonic mixed
ptolemy_perm.scl               35  Ptolemy all interval permutations
ptolemy_prod.scl               21  Product of Intense Diatonic with its intervals
ptolemy_tree.scl               14  Intense Diatonic with all their Farey parent fractions
pum14marvwoo.scl               14  pum14 in [10/3 7/2 11] marvel woo tuning
pummelmarvwoo.scl              15  Convex closure of 7-limit diamond in marvel; marvel woo tuning
pump12_1.scl                   12  Pump1 35 intervals 30 triads 197-tET
pump12_2.scl                   12  Pump2 35 intervals 30 triads 197-tET
pump13.scl                     13  Pump13 tetrads of dwarf15_5 in 197-tET
pump14.scl                     14  Pump14 tetrads of dwarf17_5a in 197-tET
pump15.scl                     15  Marvel pump scale in 197-tET
pump16.scl                     16  Marvel tempered pentad comma pump in 197-tET
pump17.scl                     17  Marvel tempered comma pump scale in 197-tET
pump18.scl                     18  Tetrads from dwarf22_5 marvel tuned in 197-tET
pyclesfip17.scl                17  9-limit 15 cent lesfip derived from Pycnic[17]
pygmie.scl                      5  Pygmie scale
pykett_dorset.scl              12  Colin Pykett, a Dorset Temperament (2002)
pyle.scl                       12  Howard Willet Pyle quasi equal temperament
pyramid.scl                    12  This scale may also be called the "Wedding Cake"
pyramid_down.scl               12  Upside-Down Wedding Cake (divorce cake)
pyth_12.scl                    12  12-tone Pythagorean scale
pyth_12s.scl                   12  Pythagorean with major thirds flat by a schisma
pyth_17.scl                    17  17-tone Pythagorean scale. Used in Persian music
pyth_17s.scl                   17  Schismatically altered 17-tone Pythagorean scale
pyth_22.scl                    22  Pythagorean shrutis
pyth_27.scl                    27  27-tone Pythagorean scale
pyth_31.scl                    31  31-tone Pythagorean scale
pyth_7a.scl                    12  Pythagorean 7-tone with whole tones divided arithmetically
pyth_chrom.scl                  8  Dorian mode of the so-called Pythagorean chromatic, recorded by Gaudentius
pyth_sev.scl                   26  26-tone Pythagorean scale based on 7/4
pyth_sev_16.scl                16  16-tone Pythagorean scale based on 7/4, "Armodue"
pyth_third.scl                 31  Cycle of 5/4 thirds
qadir.scl                      16  Abd al-Qadir al-Maraghi fretting by (Hamed Sabet)
quasic22.scl                   22  A 22 note quasi-circulating scale in the major third
quasi_9.scl                     9  Quasi-Equal Enneatonic, Each "tetrachord" has 125 + 125 + 125 + 125 cents
quint_chrom.scl                 7  Aristides Quintilianus' Chromatic genus
qx1.scl                        31  breed tempered |-15 0 -2 7> |-9 0 -7-9> Fokker block
qx2.scl                        31  breed tempered |-15 0 -2 7> |-9 0 -7-9> Fokker block
ragib.scl                      24  Idris Rag'ib Bey, vol.5 d'Erlanger, p. 40.
ragib7.scl                     24  7-limit version of Idris Rag'ib Bey scale
ragipu16.scl                   16  16-step ragisma pump (1/3, 10/7, 7/2)
ragipu17.scl                   17  17-step ragisma pump (7/6, 5/1, 2/7)
ragismic19.scl                 19  Ragismic[19] hobbit in 6279-tET
rain123.scl                    12  Raintree scale tuned to 123-tET
rain159.scl                    12  Raintree scale tuned to 159-tET
raintree.scl                   12  Raintree Goldbach 12-tone 5-limit JI tuning, TL 14-3-2007
raintree2.scl                  12  Raintree Goldbach Celestial tuning, TL 15-10-2009
rameau-flat.scl                12  Rameau bemols, see Pierre-Yves Asselin in "Musique et temperament"
rameau-french.scl              12  Standard French temperament, Rameau version (1726), C. di Veroli, 2002
rameau-gall.scl                12  Rameau's temperament, after Gallimard (1st solution)
rameau-gall2.scl               12  Rameau's temperament, after Gallimard (2nd solution)
rameau-merc.scl                12  Rameau's temperament, after Mercadier
rameau-minor.scl                9  Rameau's systeme diatonique mineur on E. Asc. 4-6-8-9, desc. 9-7-5-4
rameau-nouv.scl                12  Temperament by Rameau in Nouveau Systeme (1726)
rameau-sharp.scl               12  Rameau dieses, see Pierre-Yves Asselin in "Musique et temperament"
rameau.scl                     12  Rameau's modified meantone temperament (1725)
ramis.scl                      12  Monochord of Ramos de Pareja (Ramis de Pareia), Musica practica (1482). 81/80 & 2048/2025. Switched on Bach
rankfour46a.scl                46  Rank four hobbit 441/440, 364/363 in 393-tET
rankfour46b.scl                46  Rankfour46b hobbit minimax tuning, commas 385/384, 325/324
rapoport_8.scl                  8  Paul Rapoport, cycle of 14/9 close to 8 out of 11-tET, XH 13, 1991
rast pentachord 11-limit.scl    4  Rast pentachord 72:81:88:96:108
rast pentachord 31-limit.scl    4  Rast pentachord 600:675:744:800:900
rast pentachord 5-limit.scl     4  Rast pentachord 600:675:744:800:900
rast tetrachord 11-limit.scl    3  Rast tetrachord 72:81:88:96
rast tetrachord 31-limit.scl    3  Rast tetrachord 600:675:744:800
rast tetrachord 5-limit.scl     3  Rast tetrachord 24:27:30:32
rastgross2.scl                  7  rastmic-grossmic {243/242, 144/143} tempering of [11/10, 11/9, 11/8, 3/2, 22/13, 11/6, 2], POTE tuning
rastgross3.scl                  7  rastmic-grossmic {243/242, 144/143} tempering of [9/8, 11/9, 11/8, 20/13, 22/13, 11/6, 2]
rast_11-limit.scl               7  2.3.11 subgroup Rast
rast_7-limit.scl                7  7-limit diatonic Rast scale
rast_moha.scl                   7  Rast + Mohajira (Dudon) 4 + 3 + 3 Rast and 3 + 4 + 3 Mohajira tetrachords
rat_dorenh.scl                  7  Rationalized Schlesinger's Dorian Harmonia in the enharmonic genus
rat_hypodenh.scl                7  1+1 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian
rat_hypodenh2.scl               7  1+2 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian
rat_hypodenh3.scl               7  1+3 rationalized enharmonic genus derived from K.S.'s 'Bastard' Hypodorian
rat_hypodhex.scl                7  1+1 rationalized hexachromatic/hexenharmonic genus derived from K.S.'Bastard'
rat_hypodhex2.scl               7  1+2 rat. hexachromatic/hexenharmonic genus derived from K.S.'s 'Bastard' Hypodo
rat_hypodhex3.scl               7  1+3 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian
rat_hypodhex4.scl               7  1+4 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian
rat_hypodhex5.scl               7  1+5 rat. hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' Hypodorian
rat_hypodhex6.scl               7  2+3 rationalized hexachromatic/hexenharmonic genus from K.S.'s 'Bastard' hypod
rat_hypodpen.scl                7  1+1 rationalized pentachromatic/pentenharmonic genus derived from K.S.'s 'Bastar
rat_hypodpen2.scl               7  1+2 rationalized pentachromatic/pentenharmonic genus from K.S.'s 'Bastard' hyp
rat_hypodpen3.scl               7  1+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian
rat_hypodpen4.scl               7  1+4 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian
rat_hypodpen5.scl               7  2+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian
rat_hypodpen6.scl               7  2+3 rationalized pentachromatic/pentenharmonic genus from 'Bastard' Hypodorian
rat_hypodtri.scl                7  rationalized first (1+1) trichromatic genus derived from K.S.'s 'Bastard' hyp
rat_hypodtri2.scl               7  rationalized second (1+2) trichromatic genus derived from K.S.'s 'Bastard' hyp
rat_hypolenh.scl                8  Rationalized Schlesinger's Hypolydian Harmonia in the enharmonic genus
rat_hypopchrom.scl              7  Rationalized Schlesinger's Hypophrygian Harmonia in the chromatic genus
rat_hypopenh.scl                7  Rationalized Schlesinger's Hypophrygian Harmonia in the enharmonic genus
rat_hypoppen.scl                7  Rationalized Schlesinger's Hypophrygian Harmonia in the pentachromatic genus
rat_hypoptri.scl                7  Rationalized Schlesinger's Hypophrygian Harmonia in first trichromatic genus
rat_hypoptri2.scl               7  Rationalized Schlesinger's Hypophrygian Harmonia in second trichromatic genus
rectsp10.scl                   32  Rectangle minimal beats spectrum of order 10
rectsp10a.scl                  45  Rectangle minimal beats spectrum of order 10 union with inversion
rectsp11.scl                   42  Rectangle minimal beats spectrum of order 11
rectsp12.scl                   46  Rectangle minimal beats spectrum of order 12
rectsp6.scl                    12  Rectangle minimal beats spectrum of order 6, also Songlines.DEM, Bill Thibault and Scott Gresham-Lancaster (1992)
rectsp6a.scl                   17  Rectangle minimal beats spectrum of order 6 union with inversion
rectsp6amarvwoo.scl            17  Marvel woo version of rectsp6a
rectsp7.scl                    18  Rectangle minimal beats spectrum of order 7
rectsp7a.scl                   23  Rectangle minimal beats spectrum of order 7 union with inversion
rectsp8.scl                    22  Rectangle minimal beats spectrum of order 8
rectsp8a.scl                   31  Rectangle minimal beats spectrum of order 8 union with inversion
rectsp9.scl                    28  Rectangle minimal beats spectrum of order 9
rectsp9a.scl                   37  Rectangle minimal beats spectrum of order 9 union with inversion
redfield.scl                    7  John Redfield, New Diatonic Scale (1930), inverse of ptolemy_idiat.scl
reinhard.scl                   12  Andreas Reinhard's Monochord (1604) (variant of Ganassi's). Also Abraham Bartolus (1614)
reinhardj17.scl                17  Johnny Reinhard's Harmonic-17 tuning for "Tresspass" (1998)
renteng1.scl                    5  Gamelan Renteng from Chileunyi (Tg. Sari). 1/1=330 Hz
renteng2.scl                    5  Gamelan Renteng from Chikebo (Tg. Sari). 1/1=360 Hz
renteng3.scl                    6  Gamelan Renteng from Lebakwangi (Pameungpeuk). 1/1=377 Hz
renteng4.scl                    5  Gamelan Renteng Bale` bandung from Kanoman (Cheribon). 1/1=338 Hz
riccati.scl                    12  Giordano Riccati, Venetian temperament, Barbieri, 1986
riemann.scl                    29  Imaginary part of zeroes of the Riemann Zeta function
riley_albion.scl               12  Terry Riley's Harp of New Albion scale, inverse Malcolm's Monochord, 1/1 on C#
riley_rosary.scl               12  Terry Riley, tuning for Cactus Rosary (1993)
robot_dead.scl                 12  Dead Robot (see lattice)
robot_live.scl                 12  Live Robot
rodan26opt.scl                 26  Rodan[26] 13-limit 5 cents lesfip optimized
rodan31opt.scl                 31  Rodan[31] 13-limit 6 cents lesfip optimized
rodan41opt.scl                 41  Rodan[41] 13-limit 6 cents optimized
rodgers_chevyshake.scl         10  Scale used in Prent Rodgers' The Stick Shift Chevy Shake
rogers_7.scl                    7  Prent Rogers, scale of Serenade for Alto Flute nr.10
rogers_wind.scl                12  Prent Rogers, scale for Dry Hole Canyon for Woodwind Quintet
romieu.scl                     12  Romieu's Monochord, Mémoire théorique & pratique (1758)
romieu_inv.scl                 12  Romieu inverted, Pure (just) C minor in Wilkinson: Tuning In
rosati_21.scl                  21  Dante Rosati, JI guitar tuning
rosati_21a.scl                 21  Alternative version of rosati_21 with more tetrads
rosati_21m.scl                 21  1/4-kleismic marvel tempering of rosati_21.scl
rothert.scl                    12  Thomas Rothert, Bayreuth temperament, 1/8 P consecutive
roulette19.scl                 19  Roulette[19] 2.5.7.11.13 subgroup scale in 37-tET tuning
rousseau.scl                   12  Rousseau's Monochord, Dictionnaire de musique (1768)
rousseau2.scl                  12  Standard French temperament Rousseau-2, C. di Veroli
rousseau3.scl                  12  Standard French temperament Rousseau-3, C. di Veroli, 2002
rousseau4.scl                  12  Standard French temperament Rousseau-4, C. di Veroli
rousseauk.scl                  12  Kami Rousseau's 7-limit tri-blues scale
rousseauw.scl                  12  Jean-Jacques Rousseau's temperament (1768)
rozencrantz.scl                19  Irrational scale, generator=phi period=pi
rsr_12.scl                     12  RSR - 7 limit JI
rvf1.scl                       19  RVF-1: D-A 695 cents, the increment is 0.25 cents, interval range 49.5 to 75.5
rvf2.scl                       19  RVF-2: 695 cents, 0.607 cents, 31-90 cents,  C-A# is 7/4.
rvf3.scl                       19  RVF-3: 694.737, 0.082, 25-97, the fifth E#-B# is 3/2.
rvf4.scl                       12  697-703 cents, increments of 1 cent
rvfj_12.scl                    12  Regularly varied fifths well temperament with just fifth. Op de Coul (2007)
saba pentachord 13-limit a.scl  4  Saba pentachord 10:11:12:13:15
saba pentachord 13-limit b.scl  4  Saba pentachord  22:24:26:28:33
saba pentachord 19-limit.scl    5  Saba pentachord  44:48:52:56:57:66
saba pentachord 23-limit a+b.scl
                                5  Saba pentachord  42:46:50:54:55:63
saba pentachord 23-limit a.scl  4  Saba pentachord  42:46:50:54:63
saba pentachord 23-limit b.scl  4  Saba pentachord  42:46:50:55:63
saba pentachord 31-limit.scl    5  Saba pentachord  96:105:114:124:126:144
saba_sup.scl                    8  Superparticular version of maqam Sabâ
sabbagh.scl                     7  Tawfiq al-Sabbagh, a composer from Syria. 1/1=G
sabbagh2.scl                   24  Tawfiq al-Sabbagh, Arabic master musical scale in 53-tET (1954)
safiyuddin_actual_buzurg.scl    8  Actual Buzurg by Safi al-Din Urmavi in Risala al-Sharafiyyah according to Dr. Oz.
safiyuddin_actual_isfahan.scl   8  Actual Isfahan on 3/2 by Safi al-Din Urmavi in Risala al-Sharafiyyah according to Dr. Oz.
safiyuddin_actual_rahavi.scl    7  Actual Rahavi on 16/13 by Safi al-Din Urmavi in Risala al-Sharafiyyah according to Dr. Oz.
safiyuddin_actual_zirefkend_octavedgenus.scl
                                8  Actual Zirefkend by Safi al-Din Urmavi in Risala al-Sharafiyyah according to Dr. Oz.
safiyuddin_udfretratios.scl    21  Two conjunct tetrachords in an octave from Ud fret ratios by Safi al-Din Urmavi
safi_arabic.scl                17  Arabic 17-tone Pythagorean mode, Safiyuddîn Al-Urmawî (Safi al-Din)
safi_arabic_s.scl              17  Schismatically altered Arabic 17-tone Pythagorean mode
safi_buzurk.scl                 5  Buzurk genus by Safi al-Din Urmavi
safi_diat.scl                   7  Safi al-Din's Diatonic, also the strong form of Avicenna's 8/7 diatonic
safi_diat2.scl                  7  Safi al-Din's 2nd Diatonic, a 3/4 tone diatonic like Ptolemy's Equable Diatonic
safi_isfahan.scl                4  Isfahan genus by Safi al-Din Urmavi
safi_isfahan2.scl               4  Alternative Isfahan genus by Safi al-Din Urmavi
safi_major.scl                  6  Singular Major (DF #6), from Safi al-Din, strong 32/27 chromatic
safi_rahevi.scl                 3  Rahevi genus by Safi al-Din Urmavi
safi_unnamed1.scl               5  Unnamed genus by Safi al-Din Urmavi (Ferahnak-like)
safi_unnamed2.scl               5  Unnamed genus by Safi al-Din Urmavi (Ushshaq-like)
safi_unnamed3.scl               5  Unnamed genus by Safi al-Din Urmavi (Karjighar-like)
safi_unnamed4.scl               5  Unnamed genus by Safi al-Din Urmavi (Saba/Rast-like)
safi_zirefkend-i.scl            5  Zirefkend-i Koutchek genus by Safi al-Din Urmavi
safi_zirefkend.scl              4  Zirefkend genus by Safi al-Din Urmavi
safi_zirefkend2.scl             6  Zirefkend genus by Safi al-Din Urmavi that confirms with the 17-tone Edvar on Zirefkend
salinas_19.scl                 19  Salinas enharmonic tuning for his 19-tone instr. "instrumentum imperfectum"
salinas_24.scl                 24  Salinas enharmonic system "instrumentum perfectum". Subset of Mersenne
salinas_enh.scl                 7  Salinas's and Euler's enharmonic
salunding.scl                   5  Gamelan slunding, Kengetan, South-Bali. 1/1=378 Hz
samad_oghab_dokhtaramme_zurnascale.scl
                               12  Ushshaq-like Zurna scale on A from Dokhtar Amme sang by Samad Oghab
sankey.scl                     12  John Sankey's Scarlatti tuning, personal evaluation based on d'Alembert's
santur1.scl                     8  Persian santur tuning. 1/1=E
santur2.scl                     8  Persian santur tuning. 1/1=E
sanza.scl                       8  African N'Gundi Sanza (idiophone; set of lamellas, thumb-plucked)
sanza2.scl                      7  African Baduma Sanza (idiophone, like mbira)
sauveur.scl                    12  Sauveur's tempered system of the harpsichord. Traité (1697)
sauveur2.scl                   12  Sauveur's Système Chromatique des Musiciens (Mémoires 1701), 12 out of 55.
sauveur_17.scl                 17  Sauveur's oriental system, aft. Kitab al-adwar (Bagdad 1294) by Safi al-Din
sauveur_ji.scl                 12  Application des sons harmoniques à la composition des jeux d'orgues (1702) (PB 81/80 & 128/125)
savas_bardiat.scl               7  Savas's Byzantine Liturgical mode, 8 + 12 + 10 parts
savas_barenh.scl                7  Savas's Byzantine Liturgical mode, 8 + 16 + 6 parts
savas_chrom.scl                 7  Savas's Chromatic, Byzantine Liturgical mode, 8 + 14 + 8 parts
savas_diat.scl                  7  Savas's Diatonic, Byzantine Liturgical mode, 10 + 8 + 12 parts
savas_palace.scl                7  Savas's Byzantine Liturgical mode, 6 + 20 + 4 parts
sazkar7.scl                     8  Septimal variant of Sazkar
sc311_41.scl                  311  A 311 note 41-limit epimorphic JI scale
scalatron.scl                  19  Scalatron (tm) 19-tone scale, see manual, 1974
scheffer.scl                   12  H.Th. Scheffer (1748) modified 1/5-comma temperament, Sweden
schiassi.scl                   12  Filippo Schiassi
schidlof.scl                   21  Schidlof
schillinger.scl                36  Joseph Schillinger's double equal temperament, p.664 Mathematical Basis...
schis41.scl                    41  Tenney reduced version of wilson_41
schisynch17.scl                17  Schismatic[17] in synch (brat=-1) tuning
schlesinger_jupiter.scl        12  Schlesinger's Jupiter scale
schlesinger_mars.scl           12  Schlesinger's Mars scale
schlesinger_saturn.scl         12  Schlesinger's Saturn scale
schlick-barbour.scl            12  Reconstructed temp. A. Schlick, Spiegel d. Orgelmacher und Organisten (1511) by Barbour
schlick-husmann.scl            12  Schlick's temperament reconstructed by Heinrich Husmann (1967)
schlick-lange.scl              12  Reconstructed temp. Arnoldt Schlick (1511) by Helmut Lange, Ein Beitrag zur musikalischen Temperatur, 1968, p. 482
schlick-ratte.scl              12  Schlick's temperament reconstructed by F.J. Ratte (1991)
schlick-schugk.scl             12  Schlick's temperament reconstructed by Hans-Joachim Schugk (1980)
schlick-tessmer.scl            12  Schlick's temperament reconstructed by Manfred Tessmer (1994)
schlick2.scl                   12  Another reconstructed Schlick's modified meantone (Poletti?)
schlick3.scl                   12  Possible well-tempered interpretation of 1511 tuning, Margo Schulter
schlick3a.scl                  12  Variation on Schlick (1511), all 5ths within 7c of pure, Margo Schulter
schneegass1.scl                12  Cyriacus Schneegaß (1590), meantone, 1st method: rational approximation
schneegass2.scl                12  Cyriacus Schneegaß (1590), meantone, 2nd method: geometric approximation
schneegass3.scl                12  Cyriacus Schneegaß (1590), meantone, 3rd method: numeric approximation
schneider_log.scl              12  Robert Schneider, scale of log(4) .. log(16), 1/1=264Hz
scholz.scl                      8  Simple Tune #1 Carter Scholz
scholz_epi.scl                 40  Carter Scholz, Epimore
schroeter.scl                  12  Christoph Gottlieb Schröter, approximation of ET by a 2nd order difference series, Leipzig (1747)
schulter_10.scl                10  Margo Schulter, 13-limit tuning, TL 14-11-2007
schulter_12.scl                12  Margo Schulter's 5-limit JI virt. ET, "scintilla of Artusi" tempered, TL 22-08-98
schulter_14_13-12.scl          12  Temperament with just 14/13 apotome, close to Pepper Noble Fifth
schulter_17.scl                17  Neo-Gothic well-temperament (14:11, 9:7 hypermeantone fifths) TL 04-09-2000
schulter_24.scl                24  Rational intonation (RI) scale with some "17-ish" features (24 notes)
schulter_24a.scl               24  M. Schulter, just/rational intonation system - with circulating 24-note set
schulter_34.scl                34  "Carthesian tuning" with two 17-tET chains 55.106 cents apart
schulter_44_39-12.scl          12  12-note chromatic tuning with 352:351, 364:363 (G=1/1, Eb-G#)
schulter_44_39-12_c.scl        12  44_39-12.scl with C as 1/1 (Eb-G#)
schulter_44_39-diat1.scl        7  Diatonic involving 352:351 and 364:363
schulter_bamm24b-pegasus12d.scl
                               12  Offshoot of Kraig Grady's Centaur: Rast/Penchgah plus Archytas-like modes on 1/1
schulter_biapotomic_septimal24.scl
                               24  Biapotomic: two apotomes = 7/6; virtually just 23/16
schulter_cantonpentalike34.scl 34  Variation on Gene Ward Smith Cantonpenta, 34-note superset in 271-tET
schulter_cantonpentamint58.scl 58  Rank-3 variant on Gene Ward Smith's Cantonpenta with just 12:13:14
schulter_christmas_eve24.scl   24  ChristmasEve or 12/24, just 14/11; 13 fourths up = ~128/99
schulter_diat7.scl              7  Diatonic scale, symmetrical tetrachords based on 14/11 and 13/11 triads
schulter_ham.scl               17  New rational tuning of "Hammond organ type", TL 01-03-2002
schulter_indigo12.scl          12  Expansion of 12:13:14:16:18:21:22:24 by Margo Schulter, TL 9-7-2010
schulter_jot17a.scl            17  Just octachord tuning 4:3-9:8-4:3 division, 17 steps (7 + 3 + 7), Bb-Bb
schulter_jot17bb.scl           17  Just octachord Tuning (Bb-Eb, F-Bb), 896:891 divided into 1792:1787:1782
schulter_jwt17.scl             17  "Just well-tuned 17" circulating system
schulter_lin76-34.scl          24  Two 12-note chains, ~704.160 cents, 34 4ths apart (32 4ths = 7:6), TL 29-11-02
schulter_met12.scl             12  Milder Extended Temperament, 5ths average 703.711 cents
schulter_met24-buzurg_al-erin10_cup.scl
                               10  Decatonic with septimal Buzurg & Rastlike modes
schulter_met24-canonical.scl   24  Smoothed MET-24 in 2048-tET, generators (2/1, 703.711c, 57.422c)
schulter_met24-ji1.scl         24  Possible JI interpretation of MET-24
schulter_met24-ji3_a.scl       24  JI interpretation of MET-24, 1/1 is A or 22/13 of C-C version
schulter_met24-semineutral17_F#.scl
                               17  17-CS semineutral sixth from two large major thirds (~63:81:104)
schulter_met24.scl             24  Milder Extended Temperament, 5ths avg. 703.658c, spaced 57.422c
schulter_met24pote.scl         24  MET-24 parapyth temperament Fokker block in POTE tuning
schulter_neogeb24.scl          24  Neo-Gothic e-based lineotuning (T/S or Blackwood's R=e, ~2.71828), 24 notes
schulter_neogji12.scl          12  M. Schulter, neo-Gothic 12-note JI (prim. 2/3/7/11) 1/1=F with Eb key as D+1
schulter_neogp16a.scl          16  M. Schulter, scale from mainly prime-to-prime ratios and octave complements (Gb-D#)
schulter_O3-reg-24.scl         24  O3 temperament, regular version: pure 22/21, 7/4, 11/6
schulter_O3-zalzalian12_D.scl  12  Sampling of Zalzalian maqam/dastgah modes, slendro/pelog modes
schulter_O3_24.scl             24  O3 or "Ozone" (24): just 22/21 limma, 7/4, 11/6, 1024-tET
schulter_patheq58.scl          58  Aug2-plus-spacing and 21-fifths pathways to 5/4 equally (in)accurate
schulter_pel.scl                5  Just pelog-style Phrygian pentatonic
schulter_peppermint.scl        24  Peppermint 24: Wilson/Pepper apotome/limma=Phi, 2 chains spaced for pure 7:6
schulter_piaguilike2.scl       12  Like Mario Pizarro's Piagui: steps of (9/8)^1/2 and (128/81)^1/8
schulter_qcm62a.scl            62  1/4-comma meantone, two 31-notes at 1/4-comma (Vicentino-like system)
schulter_qcmlji24.scl          24  24-note adaptive JI (Eb-G#/F'-A#') for Lasso's Prologue to _Prophetiae_
schulter_qcmqd8_4.scl          12  F-C# in 1/4-comma meantone, other 5ths ~4.888 cents wide or (2048/2025)^(1/4)
schulter_rbuzurg-buzurg8_cup.scl
                                8  Buzurg pentachord plus 133-229-133 tetrachord at ~3/2
schulter_rbuzurg-buzurg_hijaz_cup.scl
                                8  Qutb al-Din al-Shirazi's Buzurg plus upper Hijaz (JI 12:11-7:6-22:21)
schulter_semineutral36.scl     17  Semineutral tuning in 36-tET, 0-433.33-866.67 cents
schulter_shur10.scl            10  Tuning set for "Prelude in Shur for Erv Wilson"
schulter_shur17.scl            17  Peppermint 17-note thirdtone set for Persian dastgah-ha
schulter_simplemint24.scl      24  Rank 3 temperament (2-3-7-9-11-13), 704c 5th, 58c spacing, 1200-tET
schulter_sq.scl                24  "Sesquisexta" tuning, two 12-tone Pyth. manuals a 7/6 apart. TL 16-5-2001
schulter_sunvar24-19_16.scl    24  Variation on Scott Dakota's Sun 19 (24): optimized for 16:19:24 (2/1, 701.350, 64.171)
schulter_sunvar24_dup.scl      24  Sunvar24, 1/1=D on upper chain of fifths
schulter_tedorian.scl           7  Eb Dorian in temperament extraordinaire, neo-medieval style
schulter_turquoise17-104ed2.scl
                               17  Turquoise 17 in 104-tET, ~33:36:39:42:44 at steps 0 7 10
schulter_turquoise17.scl       17  Turquoise 17 in 1024-tET, ~33:36:39:42:44 at steps 0 7 10
schulter_wilsonistic.scl       12  Margo Schulter, Wilsonistic Pivot on C
schulter_xenoga24.scl          24  M. Schulter, 3+7 ratios Xeno-Gothic adaptive tuning (keyboards 64:63 apart)
schulter_xenogj24.scl          24  Neo-Gothic 3/17-flavor JI (keyboards 459:448 apart)
schulter_zarte84.scl           12  Temperament extraordinaire, Zarlino's 2/7-comma meantone (F-C#)
schulter_zarte84n.scl          12  Zarlino temperament extraordinaire, 1024-tET mapping
scotbag.scl                     7  Scottish bagpipe tuning
scotbag2.scl                    7  Scottish bagpipe tuning 2, symmmetrical
scotbag3.scl                    7  Scottish bagpipe tuning 3
scotbag4.scl                    7  Scottish Higland Bagpipe by Macdonald, Edinburgh. Helmholtz/Ellis p. 515, nr.52
scottd1.scl                    12  Dale Scott's temperament 1, TL 9-6-1999
scottd2.scl                    12  Dale Scott's temperament 2, TL 9-6-1999
scottd3.scl                    12  Dale Scott's temperament 3, TL 9-6-1999
scottd4.scl                    12  Dale Scott's temperament 4, TL 9-6-1999
scottj.scl                      4  Jeff Scott's "seven and five" tuning, fifth-repeating. TL 20-04-99
scottj2.scl                    19  Jeff Scott's "just tritone/13" tuning. TL 17-03-2001
scottr_ebvt.scl                12  Robert Scott Equal Beating Victorian Temperament (2001)
scottr_lab.scl                 12  Robert Scott Tunelab EBVT (2002)
secor12_1.scl                  12  George Secor's 12-tone temperament ordinaire #1, proportional beating
secor12_2.scl                  12  George Secor's closed 12-tone well-temperament #2, with 7 just fifths
secor12_3.scl                  12  George Secor's closed 12-tone temperament #3 with 5 meantone, 3 just, and 2 wide fifths
secor17htt1.scl                17  George Secor's 17-tone high-tolerance temperament subset #1 on C (5/4 & 7/4 exact)
secor17htt2.scl                17  George Secor's 17-tone high-tolerance temperament subset #2 on Eo (5/4 & 7/4 exact)
secor17htt3.scl                17  George Secor's 17-tone high-tolerance temperament subset #3 on G (5/4 & 7/4 exact)
secor17htt4.scl                17  George Secor's 17-tone high-tolerance temperament subset #4 on Bo (5/4 & 7/4 exact)
secor17wt.scl                  17  George Secor's well temperament with 5 pure 11/7 and 3 near just 11/6
secor17zrt.scl                 17  George Secor's 17-tone Zany Rational Temperament (2012)
secor19wt.scl                  19  George Secor's 19-tone well temperament with ten 5/17-comma fifths
secor19wt1.scl                 19  George Secor's 19-tone proportional-beating (5/17-comma) well temperament (v.1)
secor19wt2.scl                 19  George Secor's 19-tone proportional-beating (5/17-comma) well temperament (v.2)
secor1_4tx.scl                 12  George Secor's rational 1/4-comma temperament extraordinaire
secor1_5tx.scl                 12  George Secor's 1/5-comma temperament extraordinaire (ratios supplied by G. W. Smith)
secor22_17p5.scl               22  George Secor's 17-tone temperament plus 5 extra 5-limit intervals
secor22_19p3.scl               22  George Secor's 19+3 well temperament with ten ~5/17-comma (equal-beating) fifths and 3 pure 9:11. TL 28-6-2002,26-10-2006. Aux=1,10,19
secor22_ji29.scl               22  George Secor's 22-tone just intonation (29-limit otonality on 4/3)
secor29htt.scl                 29  George Secor's 29-tone 13-limit high-tolerance temperament (5/4 & 7/4 exact)
secor29tolerant.scl            29  Version of George Secor's secor29htt in tolerant temperament, POTE tuning
secor34wt.scl                  34  George Secor's 34-tone well temperament (with 10 exact 11/7)
secor41htt.scl                 41  George Secor's 13-limit high-tolerance temperament superset (5/4 & 7/4 exact)
secor5_23stx.scl               12  George Secor's synchronous 5/23-comma temperament extraordinaire
secor5_23tx.scl                12  George Secor's rational 5/23-comma temperament extraordinaire
secor5_23wt.scl                12  George Secor's rational 5/23-comma proportional-beating well-temperament
secoralternative10.scl         10  George Secor "meantone alternative", {196/195, 676/675}-tempering in POTE tuning of 2.3.5.7.13 scale
secor_bicycle.scl              12  George Secor, 13-limit harmonic bicycle (1963), also Erv Wilson, see David Rosenthal: Helix Song, XH 7&8, 1979
secor_pelogic11.scl            11  George Secor's isopelogic scale with ~537.84194 generator and just 13/11 (1979)
secor_pelogic7.scl              7  George Secor's isopelogic scale with ~537.84194 generator, just 13/11 and near just 11:13:15:19 tetrads (1979)
secor_pelogic9.scl              9  George Secor's isopelogic scale with ~537.84194 generator and just 13/11 (1979)
secor_swt149.scl               12  George Secor's 149-based synchronous WT
secor_vrwt.scl                 12  George Secor's Victorian rational well-temperament (based on Ellis #2)
secor_wt1-5.scl                12  George Secor's 1/5-comma well-temperament (ratios supplied by G. W. Smith)
secor_wt1-7.scl                12  George Secor's 1/7-comma well-temperament
secor_wt1-7r.scl               12  George Secor's 1/7-comma well-temperament, Gene Ward Smith rational version
secor_wt10.scl                 12  George Secor's 12-tone well-temperament, proportional beating
secor_wt2-11.scl               12  George Secor's rational 2/11-comma well-temperament
secor_wtpb-24a.scl             12  George Secor's 24-triad proportional-beating well-temperament (24a)
secor_wtpb-24b.scl             12  George Secor's 24-triad proportional-beating well-temperament (24b)
secor_wtpb-24c.scl             12  George Secor's 24-triad proportional-beating well-temperament (24c)
secor_wtpb-24d.scl             12  George Secor's 24-triad proportional-beating well-temperament (24d)
secor_wtpb-24e.scl             12  George Secor's 24-triad proportional-beating well-temperament (24e)
segah pentachord 17-limit.scl   4  Segah pentachord  42:45:51:56:63
segah pentachord 5-limit.scl    4  Segah pentachord  30:32:36:40:45
segah-ferahnak pentachord 19-limit.scl
                                5  Segah-Ferahnak pentachord 14:15:17:19:20:21
segah2.scl                      7  Iranian mode Segah from C
segah99.scl                     7  segah_rat in 99-tET tempering
segah_rat.scl                   7  Rationalized Arabic Segâh
seidel_12.scl                  12  Dave Seidel, Harmonicious 12-tone scale, TL 31-01-2009
seidel_32.scl                  32  Dave Seidel, Base 9:7:4 Symmetry, scale for Passacaglia and Fugue State (2005)
seikilos.scl                   12  Seikilos Tuning
sejati.scl                      5  salendro sejati, Sunda
sekati1.scl                     7  Gamelan sekati from Sumenep, East-Madura. 1/1=244 Hz
sekati2.scl                     7  Gamelan Kyahi Sepuh from kraton Solo. 1/1=216 Hz
sekati3.scl                     7  Gamelan Kyahi Henem from kraton Solo. 1/1=168.5 Hz
sekati4.scl                     7  Gamelan Kyahi Guntur madu from kraton Jogya. 1/1=201.5 Hz
sekati5.scl                     7  Gamelan Kyahi Naga Ilaga from kraton Jogya. 1/1=218.5 Hz
sekati6.scl                     7  Gamelan Kyahi Munggang from Paku Alaman, Jogya. 1/1=199.5 Hz
sekati7.scl                     7  Gamelan of Sultan Anom from Cheribon. 1/1=282 Hz
sekati8.scl                     7  The old Sultans-gamelan Kyahi Suka rame from Banten. 1/1=262.5 Hz
sekati9.scl                     7  Gamelan Sekati from Katjerbonan, Cheribon. 1/1=292 Hz
selisir.scl                     5  Gamelan semara pagulingan, Bali. Pagan Kelod
selisir2.scl                    5  Gamelan semara pagulingan, Bali. Kamasan
selisir3.scl                    5  Gamelan gong, Pliatan, Bali. 1/1=280 Hz, McPhee, 1966
selisir4.scl                    5  Gamelan gong, Apuan, Bali. 1/1=285 Hz. McPhee, 1966
selisir5.scl                    5  Gamelan gong, Sayan, Bali. 1/1=275 Hz. McPhee, 1966
selisir6.scl                    5  Gamelan gong, Gianyar, Bali. 1/1=274 Hz. McPhee, 1966
semafip.scl                     9  Lesfip scale related to Semaphore[9]
semmeanflat1.scl               19  Semaphore-meantone-flattone wakalix
senior.scl                    171  Senior temperament, g=322.801387, 5-limit
sensax.scl                     21  Sensamagic tweak
sensi19.scl                    19  Sensi[19]
sensi19br1.scl                 19  Sensi[19] with a brat of 1
sensidia.scl                   27  Detempered Sensi[27]; contains 7-limit diamond
sensisynch19.scl               19  Sensi[19] in synch (brat=-1) tuning, generator ~162/125 satisfies g^9-g^7-4=0
septenarius440.scl             12  Andreas Sparschuh's septenarius @ middle c'=263Hz or a'=440Hz
septenarius440a.scl            12  Tom Dent's septenarius @ middle c'=262 Hz or a'=440 Hz
septenariusGG49.scl            12  Sparschuh's version @ middle-c'=262Hz or a'=440Hz
septicyc.scl                   11  Gene Ward Smith, septicyclic 1029/1024-tempered scale, in 252-tET
serafini-11.scl                12  Carlo Serafini, scale of "Piano 11"
serafini-moonsuite.scl         12  Carlo Serafini, empirical tuning for Moonsuite (2008)
serafini-q.scl                 12  Subset of Carlos Gamma for In Q (2015)
serafini-sunday.scl            12  Scale for A Nearly Normal Sunday (2015)
serre_enh.scl                   7  Dorian mode of the Serre's Enharmonic
set70a.scl                     44  44th root of 6
sev-elev.scl                   12  "Seven-Eleven Blues" of Pitch Palette
seventeentosixteen.scl         16  Dwarf(17c) manna tempered to sixteen notes, 72et tuning
seventhwell.scl                12  from Hauptwerk
sevish.scl                     12  Sean "Sevish" Archibald's "Trapped in a Cycle" JI scale
sevish_22.scl                   7  7 out of 22 used in Dirty Drummer on Golden Hour
sevish_no.scl                   5  Sean "Sevish" Archibald's non-octave empirical scale
sevish_pom.scl                 12  Non-octave just scale used in Parliament of Moon on Golden Hour
sevish_umbriel.scl              7  Just scale used in Umbriel on Golden Hour
sevish_whitey.scl              12  Just scale used in Whitey on Golden Hour
sha.scl                        24  Three chains of sqrt(3/2) separated by 10/7
shahin.scl                     18  Mohajeri Shahin Iranian style scale, TL 9-4-2006
shahin2.scl                    18  Mohajeri Shahin 17-limit 18-tone Persian scale, TL 08-07-2007
shahin_adl.scl                 12  Mohajeri Shahin, arithmetic division of length temperament, TL 14-12-2006
shahin_agin.scl                12  Mohajeri Shahin, Microaginco (2007)
shahin_baran.scl               12  Mohajeri Shahin, Baran scale
shahin_dance.scl                7  Mohajeri Shahin, microtonal dance, 2 unequal tetrachords. TL 01-10-2007
shahin_wt.scl                  12  Mohajeri Shahin, well temperament, TL 28-12-2006
shalfun.scl                    24  d'Erlanger vol.5, p. 40. After Alexandre ^Salfun (Chalfoun)
shansx.scl                     12  Untempered Tanaka/Hanson harmonic system including the kleisma
sharm1c-conm.scl                7  Subharm1C-ConMixolydian
sharm1c-conp.scl                7  Subharm1C-ConPhryg
sharm1c-dor.scl                 8  Subharm1C-Dorian
sharm1c-lyd.scl                 8  Subharm1C-Lydian
sharm1c-mix.scl                 7  Subharm1C-Mixolydian
sharm1c-phr.scl                 7  Subharm1C-Phrygian
sharm1e-conm.scl                7  Subharm1E-ConMixolydian
sharm1e-conp.scl                7  Subharm1E-ConPhrygian
sharm1e-dor.scl                 8  Subharm1E-Dorian
sharm1e-lyd.scl                 8  Subharm1E-Lydian
sharm1e-mix.scl                 7  Subharm1E-Mixolydian
sharm1e-phr.scl                 7  Subharm1E-Phrygian
sharm2c-15.scl                  7  Subharm2C-15-Harmonia
sharm2c-hypod.scl               8  SHarm2C-Hypodorian
sharm2c-hypol.scl               8  SHarm2C-Hypolydian
sharm2c-hypop.scl               8  SHarm2C-Hypophrygian
sharm2e-15.scl                  7  Subharm2E-15-Harmonia
sharm2e-hypod.scl               8  SHarm2E-Hypodorian
sharm2e-hypol.scl               8  SHarm2E-Hypolydian
sharm2e-hypop.scl               8  SHarm2E-Hypophrygian
sheiman.scl                    14  Michael Sheiman's harmonic scale, TL 2-2-2009
sheiman_7.scl                   7  Michael Sheiman's 7-tone 11-limit symmetrical just scale, TL 79656
sheiman_9.scl                   9  Michael Sheiman's 9-tone JI scale, TL 27-03-2009
sheiman_michael-phi.scl         9  Michael Sheiman's Phi Section scale, from Tuning List
sheiman_phiter6.scl             6  Michael Sheiman's Phiter scale
sheiman_phi_r.scl               8  Rational version of Michael Sheiman's Phi scale
sheiman_silver.scl             12  Michael Sheiman's Silver scale, TL 26-03-2010
shell5_2.scl                   13  5-limit Hahn Shell 2, Gene Ward Smith
shell5_3.scl                   19  5-limit Hahn Shell 3, Gene Ward Smith
shell5_4.scl                   25  5-limit Hahn Shell 4, Gene Ward Smith
shell7_2.scl                   43  7-limit Hahn Shell 2, Gene Ward Smith
sherwood.scl                   12  Sherwood's improved meantone temperament
shmigelsky.scl                 23  Shmigelsky's 7-limit just scale (2002)
shrutar-shrutis.scl            22  Shrutar[22] in 46-tET tuning usable as shrutis, Gene Ward Smith
shrutar.scl                    22  Paul Erlich's Shrutar tuning (from 9th fret) tempered with Dave Keenan
shrutart.scl                   22  Paul Erlich's 'Shrutar' tuning tempered by Dave Keenan, TL 29-12-2000
shrutar_temp.scl               22  Shrutar temperament, 11-limit, g=52.474, 1/2 oct.
siamese.scl                    12  Siamese Tuning, after Clem Fortuna's Microtonal Guide
silbermann1.scl                12  Gottfried Silbermann's temperament nr. 1
silbermann2.scl                12  Gottfried Silbermann's temperament nr. 2, 1/6 Pyth. comma meantone
silbermann2a.scl               12  Modified Silbermann's temperament nr. 2, also used by Hinsz in Midwolda
silver.scl                     12  Equal beating chromatic scale, A.L.Leigh Silver JASA 29/4, 476-481, 1957
silvermean.scl                  7  First 6 approximants to the Silver Mean, 1+sqr(2) reduced by 2/1
silver_11.scl                  11  Eleven-tone MOS from 1+sqr(2), 1525.864 cents
silver_11a.scl                 11  Eleven-tone MOS from 317.17 cents
silver_11b.scl                 11  Eleven-tone MOS from 331.67 cents
silver_15.scl                  15  Sqrt(2) + 1 equal division by 15, Brouncker (1653)
silver_7.scl                    7  Seven-tone MOS from 1+sqr(2), 1525.864 cents, Aksaka, Pell
silver_8.scl                    8  Eight-tone MOS from 273.85 cents
silver_9.scl                    9  Nine-tone MOS from 280.61 cents
simonton.scl                   12  Simonton Integral Ratio Scale, JASA 25/6 (1953): A new integral ratio scale
simp12-amity.scl               12  simp12 tempered in amity, 99-tET tuning
simp12.scl                     12  Stiltner-Vaisvil 12 note 2.3.5.7.13 scale
sims.scl                       18  Ezra Sims' 18-tone mode
sims2.scl                      20  Sims II, harmonics 20 to 40
sims_24.scl                    24  Ezra Sims, Reflections on This and That, 1991, p.93-106
sims_herf.scl                  14  Reflections on This and That, 1991. Used by Richter-Herf in Ekmelischer Gesang
sin.scl                        21  1/sin(2pi/n), n=4..25
sinemod12.scl                  19  Sine modulated F=12, A=-.08203754
sinemod8.scl                   19  Sine modulated F=8, A=.11364155. Deviation minimal3/2, 4/3, 5/4, 6/5, 5/3, 8/5
singapore.scl                   7  An observed xylophone tuning from Singapore
singapore_coh.scl               7  Differentially coherent interpretation of xylophone tuning from Singapore
sintemp6.scl                   12  Sine modulated fifths, A=1/6 Pyth, one cycle, f0=-90 degrees
sintemp6a.scl                  12  Sine modulated fifths, A=1/12 Pyth, one cycle, f0= D-A
sintemp_19.scl                 19  Sine modulated thirds, A=7.366 cents, one cycle over fifths, f0=90 degrees
sintemp_7.scl                   7  Sine modulated fifths, A=8.12 cents, one cycle, f0=90 degrees
sixtetwoo.scl                  12  Six 7-limit tetrads marvel woo scale with 51 11-limit dyads
skateboard11.scl               11  Skateboard[11] 2.5/3.7/3.11.13/9 subgroup MOS in 17\65 tuning
slendro.scl                     5  Observed Javanese Slendro scale, Helmholtz/Ellis p. 518, nr.94
slendro10.scl                   5  Low gender from Singaraja (banjar Lod Peken), Bali, 1/1=172 Hz, McPhee, 1966
slendro11.scl                   5  Low gender from Sawan, Bali, 1/1=167.5 Hz, McPhee, 1966
slendro12.scl                   4  Saih angklung, 4-tone slendro from Mas village, 1/1=410 Hz, McPhee, 1966
slendro13.scl                   4  Saih angklung, 4-tone slendro from Kamassan village, 1/1=400 Hz, McPhee, 1966
slendro14.scl                   4  Saih angklung, 4-tone slendro from Sayan village, 1/1=365 Hz, McPhee, 1966
slendro15.scl                   4  Saih angklung, 4-tone slendro from Tabanan, 1/1=326 Hz, McPhee, 1966
slendro2.scl                    5  Gamelan slendro from Ranchaiyuh, distr. Tanggerang, Batavia. 1/1=282.5 Hz
slendro3.scl                    5  Gamelan kodok ngorek. 1/1=270 Hz
slendro4.scl                    5  Low gender in saih lima from Kuta, Bali. 1/1=183 Hz. McPhee, 1966
slendro5_1.scl                  5  A slendro type pentatonic which is based on intervals of 7; from Lou Harrison
slendro5_2.scl                  5  A slendro type pentatonic which is based on intervals of 7, no. 2
slendro5_4.scl                  5  A slendro type pentatonic which is based on intervals of 7, no. 4
slendro6.scl                    5  Low gender from Klandis, Bali. 1/1=180 Hz. McPhee, 1966
slendro8.scl                    5  Low gender from Tabanan, Bali, 1/1=179 Hz, McPhee, 1966
slendro9.scl                    5  Low gender from Singaraja (banjar Panataran), Bali. 1/1=175 Hz. McPhee, 1966. Ayers ICMC 1996
slendrob1.scl                   5  Gamelan miring of Musadikrama, desa Katur, Bajanegara. 1/1=434 Hz
slendrob2.scl                   5  Gamelan miring from Bajanegara. 1/1=262 Hz
slendrob3.scl                   5  Gamelan miring from Ngumpak, Bajanegara. 1/1=266 Hz
slendroc1.scl                   5  Kyahi Kanyut mesem slendro (Mangku Nagaran Solo). 1/1=291 Hz
slendroc2.scl                   5  Kyahi Pengawe sari (Paku Alaman, Jogja). 1/1=295 Hz
slendroc3.scl                   5  Gamelan slendro of R.M. Jayadipura, Jogja. 1/1=231 Hz
slendroc4.scl                   5  Gamelan slendro, Rancha iyuh, Tanggerang, Batavia. 1/1=282.5 Hz
slendroc5.scl                   5  Gender wayang from Pliatan, South Bali. 1/1=611 Hz
slendroc6.scl                  10  from William Malm: Music Cultures of the Pacific, the Near East and Asia.
slendrod1.scl                   5  Gender wayang from Ubud (S. Bali). 1/1=347 Hz
slendro_7_1.scl                 5  Septimal Slendro 1, from HMSL Manual, also Lou Harrison, Jacques Dudon
slendro_7_2.scl                 5  Septimal Slendro 2, from Lou Harrison, Jacques Dudon's APTOS
slendro_7_3.scl                 5  Septimal Slendro 3, Harrison, Dudon, called "MILLS" after Mills Gamelan
slendro_7_4.scl                 5  Septimal Slendro 4, from Lou Harrison, Jacques Dudon, called "NAT"
slendro_7_5.scl                 5  Septimal Slendro 5, from Jacques Dudon
slendro_7_6.scl                 5  Septimal Slendro 6, from Robert Walker
slendro_a1.scl                  5  Dudon's Slendro A1, "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994, hexany 1.3.7.21
slendro_ang.scl                 5  Gamelan Angklung Sangsit, North Bali. 1/1=294 Hz
slendro_ang2.scl                5  Angklung from Banyuwangi. 1/1=298 Hz. J. Kunst, Music in Java, p.198
slendro_av.scl                  5  Average of 30 measured slendro gamelans, W. Surjodiningrat et al., 1993.
slendro_av2.scl                 5  Average of 28 measured slendro gamelans, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
slendro_dudon.scl               5  Dudon's Slendro from "Fleurs de lumière" (1995)
slendro_gam1.scl                5  Slendro gambang Kyahi Madumurti, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
slendro_gam2.scl                5  Slendro gambang Kyahi Kanjutmesem, Wim van Zanten, The equidistant heptatonic scale of the asena in Malawi, 1980
slendro_gum.scl                 5  Gumbeng, bamboo idiochord from Banyumas. 1/1=440 Hz
slendro_ky1.scl                 5  Kyahi Kanyut Me`sem slendro, Mangku Nagaran, Solo. 1/1=291 Hz
slendro_ky2.scl                 5  Kyahi Pengawe' sari, Paku Alaman, Jogya. 1/1=295 Hz
slendro_laras.scl               7  Lou Harrison, gamelan "Si Betty"
slendro_m.scl                   5  Dudon's Slendro M from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994. Also scale by Giovanni Marco Marci (17th cent.)
slendro_madu.scl                5  Sultan's gamelan Madoe kentir, Jogjakarta, Jaap Kunst
slendro_pa.scl                  5  "Blown fifth" primitive slendro, von Hornbostel
slendro_pas.scl                 5  Gamelan slendro of regent of Pasoeroean, Jaap Kunst
slendro_pb.scl                  5  "Blown fifth" medium slendro, von Hornbostel
slendro_pc.scl                  5  "Blown fifth" modern slendro, von Hornbostel
slendro_pliat.scl               9  Gender wayang from Pliatan, South Bali (Slendro), 1/1=305.5 Hz
slendro_q13.scl                 5  13-tET quasi slendro, Blackwood
slendro_s1.scl                  5  Dudon's Slendro S1 from "Seven-Limit Slendro Mutations", 1/1 8:2 Jan 1994
slendro_udan.scl                5  Slendro Udan Mas (approx)
slendro_wolf.scl                5  Daniel Wolf's slendro, TL 30-5-97
slen_pel.scl                   12  Pelog white, Slendro black
slen_pel16.scl                 12  16-tET Slendro and Pelog
slen_pel23.scl                 12  23-tET Slendro and Pelog
slen_pel_jc.scl                12  Slendro (John Chalmers) plus Pelog S1c,P1c#,S2d,eb,P2e,S3f,P3f#,S4g,ab,P4a,S5bb,P5b
slen_pel_schmidt.scl           12  Dan Schmidt (Pelog white, Slendro black)
smithgw46.scl                   8  Gene Ward Smith 46-tET subset "Star"
smithgw46a.scl                  8  46-tET version of "Star", alternative version
smithgw72a.scl                 11  Gene Ward Smith trivalent 72-tET subset, TL 04-01-2002
smithgw72c.scl                  9  Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72d.scl                  8  Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72e.scl                  8  Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72f.scl                  5  Gene Ward Smith 72-tET subset, TL 04-01-2002
smithgw72g.scl                  5  Gene Ward Smith trrivalent 72-tET subset, TL 04-01-2002
smithgw72h.scl                  7  Gene Ward Smith 72-tET subset, TL 09-01-2002
smithgw72i.scl                 12  Gene Ward Smith 72-tET subset version of Duodene, TL 02-06-2002
smithgw72j.scl                 10  {225/224, 441/440} tempering of decad, 72-et version (2002)
smithgw_15highschool1.scl      15  First 15-note Highschool scale
smithgw_15highschool2.scl      15  Second 15-note Highschool scale
smithgw_18.scl                 18  Gene Ward Smith chord analogue to periodicity blocks, TL 12-07-2002
smithgw_19highschool1.scl      19  First 19-note Highschool scale
smithgw_19highschool2.scl      19  Second 19-note Highschool scale
smithgw_21.scl                 21  Gene Ward Smith symmetrical 7-limit JI version of Blackjack, TL 10-5-2002
smithgw_22highschool.scl       22  22-note Highschool scale
smithgw_45.scl                 45  Gene Ward Smith large limma repeating 5-tone MOS
smithgw_58.scl                 58  Gene Ward Smith hypergenesis 58-tone 11-limit epimorphic superset of Partch's 43-tone scale
smithgw_9.scl                   9  Gene Ward Smith "Miracle-Magic square" tuning, genus chromaticum of ji_12a
smithgw_al-baked.scl           12  Baked alaska, with beat ratios of 2 and 3/2
smithgw_al-fried.scl           12  Fried alaska, with octave-fifth brats of 1 and 2
smithgw_asbru.scl              12  Modified bifrost (2003)
smithgw_ball.scl               38  Ball 2 around tetrad lattice hole
smithgw_ball2.scl              55  7-limit crystal ball 2
smithgw_bifrost.scl            12  Six meantone fifths, four pure, two of sqrt(2048/2025 sqrt(5))
smithgw_cauldron.scl           12  Circulating temperament with two pure 9/7 thirds
smithgw_choraled.scl           26  Scale used in "choraled" by Gene Ward Smith
smithgw_circu.scl              12  Circulating temperament, brats of 1.5, 2.0, 4.0
smithgw_ck.scl                 72  Catakleismic temperament, g=316.745, 11-limit
smithgw_decab.scl              10  (10/9) <==> (16/15) transform of decaa
smithgw_decac.scl              10  inversion of decaa
smithgw_decad.scl              10  inversion of decab
smithgw_dhexmarv.scl           12  Dualhex in 11-limit minimax Marvel ({225/224, 385/384}-planar)
smithgw_diff13.scl             13  mod 13 perfect difference set, 7-limit
smithgw_duopors.scl            12  3-->10/3 5-->24/3 sorted rotated Duodene in 22-tET
smithgw_dwarf6_7.scl            6  Dwarf(<6 10 14 17|)
smithgw_ennon13.scl            13  Nonoctave Ennealimmal, [3, 5/3] just tuning
smithgw_ennon15.scl            15  Nonoctave Ennealimmal, [3, 5/3] just tuning
smithgw_ennon28.scl            28  Nonoctave Ennealimmal, [3, 5/3] just tuning
smithgw_ennon43.scl            43  Nonoctave Ennealimmal, [3, 5/3] just tuning
smithgw_euclid3.scl            43  7-limit Euclid ball 3
smithgw_exotic1.scl            12  Exotic temperament featuring four pure 14/11 thirds and two pure fifths
smithgw_fifaug.scl             15  Three circles of four (56/11)^(1/4) fifths with 11/7 as wolf
smithgw_gamelion.scl           10  Gene Smith's 3136:3125 planar-tempered decatonic
smithgw_glamma.scl             12  Glamma = reca1c2, <12 19 27 34|-epimorphic
smithgw_glumma-hendec.scl      12  glumma tempered in 13-limit POTE-tuned hendec
smithgw_glumma.scl             12  Gene Smith's 7-limit Glumma scale (2002)
smithgw_gm.scl                 41  Gene Ward Smith "Genesis Minus" periodicity block
smithgw_grail.scl              12  Holy Grail circulating temperament with two 14/11 and one 9/7 major third
smithgw_graileq.scl            12  56% RMS grail + 44% JI grail
smithgw_grailrms.scl           12  RMS optimized Holy Grail
smithgw_hahn12.scl             12  Hahn-reduced 12 note scale, Fokker block 225/224, 126/125, 64/63
smithgw_hahn15.scl             15  Hahn-reduced 15 note scale
smithgw_hahn16.scl             16  Hahn-reduced 16 note scale
smithgw_hahn19.scl             19  Hahn-reduced 19 note scale
smithgw_hahn22.scl             22  Hahn-reduced 22 note scale
smithgw_hemw.scl               41  Hemiwürschmidt TOP tempering of 43 notes of septimal ball 3
smithgw_indianred.scl          22  32805/32768 Hahn-reduced
smithgw_klv.scl                15  Variant of kleismic with 9/7 thirds, g=316.492
smithgw_majraj1.scl            12  Majraj 648/625 6561/6250 scale
smithgw_majraj2.scl            12  Majraj 648/625 6561/6250 scale
smithgw_majraj3.scl            12  Majraj 648/625 6561/6250 scale
smithgw_majsyn1.scl            12  First Majsyn 648/625 81/80 scale
smithgw_majsyn2.scl            12  Second Majsyn 648/625 81/80 scale
smithgw_majsyn3.scl            12  Third Majsyn 648/625 81/80 scale
smithgw_meandin.scl            12  Gene Smith, inverted detempered 7-limit meantone
smithgw_meanlesfip.scl         12  12-note 5-limit meantone lesfip
smithgw_meanred.scl            12  171-et Hahn reduced rational Meantone[12]
smithgw_meansp.scl              7  Strictly proper scale in 1/4-comma meantone, TL 10-6-2006
smithgw_meantune.scl           16  Meantune scale/temperament, Gene Ward Smith (2003)
smithgw_mir22.scl              22  11-limit Miracle[22]
smithgw_mmt.scl                12  Modified meantone with 5/4, 14/11 and 44/35 major thirds, TL 17-03-2003
smithgw_modmos12a.scl          12  A 12-note modmos in 50-et meantone
smithgw_monzoblock37.scl       37  Symmetrical 13-limit Fokker block containing all of the primes as scale degrees
smithgw_mush.scl               12  Mysterious mush scale. Gene Smith's meantone to TOP pelogic transformation
smithgw_nova.scl                8  Nova scale of Valentine temperament in 185-tET
smithgw_orw18r.scl             18  Rational version of two cycles of 9-tone "Orwell"
smithgw_pel1.scl               12  125/108, 135/128 periodicity block no. 1
smithgw_pel3.scl               12  125/108, 135/128 periodicity block no. 3
smithgw_pk.scl                 15  Parakleismic temperament, g=315.263, 5-limit
smithgw_pris.scl               12  optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
smithgw_prisa.scl              12  optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale
smithgw_propsep.scl            11  Proper septicyclic 1029/1024-tempered scale in 252-tET
smithgw_pum13marv.scl          13  pum13 marvel tempered and in epimorphic order
smithgw_qm3a.scl               10  Qm(3) 10-note quasi-miracle scale, mode A, 72-tET, TL 04-01-2002
smithgw_qm3b.scl               10  Qm(3) 10-note quasi-miracle scale, mode B
smithgw_ragasyn1.scl           12  Ragasyn 6561/6250 81/80 scale
smithgw_ratwell.scl            12  7-limit rational well-temperament
smithgw_ratwolf.scl            12  Eleven fifths of (416/5)^(1/11) and one 20/13 wolf, G.W. Smith 2003
smithgw_rectoo.scl             12  Hahn-reduced circle of fifths via <12 19 27 34| kernel
smithgw_red72_11geo.scl        72  Geometric 11-limit reduced scale
smithgw_red72_11pro.scl        72  Prooijen 11-limit reduced scale
smithgw_sc19.scl               19  Fokker block from commas <81/80, 78732/78125>, Gene Ward Smith 2002
smithgw_sch13.scl              29  13-limit schismic temperament, g=704.3917, TL 31-10-2002
smithgw_sch13a.scl             29  13-limit schismic temperament, g=702.660507, TL 31-10-2002
smithgw_scj22a.scl             22  <3125/3072, 250/243> Fokker block
smithgw_scj22b.scl             22  <2048/2025, 250/243> Fokker block
smithgw_scj22c.scl             22  <2048/2025, 3125/3072> Fokker block
smithgw_secab.scl              10  {126/125, 176/175} tempering of decab, 328-et version
smithgw_secac.scl              10  {126/125, 176/175} tempering of decac, 328-et version
smithgw_secad.scl              10  {126/125, 176/175} tempering of decad, 328-et version
smithgw_sixtetwoo.scl          12  Six 7-limit tetrads marvel woo scale with 51 11-limit dyads
smithgw_smalldi11.scl          11  Small diesic 11-note block, <10/9, 126/125, 1728/1715> commas
smithgw_smalldi19a.scl         19  Small diesic 19-note block, <16/15, 126/125, 1728/1715> commas
smithgw_smalldi19b.scl         19  Small diesic 19-note block, <16/15, 126/125, 2401/2400> commas
smithgw_smalldi19c.scl         19  Small diesic 19-note scale containing glumma
smithgw_smalldiglum19.scl      19  Small diesic "glumma" variant of 19-note MOS, 31/120 version
smithgw_smalldimos11.scl       11  Small diesic 11-note MOS, 31/120 version
smithgw_smalldimos19.scl       19  Small diesic 19-note MOS, 31/120 version
smithgw_sqoo.scl               18  3x3 chord square, 2401/2400 projection of tetrad lattice (612-et tuning)
smithgw_star.scl                8  Gene Ward Smith "Star" scale, untempered version, key of cluster8f.scl
smithgw_star2.scl               8  Gene Ward Smith "Star" scale, alternative untempered version
smithgw_starra.scl             12  12 note {126/125, 176/175} scale, 328-tET version (inverse of smithgw_starrb.scl)
smithgw_starrb.scl             12  12 note {126/125, 176/175} scale, 328-tET version (inverse of smithgw_starra.scl)
smithgw_starrc.scl             12  12 note {126/125, 176/175} scale, 328-et version
smithgw_suzz.scl               10  {385/384, 441/440} suzz in 190-tET version
smithgw_syndia2.scl            12  Second 81/80 2048/2025 Fokker block
smithgw_syndia3.scl            12  Third 81/80 2048/2025 Fokker block
smithgw_syndia4.scl            12  Fourth 81/80 2048/2025 Fokker block
smithgw_syndia6.scl            12  Sixth 81/80 2048/2025 Fokker block
smithgw_tetra.scl              12  {225/224, 385/384} tempering of two-tetrachord 12-note scale
smithgw_tr31.scl               15  6/31 generator supermajor seconds tripentatonic scale
smithgw_tr7_13.scl             12  81/80 ==> 28561/28672
smithgw_tr7_13b.scl            12  reverse reduced 81/80 ==> 28561/28672
smithgw_tr7_13r.scl            12  reduced 81/80 ==> 28561/28672
smithgw_tra.scl                12  81/80 ==> 1029/512
smithgw_tre.scl                12  81/80 ==> 1029/512 ==> reduction
smithgw_treb.scl               12  reversed 81/80 ==> 1029/512 ==> reduction
smithgw_trx.scl                12  reduced 3/2->7/6 5/4->11/6 scale
smithgw_trxb.scl               12  reversed reduced 3/2->7/6 5/4->11/6 scale
smithgw_wa.scl                 12  Wreckmeister A temperament, TL 2-6-2002
smithgw_wa120.scl              12  120-tET version of Wreckmeister A temperament
smithgw_wb.scl                 12  Wreckmeister B temperament, TL 2-6-2002
smithgw_well1.scl              12  Well-temperament, Gene Ward Smith (2005)
smithgw_whelp1.scl             12  Well-temperament with one pure third, Gene Ward Smith (2003)
smithgw_whelp2.scl             12  well-temperament with two pure thirds
smithgw_whelp3.scl             12  well-temperament with three pure thirds
smithgw_wilcmarv11.scl         12  Wilson Class scale in 11-limit minimax Marvel
smithgw_wilcmarv7.scl          12  Wilson Class scale in 1/4-kleisma Marvel
smithgw_wiz28.scl              28  11-limit Wizard[28]
smithgw_wiz34.scl              34  11-limit Wizard[34]
smithgw_wiz38.scl              38  11-limit Wizard[38]
smithgw_wreckpop.scl           12  "Wreckmeister" 13-limit meanpop (50-et) tempered thirds
smithgw_yarman12.scl           12  Gene Ward Smith's Circulating 12-tone Temperament in 159-tET inspired by Ozan Yarman
smithj12.scl                   12  Jon Lyle Smith, 5-limit JI scale, MMM 21-3-2006
smithj17.scl                   17  Jon Lyle Smith 17-tone well temperament, MMM 12-2006
smithj24.scl                   24  Jon Lyle Smith 5-limit JI scale, TL 8-4-2006
smithrk_19.scl                 19  19 out of 612-tET by Roger K. Smith (1978)
smithrk_mult.scl               19  Roger K. Smith, "Multitonic" scale, just version
smith_eh.scl                   12  Robert Smith's Equal Harmony temperament (1749)
smith_mq.scl                   12  Robert Smith approximation of quarter comma meantone fifth
snow_31.scl                    31  Jim Snow, 19-limit JI tuning for 31-tone keyboard
snyder.scl                    168  Jeff Snyder, 19-limit normal scale for adaptable JI (2010)
solar.scl                       8  Solar system scale: 0=Pluto, 8=Mercury. 1/1=248.54 years period
solfeggio.scl                   6  Ancient Solfeggio scale of Guido d'Arezzo, 1/1=396 Hz
solfeggio2.scl                 13  Ancient Solfeggio scale with additional tones, 1/1=63 Hz
sonbirkezsorted.scl            12  Sonbirkez Huzzam scale
sorge.scl                      12  Sorge's Monochord (1756). Fokker block 81/80 128/125
sorge1.scl                     12  Georg Andreas Sorge temperament I (1744)
sorge2.scl                     12  Georg Andreas Sorge temperament II (1744)
sorge3.scl                     12  Georg Andreas Sorge temperament III (1744)
sorge4.scl                     12  Georg Andreas Sorge, well temperament, (1756, 1758)
sorog9.scl                      5  9-tET Sorog
spanyi.scl                     12  Miklós Spányi Bach temperament (2007)
sparschuh-2009well885Hz.scl    12  Andreas Sparschuh, modern pianos with an fusing 3rd: C-E ~+0.654...c "sharp" above 5/4
sparschuh-442widefrench5th-a.scl
                               12  Margo Schulter's proposed revision with A at 885/529
sparschuh-442widefrench5th.scl 12  Rational temperament, 1/1=264.5 Hz, Andreas Sparschuh (2008)
sparschuh-885organ.scl         12  Andreas Sparschuh, for neobaroque pipe-organs with fusing 3rds C-E, G-B & F-A (2009)
sparschuh-eleven_eyes.scl      12  12 out of 53 starting from a'=440Hz
sparschuh-epimoric7.scl        12  Sparschuh's epimoric two- and one-7th part of syntonic comma (2010)
sparschuh-eqbeat-fac_ceg.scl   12  Sparschuh's 'Equal-Beating' major triads F~A~C & C~E~G well-temperament (2014)
sparschuh-equalbeating.scl     12  Sparschuh's Equal-Beating, A4=440Hz, TL 14-5-2010
sparschuh-gothic440.scl        12  Andreas Sparschuh, Gothic style, A=440
sparschuh-jsbloops440.scl      12  Sparschuh's 2007 interpretation of J.S. Bach's WTC loops @ 440 cps
sparschuh-neovictorian.scl     12  Andreas Sparschuh, epimoric neo-Victorian well-temperament
sparschuh-neovictorian2.scl    12  Andreas Sparschuh, neo-Victorian temperament, C4 = 262 Hz or A = 440
sparschuh-oldpiano.scl         12  Sparschuh's-Old-Piano in absolute Hertzians and cents approximation
sparschuh-pc-div.scl            8  Andreas Sparschuh, division of Pyth. comma in 8 superparticular steps (1999)
sparschuh-pc.scl               12  Andreas Sparschuh, division of Pyth. comma, Werckmeister variant
sparschuh-sc.scl               12  Syntonic comma variant of sparschuh-pc.scl. TL 08-02-2009
sparschuh-squiggle_clavichord.scl
                               12  Bach temperament, a'=400 Hz
sparschuh-squiggle_harpsichord.scl
                               12  Andreas Sparschuh, Bach temperament
sparschuh-stanhope.scl         12  Sparschuh's (2010) septenarian variant of Stanhopes (1806) idea
sparschuh-wohltemperiert.scl   12  C-major beats C:E:G = 4: 5*(1316/1315): 6*(1314/1315) synchronously, Andreas Sparschuh (2008)
sparschuh_19limwell.scl        12  Sparschuh's 19-limit well-temperament with epimoric 5ths & 3rds (2010)
sparschuh_41_23_bi_epi.scl     12  Sparschuh's 41- and 23-limit bi-epimoric well-temperament (2010)
sparschuh_53in13lim.scl        53  Sparschuh's overtone-series 1:3:5:7:9:11:13:15 interpolation (2012)
sparschuh_53tone5limit.scl     53  Sparschuh's tri-section of Mercator's-comma into (schisma)*2-Monzisma
sparschuh_53via19lim.scl       53  Sparschuh's Symmetric 53-tone well-temperament via 19-limit (2012)
sparschuh_5limdodek.scl        12  Sparschuh's 5-limit dodecatonics with two Kirnberger 5ths: C-G & A-E
sparschuh_bach19lim.scl        12  Sparschuh's (2012) 19-limit Bach's decorative ornament tuning
sparschuh_bach_cup.scl         12  Septenarian interpretation of J.S.Bach's cup compiled by A.Sparschuh
sparschuh_dent.scl             12  Modified Sparschuh temperament with a'=419 Hz by Tom Dent
sparschuh_dyadrat53.scl        53  Sparschuh's Dyadic-Rational 53 in Philolaos/Boethius style (2010)
sparschuh_ji53.scl             53  Sparschuh's rational 53-tone with some epimoric biased 5ths (2010)
sparschuh_ji53a.scl            53  Sparschuh's tri-section of Mercator's-comma into (schisma)*2-Monzisma
sparschuh_mietke.scl           12  Andreas Sparschuh, proposal for Mietke's lost "Bach" hpschd, 1/1=243, a=406, TL 6-10-2008
sparschuh_septenarian29.scl    29  Sparschuh's C-major-JI and 2 harmonic overtone-series 1:3:5:7:9:11:15 over F & C
sparschuh_septenarian53.scl    53  Sparschuh's 53 generalization of Werckmeister's septenarius temperament
sparschuh_wtc.scl              12  Andreas Sparschuh WTC temperament. 1/1=250 Hz, modified Collatz sequence
spec1_14.scl                   12  Spectrum sequence of 8/7: 1 to 27 reduced by 2/1
spec1_17.scl                   12  Spectrum sequence of 7/6: 1 to 27 reduced by 2/1
spec1_25.scl                   12  Spectrum sequence of 5/4: 1 to 25 reduced by 2/1
spec1_33.scl                   12  Spectrum sequence of 4/3: 1 to 29 reduced by 2/1
spec1_4.scl                    12  Spectrum sequence of 7/5: 1 to 25 reduced by 2/1
spec1_5.scl                    12  Spectrum sequence of 1.5: 1 to 27 reduced by 2/1
specr2.scl                     12  Spectrum sequence of sqrt(2): 1 to 29 reduced by 2/1
specr3.scl                     12  Spectrum sequence of sqrt(3): 1 to 31 reduced by 2/1
spectacle31.scl                31  Spectacle[31] (225/224, 243/242) hobbit irregular tuning
spon_chal1.scl                  9  JC Spondeion, from discussions with George Kahrimanis about tritone of spondeion
spon_chal2.scl                  9  JC Spondeion II, 10 May 1997. Various tunings for the parhypatai and hence trito
spon_mont.scl                   5  Montford's Spondeion, a mixed septimal and undecimal pentatonic (1923)
spon_terp.scl                   5  Subharm. 6-tone series, guess at Greek poet Terpander's, 6th c. BC & Spondeion, Winnington-Ingram (1928)
sqrtphi.scl                    23  Sqrtphi[23], the 23-note MOS of the 49&72 temperament in sqrt(phi) tuning
squares.scl                    13  Robert Walker, scale steps are of form n^2/(n^2-1), TL 20-8-2004
stade.scl                      12  Organs in St. Cosmae, Stade; Magnuskerk, Anloo; H.K. Sluipwijk, modif. 1/4 mean
stanhope.scl                   12  Well temperament of Charles, third earl of Stanhope (1801)
stanhope2.scl                  12  Stanhope temperament (real version?) with 1/3 synt. comma temp.
stanhope_f.scl                 12  Stanhope temperament, equal beating version by Farey (1807)
stanhope_m.scl                 12  Stanhope's (1806) monochord string lenghts compiled by A.Sparschuh
stanhope_s.scl                 12  Stanhope temperament, alt. version with 1/3 syntonic comma
star-lesfip.scl                 8  11-limit lesfip version of 77-tET star, 6 to 12 cent tolerance
starling.scl                   12  Starling temperament, Herman Miller (1999)
starling11.scl                 11  Starling[11] hobbit <11 18 26 31| in <135 214 314 379| tuning
starling12.scl                 12  Starling[12] hobbit in <135 214 314 379| tuning
starling15.scl                 15  Starling[15] hobbit in <135 214 314 379| tuning
starling16.scl                 16  Starling[16] hobbit in <135 214 314 379| tuning
starling17.scl                 17  Starling[17] hobbit <17 27 40 49| in <135 214 314 379| tuning
starling19.scl                 19  Starling[19] hobbit in <135 214 314 379| tuning
starling7.scl                   7  Starling[7] hobbit <7 11 16 19| in <135 214 314 379| tuning
starling8.scl                   8  Starling[8] hobbit <8 13 19 23| in <135 214 314 379| tuning
starling9.scl                   9  Starling[9] hobbit <9 14 21 26| in <135 214 314 379| tuning
stearns.scl                     7  Dan Stearns, guitar scale
stearns2.scl                   22  Dan Stearns, scale for "At A Day Job" based on harmonics 10-20 and 14-28
stearns3.scl                    9  Dan Stearns, trivalent version of Bohlen's Lambda scale
stearns4.scl                    7  Dan Stearns, 1/4-septimal comma temperament, tuning-math 2-12-2001
steldek1.scl                   30  Stellated two out of 1 3 5 7 9 dekany
steldek1s.scl                  34  Superstellated two out of 1 3 5 7 9 dekany
steldek2.scl                   35  Stellated two out of 1 3 5 7 11 dekany
steldek2s.scl                  40  Superstellated two out of 1 3 5 7 11 dekany
steldia.scl                    18  Stellated hexany plus diamond; superparticular ratios
steleik1.scl                   70  Stellated Eikosany 3 out of 1 3 5 7 9 11
steleik1s.scl                  80  Superstellated Eikosany 3 out of 1 3 5 7 9 11
steleik2.scl                   80  Stellated Eikosany 3 out of 1 3 5 7 11 13
steleik2s.scl                  92  Superstellated Eikosany 3 out of 1 3 5 7 11 13
stelhex-catakleismic.scl       12  Stelhex tempered in 13-limit POTE-tuned catakleismic
stelhex1.scl                   14  Stellated two out of 1 3 5 7 hexany <14 23 36 40| weakly epimorphic, also dekatesserany, tetradekany, Fokblock 288/245, 56/45, 63/50
stelhex1star.scl               14  Starling (126/125) tempered dekatesserany, one major and minor triad extra
stelhex2.scl                   12  Stellated two out of 1 3 5 9 hexany
stelhex3.scl                   14  Stellated Tetrachordal Hexany based on Archytas's Enharmonic
stelhex4.scl                   14  Stellated Tetrachordal Hexany based on the 1/1 35/36 16/15 4/3 tetrachord
stelhex5.scl                   12  Stellated two out of 1 3 7 9 hexany, stellation is degenerate
stelhex6.scl                   14  Stellated two out of 1 3 5 11 hexany, from The Giving, by Stephen J. Taylor
stelhexplus.scl                16  13-limit 8 cents tolerance least squares
stellar.scl                    20  stellar scale in 1/4 kleismic marvel tempering
stellar5.scl                   20  Marvel scale stellar in 5-limit detempering
stellarhex.scl                 16  mandala/stelhex/cube(2) plus 7/6 and 7/5; convex in marvel tempering
stellarhexmarvwoo.scl          16  stellarhex tempered in marvel, marvel woo tuning
stellblock.scl                 20  Weak Fokker block, <20 32 45 54| epimorphic; mutated from stella
stelpd1.scl                    71  Stellated two out of 1 3 5 7 9 11 pentadekany
stelpd1s.scl                  110  Superstellated two out of 1 3 5 7 9 11 pentadekany
stelpent1.scl                  30  Stellated one out of 1 3 5 7 9 pentany
stelpent1s.scl                 55  Superstellated one out of 1 3 5 7 9 pentany
steltet1.scl                   16  Stellated one out of 1 3 5 7 tetrany
steltet1s.scl                  20  Superstellated one out of 1 3 5 7 tetrany
steltet2.scl                   16  Stellated three out of 1 3 5 7 tetrany
steltri1.scl                    6  Stellated one out of 1 3 5 triany
steltri2.scl                    6  Stellated two out of 1 3 5 triany
sternbrocot4.scl               16  Level 4 of the Stern-Brocot tree
stevin.scl                     12  Simon Stevin, monochord division of 10000 parts for 12-tET (1585)
stopper.scl                    19  Bernard Stopper, piano tuning with 19th root of 3 (1988)
storbeck.scl                   21  Ulrich Storbeck 7-limit JI scale (2001)
strahle.scl                    12  Daniel P. Stråhle's Geometrical scale (1743)
studwacko.scl                  41  Tweaked miracle41s.scl, Gene Ward Smith, 2010
sub24-12.scl                   12  Subharmonics 24-12. Phrygian Harmonia-Aliquot 24 (flute tuning)
sub40.scl                      12  Subharmonics 40-20
sub50.scl                      12  12 out of subharmonics 25-50
sub8.scl                        8  Subharmonics 16-8
sullivan7.scl                   7  John O'Sullivan, 7-limit just scale (2011)
sullivan_blue.scl              12  John O'Sullivan, Blue Temperament (2010), many good intervals within 256/255
sullivan_blueji.scl            12  John O'Sullivan, Blue JI, 7-limit Natural Pan Tuning (2007). 3/2 is also tonic
sullivan_cjv.scl               22  John O'Sullivan, 7-limit JI for Chris Vaisvil (2013)
sullivan_eagle.scl             12  John O'Sullivan, Eagle temperament (2016)
sullivan_raven.scl             12  John O'Sullivan, Raven temperament v2 (2012)
sullivan_ravenji.scl           12  John O'Sullivan, Raven JI (2016)
sullivan_sh.scl                12  John O'Sullivan, 7-limit Seventh Heaven scale (2011)
sullivan_zen.scl               12  John O'Sullivan, 7-limit just Zen scale (2011)
sullivan_zen2.scl              12  John O'Sullivan, Zen temperament (2011)
sumatra.scl                     9  "Archeological" tuning of Pasirah Rus orch. in Muaralakitan, Sumatra. 1/1=354 Hz
superclipgenus19.scl           19  Mode of Genus [333357] with 567/512 removed, <19 30 42 55| superwakalix
superfif7a.scl                  7  3/2 repeating 12-tET patent val. August-Dominant-Diminished-Pajara-Injera-Schism superduperwakalix
superfif7b.scl                  7  3/2 repeating 12-tET patent val August-Dominant-Diminished-Pajara-Injera-Meantone superduperwakalix
supermagic15.scl               15  Supermagic[15] hobbit in 5-limit minimax tuning
supertriskaideka.scl           13  13d superwakalix
super_10.scl                   10  A superparticular 10-tone scale
super_11.scl                   11  A superparticular 11-tone scale
super_12.scl                   12  A superparticular 12-tone scale
super_13.scl                   13  A superparticular 13-tone scale
super_15.scl                   15  A superparticular 15-tone scale
super_19.scl                   19  A superparticular 19-tone scale
super_19a.scl                  19  Another superparticular 19-tone scale
super_19b.scl                  19  Another superparticular 19-tone scale
super_22.scl                   22  A superparticular 22-tone scale
super_22a.scl                  22  Another superparticular 22-tone scale
super_24.scl                   24  Superparticular 24-tone scale, inverse of Mans.ur 'Awad
super_8.scl                     8  A superparticular 8-tone scale
super_9.scl                     9  A superparticular 9-tone scale
suppig.scl                     19  Friedrich Suppig's 19-tone JI scale. Calculus Musicus, Berlin 1722
surupan_7.scl                   7  7-tone surupan (Sunda)
surupan_9.scl                   9  Theoretical nine-tone surupan gamut
surupan_ajeng.scl               5  Surupan ajeng, West-Java
surupan_degung.scl              5  Surupan degung, Sunda
surupan_madenda.scl             5  Surupan madenda
surupan_melog.scl               5  Surupan melog jawar, West-Java
surupan_miring.scl              5  Surupan miring, West-Java
surupan_x.scl                   5  Surupan tone-gender X (= unmodified nyorog)
surupan_y.scl                   5  Surupan tone-gender Y (= mode on pamiring)
sverige.scl                    24  Scale on Swedish 50 crown banknote with Swedish fiddle
swet1.scl                       5  Swetismic tempering of [7/6, 9/7, 3/2, 11/6, 2], 578-tET tuning
swet2.scl                       5  Swetismic tempering of [7/6, 9/7, 3/2, 18/11, 2], 578-tET tuning
swet3.scl                       5  Swetismic tempering of [7/6, 10/7, 5/3, 11/6, 2], 578-tET tuning
swet4.scl                       5  Swetismic tempering of [7/6, 10/7, 5/3, 20/11, 2], 578-tET tuning
swet5.scl                       5  Swetismic tempering of [7/6, 9/7, 10/7, 11/6, 2], 578-tET tuning
swet6.scl                       5  Swetismic tempering of [9/7, 10/7, 11/7, 11/6, 2], 578-tET tuning
syntonic_dipentatonic.scl      10  Syntonic Dipentatonic Step-Nested Scale
syntonolydian.scl               7  Greek Syntonolydian, also genus duplicatum medium, or ditonum (Al-Farabi)
syrian.scl                     30  d'Erlanger vol.5, p. 29. After ^Sayh.'Ali ad-Darwis^ (Shaykh Darvish)
t-side.scl                     12  Tau-on-Side
t-side2.scl                    12  Tau-on-Side opposite
tagawa_55.scl                  55  Rick Tagawa, 17-limit diamond subset with good 72-tET approximation (2003)
tamil.scl                      22  Possible Tamil sruti scale. Alternative 11th sruti is 45/32 or 64/45
tamil_vi.scl                   12  Vilarippalai scale in Tamil music, Vidyasankar Sundaresan
tamil_vi2.scl                  12  Vilarippalai scale with 1024/729 tritone
tanaka.scl                     26  26-note choice system of Shohé Tanaka, Studien i.G.d. reinen Stimmung (1890)
tanbur.scl                     12  Sub-40 tanbur scale
tansur.scl                     12  William Tans'ur temperament from A New Musical Grammar (1746) p. 73
tapek-ribbon.scl               12  Eq-diff ribbon extension of Superpyth, made of two Tapek sequences
tartini_7.scl                   7  Tartini (1754) with 2 neochromatic tetrachords, 1/1=d, Minor Gipsy (Slovakia)
taylor_g.scl                   12  Gregory Taylor's Dutch train ride scale based on pelog_schmidt
taylor_n.scl                   12  Nigel Taylor's Circulating Balanced temperament (20th cent.)
telemann.scl                   44  G.Ph. Telemann (1767). 55-tET interpretation of Klang- und Intervallen-Tafel
telemann_28.scl                28  Telemann's tuning as described on Sorge's monochord, 1746, 1748, 1749
temes-mix.scl                   9  Temes' 5-tone Phi scale mixed with its octave inverse
temes.scl                       5  Lorne Temes' 5-tone phi scale (1970)
temes2-mix.scl                 18  Temes' 2 cycle Phi scale mixed with its 4/1 inverse
temes2.scl                     10  Lorne Temes' 5-tone Phi scale / 2 cycle (1970)
temp10ebss.scl                 10  Cycle of 10 equal "beating" 15/14's
temp11ebst.scl                 11  Cycle of 11 equal beating 9/7's
temp12b2w.scl                  12  The fifths on black keys beat twice the amount of fifths on white keys
temp12b2w19.scl                19  Just twelfth and fifths on black keys beat twice the amount of fifths on white keys, 3/1 period
temp12b2ws.scl                 12  Stretched octave and fifths on black keys beat twice the amount of fifths on white keys
temp12bf1.scl                  12  Temperament with fifths beating 1.0 Hz at 1/1=256 Hz
temp12eb46o.scl                12  Equal temperament with equal beating 4/1 = 6/1 opposite
temp12eb46o2.scl               12  Equal temperament with equal beating 4/1 = 6/1 twice opposite. Almost equal to hinrichsen
temp12ebf.scl                  12  Equal beating temperament, Barthold Fritz (1756), The Best Factory Tuners (1840)
temp12ebf4.scl                 12  Eleven equal beating fifths and just fourth
temp12ebfo.scl                 12  Equal beating fifths and fifth beats equal octave opposite at C
temp12ebfo2o.scl               12  Equal beating fifths and fifth beats twice octave opposite at C
temp12ebfp.scl                 12  All fifths except G#-Eb beat same as 700 c. C-G
temp12ebfr.scl                 12  Exact values of equal beating temperament of Best Factory Tuners (1840)
temp12ep.scl                   12  Pythagorean comma distributed equally over octave and fifth: 1/19-Pyth comma
temp12fo1o.scl                 12  Fifth beats equal octave opposite
temp12fo2o.scl                 12  Fifth beats twice octave opposite
temp12k4.scl                   12  Temperament with 4 1/4-comma fifths
temp12p10.scl                  12  1/10-Pyth. comma well temperament
temp12p6.scl                   12  Modified 1/6-Pyth. comma temperament
temp12p6a.scl                  12  Alternating just and 1/6-Pyth. comma fifths
temp12p8.scl                   12  1/8-Pyth. comma well temperament
temp12rwt.scl                  12  [2 3 17 19] well temperament
temp12septendec.scl            12  Scale with 18/17 steps
temp12to1o.scl                 12  Twelfth beats equal octave opposite
temp12to2o.scl                 12  Twelfth beats twice octave opposite
temp12w2b.scl                  12  The fifths on white keys beat twice the amount of fifths on black keys
temp152-171.scl                38  152&171 temperament, 2 cycles of 19-tET separated by one step of 171-tET
temp15coh.scl                  15  Differential coherent 15-tone scale, OdC, 2003
temp15ebmt.scl                 15  Cycle of 15 equal beating minor thirds
temp15ebsi.scl                 15  Cycle of 15 equal beating major sixths
temp15mt.scl                   15  Cycle of 15 minor thirds, Petr Parizek
temp15rbt.scl                  15  Cycle of 15 minor thirds, 6/5 equal beats 5/4 opposite
temp16d3.scl                   16  Cycle of 16 thirds tempered by 1/3 small diesis
temp16d4.scl                   16  Cycle of 16 thirds tempered by 1/4 small diesis
temp16ebs.scl                  16  Cycle of 16 equal beating sevenths
temp16ebt.scl                  16  Cycle of 16 equal beating thirds
temp16l4.scl                   16  Cycle of 16 fifths tempered by 1/4 major limma. Mavila with just 6/5
temp17ebf.scl                  17  Cycle of 17 eqaul beating fifths
temp17ebs.scl                  17  Cycle of 17 equal beating sevenths
temp17fo2o.scl                 17  Fifth beats twice octave opposite
temp17nt.scl                   17  17-tone temperament with 27/22 neutral thirds
temp17s.scl                    17  Margo Schulter, cycle of 17 fifths tempered by 2 schismas, TL 10-9-98
temp19ebf.scl                  19  Cycle of 19 equal beating fifths
temp19ebmt.scl                 19  Cycle of 19 equal beating minor thirds
temp19ebo.scl                  19  Cycle of 19 equal beating octaves in twelfth
temp19ebt.scl                  19  Cycle of 19 equal beating thirds
temp19fo2o.scl                 19  Fifth beats twice octave opposite
temp19k10.scl                  19  Chain of 19 minor thirds tempered by 1/10 kleisma
temp19k3.scl                   19  Chain of 19 minor thirds tempered by 1/3 kleisma
temp19k4.scl                   19  Chain of 19 minor thirds tempered by 1/4 kleisma
temp19k5.scl                   19  Chain of 19 minor thirds tempered by 1/5 kleisma
temp19k6.scl                   19  Chain of 19 minor thirds tempered by 1/6 kleisma
temp19k7.scl                   19  Chain of 19 minor thirds tempered by 1/7 kleisma
temp19k8.scl                   19  Chain of 19 minor thirds tempered by 1/8 kleisma
temp19k9.scl                   19  Chain of 19 minor thirds tempered by 1/9 kleisma
temp19lst.scl                  19  Cycle of 19 least squares thirds 5/4^5 = 3/2
temp19mto2o.scl                19  Minor third beats equal octave opposite
temp19tf2.scl                  19  Major third beats twice fifth
temp21ebs.scl                  21  Cycle of 21 equal beating sevenths
temp22ebf.scl                  22  Cycle of 22 equal beating fifths
temp22ebt.scl                  22  Cycle of 22 equal beating thirds
temp22fo2o.scl                 22  Fifth beats twice octave opposite
temp23ebs.scl                  23  Cycle of 23 equal beating major sixths
temp24ebaf.scl                 24  Cycle of 24 equal beating 11/8's
temp24ebf.scl                  24  24-tone ET with 23 equal beatings fifths. Fifth on 17 slightly smaller.
temp24ebt.scl                  24  Two octaves with equal beating twelfths
temp25ebt.scl                  25  Cycle of 25 equal beating thirds
temp26ebf.scl                  26  Cycle of 26 equal beating fifths
temp26ebmt.scl                 26  Cycle of 26 equal beating minor thirds
temp26ebs.scl                  26  Cycle of 26 equal beating sevenths
temp26rb3.scl                  26  Cycle of 26 fifths, 5/4 beats three times 3/2
temp26so1o.scl                 26  Seventh beats equal octave opposite
temp27c8.scl                   27  Cycle of 27 fifths tempered by 1/8 of difference between augm. 2nd and 5/4
temp27rb2.scl                  27  Cycle of 27 fourths, 5/4 beats twice 4/3
temp28ebt.scl                  28  Cycle of 28 equal beating thirds
temp28fo1o.scl                 28  Third beats equal octave opposite
temp29c14.scl                  29  Cycle of 29 fifths 1/14 comma positive
temp29ebf.scl                  29  Cycle of 29 equal beating fifths
temp29fo1o.scl                 29  Fifth beats equal octave opposite
temp29fo2o.scl                 29  Fifth beats twice octave opposite
temp31c51.scl                  31  Cycle of 31 51/220-comma tempered fifths (twice diff. of 31-tET and 1/4-comma)
temp31ebf.scl                  31  Cycle of 31 equal beating fifths
temp31ebs.scl                  31  Cycle of 31 equal beating sevenths
temp31ebsi.scl                 31  Cycle of 31 equal beating major sixths
temp31ebt.scl                  31  Cycle of 31 equal beating thirds
temp31g3.scl                   31  Wonder Scale, cycle of 31 sevenths tempered by 1/3 gamelan residue, s.wonder1.scl
temp31g4.scl                   31  Cycle of 31 sevenths tempered by 1/4 gamelan residue
temp31g5.scl                   31  Cycle of 31 sevenths tempered by 1/5 gamelan residue
temp31g6.scl                   31  Cycle of 31 sevenths tempered by 1/6 gamelan residue
temp31g7.scl                   31  Cycle of 31 sevenths tempered by 1/7 gamelan residue
temp31h10.scl                  31  Cycle of 31 fifths tempered by 1/10 Harrison's comma
temp31h11.scl                  31  Cycle of 31 fifths tempered by 1/11 Harrison's comma
temp31h8.scl                   31  Cycle of 31 fifths tempered by 1/8 Harrison's comma
temp31h9.scl                   31  Cycle of 31 fifths tempered by 1/9 Harrison's comma
temp31ms.scl                   31  Cycle of 31 5th root of 5/4 chromatic semitones
temp31mt.scl                   31  Cycle of 31 square root of 5/4 meantones
temp31rb1.scl                  31  Meta-Würschmidt cycle of 31 thirds, 3/2 beats equal 5/4
temp31rb1a.scl                 31  Cycle of 31 thirds, 5/4 beats equal 7/4
temp31rb2.scl                  31  Cycle of 31 thirds, 3/2 beats twice 5/4
temp31rb2a.scl                 31  Cycle of 31 thirds, 5/4 beats twice 3/2
temp31rb2b.scl                 31  Cycle of 31 thirds, 5/4 beats twice 7/4 (7/4 beats twice 5/4 gives 31-tET)
temp31rbf2.scl                 31  Cycle of 31 fifths, 3/2 beats equal 7/4. Meta-Huygens
temp31rbs1.scl                 31  Cycle of 31 sevenths, 3/2 beats equal 7/4. 17/9 schisma fifth
temp31rbs2.scl                 31  Cycle of 31 sevenths, 3/2 beats twice 7/4. Almost 31-tET
temp31smith.scl                31  Gene Ward Smith, {225/224, 385/384, 1331/1323}, 11-limit TOP
temp31so2o.scl                 31  Seventh beats twice octave opposite
temp31st2o.scl                 31  Seventh beats twice third opposite
temp31to.scl                   31  Third beats equal octave opposite
temp31w10.scl                  31  Cycle of 31 thirds tempered by 1/10 Wuerschmidt comma
temp31w11.scl                  31  Cycle of 31 thirds tempered by 1/11 Wuerschmidt comma
temp31w12.scl                  31  Cycle of 31 thirds tempered by 1/12 Wuerschmidt comma
temp31w13.scl                  31  Cycle of 31 thirds tempered by 1/13 Wuerschmidt comma
temp31w14.scl                  31  Cycle of 31 thirds tempered by 1/14 Wuerschmidt comma
temp31w15.scl                  31  Cycle of 31 thirds tempered by 1/15 Wuerschmidt comma, almost 31-tET
temp31w8.scl                   31  Cycle of 31 thirds tempered by 1/8 Wuerschmidt comma
temp31w9.scl                   31  Cycle of 31 thirds tempered by 1/9 Wuerschmidt comma
temp34ebsi.scl                 34  Cycle of 34 equal beating major sixths
temp34ebt.scl                  34  Cycle of 34 equal beating thirds
temp34rb2a.scl                 34  Cycle of 34 thirds, 5/4 beats twice 3/2
temp34w10.scl                  34  Cycle of 34 thirds tempered by 1/10 Wuerschmidt comma
temp34w5.scl                   34  Cycle of 34 thirds tempered by 1/5 Wuerschmidt comma
temp34w6.scl                   34  Cycle of 34 thirds tempered by 1/6 Wuerschmidt comma
temp34w7.scl                   34  Cycle of 34 thirds tempered by 1/7 Wuerschmidt comma
temp34w8.scl                   34  Cycle of 34 thirds tempered by 1/8 Wuerschmidt comma
temp34w9.scl                   34  Cycle of 34 thirds tempered by 1/9 Wuerschmidt comma
temp35ebsi.scl                 35  Cycle of 35 equal beating major sixths
temp36ebs.scl                  36  Cycle of 36 equal beating sevenths
temp37ebs.scl                  37  Cycle of 37 equal beating sevenths
temp37ebt.scl                  37  Cycle of 37 equal beating thirds
temp40ebt.scl                  40  Cycle of 40 equal beating thirds
temp41ebf.scl                  41  Cycle of 41 equal beating fifths
temp43ebf.scl                  43  Cycle of 43 equal beating fifths
temp4ebmt.scl                   4  Cycle of 4 equal beating minor thirds
temp4ebsi.scl                   4  Cycle of 4 equal beating major sixths
temp53ebs.scl                  53  Cycle of 53 equal beating harmonic sevenths
temp53ebsi.scl                 53  Cycle of 53 equal beating major sixths
temp53ebt.scl                  53  Cycle of 53 equal beating thirds
temp57ebs.scl                  57  Cycle of 57 equal beating harmonic sevenths
temp59ebt.scl                  59  Cycle of 59 equal beating thirds
temp5ebf.scl                    5  Cycle of 5 equal beating fifths
temp5ebs.scl                    5  Cycle of 5 equal beating harmonic sevenths
temp6.scl                       6  Tempered wholetone scale with approximations to 5/4 (4), 7/5 (4) and 7/4 (1)
temp65ebf.scl                  65  Cycle of 65 equal beating fifths
temp65ebt.scl                  65  Cycle of 65 equal beating thirds
temp6eb2.scl                    6  Cycle of 6 equal beating 9/8 seconds
temp6teb.scl                    6  Cycle of 6 equal beating 6/5's in a twelfth
temp7-5ebf.scl                 12  7 equal beating fifths on white, 5 equal beating fifths on black
temp7ebf.scl                    7  Cycle of 7 equal beating fifths
temp7ebnt.scl                   7  Cycle of 7 equal beating 11/9 neutral thirds
temp8eb3q.scl                   8  Cycle of 8 equal "beating" 12/11's
temp9ebmt.scl                   9  Cycle of 9 equal beating 7/6 septimal minor thirds
tenn41a.scl                    41  29&41 Tenney reduced fifths from -20 to 20
tenn41b.scl                    41  41&53 Tenney reduced fifths from -20 to 20
tenn41c.scl                    41  53&118 Tenney reduced fifths from -20 to 20
tenney_11.scl                  11  Scale of James Tenney's "Spectrum II" (1995) for wind quintet
tenney_8.scl                    8  James Tenney, first eight primes octatonic
terrain.scl                    12  JI version of generated scale for 63/50 and 10/9 effectively 250047/250000 (landscape) tempering in 2.9/5.9/7 subgroup
tertia78.scl                   78  Tertiaseptal[78] in 140-tET tuning
tertiadia.scl                  12  Tertiadia 2048/2025 and 262144/253125 scale
tertiadie.scl                  12  First Tertiadie 262144/253125 and 128/125 scale
tet3a.scl                       8  Eight notes, two major one minor tetrad
tetragam-di.scl                12  Tetragam Dia2
tetragam-enh.scl               12  Tetragam Enharm.
tetragam-hex.scl               12  Tetragam/Hexgam
tetragam-py.scl                12  Tetragam Pyth.
tetragam-slpe.scl              12  Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B
tetragam-slpe2.scl             12  Tetragam Slendro as 5-tET, Pelog-like pitches on C# E F# A B
tetragam-sp.scl                12  Tetragam Septimal
tetragam-un.scl                12  Tetragam Undecimal
tetragam13.scl                 12  Tetragam (13-tET)
tetragam5.scl                  12  Tetragam (5-tET)
tetragam7.scl                  12  Tetragam (7-tET)
tetragam8.scl                  12  Tetragam (8-tET)
tetragam9a.scl                 12  Tetragam (9-tET) A
tetragam9b.scl                 12  Tetragam (9-tET) B
tetraphonic_31.scl             31  31-tone Tetraphonic Cycle, conjunctive form on 5/4, 6/5, 7/6 and 8/7
tetratriad.scl                  9  4:5:6 Tetratriadic scale
tetratriad1.scl                 9  3:5:9 Tetratriadic scale
tetratriad2.scl                 9  3:5:7 Tetratriadic scale
thailand.scl                    7  Observed ranat tuning from Thailand, Helmholtz/Ellis p. 518, nr.85
thailand2.scl                   7  Observed ranat t'hong tuning, Helmholtz/Ellis p. 518
thailand3.scl                   7  Observed tak'hay tuning. Helmholtz, p. 518
thailand4.scl                  15  Khong mon (bronze percussion vessels) tuning, Gemeentemuseum Den Haag. 1/1=465 Hz
thailand5.scl                   7  Observed Siamese scale, C. Stumpf, Tonsystem und Musik der Siamesen, 1901, p.137. 1/1=423 Hz
thailand6.scl                   7  Theoretical equal tempered Thai scale
thirds.scl                     12  Major and minor thirds parallellogram. Fokker block 81/80 128/125
thirteendene.scl               12  Detempered 2.3.5.7.13 transversal of marveldene, hecate (225/224, 325/324, 385/384) version
thirteenten.scl                 9  Tarkan Grood's 2.3.13/5 scale
thomas.scl                     12  Tuning of the Thomas/Philpott organ, Gereformeerde Kerk, St. Jansklooster
thrush12.scl                   12  Thrush[12] (126/125, 176/175) hobbit in the POTE tuning
thrush15.scl                   15  Thrush[15] hobbit 7&9 limit minimax tuning, commas 126/125, 176/175
thunor46.scl                   46  Thunor[46] hobbit in 494-tET, commas 4375/4374, 3025/3024, 1716/1715
tiby1.scl                       7  Tiby's 1st Byzantine Liturgical genus, 12 + 13 + 3 parts
tiby2.scl                       7  Tiby's second Byzantine Liturgical genus, 12 + 5 + 11 parts
tiby3.scl                       7  Tiby's third Byzantine Liturgical genus, 12 + 9 + 7 parts
tiby4.scl                       7  Tiby's fourth Byzantine Liturgical genus, 9 + 12 + 7 parts
tickner_whirlwind.scl          22  Jack Tickner Scale
timbila1.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-198 A-1,2
timbila2.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-200 B-3
timbila3.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-202 B-4
timbila4.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-206
timbila5.scl                    7  Timbila from Chopi tuning. 1/1=268 Hz, Tracey TR-207 A-1,2,3
timbila6.scl                    7  Timbila from Chopi tuning. 1/1=268 Hz, Tracey TR-207 A-4,5,6
timbila7.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-207 B-4,5
timbila8.scl                    7  Timbila from Chopi tuning. 1/1=248 Hz, Tracey TR-208 B-2,3,4,5
todi_av.scl                     7  Average of 8 interpretations of raga Todi, in B. Bel, 1988.
tonos15_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-15
tonos17_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-17
tonos19_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-19
tonos21_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-21
tonos23_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-23
tonos25_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-25
tonos27_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-27
tonos29_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-29
tonos31_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-31
tonos31_pis2.scl               15  Diatonic Perfect Immutable System in the new Tonos-31B
tonos33_pis.scl                15  Diatonic Perfect Immutable System in the new Tonos-33
toof1.scl                      80  12&224[80] in 224-tET tuning
torb24.scl                     24  detempering C2 x C12 {648/625, 2048/2025} with generators 45/32 and 135/128
trab19.scl                     19  Diamond {1,3,5,45,75,225}
trab19a.scl                    19  Diamond {1,3,9,15,675}
trab19marv.scl                 19  1/4 kleismic tempered trab19
tranh.scl                       5  Bac Dan Tranh scale, Vietnam
tranh2.scl                      5  Dan Ca Dan Tranh scale
tranh3.scl                      6  Sa Mac Dan Tranh scale
trawas.scl                      5  Observed East-Javanese children's Trawas-songs scale. J. Kunst, Music in Java, p. 584.
tri12-1.scl                    12  12-tone Tritriadic of 7:9:11
tri12-2.scl                    12  12-tone Tritriadic of 6:7:9
tri19-1.scl                    19  3:5:7 Tritriadic 19-Tone Matrix
tri19-2.scl                    19  3:5:9 Tritriadic 19-Tone Matrix
tri19-3.scl                    19  4:5:6 Tritriadic 19-Tone Matrix
tri19-4.scl                    19  4:5:9 Tritriadic 19-Tone Matrix
tri19-5.scl                    19  5:7:9 Tritriadic 19-Tone Matrix
tri19-6.scl                    19  6:7:8 Tritriadic 19-Tone Matrix
tri19-7.scl                    19  6:7:9 Tritriadic 19-Tone Matrix
tri19-8.scl                    19  7:9:11 Tritriadic 19-Tone Matrix
tri19-9.scl                    19  4:5:7 Tritriadic 19-Tone Matrix
triangs11.scl                  10  The first 11 terms of the triangular number series, octave reduced
triangs13.scl                  12  The first 13 terms of the triangular number series, octave reduced
triangs22.scl                  19  The first 22 terms of the triangular number series, octave reduced
triaphonic_12.scl              12  12-tone Triaphonic Cycle, conjunctive form on 4/3, 5/4 and 6/5
triaphonic_17.scl              17  17-tone Triaphonic Cycle, conjunctive form on 4/3, 7/6 and 9/7
trichord-witchcraft.scl        11  trichord-11 in POTE tuned 13-limit Witchcraft
trichord7.scl                  11  Trichordal undecatonic, 7-limit
tricot19.scl                   19  Tricot[19] in 53-tET tuning
tridec8.scl                     8  Tridec[8] 2.7/5.11/5.13/5 subgroup scale in 89\235 tuning
trident19.scl                  19  Tricot[19] in 53&176 11-limit POTE tuning
trikleismic57.scl              57  Trikleismic[57] in 159-tET tuning
trillium19.scl                 19  Tricot[19] in 53&441 11-limit POTE tuning
trithagorean.scl               13  Tritave scale with a 5/3 generator
tritriad.scl                    7  Tritriadic scale of the 10:12:15 triad, natural minor mode
tritriad10.scl                  7  Tritriadic scale of the 10:14:15 triad
tritriad11.scl                  7  Tritriadic scale of the 11:13:15 triad
tritriad13.scl                  7  Tritriadic scale of the 10:13:15 triad
tritriad14.scl                  7  Tritriadic scale of the 14:18:21 triad
tritriad18.scl                  7  Tritriadic scale of the 18:22:27 triad
tritriad22.scl                  7  Tritriadic scale of the 22:27:33 triad
tritriad26.scl                  7  Tritriadic scale of the 26:30:39 triad
tritriad3.scl                   7  Tritriadic scale of the 3:5:7 triad. Possibly Mathews's 3.5.7a
tritriad32.scl                  7  Tritriadic scale of the 26:32:39 triad
tritriad3c.scl                  7  From 1/1 7/6 7/5, a variant of the 3.5.7 triad
tritriad3d.scl                  7  From 1/1 7/6 5/3, a variant of the 3.5.7 triad
tritriad5.scl                   7  Tritriadic scale of the 5:7:9 triad. Possibly Mathews's 5.7.9a.
tritriad68.scl                  7  Tritriadic scale of the 6:7:8 triad
tritriad68i.scl                 7  Tritriadic scale of the subharmonic 6:7:8 triad
tritriad69.scl                  7  Tritriadic scale of the 6:7:9 triad, septimal natural minor
tritriad7.scl                   7  Tritriadic scale of the 7:9:11 triad
tritriad9.scl                   7  Tritriadic scale of the 9:11:13 triad
trost-hg.scl                   12  Mark Lindley approximation (1988) of organ temperament attributed to Heinrich Gottfried Trost (1738)
trost.scl                      12  Johann Caspar Trost, organ temperament (1677), from Ratte, p. 390
tsikno_2nd.scl                  7  Tsiknopoulos 2nd Byzantine Liturgical mode (68: 7-14-7-12-7-14-7)
tsjerepnin.scl                  9  Scale from Ivan Tsjerepnin's Santur Opera (1977) & suite from it Santur Live!
tsuda13.scl                    12  Mayumi Tsuda's Harmonic-13 scale. 1/1=440 Hz
tuinstra.scl                   12  Organ tuning after Stef Tuinstra of organ in Bethelkerk, Bodegraven (2014)
tuneable3.scl                 101  Marc Sabat, 3 octaves of intervals tuneable by ear
tuners1.scl                    12  The Tuner's Guide well temperament no. 1 (1840)
tuners2.scl                    12  The Tuner's Guide well temperament no. 2 (1840)
tuners3.scl                    12  The Tuner's Guide well temperament no. 3 (1840)
turkish.scl                     7  Turkish, 5-limit from Palmer on a Turkish music record, harmonic minor inverse
turkish_17.scl                 17  Turkish THM folk music gamut in 53-tET
turkish_24.scl                 24  Ra'uf Yekta, 24-tone Pythagorean Turkish Theoretical Gamut, 1/1=D (perde yegah) at 294 Hz
turkish_24a.scl                24  Turkish gamut with schismatic simplifications
turkish_29.scl                 29  Gültekin Oransay, 29-tone Turkish gamut, 1/1=D
turkish_29a.scl                29  Combined gamut of KTM and THM in 53-tET
turkish_41.scl                 41  Abdülkadir Töre and M. Ekrem Karadeniz theoretical Turkish gamut
turkish_41a.scl                41  Karadeniz's theoretical Turkish gamut, quantized to subset of 53-tET
turkish_aeu.scl                24  Arel-Ezgi-Uzdilek (AEU) 24 tone theoretical system
turkish_aeu41.scl              41  Arel-Ezgi-Uzdilek extended to 41-quasi equal
turkish_awjara_on_b.scl        12  Turkish Awjara with perde iraq on B by Dr. Oz.
turkish_bagl.scl               17  Ratios of the 17 frets on the neck of "Baglama" ("saz") according to Yalçýn Tura
turkish_bestenigar_on_b.scl    12  Turkish Bestenigar with perde iraq on B by Dr. Oz.
turkish_buselik_on_d.scl       10  Turkish Buselik with perde buselik on E by Dr. Oz.
turkish_huseyni_and_neva.scl   10  Turkish Huseyni and Neva (also Tahir, Muhayyer, Gerdaniye, simple Isfahan & Gulizar) with perde dugah on D by Dr. Oz.
turkish_mahur_and_penchgah.scl 10  Turkish Mahur and Penchgah with perde rast on C by Dr. Oz.
turkish_mahur_and_zavil.scl    10  Turkish Mahur and Zavil with perde rast on C by Dr. Oz.
turkish_nishabur_on_e.scl       9  Turkish Nishabur with perde buselik on E by Dr. Oz.
turkish_rast_and_penchgah_on_c.scl
                                9  Turkish Rast, Acemli Rast and Penchgah with perde rast on C by Dr. Ozan Yarman
turkish_segah-huzzam-mustear_on_e.scl
                               12  Turkish Segah, Huzzam and Mustear with perde segah on E by Dr. Oz.
turkish_segah-huzzam-mustear_v2_on_e.scl
                               12  Turkish Segah, Huzzam and Mustear ver.2 with perde segah on E by Dr. Oz.
turkish_segah_on_e.scl         12  Turkish Segah with perde segah on E by Dr. Oz.
turkish_sivas.scl              15  Notes on a baglama from Sivas
turkish_sunbule_on_d.scl       11  Turkish Sunbule with perde dugah on D (also Chargah on F) by Dr. Oz.
turkish_ushshaq-bayati_on_d.scl
                               10  Turkish Ushshaq/Bayati with perde dugah on D by Dr. Oz.
turko-arabic_(kurdili)hijazkar-suznak-nawruz_neveser_nikriz_on_c.scl
                               12  Mixture of Turkish and Arabic intonations of Hijazkar, Kurdili-Hijazkar, Suznak, Nawruz, (Kurdili)Neveser, and Nikriz with perde rast on C by Dr. Oz.
turko-arabic_(kurdili)neveser_and_nikriz_on_c.scl
                               11  Mixture of Turkish and Arabic intonations of Neveser, Kurdili Neveser, and Nikriz with perde rast on C by Dr. Oz.
turko-arabic_hijaz-humayun-zirgule_on_d.scl
                               12  Mixture of Turkish and Arabic intonations of Hijaz, Humayun, and Zirgule with perde dugah on D by Dr. Oz.
turko-arabic_hijazkar_and kurdili-hijazkar_on_c.scl
                               10  Mixture of Turkish and Arabic intonations of Hijazkar and Kurdili Hijazkar with perde rast on C by Dr. Oz.
turko-arabic_iraq-awdj_and_ferahnak_on_b.scl
                               12  Mixture of Turkish and Arabic intonations of Iraq/Awdj and Ferahnak with perde iraq on B by Dr. Oz.
turko-arabic_karjighar-bayati_shuri_on_d.scl
                               10  Mixture of Turkish and Arabic intonations of Karjighar (Bayati Shuri) with perde dugah on D by Dr. Oz.
turko-arabic_kurdi_buselik_nishabur_on_d.scl
                               12  Mixture of Turkish and Arabic intonations of Kurdi, Buselik and Nishabur with perde dugah on D and buselik on E by Dr. Oz.
turko-arabic_kurdi_on_d.scl     7  Mixture of Turkish and Arabic intonations of Kurdi with perde dugah on D by Dr. Oz.
turko-arabic_nihavend(murassah)_zanjaran_on_c.scl
                               12  Mixture of Turkish and Arabic intonations of Nihavend (Murassah) and Zanjaran with perde rast on C by Dr. Oz.
turko-arabic_nihavend_and_nihavend-murassah_on_c.scl
                               10  Mixture of Turkish and Arabic intonations of Nihavend and Nihavend Murassah with perde rast on C by Dr. Oz.
turko-arabic_rast_huseyni_uzzal-garip.scl
                               12  Mixture of Turkish and Arabic general intonations of Rast, Huseyni, Uzzal and Garip Hijaz and with perde rast on C, dugah on D by Dr. Oz.
turko-arabic_rast_on_c.scl     10  Mixture of Turkish and Arabic general intonations of Rast by Dr. Oz.
turko-arabic_saba_on_d.scl     12  Mixture of Turkish and Arabic intonations of Saba (also Koutchek) with perde dugah on D (and Muberka on E) by Dr. Oz.
turko-arabic_suznak-nawruz_on_c.scl
                                9  Mixture of Turkish and Arabic intonations of Suznak and Nawruz with perde rast on C by Dr. Oz.
turko-arabic_ushshaq-bayati_and_huseyni_on_d.scl
                                9  Mixture of Turkish and Arabic intonations of Ushshaq/Bayati and Huseyni with perde dugah on D by Dr. Oz.
turko-arabic_uzzal-garip.scl   11  Mixture of Turkish and Arabic general intonations of Uzzal and Garip Hijaz with perde dugah on D by Dr. Oz.
two29.scl                      58  Two 29-tET scales 25 cents shifted, many near just intervals
two29a.scl                     58  Two 29-tET scales 15.826 cents shifted, 13-limit chords, Mystery temperament, Gene Ward Smith
twofifths1.scl                 75  152&159[75] in 159-tET tuning
twofifths2.scl                 64  19&159[64] in 159-tET tuning
ulimba.scl                      7  Ulimba from Nyanja tuning. 1/1=126 Hz, Tracey TR-89 A-1,2
ultimate12_nr1.scl             12  Ultimate Proportional Synchronous Beating Well-Temperament by Ozan Yarman
ultimate12_nr2.scl             12  Ultimate Proportional Synchronous Beating Well Temperament nr.2 by Ozan Yarman
ultimate12_nr3.scl             12  Ultimate Synchronous Proportional Beating Well-Temperament nr.3 by Ozan Yarman
ultimate12_nr4a.scl            12  Ultimate Synchronous Proportional Beating Well-Temperament nr.4a by Ozan Yarman
ultimate12_nr4b.scl            12  Ultimate Synchronous Proportional Beating Well-Temperament nr.4b by Ozan Yarman
unimajor.scl                   12  A 2.3.11/7 subgroup scale
unimajorpenta.scl              12  Pentacircle (896/891) tempered unimajor in 152\259 tuning
unimarv19.scl                  19  Unimarv[19] (Unidecimal marvel 225/224&385/384) hobbit in POTE tuning ! as catakleismic [-17, -16, -12, -11, -10, -6, -5, -4, -1, ! 0, 1, 4, 5, 6, 10, 11, 12, 16, 17
urania24.scl                   24  Urania[24] hobbit (81/80, 121/120) in POTE tuning
urmawi.scl                      7  al-Urmawi, one of twelve maqam rows. First tetrachord is Rast
uruk.scl                       17  Jon Lyle Smith's "Uruk" scale
ushaq99.scl                     8  yarman_ushaq in 99ef tempering
ushshaq tetrachord 11-limit.scl
                                3  Ushshaq tetrachord 81:88:96:108
ushshaq tetrachord 19-limit.scl
                                3  Ushshaq tetrachord 96:105:114:128
ushshaq tetrachord 23-limit.scl
                                3  Ushshaq tetrachord 21:23:25:28
vaisvil_70.scl                 70  Chris Vaisvil, disjunct 70 tones
vaisvil_diam7pluswoo.scl       17  Chris Vaisvil, 7-limit diamond; in [10/3 7/2 11] marvel woo tuning
vaisvil_goldsilver.scl          9  Chris Vaisvil, notes from golden and silver section scales combined, TL 09-05-2009
vaisvil_halfdiamond91.scl      91  Chris Vaisvil, 91 note half diamond
vaisvil_harm3-26.scl           12  Chris Vaisvil, octave reduced harmonic scale 3-26 with 4 skipped
vaisvil_piezo.scl              12  Chris Vaisvil, tuning for Piezo Psaltery (2018)
val-werck.scl                  12  Vallotti-Young and Werckmeister III, 10 cents 5-limit lesfip scale
valamute31.scl                 31  Mutant Valentine[31] 13-limit least squares optimum
valamute46.scl                 46  Mutant Valentine[46] 13-limit least squares
valenporc15.scl                15  Valentine-porcupine circulating strictly proper 15-note lesfip scale, 11 limit diamond target, 13.8 to 15.5 cent tolerance. Can be tuned in 77-tET
valentine.scl                  12  Robert Valentine, tuning with primes 3 & 19, TL 7-2-2002
valentine2.scl                 15  Robert Valentine, two octave 31-tET subset for guitar, TL 10-5-2002
vallotti-broekaert.scl         12  Version of Tartini-Vallotti with equal beating tempered fifths by Johan Broekaert (2016)
vallotti.scl                   12  Vallotti & Young scale (Vallotti version) also known as Tartini-Vallotti (1754)
vallotti2.scl                  12  Francesco Antonio Vallotti temperament, 1/6-comma
vallotti3.scl                  12  modified Vallotti temperament, 1/6 P
vavoom.scl                     75  Vavoom temperament, g=111.875426, 5-limit
velde_9.scl                     9  Marcel de Velde, TL 09-07-2010
velde_ji.scl                   12  Marcel de Velde, 12 tone JI scale (2011)
venkataramana.scl              33  Praveen Venkataramana, 7-limit diamond 1 3 5 7 9 15 21 35, TL 24-03-2009, 1/1=390 Hz
veroli-ord.scl                 12  Tempérament ordinaire after Veroli, W.Th. Meister, 1991, p. 126
veroli.scl                     12  Claudio di Veroli's well temperament (1978)
veroli1.scl                    12  Claudio di Veroli Bach temperament I (2009)
veroli2.scl                    12  Claudio di Veroli Bach temperament II (2009)
vertex_chrom.scl                7  A vertex tetrachord from Chapter 5, 66.7 + 266.7 + 166.7 cents
vertex_chrom2.scl               7  A vertex tetrachord from Chapter 5, 83.3 + 283.3 + 133.3 cents
vertex_chrom3.scl               7  A vertex tetrachord from Chapter 5, 87.5 + 287.5 + 125 cents
vertex_chrom4.scl               7  A vertex tetrachord from Chapter 5, 88.9 + 288.9 + 122.2 cents
vertex_diat.scl                 7  A vertex tetrachord from Chapter 5, 233.3 + 133.3 + 133.3 cents
vertex_diat10.scl               7  A vertex tetrachord from Chapter 5, 212.5 + 162.5 + 125 cents
vertex_diat11.scl               7  A vertex tetrachord from Chapter 5, 212.5 + 62.5 + 225 cents
vertex_diat12.scl               7  A vertex tetrachord from Chapter 5, 200 + 125 + 175 cents
vertex_diat2.scl                7  A vertex tetrachord from Chapter 5, 233.3 + 166.7 + 100 cents
vertex_diat4.scl                7  A vertex tetrachord from Chapter 5, 225 + 175 + 100 cents
vertex_diat5.scl                7  A vertex tetrachord from Chapter 5, 87.5 + 237.5 + 175 cents
vertex_diat7.scl                7  A vertex tetrachord from Chapter 5, 200 + 75 + 225 cents
vertex_diat8.scl                7  A vertex tetrachord from Chapter 5, 100 + 175 + 225 cents
vertex_diat9.scl                7  A vertex tetrachord from Chapter 5, 212.5 + 137.5 + 150 cents
vertex_sdiat.scl                7  A vertex tetrachord from Chapter 5, 87.5 + 187.5 + 225 cents
vertex_sdiat2.scl               7  A vertex tetrachord from Chapter 5, 75 + 175 + 250 cents
vertex_sdiat3.scl               7  A vertex tetrachord from Chapter 5, 25 + 225 + 250 cents
vertex_sdiat4.scl               7  A vertex tetrachord from Chapter 5, 66.7 + 183.3 + 250 cents
vertex_sdiat5.scl               7  A vertex tetrachord from Chapter 5, 233.33 + 16.67 + 250 cents
vicentino1.scl                 36  Usual Archicembalo tuning, 31-tET plus D,E,G,A,B a 10th tone higher
vicentino2.scl                 36  Alternative Archicembalo tuning, lower 3 rows the same upper 3 rows 3/2 higher
vicentino2q217.scl             36  Vicentino's second tuning, 217-tET version
vicentino36.scl                36  Vicentino's second tuning of 1555
vicentino38.scl                38  Vicentino's second archicembalo tuning, 1/4-comma (Gb-B#, Db'-F##')
victorian.scl                  12  Form of Victorian temperament (1885)
victor_eb.scl                  12  Equal beating Victorian piano temperament, interpr. by Bill Bremmer (improved)
vines_ovovo10eb5w6w7_0_D.scl   10  Mark Vines, 4:5:6:7 equal beating in 1 of 10 keys, an Eronyme algorithmic temperament
vines_ovovo22eb9w14w15_00_D.scl
                               22  Mark Vines ovovo temperament, 8:9:14:15 equal beating in 3 of 22 keys
vines_ovovo27eb5w6w7_00_D.scl  27  4:5:6:7 equal beating in 12 of 27 keys, slendro temperament from chain links inverting the smallest Pisot-Vijayaraghavan number
vitale1.scl                    16  Rami Vitale's 7-limit just scale
vitale2.scl                    16  Rami Vitale, inverse mode of vitale1.scl
vitale3.scl                    23  Superset of several Byzantine scales by Rami Vitale, TL 29-Aug-2001
vogelh_b.scl                   12  Harald Vogel's temperament, van Eeken organ, Immanuelkerk, Bunschoten (1992). Memorial Chapel, Stanford (1958)
vogelh_fisk.scl                12  Modified meantone tuning of Fisk organ in Memorial Church at Stanford
vogelh_hamburg.scl             12  Harald Vogel's temperament for the Schnitger organ in St. Jakobi, Hamburg (1993)
vogelh_hmean.scl               12  Harald Vogel hybrid meantone (1984)
vogel_21.scl                   21  Martin Vogel's 21-tone Archytas system, see Divisions of the tetrachord
volans.scl                      7  African scale according to Kevin Volans 1/1=G
vong.scl                        7  Vong Co Dan Tranh scale, Vietnam
vries19-72.scl                 18  Leo de Vries 19/72 Through-Transposing-Tonality 18 tone scale
vries35-72.scl                 17  Leo de Vries 35/72 Through-Transposing-Tonality 17 tone scale
vries5-72.scl                  18  Leo de Vries 5/72 Through-Transposing-Tonality 18 tone scale
vries6-31.scl                  11  Leo de Vries 6/31 TTT used in "For 31-tone organ" (1995)
waka3-7-17.scl                  7  Spectra Ce 2.3.7.17 subgroup 7-note wakalix
wakabayashi_half.scl           17  Hidekazu Wakabayshi Half Iceface Tuning, 12-tET for left hand and Iceface for right hand
walkerr_11.scl                 11  Robert Walker, "Seven to Pi" scale, TL 09-07-2002
walker_21.scl                  21  Douglas Walker, for Out of the fathomless dark/into the limitless light (1977)
wang-pho.scl                   12  Wang Pho, Pythagorean-type Monochord (10th cent.)
wauchope.scl                    8  Ken Wauchope, symmetrical 7-limit whole-half step scale
wegscheider.scl                12  Kristian Wegscheider, Bach-temperament after "H.C. Snerha" (2003). A=416 Hz
wegscheider2.scl               12  Kristian Wegscheider, temperament for organ in Reinfeld, 1/6 P
wegscheider_1a.scl             12  Kristian Wegscheider, temperament 1A, equal beating with two pure fifths, Tuning Methods in Organbuilding
weingarten.scl                 12  Gabler organ in Weingarten (1750). 1/11-(synt.+Pyth. comma) meantone
weingarten2.scl                12  Temperament of Gabler organ in Weingarten after restauration (1983)
weiss1.scl                    105  J.J. Weiss, system 1 qanun tuning (1990), Stefan Pohlit thesis, 2011
weiss2.scl                    105  J.J. Weiss, system 2 qanun tuning (2007), Stefan Pohlit thesis, 2011
weiss_mandal.scl               72  J.J. Weiss, tempered Mandal Set, tuning for Turkish qanun based on 18/17, Stefan Pohlit thesis, 2011
wellfip17.scl                  17  17-note lesfip scale, 11-limit diamond target, 8.6 to 10.8 cents tolerance
wendell1.scl                   12  Robert Wendell's Natural Synchronous well-temperament (2003)
wendell1r.scl                  12  Rational version of wendell1.scl by Gene Ward Smith
wendell2.scl                   12  Robert Wendell's Very Mild Synchronous well-temperament (2003)
wendell2p.scl                  12  1/5P version of wendell2.scl, Op de Coul
wendell3.scl                   12  Robert Wendell Modern Well (2002)
wendell4.scl                   12  Robert Wendell's ET equivalent (2002)
wendell5.scl                   12  Robert Wendell Synchronous Victorian (2002)
wendell6.scl                   12  Robert Wendell's RPW Synchronous well (2002)
wendell7.scl                   12  Robert Wendell Tweaked Synchronous Well
werc4.scl                       5  Werckismic tempering of [9/8, 11/8, 11/7, 7/4, 2], 320-tET tuning
werck1.scl                     20  Werckmeister I (just intonation)
werck3.scl                     12  Andreas Werckmeister's temperament III (the most famous one, 1681)
werck3_eb.scl                  12  Werckmeister III equal beating version, 5/4 beats twice 3/2
werck3_ebm.scl                 12  Harmonic equal-beating meta-version of Werckmeister III by Jacques Dudon (2006)
werck3_mim.scl                 12  Werckmeister III, 10 cents 5-limit mimafip scale
werck3_mod.scl                 12  Modified Werckmeister III with B between E and F#, Nijsse (1997), organ Soest
werck3_mod2.scl                12  Modified Werckmeister III, Orgelbau Rohlf (2015)
werck3_turck.scl               12  Daniel Gottlob Türck's 1806 Werckmeister III compiled by Andreas Sparschuh, TL 28-05-2010
werck4.scl                     12  Andreas Werckmeister's temperament IV
werck5.scl                     12  Andreas Werckmeister's temperament V
werck6.scl                     12  Andreas Werckmeister's "septenarius" tuning VI, D is probably erroneous
werck6_cor.scl                 12  Corrected Septenarius with D string length=175 by Tom Dent (2006)
werck6_dup.scl                 12  Andreas Werckmeister's VI in the interpretation by Dupont (1935)
werckmeisterIV_variant.scl     12  Werckmeister IV with 1/3 syntonic comma temperings
werckmeisterIV_variant_c.scl   12  Werckmeister IV variation, 1/3-SC, all intervals in cents
werck_cl5.scl                  12  Werckmeister Clavier temperament (Nothw. Anm.) Poletti reconstr. 1/5-comma
werck_cl6.scl                  12  Werckmeister Clavier temperament (Nothw. Anm.) Poletti reconstr. 1/6-comma
werck_puzzle.scl               12  From Hypomnemata Musica, 1697, p. 49, 1/1=192, fifths tempered superparticular
white.scl                      22  Justin White's 22-tone scale based on Al-Farabi's tetrachord
whoosh.scl                    441  Whoosh temperament, g=560.54697, 5-limit
wicks_eb.scl                   12  Mark Wicks' equal beating temperament for organs (1887)
wiegleb-book.scl               12  Werkstattbuch Wiegleb, organ temperament, 2nd half 18th cent., from Ratte, p. 406
wiegleb.scl                    12  Wiegleb's organ temperament (1790)
wier_15.scl                    15  Danny Wier, 11-limit JI scale, TL 27-07-2009
wier_53.scl                    53  Danny Wier's schismatically-altered 53-Pythagorgean scale (2002)
wier_cl.scl                    12  Danny Wier, ClownTone (2003)
wier_j.scl                     12  Danny Wier, 8 1/4P, 4 -1/4P temperament
wiese1.scl                     12  Christian Ludwig Gustav von Wiese's 1/2P-comma temperament no. 1 (1793)
wiese3.scl                     12  Christian Ludwig Gustav von Wiese's 1/2P-comma temperament no. 3 (1793). Also Grammateus (1518) according to Ratte, p. 249
wilcent17.scl                  17  Wilson 17-tone 11-limit scale, two harmonic and subharmonic pairs a 3/2 apart
wilson-grady_1-3-5-7-9-doubledekany.scl
                               14  Constant structure scale of the 2)5 and 3)5 1-3-5-7-9 dekanies
wilson-grady_metamavila16.scl  16  Good for rotating 7 and 9 tone Meta-Mavila scales
wilson-grady_metamavila7.scl    7  A basic 7-tone Mavila scale
wilson-grady_metamavila9.scl    9  Good for rotating 7-tone Meta-Mavila pattern
wilson-grady_metaptolemy10.scl 10  10 tone to scale rotate 7 tone Meta-Ptolemy
wilson-grady_metaptolemy17.scl 17  Good for rotating 7 and 10 tone Meta-Ptolemy pattern.
wilson-grady_metaptolemy7.scl   7  Meta-Ptolemy starting on 49
wilson-rastbayyati24.scl       24  Erv Wilson scale from Rast/Bayyati matrix (27/22, 11/9)
wilson1.scl                    19  Erv Wilson 19-tone Scott scale (1976)
wilson11.scl                   19  Wilson 11-limit 19-tone scale (1977)
wilson1t.scl                   19  Wilson Scott scale, wilson1, in minimax minerva tempering
wilson2.scl                    19  Wilson 19-tone (1975)
wilson3.scl                    19  Wilson 19-tone
wilson5.scl                    22  Wilson's 22-tone 5-limit scale
wilson7.scl                    22  Wilson's 22-tone 7-limit 'marimba' scale
wilson7_2.scl                  22  Wilson 7-limit scale
wilson7_3.scl                  22  Wilson 7-limit scale
wilson7_4.scl                  22  Wilson 7-limit 22-tone scale XH 3, 1975
wilson_11-limit-pelog9.scl      9  9 tone for modulating 5 and 7 tone pelogs in all keys
wilson_17.scl                  17  Wilson 17-tone 5-limit scale
wilson_31.scl                  31  Wilson 11-limit 31-tone scale XH 3, 1975
wilson_41.scl                  41  Wilson 11-limit 41-tone scale XH 3, 1975
wilson_alessandro.scl          56  D'Alessandro, genus [3 3 3 5 7 11 11] plus 8 pigtails, XH 12, 1989
wilson_bag.scl                  7  Erv's bagpipe, after Theodore Podnos (37-39), (March 1997)
wilson_class.scl               12  Wilson's Class Scale, 9 July 1967
wilson_dalessandro_filled_keyboard.scl
                               38  Dalessandro with two 1-3-7-9-11-15 eikosanies with filled blanks for keyboard
wilson_dia1.scl                22  Wilson Diaphonic cycles, tetrachordal form
wilson_dia2.scl                22  Wilson Diaphonic cycle, conjunctive form
wilson_dia3.scl                22  Wilson Diaphonic cycle on 3/2
wilson_dia4.scl                22  Wilson Diaphonic cycle on 4/3
wilson_duo.scl                 22  Wilson 'duovigene'
wilson_enh.scl                  7  Wilson's Enharmonic & 3rd new Enharmonic on Hofmann's list of superp. 4chords
wilson_enh2.scl                 7  Wilson's 81/64 Enharmonic, a strong division of the 256/243 pyknon
wilson_evangelina22.scl        22  22-tone helix-like favorite of Erv Wilson
wilson_facet.scl               22  Wilson study in 'conjunct facets', Hexany based
wilson_gh1.scl                  7  Golden Horagram nr.1: 1phi+0 / 7phi+1
wilson_gh11.scl                 7  Golden Horagram nr.11: 1phi+0 / 3phi+1
wilson_gh2.scl                  7  Golden Horagram nr.2: 1phi+0 / 6phi+1
wilson_gh50.scl                12  Golden Horagram nr.50: 7phi+2 / 17phi+5
wilson_hebdome1.scl            58  Wilson 1.3.5.7.9.11.13.15 hebdomekontany, 1.3.5.7 tonic
wilson_helixsong10-11-limit.scl
                               10  Two 6-12 harmonic series 3/2 apart
wilson_helixsong14-17-limit.scl
                               14  2 interlocked harmonic series 9-18 and 8-16 [3/2 lower]
wilson_helixsong24-29-limit.scl
                               24  2 interlocking harmonic series 15-30 and 14-28 3/2 lower
wilson_hexflank.scl            12  Hexany Flanker, 7-limit, from Wilson
wilson_hypenh.scl               7  Wilson's Hyperenharmonic, this genus has a CI of 9/7
wilson_l1.scl                  22  Wilson 11-limit scale
wilson_l2.scl                  22  Wilson 11-limit scale
wilson_l3.scl                  22  Wilson 11-limit scale
wilson_l4.scl                  22  Wilson 11-limit scale
wilson_l5.scl                  22  Wilson 11-limit scale
wilson_l6.scl                  22  Wilson 1 3 7 9 11 15 eikosany plus 9/8 and tritone. Used Stearns: Jewel
wilson_meta-meantone19.scl     19  Wilson's Meta-Meantone seeded with just diatonic. Good for 5, 7 and 12 tone subsets.
wilson_pelog.scl                7  Wilson Stretched Pelog, generator close to 15/11. (c. 1993)
window.scl                     21  Window lattice
wizard22.scl                   22  Wizard[22] 11-limit, 4 cents lesfip optimized
wonder1.scl                    31  Wonder Scale, gen=~233.54 cents, 8/7+1029/1024^7/25, LS 12:14:18:21, M.Schulter
wonder36.scl                   31  Wonder Scale, 36-tET version
wookie58.scl                   58  Wookie[58], a 58&113 temperament MOS, in 171-tET tuning
woz31.scl                      31  2401/2400 norm reduced 31
wronski.scl                    12  Wronski's scale, from Jocelyn Godwin, "Music and the Occult", p. 105.
wurschmidt.scl                 12  Würschmidt's normalised 12-tone system
wurschmidt1.scl                19  Würschmidt-1 19-tone scale
wurschmidt2.scl                19  Würschmidt-2 19-tone scale
wurschmidt_31.scl              31  Würschmidt's 31-tone system
wurschmidt_31a.scl             31  Würschmidt's 31-tone system with alternative tritone
wurschmidt_53.scl              53  Würschmidt's 53-tone system
wyschnegradsky.scl              5  Ivan Wyschnegradsky, scale for "Cosmos" op. 28 for 4 pianos (1938/40 rev. 1945)
xenakis_chrom.scl               7  Xenakis's Byzantine Liturgical mode, 5 + 19 + 6 parts
xenakis_diat.scl                7  Xenakis's Byzantine Liturgical mode, 12 + 11 + 7 parts
xenakis_schrom.scl              7  Xenakis's Byzantine Liturgical mode, 7 + 16 + 7 parts
xylophone2.scl                 10  African Yaswa xylophones (idiophone; calbash resonators with membrane)
xylophone3.scl                  5  African Banyoro xylophone (idiophone; loose log)
xylophone4.scl                 10  African Bapare xylophone (idiophone; loose log)
yajna31.scl                    31  Yajna[31] hobbit in 520-tET, commas 540/539, 1375/1372, 625/624
yarman-36a_12core.scl          12  12-tone Modified Meantone Temperament core (Layer I) of Yarman36a_nr1, A=438.410457150843
yarman12-135.scl               12  12 out of 135-tET by Ozan Yarman
yarman12-159.scl               12  12 out of 159-tET by Ozan Yarman
yarman24a-rational.scl         24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24a.scl                  24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24b-rational.scl         24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24b-rational2.scl        24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24b.scl                  24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24c.scl                  24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman24d-equalizedmtfifth.scl 24  24-tone maqam music tuning with 12-tones tempered in the style of Rameau's modified meantone and 17 tones produced by cycle of super-pyth fifths
yarman31b-rational-practical.scl
                               31  Yarman24b extended to 31 notes using missing "comma" flats and sharps --rationalized & fretting friendly
yarman31b-rational.scl         31  Yarman24b extended to 31 notes using missing "comma" flats and sharps --rationalized
yarman31b.scl                  31  Yarman24b extended to 31 notes using missing "comma" flats and sharps
yarman31c-rational-practical.scl
                               31  Yarman24c extended to 31 notes using missing "comma" flats and sharps --rationalized & fretting friendly
yarman31c-rational.scl         31  Yarman24c extended to 31 notes using missing "comma" flats and sharps --rationalized
yarman31c.scl                  31  Yarman24c extended to 31 notes using missing "comma" flats and sharps
yarman31c_final.scl            31  Final version of Yarman24c extended to 31 notes
yarman31d-equalizedmtfifth.scl 31  Yarman24d extended to 31 notes using missing "comma" flats and sharps
yarman31d-rational-practical.scl
                               31  Yarman24d extended to 31 notes using missing "comma" flats and sharps --rationalized & fretting friendly
yarman31d-rational.scl         31  Yarman24d extended to 31 notes using missing "comma" flats and sharps --rationalized
yarman36a_nr1-438hz.scl        36  Triplex Modified Meantone Temperaments spaced at 11/9 from G and 5/3 from C#, A=438.410457150843
yarman36a_nr2-440hz.scl        36  Triplex Modified Meantone Temperaments spaced at 11/9 from G and 5/3 from C#, A=440hz
yarman36b.scl                  36  12-tone bike-chains equally dividing the 441/220 octave like yarman36a
yarman36c.scl                  36  With proportional beat rates and 441/220 octave in the manner of yarman36b
yarman_17etx3.scl              51  Three times 17-tET -15.482 and -35.294 cents apart by Ozan Yarman
yarman_19etx2.scl              38  Two 19-tone equal scales 14.239 cents apart by Ozan Yarman
yarman_19etx3.scl              57  Three 19-tone equal scales 14.239 and 24.459 cents apart respectively by Ozan Yarman
yarman_23etx2.scl              46  Two 23-tone equal scales 23.694 cents apart by Ozan Yarman
yarman_29etx2.scl              58  Two 29-tone equal scales 13.9 cents apart by Ozan Yarman
yarman_buselik.scl              8  8-tone Buselik by Ozan Yarman
yarman_hijaz.scl                8  8-tone Hijaz by Ozan Yarman
yarman_hijazkar.scl            10  Hijazkar/Kürdili Hijazkar mixed by Ozan Yarman
yarman_karjighar.scl            9  9-tone Karjighar by Ozan Yarman
yarman_mahur.scl               10  Mahur by Ozan Yarman
yarman_nihavend.scl             8  8-tone Nihavend by Ozan Yarman
yarman_rast.scl                11  11-tone Arabian and Turkish Rast/Penchgah by Ozan Yarman
yarman_saba.scl                12  Saba by Ozan Yarman
yarman_segah.scl               10  10-tone Segah/Huzzam by Ozan Yarman
yarman_ushaq.scl               10  10-tone Ushaq/Huseyni by Ozan Yarman
yasser_6.scl                    6  Yasser Hexad, 6 of 19 as whole tone scale
yasser_diat.scl                12  Yasser's Supra-Diatonic, the flat notes are V,W,X,Y,and Z
yasser_ji.scl                  12  Yasser's just scale, 2 Yasser hexads, 121/91 apart
yekta-41.scl                   41  Yekta-24 extended to 41-quasi equal tones by Ozan Yarman
yekta-cataclysmic.scl          12  yekta tempered in 13-limit POTE-tuned cataclysmic
yekta.scl                      12  Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia
young-g.scl                    28  Gayle Young's Harmonium, see PNM 26(2): 204-212 (1988)
young-lm_guitar.scl            12  LaMonte Young, tuning of For Guitar '58. 1/1 March '92, inv.of Mersenne lute 1
young-lm_piano.scl             12  LaMonte Young's Well-Tuned Piano
young-sorge.scl                12  Young-Sorge temperament, 1/6 P
young-w10.scl                  10  William Lyman Young 10 out of 24-tET (1961)
young-w14.scl                  14  William Lyman Young 14 out of 24-tET (1961)
young-wt.scl                    7  William Lyman Young "exquisite 3/4 tone Hellenic Lyre" dorian
young.scl                      12  Thomas Young well temperament (1807), also Luigi Malerbi nr.2 (1794)
young1.scl                     12  Thomas Young well temperament no.1 (1800), 1/12 and 3/16 synt. comma
young2.scl                     12  Thomas Young well temperament no.2 (1799)
yugo_bagpipe.scl               12  Yugoslavian Bagpipe
zalzal.scl                      7  Tuning of popular flute by Al Farabi & Zalzal. First tetrachord is modern Rast
zalzal2.scl                     7  Zalzal's Scale, a medieval Islamic with Ditone Diatonic & 10/9 x 13/12 x 72/65
zapf-dent.scl                  12  Thomas Dent, theoretical Zapf temperament, 1/13P (2005)
zapf.scl                       12  Michael Zapf Bach temperament (2001)
zarlino2.scl                   16  16-note choice system of Zarlino, Sopplimenti musicali (1588)
zarlino24.scl                  24  Possible 31-tET tuning for 24-note keyboard by Zarlino (1548)
zarte24-volans_b.scl            7  Equable heptatonic like volans.scl (reported African scale)
zartehijaz1.scl                 9  Scale from Zarlino temperament extraordinaire, lower Hijaz tetrachord
zesster_a.scl                   8  Harmonic six-star, group A, from Fokker
zesster_b.scl                   8  Harmonic six-star, group B, from Fokker
zesster_c.scl                   8  Harmonic six-star, group C on Eb, from Fokker
zesster_mix.scl                16  Harmonic six-star, groups A, B and C mixed, from Fokker
zest24-persian_Eb.scl          17  Version somewhat like Darius Anooshfar's persian.scl, Eb-Eb
zest24-supergoya17plus3_Db.scl 20  Goya-17 plus 484, 676, and 1180 cents
zest24.scl                     24  Zarlino Extraordinaire Spectrum Temperament (two circles at ~50.28c apart)
zeta12.scl                     12  Margo Schulter's Zeta Centauri tuning inspired by Kraig Grady's Centaur
zeus1.scl                       6  Zeus tempering of [11/10, 5/4, 11/8, 3/2, 11/6, 2], 99-tET tuning
zeus22.scl                     22  Zeus[22] hobbit (121/120&176/175) in POTE tuning
zeus24.scl                     24  Zeus[24] hobbit (121/120&176/175) in POTE tuning
zeus7tri.scl                    7  Trivalent scale in Zeus temperament; thirds are all {7/6, 6/5, 5/4}; 99-tET tuning; aabacab
zeus8tri.scl                    8  Zeus tempered scale with 3DE property, 99-tET tuning, mmmLmmms
zex46.scl                      46  Irregularized Zeus[46]
zir_bouzourk.scl                6  Zirafkend Bouzourk (IG #3, DF #9), from both Rouanet and Safi al-Din
zwolle.scl                     12  Henri Arnaut De Zwolle. Pythagorean on G flat.
zwolle2.scl                    12  Henri Arnaut De Zwolle's modified meantone tuning (c. 1440)

